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Lee Ritenour's JazzWeek with airplay data powered by jazzweek.com • January 15, 2007 Volume 3, Number 8 • $7.95 Industry Q&A: BRICE ROSENBLOOM page 9 On The Charts: #1 Jazz Album – MB3 #1 Smooth Album – For Luther II #1 College Jazz – Madeleine Peyroux #1 Smooth Single – George Benson #1 World Music – Lynch/Palmieri JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger anuary 10-13 marks the 2007 International Association MUSIC EDITOR Tad Hendrickson fo Jazz Education Annual Conference. Since many of Jyou will read this issue before the conference, here’s an- CONTRIBUTING WRITER/ other quick plug for the events JazzWeek is sponsoring each PHOTOGRAPHER Tom Mallison day from 10:00 a.m. to noon: PHOTOGRAPHY Barry Solof Thursday Workshop: Jazz Radio In Crisis: Why That’s A Good Thing This session will focus on why some stations are disappearing or seeing big Contributing Editors drops in audience, whie other stations with more progressiveapproaches are Keith Zimmerman seeing audience increases. Panelists will discuss the adoption of more youth- Kent Zimmerman oriented music, the realization that there’s a younger demographic during lat- Founding Publisher: Tony Gasparre er hours, and the success stations programming for that audience are seeing. Panelists: Bob Rogers, Bouille & Rogers consultants; Jenny Toomey, Future ADVERTISING: Devon Murphy of Music Coalition; Gary Vercelli, KXJZ; Linda Yohn, WEMU; Rafi Za- Call (866) 453-6401 ext. 3 or bor. Location: Riverside Ballroom, Sheraon 3rd Fl. email: [email protected] SUBSCRIPTIONS: Friday Workshop: Jazz Radio and the Community: How to Make Your Free to qualified applicants Station More Relevant. Stations around the country have made their pro- Premium subscription: $149.00 per year, gramming more in tune with the local community by reaching out to arts w/ Industry Access: $249.00 per year organizations, schools, colleges and universities. Stations discuss those ap- To subscribe using Visa/MC/Discover/ proaches that have worked for them. Panelists: Dwayne Breashears, WWOZ; AMEX/PayPal go to: http://www.jazzweek.com/account/ Dennis Green, KCCK; Bobby Jackson, WCPN; Tom Mallison, Public Ra- subscribe.html dio East. Location: Riverside Ballroom, Sheraton 3rd Fl. Saturday Workshop: The Jazz Radio Repertoire: Selecting What Does AIRPLAY MONITORING BY and Doesn’t Make The Cut. 600+ new releases made it on the air the past year, but perhaps twice that many got little airplay. What makes a CD good for radio? How do stations select what is played? What is the role of a pro- moter? Does it even matter if a CD makes it on the air? Does jazz radio play Mediaguide too many things too infrequently or old music too much? Moderator: Ed 1000 Chesterbrook Blvd. Trefzger (JazzWeek); Panelists: John Bouille (WSHA), Josh Ellman (Groov Suite 150 Berwyn, PA 19312 Marketing), Eric Jackson (WGBH), Derrick Lucas (WGMC), Shaunna Morrison Machosky (WDUQ ). Location: Riverside Ballroom, Sheraton 3rd JazzWeek (ISSN 1554-4338) Fl. is published weekly by ������������� We’ll recap the conference in our Jan. 22 issue. 2117 Buffalo Road – Ed Trefzger Suite 317 Rochester, NY 14624 phone/fax: (866) 453-6401 [email protected] Copyright ©2006 Trefzger Media LLC jazzweek.com • January 15, 2007 JazzWeek 2 Contents January 15, 2007 News . 4 Grammys To Honor James Moody, Phil Woods . 4 New Round of Prestige Rudy Van Gelder Editions Set . 5 Music and Industry News In Brief . 6 Jazz Birthdays . 8 Features 9 Industry Q&A: Brice Rosenbloom, festival producer and talent buyer . 9 Jazz Radio . 12 Jazz Album Chart . 13 College Jazz Chart . 14 Reviews . 15 Charles Tolliver. 15 Scott Colley . 15 Faulkner Evans. 16 12 Jazz Add Dates . 17 Jazz Current CDs . 18 Jazz Radio Panel . 21 Smooth Jazz Radio . 22 Smooth Album Chart . 23 Smooth Singles Chart. 24 Smooth Currents. 25 Smooth Radio Panel . 26 22 World Music Radio . 27 World Music Album Chart . 28 Closing Number Five Can’t Miss IAJE Shows . 29 29 JazzWeek Volume 3 Number 8 jazzweek.com • January 15, 2007 JazzWeek 3 News Grammys To Honor James Moody, Phil Woods SANTA MONICA, Calif. -- The Re- cal history for many generations.” Box @ Fonda Theater from 7-10 p.m. cording Academy will spotlight jazz Moody has been playing the sax- and will feature live performances and and with a special event held during ophone and flute for more than five appearances by the honorees and the Grammy Week. This year’s Gram- decades and continues to tour exten- Gibson/Baldwin Grammy Jazz En- my Salute To Jazz honorees are James sively in the U.S. and Europe. The en- sembles. The President’s Merit Award Moody and Phil Woods. ergetic and prolific artist is one of the for outstanding achievement will be “In keeping with the mission of The most expressive and enduring figures presented to these jazz legends for Recording Academy and our GRAM- in modern jazz. their lasting contributions to jazz and MY Week festivities, we acknowledge Woods, an alto saxophonist, clari- the music community at large. and recognize the achievements of jazz netist, and composer, has recorded ex- The Recording Academy will also and classical legends who have made tensively both as a leader and sideman have Salute to Classical Music honor- significant contributions to their re- since the 1950s. He has worked along- ing the Romeros. spective musical genres and beyond,” side such great musicians as Charlie The 49th Annual Grammy Awards said Neil Portnow, President of The Barnet, Quincy Jones, Benny Good- will be broadcast live from Staples Recording Academy. “We are pleased man, Benny Carter, Billy Joel, Paul Si- Center in Los Angles on the CBS to honor and pay tribute to such in- mon, and Steely Dan. Television Network on Sunday, Feb. novators whose passion and skills have This special presentation will take 11, 2007, from 8 – 11:30 p.m. (ET/ and will continue to enrich our musi- place on Feb. 6, 2007 at The Music PT). JW Recording great music and helping musicians more effectively market their own jazzweek.com • January 15, 2007 JazzWeek 4 News New Round of Prestige Rudy Van Gelder Editions Set udy Van Gelder meticulously ing a quartet comprised of pianist Red As a sideman, he had played with Jack engineered thousands of albums Garland, bassist Paul Chambers and McDuff, Jimmy Smith, Don Patterson Rin his New Jersey studio for la- drummer Arthur Taylor. and Groove Holmes, among other B-3 bels such as Prestige, Blue Note, Sa- Jackie McLean: 4, 5 and 6 organists, so it wasn’t a stretch to hear voy, Impulse!, Verve and CTI. his first disc be in the soul-jazz groove Today Van Gelder’s work contin- Alto saxophonist Jackie McLean’s in the company of B3er and fellow ues as he remasters classic sides from 4, 5 and 6, recorded in 1956, was his Philadelphian Trudy Pitts. There are the Prestige catalog, which today is third album as leader and second for galloping tunes as well as tender bal- owned by the Concord Music Group. Prestige. The LP at the time helped to lads. Initially reluctant to revisit some of the establish McLean on the jazz scene. Sonny Rollins: Plus Four albums he originally worked on, Van He was joined by trumpeter Donald Gelder was encouraged by the tech- Byrd (who shines with the altoist on One of the true monumental fig- nological advances of recording equip- Charlie Parker’s “Confirmation”) and ures of jazz who is still vibrantly re- ment and challenged by giving these tenor saxophonist Hank Mobley (also cording and performing, Sonny Rol- masterworks a renewed 24-bit lease bopping hard on the tune), in a date lins was still an upstart tenor saxman on life. He says of these artists that solidified by McLean’s rhythm sec- in 1956 when he delivered Plus Four, a he still “feels strongly that I am their tion: Mal Waldron on piano, Doug classic date with the Clifford Brown- Watkins on bass and Arthur Taylor on Max Roach Quintet (of which he was messenger.” JW In the fifth edition of the RVG Re- drums. McLean also plays ballads, in- a member). masters series, five more classic albums cluding Waldron’s sublime tune “Ab- are polished for February 6 release: straction.” Target your market! John Coltrane with the Red Garland Miles Davis Quintet: Cookin’ Trio: Traneing In; Jackie McLean: 4, 5, Cookin’ With the Miles Davis Quin- and 6; Miles Davis Quintet: Cookin’; tet is the first classic album of four total Pat Martino: El Hombre; and Sonny that emerged from two marathon and Rollins: Plus Four. fruitful sessions recorded in 1956 (the Prestige inaugurated its RVG Re- masters Series in March 2006 with other three discs released in Cookin’s - ten seminal titles, then continued in wake were Workin’, Relaxin’ and Stea min’). All the albums were recorded June, July and September with five live in the studio, as Davis sought to more discs each month. Each RVG capture, with Rudy Van Gelder’s ex- engineered album includes original Advertise in pert engineering, the sense of a club and new liner notes, and some albums show á la the Café Bohemia in New are augmented by alternate take bonus JazzWeek York, with his new quintet, featuring tracks. Reach not just jazz and college tenor saxophonist John Coltrane. John Coltrane with the Red radio, but musicians, clubs, retailers Pat Martino: El Hombre Garland Trio: Traneing In and promoters ... all people in the jazz or world music field who now Widely recognized today as one of Recorded in one day (August 23, can subscribe free to JazzWeek. For jazz’s greatest and most original guitar- rates and more information, contact 1957) at Rudy Van Gelder’s studio in ists, Pat Martino was just 22 when he Hackensack, N.J.
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