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Political Ideas and Movements That Created the Modern World
harri+b.cov 27/5/03 4:15 pm Page 1 UNDERSTANDINGPOLITICS Understanding RITTEN with the A2 component of the GCE WGovernment and Politics A level in mind, this book is a comprehensive introduction to the political ideas and movements that created the modern world. Underpinned by the work of major thinkers such as Hobbes, Locke, Marx, Mill, Weber and others, the first half of the book looks at core political concepts including the British and European political issues state and sovereignty, the nation, democracy, representation and legitimacy, freedom, equality and rights, obligation and citizenship. The role of ideology in modern politics and society is also discussed. The second half of the book addresses established ideologies such as Conservatism, Liberalism, Socialism, Marxism and Nationalism, before moving on to more recent movements such as Environmentalism and Ecologism, Fascism, and Feminism. The subject is covered in a clear, accessible style, including Understanding a number of student-friendly features, such as chapter summaries, key points to consider, definitions and tips for further sources of information. There is a definite need for a text of this kind. It will be invaluable for students of Government and Politics on introductory courses, whether they be A level candidates or undergraduates. political ideas KEVIN HARRISON IS A LECTURER IN POLITICS AND HISTORY AT MANCHESTER COLLEGE OF ARTS AND TECHNOLOGY. HE IS ALSO AN ASSOCIATE McNAUGHTON LECTURER IN SOCIAL SCIENCES WITH THE OPEN UNIVERSITY. HE HAS WRITTEN ARTICLES ON POLITICS AND HISTORY AND IS JOINT AUTHOR, WITH TONY BOYD, OF THE BRITISH CONSTITUTION: EVOLUTION OR REVOLUTION? and TONY BOYD WAS FORMERLY HEAD OF GENERAL STUDIES AT XAVERIAN VI FORM COLLEGE, MANCHESTER, WHERE HE TAUGHT POLITICS AND HISTORY. -
Thesis 2.0., Hokkanen
Distorted imaginaries in a world of crisis - A world-ecological analysis of the imaginaries at the root of United Nations’ climate responses Saana Hokkanen University of Helsinki Global Development Studies, Faculty of Social Sciences Master’s thesis November, 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildingsprogram – Degree Programme Faculty of Social Sciences Master’s Programme in Society and Change Tekijä – Författare – Author Saana Maarit Hokkanen Työn nimi – Arbetets titel – Title Distorted imaginaries in a world of crisis – a world-ecological analysis of the imaginaries at the root of United Nations climate responses Oppiaine/Opintosuunta – Läroämne/Studieinriktning – Subject/Study track Global Development Studies Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Master’s thesis November, 2020 67 + references Tiivistelmä – Referat – Abstract The earth and all of its inhabitants are currently on a trajectory of multiple cascading global crises, which threaten the existence of all beings and the complex relations, which enable the functioning of all societies. In addition to posing a physical threat to human and non-human existence, the climate emergency also poses a conceptual and an ontological challenge. Therefore, this thesis focuses on the institutionalized and globalized ontological assumptions (or imaginaries) at the core of the current world-system (/ecology) characterized by capitalism. One of the main arguments in this thesis is that the perpetuation of the core imaginaries (namely those of Society and Nature’s dualism, mechanistic image of the world and hierarchical existence) at the root of current global structures, as well as the international climate responses, has led to inadequate and misinformed responses to the emergency. -
Catharsis and Salvation in the Mosaic of Casaranello (Italy, 6Th Century)
American Journal of Art and Design 2021; 6(3): 84-94 http://www.sciencepublishinggroup.com/j/ajad doi: 10.11648/j.ajad.20210603.13 ISSN: 2578-7799 (Print); ISSN: 2578-7802 (Online) A Journey of the Soul: Catharsis and Salvation in the Mosaic of Casaranello (Italy, 6th Century) Francesco Danieli Gli Argonauti, Roman University Editions, Rome, Italy Email address: To cite this article: Francesco Danieli. A Journey of the Soul: Catharsis and Salvation in the Mosaic of Casaranello (Italy, 6th Century). American Journal of Art and Design . Vol. 6, No. 3, 2021, pp. 84-94. doi: 10.11648/j.ajad.20210603.13 Received : June 12, 2021; Accepted : July 19, 2021; Published : July 28, 2021 Abstract: The church of Santa Maria della Croce in Casaranello (Casarano, Italy, 6th century) is an important paleo- Byzantine testimony in Southern Italy. The building is well preserved and corresponds more or less to its original structure because in the late-medieval age the community of Casaranum decided to move the residential area up the hill overlooking the original hamlet. The German art historian Arthur Haseloff (1872-1955) visited the church in 1907, intrigued by a bibliographic indication by Wladimir De Gruneisen, and he found it in the miserable condition of stall for sheep and goats. When he entered the church, he immediately realised he was in front of one of the most important jewels of the paleochristian art: a treasure fallen into oblivion and whose value deserved to be highlighted. Haseloff summarily analysed the site of Casaranello, paying particular attention to the mosaic. This research promoted a new awareness towards Santa Maria della Croce and laid the basis for the restoration interventions carried out during the second half of the ‘900s. -
Italian Fascism Between Ideology and Spectacle
Fast Capitalism ISSN 1930-014X Volume 1 • Issue 2 • 2005 doi:10.32855/fcapital.200502.014 Italian Fascism between Ideology and Spectacle Federico Caprotti In April 1945, a disturbing scene was played out at a petrol station in Piazzale Loreto, in central Milan. Mussolini’s body was displayed for all to see, hanging upside down, together with those of other fascists and of Claretta Petacci, his mistress. Directly, the scene showed the triumph of the partisans, whose efforts against the Nazis had greatly accelerated the liberation of the North of Italy. The Piazzale Loreto scene was both a victory sign and a reprisal. Nazis and fascists had executed various partisans and displayed their bodies in the same place earlier in the war. Indirectly, the scene was a symbolic reversal of what had until then been branded as historical certainty. Piazzale Loreto was a public urban spectacle aimed at showing the Italian people that fascism had ended. The Duce was now displayed as a gruesome symbol of defeat in the city where fascism had first developed. More than two decades of fascism were symbolically overcome through a barbaric catharsis. The concept of spectacle has been applied to Italian fascism (Falasca-Zamponi 2000) in an attempt to conceptualize and understand the relationship between fascist ideology and its external manifestations in the public, symbolic, aesthetic, and urban spheres. This paper aims to further develop the concept of fascism as a society of spectacle by elaborating a geographical understanding of Italian fascism as a material phenomenon within modernity. Fascism is understood as an ideological construct (on which the political movement was based) which was expressed in the symbolic and aesthetic realm; its symbolism and art however are seen as having been rooted in material, historical specificity. -
A Phenomenological Interpretation of Religion Via Pre-Socratic Thinking
The University of Notre Dame Australia ResearchOnline@ND Philosophy Papers and Journal Articles School of Philosophy 2008 A phenomenological interpretation of religion via pre-Socratic thinking Angus Brook University of Notre Dame Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/phil_article Part of the Philosophy Commons This article was originally published as: Brook, A. (2008). A phenomenological interpretation of religion via pre-Socratic thinking. ,. This article is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/phil_article/1. For more information, please contact [email protected]. A Phenomenological Interpretation of Religion via Pre-Socratic Thinking Introduction: What is religion? What does the concept of religion mean? Today, the word ‘religion’ appears everywhere; a seemingly all pervasive notion associated with a vast array of phenomena, including: war, terrorism, politics, science fiction, morality, and of course, with delusion and irrationality. However, what religion is, or what it means, remains a highly contested matter. It will be the aim of this paper to offer an interpretation of the meaning of the concept of religion by using just one of many philosophical ways of approaching religion, namely; phenomenology as ontology. The paper will focus upon the remaining fragments of three Pre-Socratic philosophers; Anaximander, Heraclitus, and Parmenides, seeking in these fragments the basic conceptual subject matter for an interpretation of the meaning of religion. I will argue that these fragments reveal that the meaning of religion is a relation between being-human and what gets called the arche (or ground of being). Further, I will argue that this relation can be conceptually determined as a quest for ground: the ground of the human sense of being and of grounding thinking, meaning, truth, and purpose… Ultimately, I will argue in this paper that there are two essential characteristics of the meaning of religion as this relation to ground(ing). -
Tiina Rosenberg
Don ’t be Quiet TIINA ROSENBERG , Don’ ,t be Quiet ESSAYS ON FEMINISM AND PERFORMANCE Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Tiina Rosenberg Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Tiina Rosenberg 2016 License CC-BY ORCID: Tiina Rosenberg: 0000-0002-7012-2543 Supporting Agency (funding): The Swedish Research Council First published 2016 Cover Illustration: Le nozze di Figaro (W.A. Mozart). Johanna Rudström (Cherubino) and Susanna Stern (Countess Almaviva), Royal Opera, Stockholm, 2015. Photographer: Mats Bäcker. Cover designed by Karl Edqvist, SUP Stockholm Studies in Culture and Aesthetics (Online) ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-023-2 ISBN (PDF): 978-91-7635-020-1 ISBN (EPUB): 978-91-7635-021-8 ISBN (Kindle): 978-91-7635-022-5 DOI: http://dx.doi.org/10.16993/baf This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/ by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated. Suggested citation: Rosenberg, Tiina 2016 Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. Stockholm: Stockholm University Press. DOI: http://dx.doi. org/10.16993/baf. License CC-BY 4.0 To read the free, open access version of this book online, visit http://dx.doi.org/10.16993/baf or scan this QR code with your mobile device. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Text Machines: Mnemotechnical Infrastructure as Exappropriation Permalink https://escholarship.org/uc/item/3cj9797z Author McCoy, Jared Publication Date 2020 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Text Machines: Mnemotechnical Infrastructure as Exappropriation DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in English by Jared McCoy Dissertation Committee: Professor Andrzej Warminski, Chair Professor Rajagopalan Radhakrishnan Professor Geoffrey Bowker 2020 © 2020 Jared McCoy Dedication TO MY PARENTS for their boundless love and patience …this requires a comprehensive reading of Heidegger that is hard, you know, to do quickly. Paul de Man ii Contents Contents ................................................................................................................................. iii Acknowledgements ................................................................................................................. v Curriculum Vitae ..................................................................................................................... vi Abstract of the Dissertation .................................................................................................... vii I. History of Inscription ........................................................................................................... -
(CG II,5): a GNOSTIC PHYSICS by PHEME PERKINS The
ON THE ORIGIN OF THE WORLD (CG II,5): A GNOSTIC PHYSICS BY PHEME PERKINS The preface to the fifth tractate in codex II from Nag Hammadi, On the Origin of the World, claims to engage the reader in a cosmological discussion about the arrangement of chaos. Interpretations of this work usually assume that once the author has shown chaos to be "shadow" and not a primal reality, his cosmological interests end and gnostic mytholo- gizing takes over. Alexander B6hlig, for example, treats the philosophical language as part of a mythological syncretism designed to present the plan of salvation that will destroy the world.' While some attempts have been made to incorporate Gnostic materials into the study of middle Platon- ism,2 Heinrich D6rrie's judgment that Gnostic cosmologies represent "the facile musings of mediocre minds," para-philosophical ramblings of the semi-erudite, reflects the usual view. Such judgments seem unsound, in part because they discount the intellectual interests of Gnostic specu- lation - thus manifesting the same distaste for their negative cosmology as in the rhetoric of Plotinus' refutatio, where the genre dictates such com- ments, - and because the Nag Hammadi texts are showing an increasing variety of philosophical allusions; and finally because myth played a larger role in hellenistic cosmological speculation than it is usually given credit for. For example, the Hesiod passage on chaos usually cited as the source for the opening reference to chaos in this treatise3 was allegorized by Zeno.4 Linking 'chaos' to the verb cheesthai, Zeno associates it with the element water; earth appears as itself; Tartarus is air; and eros, fire.5 Such identifications are presupposed in Orig. -
Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism / Benjamin Y
!"#$% #&! '#($")* &"+ !,)"-$,.&( ,& -),$,-#/ $%".)* New Directions in Critical Theory Amy Allen, General Editor New Directions in Critical Theory presents outstanding classic and contempo- rary texts in the tradition of critical social theory, broadly construed. The series aims to renew and advance the program of critical social theory, with a particular focus on theorizing contemporary struggles around gender, race, sexuality, class, and globalization and their complex interconnections. Narrating Evil: A Postmetaphysical Theory of Reflective Judgment, María Pía Lara The Politics of Our Selves: Power, Autonomy, and Gender in Contemporary Critical Theory, Amy Allen Democracy and the Political Unconscious, Noëlle McAfee The Force of the Example: Explorations in the Paradigm of Judgment, Alessandro Ferrara Horrorism: Naming Contemporary Violence, Adriana Cavarero Scales of Justice: Reimagining Political Space in a Globalizing World, Nancy Fraser Pathologies of Reason: On the Legacy of Critical Theory, Axel Honneth States Without Nations: Citizenship for Mortals, Jacqueline Stevens The Racial Discourses of Life Philosophy: Négritude, Vitalism, and Modernity, Donna V. Jones Democracy in What State?, Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross, Slavoj Žižek Politics of Culture and the Spirit of Critique: Dialogues, edited by Gabriel Rockhill and Alfredo Gomez-Muller Mute Speech: Literature, Critical Theory, and Politics, Jacques Rancière The Right to Justification: Elements of Constructivist -
Volume 12 2016-2017
DIALOGUES@RU EDITORIAL BOARD SPRING 2017 FALL 2017 Emily Bliss Kelly Allen Lingyi Chen Amy Barenboim Wendy Chen Dustin He Steven Land Wei Yen Heng Kimberly Livingston Devika Kishore Valerie Mayzelshteyn Jasminy Martinez Daphne Millard Shannon McIntyre Keoni Nguyen Michele Mesi Ilana Shaiman Kalina Nissen Chad Stewart Jillian Pastor Abigail Stroebel Kassandra Rhoads Yashi Yadav Syeda Saad Cheyenne Terry Aurora Tormey EDITORS Tracy Budd Lynda Dexheimer COVER DESIGN & TYPESETTING Mike Barbetta © Copyright 2017 by Dialogues@RU All rights reserved. Printed in U.S.A. ii. CONTENTS Foreword • v Natasha Almanzar-Sanchez, Civil Disobedience and the First Amendment: The Subjective Constitutional Validity • 1 Vijay Anand, The Significance of Environmental Influences on an Individual’s Creativity • 12 Kiran Arshi, Divide and Conquer: The Role of Identity in Intergroup Conflicts • 25 Kaila Banguilan, Challenges in Maternal Health for Sub-Saharan Africa • 35 Courtney S. Beard, Discrimination against the Transgender Population and Recommendations for a Trans-inclusive Environment in the U.S. Military • 44 Brian Chang, CRISPR: Genetic Therapy, Enhancement, and Why It Matters • 57 Emilia Dabek, Prescription Drug Monitoring Programs for Early Detection of Drug Abuse: A Better Prognosis and Higher Survival Rate • 67 Josh Finkelstein, Night-Walkers in the Neruons • 79 Danielle Heaney, “Best Used By”: Labeling the Blame for Consumer Level Food Waste in the United States • 91 Ralston Hough, A Legalized Evil: The Usefulness of Just War Theory in Contemporary Politics • 103 Amy Hu, The Role of Pharmacogenomics in Racialized Medicine • 117 Taylor Jones, Sexuality, Sexual Identification, and Success: The Troubles and Consequences of Choosing to Stay in or Come Out of the Closet • 131 iii. -
From 'Materialism' Towards 'Materialities'
https://doi.org/10.37050/ci-20_000 BERNARDO BIANCHI EMILIE FILION-DONATO MARLON MIGUEL AYŞE YUVA From ‘Materialism’ towards ‘Materialities’ CITE AS: Bernardo Bianchi, Emilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, ‘From ‘Materialism’ towards ‘Materialities’’, in Materialism and Politics, ed. by Bernardo Bianchi, Emilie Filion-Donato, Mar- lon Miguel, and Ayşe Yuva, Cultural Inquiry, 20 (Berlin: ICI Berlin Press, 2021), pp. 1–18 <https://doi.org/10.37050/ci-20_000> Materialism and Politics, ed. by Bernardo Bi- anchi, Emilie Filion-Donato, Marlon Miguel, and Ayşe Yuva, Cultural Inquiry, 20 (Berlin: RIGHTS STATEMENT: ICI Berlin Press, 2021), pp. 1–18 © by the author(s) Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 Interna- tional License. The ICI Berlin Repository is a multi-disciplinary open access archive for the dissemination of scientific research documents related to the ICI Berlin, whether they are originally published by ICI Berlin or elsewhere. Unless noted otherwise, the documents are made available under a Creative Commons Attribution- ShareAlike 4.o International License, which means that you are free to share and adapt the material, provided you give appropriate credit, indicate any changes, and distribute under the same license. See http://creativecommons.org/licenses/by-sa/4.0/ for further details. In particular, you should indicate all the information contained in the cite-as section above. From ‘Materialism’ towards ‘Materialities’ THE EDITORS THE ACTUALITY OF MATERIALISM What is the relevance of materialism for thinking politics? Throughout modernity, materialism has been associated with fatalism, naturalism, heresy, atheism, and linked to political ideas such as republicanism, democracy, and communism. -
“Teaching Writing in Philosophy Courses” Oakes Handout 2, P. 1
“Teaching Writing in Philosophy Courses” Essay Assignment, Part One PHIL301 Over the course of the semester, you will construct an essay on the significance of Ancient Greek philosophy. The essay will be constructed in stages, which will culminate in a substantial essay due at the semester’s end. The first major element of the essay will concern the Pre-Socratics. You will write a short essay indicating the significance of this philosophical period. The second major element of the essay will concern the significance of Socrates and/or Plato. This essay will incorporate the first: you will revise the first essay so as to fit with materials of the second. Thirdly, you will add a research element to your existing discussion. You will find a secondary source assisting your commentary on the significance of Ancient Greek philosophy and incorporate it into your essay. Incorporation into the final draft of material from Aristotle will be encouraged but not mandatory. Part One: Essay One Note-Taking: Your first exercise is to demonstrate good note-taking practice. This will involve a succinct summary of a text along with a brief evaluation of it. Concept Explication: Your second exercise is to state and explain a key concept by reference to one or more of our authors. This will be a formal writing assignment, to be incorporated into the draft of Essay One. Full Draft of Essay One: The thesis of this essay will be a statement of the significance of Pre-Socratic philosophy. Your task will be to communicate to the reader a clear sense of why we consider this period of philosophy important.