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The Filth and the Fury

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filmhandledning The Filth and the Fury The Filth and the Fury är en dokumentärfilm om det engelska punkbandet Sex Pistols. Filmen är en skildring från den tid då bandet bildades 1975, dess upp- lösning 26 månader senare 1978 fram till basisten Sid Vicious död året därpå. Filmen placerar Sex Pistols i ett samhälleligt och kul- turellt sammanhang och väcker frågor kring ungdomskultur, dess relation till samhället och myter- na kring rockmusiken. Rekommenderad för gymnasiet En filmhandledning av Clas Österholm Filmens handling – och The Johnny Rotten – karismatisk sångare i skandalomsusade ”Sex Pistols”. Sex Pistols Story Till TV-bilder från 1970-talets England med demonstrationer, upp- lyckad spelning på St. Martins in singeln ”God Save the Queen”. På lopp och briserande IRA-bomber, College i London i slutet av 1975. skivkonvolutet syns ett porträtt av hörs den före detta sångaren i Sex Under 1976 får Sex Pistols lång- drottningen med en säkerhetsnål Pistols John Lydons berättarröst: ”Tro samt en skara trogna beundrare. Efter genom näsan. Bandet skriver kontrakt inte allt ni ser om rockbranschen. Det upplopp på en spelning sprider sig med Virgin Records och för att på sitt är ett helvete, det är hårt, det är ryktet om det våldsbenägna bandet sätt ge sitt bidrag till drottning-jubile- hemskt. Men det var värt det. För det och de portförbjuds på ett flertal spel- et ger de en konsert ombord på en båt viktigaste är vad man åstadkommit i ställen. De skriver kontrakt med skiv- på Themsen som abrupt stoppas av slutet av arbetsdagen.” Han kommen- bolaget EMI och spelar strax därefter polisen. Singeln ”God Save the terar vidare situationen i England in debutsingeln ”Anarchy in the UK”. Queen” utsätts för en media blockad under landets politiskt kaotiska 70- Sex Pistols gör skandal när de fram- och radiostationer vägrar att spela tal. Därpå följer en presentation av de träder i TV-programmet ”Today”. den. Trots detta klättrar den till top- blivande medlemmarna i Sex Pistols: Redigt berusade och provocerade av pen på försäljningslistan – vilket emel- Steve Jones, Paul Cook, Glen Mat- programledaren Bill Grundy börjar lertid inte redovisas officiellt. lock, John Lydon (Johnny Rotten). invektiven hagla i direktsändning. Nancy Spungen, en heroinmissbru- Basisten Sid Vicious presenteras i ett Nästa dag är bandet förstasidesstoff i kande groupie från USA, dyker upp senare skede av filmen. landets tidningar, mediadrevet är satt i vid Sid Vicious sida som hans flick- I kronologisk ordning redovisas rullning. Som en konsekvens av detta vän. Hon har lockats till England av gruppens historia. Hur kompisarna köper EMI ut bandet i januari 1977. bandets skandalösa rubriker. Till- från stadsdelen Shepards Bush utanför Efter en tids konflikt med John Lydon sammans går Sid och Nancy allt dju- London, Steve Jones och Paul Cook, lämnar Glen Matlock bandet. Som pare ner sig i heroinberoendet – me- bildar ett band. Steve Jones tillbringar ersättare anlitas John Lydons kompis dan de övriga bandmedlemmarna gör större delen av sina dagar i modebuti- John Ritchie, mer känd som Sid allt för att göra sig av med henne. ken Let It Rock i London som drivs Vicious, som sedan starten varit ett av Samtidigt ökar konflikterna inom av den excentriske före detta konst- Sex Pistols allra största fans. Han kan bandet och John Lydon står i ständig skolestudenten Malcolm McLaren och absolut inte spela bas, men vad gör kollisionskurs med managern klädskaparen Vivienne Westwood. det när han har rätt attityd och ser McLaren. McLaren fixar en replokal till bandet bra ut. Medias klappjakt på Sex Pistols och Glen Matlock som jobbar extra i Sex Pistols skriver kontrakt med intensifieras och alla, från politiker till affären blir bandets basist. De saknar skivbolaget A&M vilket undertecknas folk på gatan har åsikter om gruppen. dock en karismatisk sångare. McLa- utanför Buckingham Palace. Men Filmen visar hur moralpaniken spri- ren får upp ögonen för en ung man några dagar senare sparkas de från der sig som en löpeld över England. vid namn John Lydon, snart kallad skivbolaget, bl a på grund av ett allt- Men orsaken ligger inte i vad bandet Johnny Rotten, som passar utmärkt för vilt partajande på skivbolagets uttrycker med sin musik utan det är för uppdraget. Bandet döps till Sex kontor. Lagom till 25-årsfirandet av deras moraliskt förkastliga beteende Pistols och debuterar med en miss- drottning Elisabeths kröning spelar de som upprör – de spottar och svär. Filmhandledning utgiven av Svenska Filminstitutet/Zoom 3/2000 Tel: 08-665 11 00 I slutet av 1977 släpper Sex Pistols filmskola. Gripen av bandets sitt enda officiella album ”Never energi och utstrålning bestäm- Mind the Bollocks – Here’s the Sex de han sig för att dokumente- Pistols” som åker högst upp på för- ra dem med sin filmkamera. säljningslistan, trots att många buti- Han följde dem under deras ker bojkottar den. Bandets sista spel- korta karriär och efter att ning i England äger rum på Ivanhoes bandet splittrats använde han Club i Huddersfield på juldagen delar av materialet för att göra 1977. Spelningen är ett kalas som filmen The Great Rock ’n’ arrangeras för barnen till arbetslösa Roll Swindle från 1979. brandmän och ensamstående föräl- Filmen är en provocerande drar, och skivbolaget Virgin bjuder och cynisk skildring av Sex på läsk och tårta. Under spelningen Pistols historia där managern kastar lyckliga ungar tårta på en lika Malcolm McLaren som fil- lycklig John Lydon. mens huvudperson driver tesen att Johnny Rotten – förgrundsfigur i ett band som var I januari 1978 beger sig gruppen Sex Pistols är hans egen skapelse i en enda stor provokation. på en USA-turné. Sid Vicious narko- kommersialismens namn. Tjugo år tikaberoende är ohanterligt. Splitt- senare plockar nu Julien Temple åter gram på TV, med de intervjuades ringen inom gruppen är nu uppenbar fram sitt filmmaterial för att sam- berättelser eller musikinslag för att och den amerikanska publiken har manställa The Filth and the Fury. förtydliga ståndpunkter och argu- stora problem med britternas provo- Den här gången ska gruppens egen mentera för sin sak. Dessa ofta elakt cerande cynism. Mottagandet blir version av historien offentliggöras. satiriska montage och filmens provo- ibland rent hotfullt. Sex Pistols sista The Filth and the Fury är en doku- cerande attityd har referenser till konsert äger rum på The Winterland mentärfilm, en klippfilm bestående punkens egen estetik. Ballroom i San Fransico den 14 av olika historiska bildmaterial – ★ Diskutera The Filth and the Fury januari 1978. John Lydon har fått nyhetsreportage, intervjuer, reklam- som dokumentärfilm i samband med nog av Malcolm McLaren och före- filmer, filmcitat och TV-program begrepp som sanning och objektivi- slår för de andra i gruppen att de från 70-talet – som klippts samman tet. Diskutera den teknik med exem- ska fortsätta själva utan managern, till ett collage. Intervjuerna med pelvis associativa klipp som regissö- annars hoppar han av. Steve Jones bandmedlemmarna i nutid sker vid ren använder. och Paul Cook nappar inte på försla- separata situationer, där de endast get. Efter extranumret ”No Fun” syns som skuggfigurer med ansiktena ★ Vad vill filmen säga oss? Filmen avbryter John Lydon konserten, och dolda i mörker. Intervjun med Sid avslutas med att John Lydon säger: han avslutar med att säga till publi- Vicious är gjord av filmens regissör ”I want the future generations to ken: ”Har ni nånsin haft känslan av Julien Temple i Hyde Park året innan wake up and say: Fuck off, this is att vara lurade?” Sex Pistols är Sid Vicious dog. I filmens inledning the truth!” Fungerar filmen som ett splittrat. kan det vara svårt att veta vem som politiskt statement, provokation och I oktober 1978, nio månader efter talar på ljudspåret. Det sägs t ex inte inspiration eller är det kort och gott att bandet lagts ner, hittas Sid Vici- att det är John Lydons röst som en historielektion? ous flickvän Nancy Spungen död i introducerar oss till historien. Något parets rum på Chelsea Hotel i New senare presenteras rösterna med text- Punkens framväxt York. Hon har flera knivhugg i skyltar. Managern Malcolm ”God save the Queen – And her magen, och Sid Vicious anklagas för McLarens kommentarer till historien fascist regime mord. Han släpps mot borgen men är tagna från tidigare filmat materi- It made you a moron – A potential den 2 februari 1979, innan det hin- al, alltså inte från nutid, vilket aldrig H-bomb ner bli rättegång dör Sid Vicious av tydligt framgår. God save the Queen – She’s not a en överdos heroin. John Lydon är i Dokumentärfilmen brukar ofta human being filmen både ångerfull och bitter när sättas i motsats till fiktionsfilm och There is no future in England’s han talar om sin döde vän. Ångerfull då också ses som mer sann eller dreaming för att han var ung och naiv och inte objektiv. Orsaken skulle vara att en Don’t be told what you want kunde hjälpa honom, bitter på hur dokumentärfilm tar sin utgångs- Don’t be told what you need press och bandets omgivning profite- punkt i autentiskt material och att No future, no future, no future for rade på Sids död. personer som befinner sig framför you… Filmen slutar med att John ger ett kameran inte är agerande skådespe- /…/ råd till framtida generationer: lare. Men man måste hålla i minnet When there is no future how can ”We did what we had to do. And att de bilder av verkligheten som there be sin? we didn’t survive. Only the fakes visas i en dokumentärfilm inte är det We are the flowers in the dustbin survive. samma som verkligheten, utan väl We are the poison in the machi- I want the future generations to utvalda och redigerade efter det syfte ne…” wake up and say: Fuck off, this is som filmskaparen har.
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    ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
  • View Bad Ideas About Writing

    View Bad Ideas About Writing

    BAD IDEAS ABOUT WRITING Edited by Cheryl E. Ball & Drew M. Loewe BAD IDEAS ABOUT WRITING OPEN ACCESS TEXTBOOKS Open Access Textbooks is a project created through West Virginia University with the goal of produc- ing cost-effective and high quality products that engage authors, faculty, and students. This project is supported by the Digital Publishing Institute and West Virginia University Libraries. For more free books or to inquire about publishing your own open-access book, visit our Open Access Textbooks website at http://textbooks.lib.wvu.edu. BAD IDEAS ABOUT WRITING Edited by Cheryl E. Ball and Drew M. Loewe West Virginia University Libraries Digital Publishing Institute Morgantown, WV The Digital Publishing Institute believes in making work as openly accessible as possible. Therefore, this work is licensed under a Creative Commons Attribution 4.0 International License. This license means you can re-use portions or all of this book in any way, as long as you cite the original in your re-use. You do not need to ask for permission to do so, although it is always kind to let the authors know of your re-use. To view a copy of this CC license, visit http://creative- commons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. This book was set in Helvetica Neue and Iowan Old Style and was first published in 2017 in the United States of America by WVU Libraries. The original cover image, “No Pressure Then,” is in the public domain, thanks to Pete, a Flickr Pro user.