Cambridge University Press 0521780071 - Essays on Conrad Ian Watt Index More information
Index
Index
Academy ‘Author’s Notes’ and prefaces Achebe, C. –, –, Almayer’s Folly – Adams, V. de l’Isle Chance –, adults, defying Nigger of the ‘Narcissus’ –, , , , adventure-story motifs Personal Record Africa see ‘Heart of Darkness’ Secret Agent , , , agents, literary – Shadow-Line see also Pinker ’Twixt Land and Sea agents provocateurs , , Typhoon alienation ‘Autocracy and War’ and commitment – Azev (Russian secret police) –, defined allegory Baines, J. Almayer’s Folly ix, –, Bakunin, M. A. , ‘Author’s Note’ – Barker, A. J. beginnings – Baudelaire, C. , critics, reception by –, – Beach, J. W. and reputation , , Beach, T. M. (Major H. Le Caron) – language and style – Becke, L. , literary influences , – Béguin, A. manuscript – Belgian Congo see ‘Heart of Darkness’ narrative and action , , – Bennett, A. , point of view, theme and meaning – Benson, C. typescript, acceptance and publication Besant, W. –, Big Bangs and war , writing – biographers, major , , , Amiel, H. F. family members , anaphora ‘Black Mate’ anarchism see Secret Agent Blackwood, J. Anderson, Sir R. –, , Blackwood’s Magazine anti-hero Bloom, H. anti-pathetic fallacy Bobrowski, T. , , , , Armitage (doctor) Boigne, Comptesse de Arrow of Gold , , , Bookman artist, novelist as see Flaubert Borneo see Almayer’s Folly Asquith, Lord A. Boulle, P.: ‘Bridge over the River Kwai’ x, Athenæum , , , – passim Atlantic Monthly , Bourdin (anarchist) , , , , , , audience/readers alienation from , – Bradbrook, M. for Almayer’s Folly , Brando, M.
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Index
‘Bridge over the River Kwai’ as myth , Commonweal – Congo see ‘Heart of Darkness’ film –, – passim Conrad, Joseph novel see Boulle major works in chronological order – and reality –, – first group (–) see Almayer’s Folly; reincarnation of – ‘Heart of Darkness’; Lord Jim; Mirror of Brooke, Sir J. the Sea; Nigger of the ‘Narcissus’; Nostromo; Brown, E. K. Outcast of the Islands; Secret Agent; ‘Secret Bulwer-Lytton, H. Sharer’; Typhoon Byron, Lord G. second group (–) see Chance; Personal Record; Rescue; Rover; Shadow-Line; cannibalism Under Western Eyes; Victory Canning, E. wife and family , , , – Canterbury cemetery, Conrad’s grave in see also sailor, Conrad as – Conrad Korzeniowski, A. B. and J. (Conrad’s Capes, H. sons) , –, caricature Conrad Korzeniowski, J. R. T. and P. S. T. Carnot, S. (Conrad’s grandsons) Caron, Major H. le (T. M. Beach) consciousness Casement, R. – as curse – Caserio (anarchist) and knowledge Chance , –, registering , ‘Author’s Note’ –, Coppola, F. and critics’ opinions on reputation –, Cottin, E. , – Couch, Sir A. Quiller solidarity in Coulon, A. characterization , Courtney, W. L. , , Almayer’s Folly , , – Critic ‘Bridge over River Kwai’ , critics Chance Almayer’s Folly –, – comic see comedy under Typhoon ‘Heart of Darkness’ ix, – Nigger of the ‘Narcissus’ , , , – major see Forster; Garnett, E.; Guérard; Rescue Leavis; Woolf, L. and V. Rover ‘Secret Sharer’ – ‘Secret Sharer’ – Shadow-Line , –, –, Shadow-Line – passim, –, Typhoon –, –, – Chateaubriand, F. R., Vicomte de see also under Nigger of the ‘Narcissus’ Chaucer, G. cryptophor –, Chesson, W. H. , , Cunninghame Graham, R. B. , , , , Christianity , , , chronological shifts see obscurity Curle, R. , , , , , Clair, W. G. St class Daily Chronicle , cliché , , Daily News , stereotyping see race Daily Telegraph Coleridge, S. T. darkness theme , – colonialism , , –, – see also ‘Heart of Darkness’ and ‘Bridge over the River Kwai’ , Dawes, C. , decivilized art – see also ‘Heart of Darkness’ dedication see commitment Colvin, Sir S. , Defoe, D. viii comedy and humour despair and depression , , – see also under Typhoon see also alienation commitment determinism and alienation – Dial
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Index
Diamond, S. and opinions on reputation , , , Dickens, C. Shadow-Line Disraeli, B. Garnett, O. Doody, M. A. viii Ghéon, H. Doubleday, N. Gide, A. duality –, Glasgow Evening News Dupee, F. W. Glasgow Herald ‘Dynamite’ Godwin Gordan, J. economic necessity and solidarity – Gosse, E. , , , Edinburgh Review Gould, G. Egan, P. Graham see Cunninghame Graham Eliot, G. , grammar see language Eliot, T. S. , , , , , , Greek chorus analogy Empire see colonialism Greene, G. –, , End of Tether Greenwich explosion , –, , , England see Secret Agent , English language see language Guardian , English Review , guardian see Bobrowski evolutionism , , Guérard, A. , Existentialism –, , , , and Almayer’s Folly , , , , , Shadow-Line –, , Fanon, F. Guinness, A. x Faulkner, W. –, –, Fénéton, F. Haggard, Sir H. Rider , Fenians , Harcourt, Sir W. , Fielding, H. Hardy, T. , film see under ‘Bridge over the River Kwai’ Haugh, R. F. – finance and sales , , , , , ‘Heart of Darkness’ , , first book see Almayer’s Folly critics ix, – Fitzgerald, F. S. on reputation , , , Flaubert, G. , and James , and Almayer’s Folly , , –, , solidarity in – Ford, F. M. symbolism in and Almayer’s Folly , Hegel, G. , and Conrad’s reputation , , Hemingway, E. –, and James’s influence , , , , ‘Henry James: An Appreciation’ –, heterophor –, , and Secret Agent , –, –, Hewitt, D. , –, Foreman, C. Hewlett, M. Forster, E. M. , , , , Hicks, J. and Shadow-Line , historical events, books based on , – Francis, J. Secret Agent see Greenwich explosion Freud, S. / Freudian , , , historical perspective – ‘further vision’ – homeophor , , future –, Howe, I. Fyne, J. Hugo, V. , Hulme, T. E. Galsworthy, J. , , , , , , humble people ix, Gapon, Father G. A. , Hume, D. Garnett, C. humour see comedy and humour Garnett, E. , , , Huysman, J. K. and Almayer’s Folly –, , , and James’s influence , , , , Ibsen, H. ideal values –, –
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ideas Letters experience correcting – and alienation , – importance of – and Almayer’s Folly – passim, , , see also Shadow-Line identification and critics’ opinions on reputation – illusion and ‘Heart of Darkness’ – imperialism see colonialism and James, influence of –, –, impressionism , –, , individualism and Secret Agent –, Ireland –, liberalism irony – Lingard, J. Lingard, W. –, , , , Jacques, W. H. – literary influences in Almayer’s Folly , – James, Mrs C. literary modes James, H., influence of ix, , , , –, Conrad’s divergence from see obscurity Literary News and Almayer’s Folly , , , Lomasney, M. and Chance , – London Mercury early relationship – Lord Jim , , , , , , later years – and critics’ opinions on reputation , and opinions on reputation –, , , , Japanese prison camps see ‘Bridge over the and James , River Kwai’ origin of Jean-Aubry, G. and Shadow-Line compared , , Johnson, S. , solidarity in – Joll, J. Loti, P. Joyce, J. , , , , , love, romantic –, , – Jung, C. / Jungian , , as ‘uncongenial subject’ see also Chance Karl, F. R. , Lubbock, P. Keeting, G. Lynd, R. , Kermode, F. vii–xi Kibera, A. McArthur, J. Kipling, R. , McCarthy, Joseph Kliszczewski, S. McCarthy, Justin knowledge and consciousness MacDonald, R. Korzeniowski, A. (Conrad’s father) McLauchlan, J. Korzeniowski, J. (Conrad’s wife) , , Macmillan Company – passim ‘magic realism’ viii Korzeniowski, Jozef see Conrad Malaya see Almayer’s Folly Kropotkin, Prince P. , , , Mallarmé, S. – Kwai see ‘Bridge over the River Kwai’ Manchester Guardian , Mann, T. , , – ‘labour of others’ ix, Marris, Captain C. M. ‘Lagoon’ Marx, K. , language –, Marxism and materialism , Lardner, R. Masefield, J. Lawrence, D. H. , , , materialism see Marxism Lean, D. x, , Matthews, H. Leavis, F. R. Maupassant, G. de –, and opinions on reputation , , Maurois, A. mechanistic view see technology and Shadow-Line , Meldrum, D. S. and Typhoon – Melville, H. , , Leopold, King of Belgians , memory
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Index
Mencken, H. L. , solidarity in Meredith, G. Typhoon comparison Meredith, I. night theme , – Methuen (publisher) , , Nobel, A. Meyer, B. North American Review , Meynell, A. Northcliffe, Lord A. Mezentzev, General Nostromo , , , , , Middleton, Rector and critics’ opinions on reputation , Mikhailovich, S. (Stepniak) , , , , , , Miller, J. E. Mirror of the Sea , obituaries of Conrad – money see finance objectivity morality and value systems , , – obscurity , Nigger of the ‘Narcissus’ , , , – see also point of view see also philosophy of life oceans see sailing Morf, G. O’Connor, T. P. , , Morris, W. Olmeijer, C. W. , –, , , , , Mortimer, R. Moser, T. –, , – Orwell, G. Most, J. other people, alienation from movie see under ‘Bridge over the River Kwai’ ‘other self’ – Mudrick, M. –, , , , , –, Outcast of the Islands , , , , –, Mursia, U. Palmer, J. , Musset, A. de Parnell, C. S. mythophor – Pater, W. myths x–xi pathetic fallacy see also ‘Bridge over the River Kwai’ Payne, W. M. Personal Record Naipaul, V. S. – and Almayer’s Folly , –, –, , , Najder, Z. , , , , names of characters preface to narrator see point of view pessimism Nation , Phelps, W. L. National Observer philosophy of life nationality of Conrad , lack of Nature see also ideal values; morality Man as alien in , Piddington, H. see also night theme; storms Pinker, J. B. , ‘nearer vision’ – pity – Nechaev, S. G. Plato , New Statesman , point of view / narrator New York Times Almayer’s Folly , – Newman, J. Chance Nicholson, J. x Nigger of the ‘Narcissus’ – Nicoll, D. , , , , , Shadow-Line –, – Nigger of the ‘Narcissus’ , , Victory – critics ix, – political themes see Secret Agent; Under Western narrative point of view – Eyes opinions on reputation , Poradowska, M. , – passim, , , , symbolism – humour in post-colonialism and James , , , Pound, E. , , , , preface to –, , , , Powys, J. Cowper and Shadow-Line , prefaces see ‘Author’s Notes’
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prisoners of war see ‘Bridge over the River sailing and ships , , – Kwai’ as setting see Almayer’s Folly; Nigger of the progress , ‘Narcissus’; ‘Secret Sharer’; Shadow-Line; Proudhon, P. J. Typhoon Proust, M. , sailor, Conrad as , – pseudo-reality see film under ‘Bridge over the and Almayer’s Folly –, –, – River Kwai’ end of career public see audience and Shadow-Line , publishers –, , sales see finance and sales see also Unwin Samuels, H. B. , , , Punch Sanderson, E. L. , ‘purple’ style – Sartre, J.-P. Saturday Review , qualifiers, excess of scene see setting Quiller Couch, Sir A. Schwarz, D. Quinn, J. , , , Schweitzer, A. science see technology race and racism Scotsman Almayer’s Folly , – Scott, Sir W. ‘Heart of Darkness’ – sea see sailing savages, concept of –, – Secret Agent , , –, , see also Nigger of the ‘Narcissus’ ‘Author’s Note’ , , , Raffles, Sir S. critics’ opinions on reputation , , readers see audience , , realism/reality vii–viii and Wells and ‘Bridge over the River Kwai’ as ‘Secret Sharer’ –, – myth –, – critics –, relativism and Shadow-Line compared , repetition , , – Seligmann-Lui, G. reputation and ‘decline’ debate , – Seliwertsow, General critics’ attitudes – setting –, Watt’s attitude – see also Africa; sailing and ships; South Rescue , –, , America; South-east Asia retrospective method – Shadow-Line , , –, , – ‘Return’ ‘Author’s Note’ Révolté and critics’ opinions on reputation –, Revue des Deux Mondes , – , rhetoric – first chapter, slowness of – Rice, D. historical perspective – Richardson, S. vii and Lord Jim compared , , romanticism narrative – and dichotomy between author and symbolism and ideal values – reader Shakespeare, W. style of Nigger of the ‘Narcissus’ –, Shaw, G. B. , , Sheppard, Father E. H. see also love Sherry, N. , , , Rosenbach, A. S. W. ships see sailing and ships; sailor Rossetti, D. G. shrines and pilgrimages – Rossetti, H. and O. Shuvalov, Count P. A. Rossetti, W. M. , Singh, F. , Roussel, R. Sketch Rover , , –, , Smith, A. R. , , Ruskin, J. Smith, S. , Russia, attitude to –, –, social background to Secret Agent – see also Under Western Eyes socialism
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solidarity –, Typhoon Soskice, D. ‘Author’s Note’ sources of books see historical events comedy and humour in ix, – South America see Nostromo Conrad’s intention – South-east Asia see Almayer’s Folly; ‘Bridge first chapters – over the River Kwai’; ‘Secret Sharer’ last chapter – Speaker critics –, –, –, Spectator solidarity in Spencer, H. Spiegel, S. , Unamuno, M. de Stallman, R. W. , , – unconscious , Starobinski, J. Under Western Eyes , , Stepniak (S. Mikhailovich) , , and critics’ opinions on reputation , stereotyping see race , , , Stevenson, R. L. , Unwin, T. F. , , , , , stilted style – storms see ‘Secret Sharer’; Typhoon Vaillant (anarchist) Straits Times value systems see morality style –, , values, ideal –, – economic Victorians , , grandiose rhetoric –, – see also colonialism and language – Victory , Sunday Times and critics’ opinions on reputation , survival, posthumous –, , , , Suspense – solidarity in , , symbolism Vinci, L. de Nigger of the ‘Narcissus’ – visual imagery see also night theme; storms vocabulary problems – symbolism and ideal values Voltaire, F. Shadow-Line – Symons, A. , Walpole, H. , Synge, J. M. war, prisoners of see ‘Bridge over the River syntax see language Kwai’ Watts, C. Tales of Unrest Waugh, A. tautology Wedgwood, R. technology Weekly Sun – derisory ends of –, Wells, H. G. , , , , –, , Tennyson, Lord A. Westminster Gazette Tey, J. Wharton, E. , theme William the Conqueror single unified – Within the Tides see also darkness theme; setting Woolf, L. time shifts see obscurity Woolf, V. , , –, –, – Times , , Wordsworth, W. , Times Literary Supplement , –, , , World – , writing difficulties –, Tolstoy, L. , Toosey, Colonel P. –, , , Yeats, W. B. , , , Torch , – Young, V. , –, , tourism and ‘Bridge over the River Kwai’ ‘Youth’ , , , ‘Tradition’ youth, passage from see Shadow-Line Trollope, A. ’Twixt Land and Sea , , , Zabel, M. D. ‘Two Vagabonds’ Zola, E. , ,
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