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Ourhousetoyourhouse Royal Opera House Announces New Friday Premiere Stream: the Royal Ballet’S the Dream (2017)
17 March 2021 #OurHouseToYourHouse Royal Opera House announces new Friday Premiere stream: The Royal Ballet’s The Dream (2017) The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3. Join us on Friday 19 March at 7pm GMT as we stream The Dream (2017). Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory, and this production, recorded in 2017, features music from Felix Mendelssohn performed by the Orchestra of the Royal Opera House and designs from David Walker. Showcasing the extraordinary talents of dancers of The Royal Ballet, this recording stars Principal dancers Akane Takada as Titania and Steven McRae as Oberon. Also featured are First Soloist Valentino Zucchetti as Puck and Principal Character Artist Bennet Gartside as Bottom. Titles currently available to view via stream.roh.org.uk include La Fille mal gardée (The Royal Ballet, 2015), Il trittico (The Royal Opera, 2011), Raymonda Act III (The Royal Ballet, 2019), Tony and the Young Artists (The Royal Opera, 2021) and The Sleeping Beauty (The Royal Ballet, 2020). As part of our ongoing partnership with the BBC, Royal Opera House content continues to be available via BBC Sounds and BBC iPlayer. The Royal Opera’s 2018 performance of Wagner’s Ring Cycle in Keith Warner’s acclaimed production is available to listen to again in full. Presented by Tom Service, these performances feature Antonio Pappano conducting the Orchestra of the Royal Opera House and a stellar cast including soprano Nina Stemme as Brünnhilde; baritone John Lundgren as Wotan; mezzo- soprano Sarah Connolly as Fricka; and tenor Stefan Vinke as Siegfried, among others. -
City-Map-2017.Pdf
3 New Town Hall 11 Hofbräuhaus The Kunstareal (art quarter) Our Service Practical Tips Located in walking distance to one another, the rich variety contained in the museums and galleries in immediate proximity to world-renowned München Tourismus offers a wide range of services – personal and Arrival universities and cultural institutions in the art quarter is a unique multilingual – to help you plan and enjoy your stay with various By plane: Franz-Josef-Strauß Airport MUC. Transfer to the City by treasure. Cultural experience is embedded in a vivacious urban space offers for leisure time, art and culture, relaxation and enjoyment S-Bahn S1, S8 (travel time about 40 min). Airport bus to main train featuring hip catering and terrific parks. In the Alte Pinakothek 1 , in the best Munich way. station (travel time about 45 min). Taxi. Neue Pinakothek 2 and Pinakothek der Moderne 3 , Museum By railroad: Munich Hauptbahnhof, Ostbahnhof, Pasing Brandhorst 4 and the Egpytian Museum 5 as well as in the art By car: A8, A9, A92, A95, A96. Since 2008 there has been a low-emission galleries around Königsplatz 6 – the Municipal Gallery in Lenbach- Information about Munich/ zone in Munich. It covers the downtown area within the “Mittlerer Ring” haus 7 , the State Collections of Antiques 8 , the Glyptothek 9 and Hotel Reservation but not the ring itself. Access is only granted to vehicles displaying the the Documentation Center for the History of National Socialism 10 appropriate emission-control sticker valid all over Germany. – a unique range of art, culture and knowledge from more than 5,000 Mon-Fr 9am-5pm Phone +49 89 233-96500 www.muenchen.de/umweltzone 9 Church of Our Lady 6 Viktualienmarkt 6 Königsplatz years of human history can be explored. -
OPERA BROADCASTS from the ROYAL OPERA HOUSE - in PARTNERSHIP with the EUROPEAN BROADCASTING UNION and the BBC Broadcast Schedule —Spring/Summer 2019
OPERA BROADCASTS FROM THE ROYAL OPERA HOUSE - IN PARTNERSHIP WITH THE EUROPEAN BROADCASTING UNION AND THE BBC Broadcast Schedule —Spring/Summer 2019 Please Note: due to production considerations, cast members for each production are subject to change. Please consult associated cue sheet for more details. Please also be aware that all timings listed below are approximate, as several of these operas will be performed at the Royal Opera House weeks before their syndication release. For exact times, please consult the associated cue sheet. PROGRAM #: BBC 19-01 RELEASE DATE: May 18, 2019 OPERA: Falstaff (in Italian) COMPOSER: Giuseppe Verdi LIBRETTIST: Arrigo Boito CAST: Sir John Falstaff, a fat knight Sir Bryn Terfel, baritone Alice Ford, wife of Ford Ana Maria Martínez, soprano Ford, a wealthy man Simon Keenlyside, baritone Nanetta, the Fords' daughter Anna Prohaska, soprano Fenton, one of Nannetta's suitors Frédéric Antoun, tenor Mistress Quickly Marie-Nicole Lemieux, contralto Meg Page Marie McLaughlin, mezzo-soprano Dr. Caius Peter Hoare, tenor Bardolph Michael Colvin, tenor Pistol Craig Colclough, bass ENSEMBLE: Royal Opera House Orchestra and Chorus CONDUCTOR: Nicola Luisotti CHORUS DIRECTOR: William Spaulding DIRECTOR: Robert Carsen REVIVAL DIRECTOR: Daniel Dooner SET DESIGNER: Paul Steinberg COSTUME DESIGNER: Brigitte Reiffenstuel LIGHTING DESIGNERS: Robert Carsen & Peter van Praet Approx. Length: 2 hours, 30 minutes PROGRAM #: BBC 19-02 RELEASE DATE: May 25, 2019 OPERA: Das Rheingold, Part I of ‘The Ring of the Nibelung’ (in German) -
Radio 3 Listings for 13 – 19 February 2021
Radio 3 Listings for 13 – 19 February 2021 Page 1 of 13 SATURDAY 13 FEBRUARY 2021 Featuring pioneering female artists London Symphony Orchestra New York Philharmonic SAT 01:00 Through the Night (m000s3zy) Jorja Smith presents an hour of healing, emotional music. Leonard Bernstein (conductor) An Ode to Life Immerse yourself in a world of soothing orchestral music, Dutton CDLX7383 SACD Hybrid piano, strings and soundtracks to bring you comfort and escape. https://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX The first symphony concert by the Shanghai Symphony 7383 Orchestra, conducted by its music director Long Yu, after the This episode features captivating pieces from pioneering female outbreak of Covid-19. They perform Richard Strauss's Four artists including Lana Del Rey, Solange and Sia, as well as a 10.40am Laura Tunbridge on Chamber Music Last Songs and Beethoven's 'Pastoral' Symphony. With stunning piece from the Blue Planet soundtrack and "strings Jonathan Swain. reminiscent of a sunrise". Laura Tunbridge talks to Andrew about a revealing selection of string quartet recordings, including late Haydn and early 01:01 AM Beethoven. Edvard Grieg (1843-1907) SAT 06:00 Downtime Symphony (m000s8dd) Solveig's Song from 'Peer Gynt Suite' Slow down with Celeste’s classically infused sounds Schubert: String Quartets D46 and “Rosamunde” D804 Shanghai Symphony Orchestra, Long Yu (conductor) The Festetics Quartet An hour of wind-down music to help you press pause and reset Arcana A907 01:07 AM your mind. With chilled sounds of orchestral, jazz, ambient and https://outhere-music.com/en/albums/Schubert-String-Quartets- Richard Strauss (1864-1949) lo-fi beats to power your downtime. -
Così Fan Tutte Cast Biography
Così fan tutte Cast Biography (Cahir, Ireland) Jennifer Davis is an alumna of the Jette Parker Young Artist Programme and has appeared at the Royal Opera, Covent Garden as Adina in L’Elisir d’Amore; Erste Dame in Die Zauberflöte; Ifigenia in Oreste; Arbate in Mitridate, re di Ponto; and Ines in Il Trovatore, among other roles. Following her sensational 2018 role debut as Elsa von Brabant in a new production of Lohengrin conducted by Andris Nelsons at the Royal Opera House, Davis has been propelled to international attention, winning praise for her gleaming, silvery tone, and dramatic characterisation of remarkable immediacy. (Sacramento, California) American Mezzo-soprano Irene Roberts continues to enjoy international acclaim as a singer of exceptional versatility and vocal suppleness. Following her “stunning and dramatically compelling” (SF Classical Voice) performances as Carmen at the San Francisco Opera in June, Roberts begins the 2016/2017 season in San Francisco as Bao Chai in the world premiere of Bright Sheng’s Dream of the Red Chamber. Currently in her second season with the Deutsche Oper Berlin, her upcoming assignments include four role debuts, beginning in November with her debut as Urbain in David Alden’s new production of Les Huguenots led by Michele Mariotti. She performs in her first Ring cycle in 2017 singing Waltraute in Die Walküre and the Second Norn in Götterdämmerung under the baton of Music Director Donald Runnicles, who also conducts her role debut as Hänsel in Hänsel und Gretel. Additional roles for Roberts this season include Rosina in Il barbiere di Siviglia, Fenena in Nabucco, Siebel in Faust, and the title role of Carmen at Deutsche Oper Berlin. -
Biography Marc Piollet – Season 2020/2021, English (Pdf)
KünstlerSekretariat am Gasteig Elisabeth Ehlers · Lothar Schacke· Verena Vetter Montgelasstraße 2 · 81679 München Tel +49 89 44488790 · Fax +49 89 4489522 www.ks-gasteig.de · [email protected] MARC PIOLLET Conductor Born in Paris in 1962, conductor Marc Piollet studied at the Hochschule der Künste in Berlin and a�ended masterclasses with John Eliot Gardiner, Michael Gielen and Kurt Masur. In 1995 he was a prizewinner at the Dirigenten-Forum of the Deutscher Musikrat. A�er early posts as First Kapellmeister at the Philharmonisches Staatsorchester Halle and the Staatstheater Kassel he was Music Director of the Vienna Volksoper from 2003 un�l 2005. From 2004 un�l 2012 he was General Music Director at the Hessisches Staatstheater Wiesbaden where he conducted acclaimed performances of Wagner's complete Ring and numerous new produc�ons. In the 2020/2021 season, new produc�ons of Werther will take Marc Piollet to the Staatstheater Stu�gart and the Hungarian State Opera; he will also make his debut at the Israeli Opera, with Aida; another highlight will be the new produc�on of Tristan und Isolde at Teatro Petruzzelli Bari. Concert engagements will take him to the Orchestra of the Komische Oper Berlin, the Qatar Philharmonic Orchestra and the Aachen Symphony Orchestra. In recent seasons Marc Piollet has also worked with leading opera houses, including Royal Theatre in Copenhagen (La Bohème with Anna Netrebko as Mimi), Bavarian State Opera as part of the Munich Opera Fes�val (Les Contes d'Hoffmann), Opéra Na�onal de Paris (Il barbiere di Siviglia, Les Contes d'Hoffmann with Rolando Villazón in the �tle role), Staatstheater Stu�gart (Jenůfa, Bluebeard's Castle/Erwartung), Teatro Colón in Buenos Aires (Carmen and Don Giovanni), Vienna State Opera (Il barbiere di Siviglia) as well as Gran Teatre del Liceu in Barcelona (La Bohème and Carmen staged by Calixto Bieito). -
Wagner's Ring Cycle Munich
WAGNER'S RING CYCLE MUNICH Munich – 11 days Departure: July 18, 2018 Return: July 28, 2018 Munich, where Richard Wagner siphoned money from "mad" king Ludwig to finance his operas in staging his tetralogy of the Ring Cycle, sung by the three world- renowned singers Jonas Kaufmann as Siegmund, Nina Stemme as Brünnhilde, and Stefan Vinke as Siegfried. The super-deluxe Vier Jahreszetten Kempinski hotel, a block away from the opera house, with its bountiful breakfast every morning and The Spa on the top floor, with stunning views across Munich’s roof tops will be your accommodation for more than a week. Opera Performances In Munich: July 20 - Das Rheingold July 22 - Die Walküre July 24 - Siegfried July 27 – Götterdämmerung CAST Wotan - Wolfgang Koch Siegmund - Jonas Kaufmann Siegfried - Stefan Vinke Alberich - John Lundgren Brünnhilde - Nina Stemme Mime - Wolfgang Ablinger-Sperrhacke Frica - Ekaterina Gubanova Erda - Okka von der Damerau Wednesday, July 18. (D)* DEPART FOR MUNICH Depart this evening aboard any airline of your choice to Munich, Germany arriving the next morning. Dinner and light breakfast served on the plane. Thursday, July 19. (B,D). MUNICH Upon arrival at Munich International airport take a taxi to the super deluxe centrally located VIER JAHRESZEITEN KEMPINSKI HOTEL, where you will stay nine nights. We will reimburse you the taxi fare. Briefing and cocktails at the hotel. Gala Welcome dinner at a gourmet restaurant. Munich has more to offer than the BMW car factory and the 110 million gallons of beer brewed annually. For a city of its size, it has one of the finest collections of art within one museum, the Alte and Neue Pinekothek and the Deutsches Museum started in 1903, to show one of the most important collections of scientific and technical matters in the world. -
Wolfgang Sawallisch Wolfgang Sawallisch
WOLFGANG SAWALLISCH Conductor Laureate Wolfgang Sawallisch became conductor laureate of The Philadelphia Orchestra in September 2003, following the culmination of his celebrated, decade-long tenure as the Orchestra’s sixth music director. Acclaimed as one of the greatest living exponents of the Germanic musical tradition, Mr. Sawallisch enriched and expanded upon the Orchestra’s century-old tradition of excellence, leaving an enduring legacy of artistic achievements with the ensemble. As music director, Mr. Sawallisch encouraged the exploration of new ways to present music to American audiences. In April 1997 he led the Philadelphians in the first live internet concert “cybercast” made by a major American orchestra, attracting listeners from more than 40 countries around the world. He presented season-long focuses on the works of Schumann, Haydn, Beethoven, and Brahms, and an ongoing overview of the works of Richard Strauss (including a concert presentation of the opera Ariadne auf Naxos ). Through a series of commissions, Mr. Sawallisch re-affirmed the Orchestra’s commitment to new music; and his vision for the Orchestra’s 100th Anniversary Season in 1999-2000, made up exclusively of music written since the ensemble’s creation in 1900, resulted in record ticket sales and critical praise. During his tenure, Mr. Sawallisch led The Philadelphia Orchestra each year in concerts outside Philadelphia, helping to build upon the ensemble’s long tradition of touring. He appeared annually with the Orchestra in a series of concerts at Carnegie Hall and conducted the Orchestra in major concert halls throughout the world on eight international tours (three to Europe, four to Asia, and one to Central and South America). -
Ourhousetoyourhouse Royal Opera House Announces FREE Stream of a Special Insight Celebrating the Sleeping Beauty
Wednesday 14 April 2021 #OurHouseToYourHouse Royal Opera House announces FREE stream of a special Insight celebrating The Sleeping Beauty The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world. Join us on Friday 16 April at 7pm GMT for a FREE stream of a very special Insight from 2016 celebrating The Sleeping Beauty. Former Director of The Royal Ballet Monica Mason and Christopher Newton join Director Kevin O’Hare in discussion about their restaging of the production that reopened the Royal Opera house in 1946 after World War II and this year celebrates its 75th anniversary. The Insight also offers a glimpse into rehearsals taken by Monica Mason and Samantha Raine with Olivia Cowley, Kristen McNally, Tierney Heap and Anna Rose O’Sullivan. The stream culminates in an additional treat with an excerpt from the 2017 recording of The Sleeping Beauty with Marianela Nunez in the role of Princess Aurora dancing with Vadim Muntagirov as Prince Florimund. Titles currently available to view via stream.roh.org.uk include: The Dream (The Royal Ballet 2017), Symphonic Variations (The Royal Ballet 2017), Concerto (The Royal Ballet 2021) and Seven Deadly Sins / Mahagonny Songspiel (Royal Opera 2021). As part of our ongoing partnership with the BBC, Royal Opera House content continues to be available via BBC Sounds and BBC iPlayer. The Royal Opera’s 2018 performance of Wagner’s Ring Cycle in Keith Warner’s acclaimed production is available to listen to again in full. Presented by Tom Service, these performances feature Antonio Pappano conducting the Orchestra of the Royal Opera House and a stellar cast including soprano Nina Stemme as Brünnhilde; baritone John Lundgren as Wotan; mezzo-soprano Sarah Connolly as Fricka; and tenor Stefan Vinke as Siegfried, among others. -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme. -
Dining Options at the Royal Opera House London
Das Reingold Music : Richard Wagner Libretto: Richard Wagner Director: Keith Warner Set designer: Stefanos Lazaridis Costume designer: Marie-Jeanne Lecca Lighting designer: Wolfgang Göbbel Original movement director: Claire Glaskin Video designers: Mic Pool and Dick Straker Associate set designer: Matthew Deely CAST: Conductor: Antonio Pappano Wotan: John Lundgren Alberich: Johannes Martin Kränzle Loge: Alan Oke Erda: Wiebke Lehmkuhl Fricka: Sarah Connolly Freia: Lise Davidsen Donner: Markus Eiche Froh: Andrew Staples Mime: Gerhard Siegel Fasolt: Günther Groissböck Fafner: Brindley Sherratt Woglinde: Lauren Fagan Wellgunde: Christina Bock Flosshilde: Angela Simkin Chorus: Royal Opera Chorus Orchestra: Orchestra of the Royal Opera House 2 hours 40 minutes. No pause. The Story The dwarf Alberich forsakes love so that he may steal the Rhine’s gold. A ring is crafted from that gold, invested with great power. When the ring is taken from Alberich, he places on it a terrible curse. The god Wotan is tempted by ownership of the ring – but heeds a dire warning from the goddess Erda. Instead, Wotan uses the ring to pay the giants Fafner and Fasolt for building his palace Valhalla. Alberich’s curse takes immediate effect: Fafner kills Fasolt so that he may keep the ring for himself. Background Das Rheingold is the ‘preliminary evening’ of Richard Wagner’s four-opera cycle Der Ring des Nibelungen. The shortest of the four, it introduces the characters that will drive this magnificent drama to its epic conclusion, and the musical themes that Wagner ingeniously develops through the cycle. Das Rheingold was first performed in 1869, along with the second opera, Die Walküre – but before the rest of the cycle was completed, and very much against Wagner’s wishes that the Ring be considered a unified whole. -
Angela Maria Blasi Email: [email protected]
Angela Maria Blasi Email: [email protected] Biography Hailed by the New York Times for her 'deeply moving' interpretation of Cio Cio San in Madama Butterfly at the Los Angeles Opera, Angela Maria Blasi is regarded as one of the most important and most celebrated lyric sopranos of our time. She has performed regularly with the most prestigious international opera companies and festivals of the world including the Bavarian State Opera, Vienna Staatsoper, Salzburger Festspiele, Royal Opera House Covent Garden, La Scala Milan, Brussels La Monnaie, Maggio Musicale Firenze, Hamburgische Staatsoper, Deutsche Oper Berlin, Teatro Colon, Los Angeles Opera, Washington National Opera, New York City Opera, Palm Beach Opera, Opera Orchestra of New York and the Metropolitan Opera. Impeccable musicianship and phrasing, a seamless vocal technique, and an engaging stage presence are just some of the trademarks of her highly-acclaimed performances. A long-time member of the Bavarian State Opera, Angela carries the title of Bavarian Kammersaengerin and is the winner of numerous awards for her performances in Europe. She relocated from Germany to the U.S. in 2006 to teach privately and joined Columbia Artists Management in 2008, as an assistant to Matthew Epstein, former CAMI Artist Manager and Head of CAMI Vocal, LLC. She quickly advanced to Vice President and Artist Manager of the Epstein artist roster and other rising stars while maintaining a private vocal studio in the greater New York area. Fluent in three foreign languages, knowledgeable in the operatic and concert repertoire, Angela brings a unique and valuable perspective to her students with her passion for singing, first-hand knowledge of the physical, vocal, and emotional demands of an operatic career, her knowledge of opera as a 'business', as well as a keen understanding of the artistic temperament.