DOCSLIB.ORG

SHOWDOWN at BUCK CREEK 2005 the SASS SOUTHWESTERN REGIONAL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SHOWDOWN at BUCK CREEK 2005 the SASS SOUTHWESTERN REGIONAL Mercantile section (starting onEXCITING pageSee 90) our NovemberNovember 20012001 CowboyCowboy ChronicleChronicle PagePage 11 The Cowboy Chronicle~. The Monthly Journal of the Single Action Shooting Society ® Vol. 19 No. 4 © Single Action Shooting Society, Inc. April 2006 SHOWDOWN at BUCK CREEK 2005 The SASS SOUTHWESTERN REGIONAL By Nubbins Colt © 2006, SASS Life #7802 YEEEHHHAAAAAHHHH!!!!!! See HIGHLIGHTS on page 73 PAARRRRRTEEEEEEEE!!!!!!!!! hard and the Spirit of the Game leburne, TX Wow! When Award they received was well The Comanche Valley Vigi- deserved by these fine cowboys. C lantes (CVV) throw a party, If you’ve ever been to a major it’s a doozie! When they team up match, you know how spectacular with The Lone Star Frontier Shoo- everything looks, hundreds of people ting Club to do it, it’s even bigger in Old West guns and gear, sutler’s and bolder than before! Two hun- tents, food vendors, the stages all set dred competitors, more than two- up and ready to go and, if you’re as dozen sponsors, a wonderful lucky as we were at Showdown 2005, Sutler’s Row … yessirree, this gorgeous weather to accompany the match had it all. event. Another nice thing about a This match was unique in any relay event is your roving reporter number of ways, not the least of gets to wander around, interview which being the fact it was a five-day people, take pictures, and watch affair – that’s right, five days! It folks shoot. Bad Image took all the began on Wednesday, October 12th, banquet pictures and he’s a far bet- and concluded on Sunday, October ter photographer than I am, but 16th. On Wednesday there were RO- believe me, we both took some great 1 and -II classes, on Thursday there T-Bone Dooley covers a lot of ground in a hurry when he has to! photos. This brings me, as I wan- were side matches and various meet- And so do the rest of his pards from the Bar-20. You can always tell dered, to Stage 8, the Lone Star ings (including a Territorial when they’re around … they’re laughing and joking … and on the range Corral, and T. Bone Dooley (more Governor’s meeting), and on Friday they’re shooting fast and straight! The Dooley Gang has made itself felt about his gang later). wherever they go … certainly at last year’s END of TRAIL and again the Main Match began. I was more than impressed with this year at Winter Range where they won way more than their fair share Showdown was run in relays, of first place trophies. Good job! both T. Bone Dooley’s handling of the with half the shooters shooting in stage and the stage itself. T. Bone the morning and the other half in shop! I got the opportunity to buy right, they have a knack for great whipped though it like a hot knife the afternoon and reversed on another vest, and then I won anoth- stage design. Every stage I describe through butter, but this stage was as Saturday. It ran as smooth as silk er as a door prize, and if you know owes its uniqueness to their ingenu- complex as it was long – “long” as in that way and gave everyone plenty me and you’re thinking, “Nubbins, ity, and it was my pleasure to posse distance – the corral is easily 30 feet of time to rest, eat and, of course, did you need another vest?” the with them both this year. It was from end to end, and you had to tra- answer is no, but I wanted them! intimidating, too, but then I don’t verse most of that distance, first Someday maybe I’ll win a prize for pretend to be in their speed class shooting a series of rifle targets, SASS Cowboy Chronicle the largest vest collection (35 and (and boy, did they get a chuckle out then shotgun targets, moving to counting as of today!), but I have a of my last stage, which I shot very more shotgun targets (these two ways to go I’ll wager. deliberately and as slow as winter being on separate sides of the corral, In This Issue Let’s talk stage design. Two spe- molasses. But they knew what I was not just standing together), moving cial members have to be noted here: doing, because in the end, I cleaned to more shotgun targets, and then CIMMARON’S RICHARDS- 60 Shadrach and Black Barth. Both the match, my personal goal accom- finally getting to your pistol targets, MASON CONVENSION by Tuolumne Lawman champion shooters in their own plished!). They worked extremely (Continued on page 51) 62 UBERT’S TOP BREAK REVOLVERS-PART I by Tuolumne Lawman 76 HOOSIER AMBUSH II C by Doc Molar h C r o 78 1ST OKLAHOMA STATE o w CHAMPIONSHIP n b by Jezabel Starr i o c 23255 La Palma Avenue y HE AST TAND 80 T L S - l Yorba Linda, California 92887 THE SHOOTERS SHOOT e www.sassnet.com by Colonel Dan April 2006 Cowboy Chronicle Page 5 The Cowboy CCONTENTSONTENTS Chronicle 1 ON THE COVER Showdown at Buck Creek 2005 . 6 FROM THE EDITOR When Is “Up Close And Personal” Too Close? . Editorial Staff 8-12 NEWS Trauma Shooting Kit For SASS Clubs . Huck Finn Jubilee-30 yrs. Tradition . Tex Editor-in-Chief Comments From SASS Members . Cat Ballou 14-28 LETTERS Editor The SASS Scarlet Ball - The History Behind The Theme . Chiz 16 CAT’S CORNER Managing Editor Advertising Director 18 CHIZ BIZ What’s Goin’ On . Adobe Illustrator Layout & Design 30-41 ARTICLES Wyatt And Me . How To Recognize A “GAMER” . Choosing An Alias . Mac Daddy Graphic Design 44-58 GUNS & GEAR Women, Guns, And Gear . STROKE: The Long And Shot Of It! Donna Oakley Advertising Administrator 59 Woman Hollering Creek . Contributing Writers REVIEWS-BOOKS Capt. George Baylor, Col. Dan, Cree Vicar Dave, Ellsworth T. Kincaid, 60, 62 REVIEWS-PRODUCTS Cimarron Brings Back Early West . A Uberti . Grizzly Adams, Holy Terror, Ima Darlin’, Ioway, Joe Fasthorse Harrill, Juaquin Malone, Madd Mike, 64 HISTORY This Month In History . Little Known Famous People . Mr. Quigley, Nubbins Colt, Palaver Pete, Purdy Gear, Quick Cal, Future Cowgirl . Future Cowboy . Swift Montana Smith, 65 PROFILES Tuolumne Lawman 66 POLITICAL Taxes And Fools . The Cowboy Chronicle is published by The Wild Bunch, Board of Directors of The Single Action Shooting Society. 67 TRAIL MARKERS For advertising information and rates, administrative and editorial offices What’s Goin’ On In Your Town? . contact: 68-80 ON THE RANGE Chronicle Administrator 23255 La Palma Avenue Johnson Creek Regulators - Our First Year Cowboy Action Shoot Yorba Linda, California 92887 88 CLUB REPORTS 714-694-1800 FAX: 714-694-1813 90-96 MERCANTILE Nice SASS Collectibles . email: [email protected] http://www.sassnet.com The Cowboy Chronicle (ISSN 15399877) 97- CLASSIFIED is published Monthly by the Single Action Shooting Society, 23255 La Palma Avenue, Yorba Linda, California 92887. 101- SHOOTING SCHEDULES (MONTHLY)-(ANNUAL) Periodicals Postage is Paid at ANAHEIM, CA and additional mailing offices (USPS ADVERTISERS INDEX #020-591). POSTMASTER: Send ad- 105 dress changes to The Cowboy Chronicle, 23255 La Palma Avenue, Yorba Linda, 106 AFFILIATED STORES LIST California 92887. DISCLAIMER - The Single Action Shooting Society does not guarantee, 107 SASS MEMBERSHIP APPLICATION warranty or endorse any product or service advertised in this newspaper. The publisher also does not guarantee SASS® Trademarks the safety or effectiveness of any prod- There were vendors aplenty uct or service illustrated. The distribution SASS®, Single Action Shooting Society®, at the Southwest Regional, of some products/services may be ille- END of TRAIL®,EOT®, and the cowboys and cowgirls gal in some areas, and we do not TM took full advantage. The Cowboy Chronicle , assume responsibility thereof. State and TM local laws must be investigated by the Even Nonstop succumbed COWBOY ACTION SHOOTING , TM purchaser prior to purchase or use or to the lure of pretty things CAS , products/services. a cowboy just can’t live without! The World Championship of Huricane-with-one-R lured him Cowboy Action ShootingTM, WARNING: Neither the author nor The into her emporium and tempted Cowboy Chronicle can accept any Bow-legged Cowboy Design, and the responsibility for accidents or diffe- him with a beautiful wedding gown. Rocking Horse Design ring results obtained using reloading He steadfastly refused until she are all trademarks of data. Variation in handloading tech- made him an offer he just couldn’t The Single Action Shooting Society, Inc. niques, components, and firearms refuse … and he looked absolutely will make results vary. Have a compe- precious (that’s Texas talk!) Any use or reproduction of these marks tent gunsmith check your firearms at the Saturday evening party! without the express written permission before firing. of SASS is strictly prohibited. Page 6 Cowboy Chronicle April 2006 WHEN IS “UP CLOSE AND PERSONAL” TOO CLOSE? By Tex, SASS #4 “action” game rather than a bullseye up the emphasis to have larger, clos- has already been done. As things game, and cowboy gunfights were er targets … and several match stand today, it is virtually impossible generally up close and personal directors took us at our word! Huge to compete at the highest levels with affairs rather than long-range duels. targets at point-blank range became only a simple action job. When there Most Cowboy Action clubs got it their norm … and nearly everyone, are two competitors of equal skill, Tex, SASS #4 right, and many clearly understood including me, smiled and said, “This the one with the fastest firearms will ~SASS Hall of Fame Inductee~ they were in the entertainment is good!” Before long, the majority of win.
Load more

Recommended publications
  • Performing the American Frontier, 1870–1906
    Cambridge University Press 978-0-521-03517-0 - Performing the American Frontier, 1870-1906 Roger A. Hall Frontmatter More information Performing the American Frontier, 1870–1906 Performing the American Frontier, 1870–1906 examines how the American frontier was presented in theatrical productions during the critical period from the end of the Civil War to the beginning of cinema. In chronological fashion, the book explores the post-Civil War resurgence of interest in drama about the frontier, which led to a host of action-packed melodramas. From famous personages such as Mark Twain and “Buffalo Bill” Cody to lesser-known individuals such as Native American playwright and actress Gowongo Mohawk, Hall examines the plays, the players, and the playwrights who helped to define the American westward migra- tion in theatrical terms and covers the complete dramatic experience including scenery, performance, and staging.The book demonstrates the extraordinary variety of subject matter and theatrical styles used to dramatize the frontier, and places frontier drama within the context of its society by framing the productions with the contemporary debates on national policies. roger a. hall is Professor of Theatre at James Madison University, Harrisonburg, Virginia. He has written extensively in the field of American theatre and has published in a number of journals including Theatre Journal, Journal of American Culture, Theatre Survey, Nineteenth-Century Theatre, and The Journal of American Drama and Theatre. He contributed to the Cambridge Guide to American Theatre (1993) and the American National Biography (1999). © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-03517-0 - Performing the American Frontier, 1870-1906 Roger A.
    [Show full text]
  • The Annals of Iowa for Their Critiques
    The Annals of Volume 66, Numbers 3 & 4 Iowa Summer/Fall 2007 A QUARTERLY JOURNAL OF HISTORY In This Issue J. L. ANDERSON analyzes the letters written between Civil War soldiers and their farm wives on the home front. In those letters, absent husbands provided advice, but the wives became managers and diplomats who negotiated relationships with kin and neighbors to provision and shelter their families and to preserve their farms. J. L. Anderson is assistant professor of history and assistant director of the Center for Public History at the University of West Georgia. DAVID BRODNAX SR. provides the first detailed description of the role of Iowa’s African American regiment, the 60th United States Colored Infantry, in the American Civil War and in the struggle for black suffrage after the war. David Brodnax Sr. is associate professor of history at Trinity Christian College in Palos Heights, Illinois. TIMOTHY B. SMITH describes David B. Henderson’s role in securing legislation to preserve Civil War battlefields during the golden age of battlefield preservation in the 1890s. Timothy B. Smith, a veteran of the National Park Service, now teaches at the University of Tennessee at Martin. Front Cover Milton Howard (seated, left) was born in Muscatine County in 1845, kidnapped along with his family in 1852, and sold into slavery in the South. After escaping from his Alabama master during the Civil War, he made his way north and later fought for three years in the 60th U.S. Colored Infantry. For more on Iowa’s African American regiment in the Civil War, see David Brodnax Sr.’s article in this issue.
    [Show full text]
  • Download (3104Kb)
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59427 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THESIS INTRODUCTION The picture of themselves which the Victorians have handed down to us is of a people who valued morality and respectability, and, perhaps, valued the appearance of it as much as the reality. Perhaps the pursuit of the latter furthered the achievement of the former. They also valued the technological achievements and the revolution in mobility that they witnessed and substantially brought about. Not least did they value the imperial power, formal and informal, that they came to wield over vast tracts of the globe. The intention of the following study is to take these three broad themes which, in the national consciousness, are synonymous with the Victorian age, and examine their applicability to the contemporary theatre, its practitioners, and its audiences. Any capacity to undertake such an investigation rests on the reading for a Bachelor’s degree in History at Warwick, obtained when the University was still abuilding, and an innate if undisciplined attachment to things theatrical, fostered by an elder brother and sister. Such an attachment, to those who share it, will require no elaboration. My special interest will lie in observing how a given theme operated at a particular or local level.
    [Show full text]
  • Buffalo Bill William F. Cody
    Buffalo Bill William F. Cody Written by R. Alan Brooks Illustrated by Matt Strackbein Teacher Guide by Tim Smyth Discussion Questions Elementary 1. How do you think people received mail and news in the early United States, before cars and planes? (Students can be shown panel 1.2 during the discussion). Why was the Pony Express so important to early America? 2. Why do you think William F. Cody’s nickname was Buffalo Bill? (To get the conversation going, students should be shown a few pictures of Cody or panel 1.3 in the comic). 3. Buffalo Bill described himself as the “most famous American in the world” in panel 2.3. Who do you think is the most famous American today? 4. Buffalo Bill may have exaggerated some of his accomplishments and also allowed others to do the same for him. Who else has done this? (Students can be shown Johnny Appleseed, Paul Revere, pop culture personas, etc.) MS/HS 1. Buffalo Bill described himself as the “most famous American in the world” in panel 2.3. Who do you think is the most famous American today? 2. Buffalo Bill may have exaggerated some of his accomplishments and also allowed others to do the same for him. Who else has done this? (Students can be shown Johnny Appleseed, Paul Revere, pop culture icons, etc.) 3. What was the significance of the Pony Express? Why does it remain a significant American West icon? How does it relate to the idea of Americanism? 4. At the conclusion of the lessons, have students discuss how Native Americans might view Cody, his show, and his legacy.
    [Show full text]
  • Oklahoma Territory Inventory
    Shirley Papers 180 Research Materials, General Reference, Oklahoma Territory Inventory Box Folder Folder Title Research Materials General Reference Oklahoma Territory 251 1 West of Hell’s Fringe 2 Oklahoma 3 Foreword 4 Bugles and Carbines 5 The Crack of a Gun – A Great State is Born 6-8 Crack of a Gun 252 1-2 Crack of a Gun 3 Provisional Government, Guthrie 4 Hell’s Fringe 5 “Sooners” and “Soonerism” – A Bloody Land 6 US Marshals in Oklahoma (1889-1892) 7 Deputies under Colonel William C. Jones and Richard L. walker, US marshals for judicial district of Kansas at Wichita (1889-1890) 8 Payne, Ransom (deputy marshal) 9 Federal marshal activity (Lurty Administration: May 1890 – August 1890) 10 Grimes, William C. (US Marshal, OT – August 1890-May 1893) 11 Federal marshal activity (Grimes Administration: August 1890 – May 1893) 253 1 Cleaver, Harvey Milton (deputy US marshal) 2 Thornton, George E. (deputy US marshal) 3 Speed, Horace (US attorney, Oklahoma Territory) 4 Green, Judge Edward B. 5 Administration of Governor George W. Steele (1890-1891) 6 Martin, Robert (first secretary of OT) 7 Administration of Governor Abraham J. Seay (1892-1893) 8 Burford, Judge John H. 9 Oklahoma Territorial Militia (organized in 1890) 10 Judicial history of Oklahoma Territory (1890-1907) 11 Politics in Oklahoma Territory (1890-1907) 12 Guthrie 13 Logan County, Oklahoma Territory 254 1 Logan County criminal cases 2 Dyer, Colonel D.B. (first mayor of Guthrie) 3 Settlement of Guthrie and provisional government 1889 4 Land and lot contests 5 City government (after
    [Show full text]
  • Acting for the Camera: Horace Poolaw's Film Stills of Family, 1925
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 2011 ACTING FOR THE CAMERA HORACE POOLAW'S FILM STILLS OF FAMILY, 1925-1950 Hadley Jerman University of Oklahoma Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Jerman, Hadley, "ACTING FOR THE CAMERA HORACE POOLAW'S FILM STILLS OF FAMILY, 1925-1950" (2011). Great Plains Quarterly. 2684. http://digitalcommons.unl.edu/greatplainsquarterly/2684 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ACTING FOR THE CAMERA HORACE POOLAW'S FILM STILLS OF FAMILY, 1925-1950 HADLEY JERMAN [Prior to the invention of the camera], one [viewed oneself as if before a] mirror and produced the biographical portrait and the introspective biography. [Today], one poses for the camera, or still more, one acts for the motion picture. -Lewis Mumford, Technics and Civilization (1934) During the late 1920s, American technology making dramatically posed, narrative-rich historian Lewis Mumford drafted these words portraits of family members, Mumford asserted in a manuscript that would become Technics that the modern individual now viewed him or and Civilization. At the same time, Kiowa pho­ herself "as a public character, being watched" by tographer Horace Poolaw began documenting others. He further suggested that humankind daily life in southwestern Oklahoma with the developed a "camera-eye" way of looking at very technology Mumford alleged altered the the world and at oneself as if continuously on way humanity saw itself.
    [Show full text]
  • Unpublished History of the United States Marshals Service (USMS), 1977
    Description of document: Unpublished History of the United States Marshals Service (USMS), 1977 Requested date: 2019 Release date: 26-March-2021 Posted date: 12-April-2021 Source of document: FOIA/PA Officer Office of General Counsel, CG-3, 15th Floor Washington, DC 20350-0001 Main: (703) 740-3943 Fax: (703) 740-3979 Email: [email protected] The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. U.S. Department of Justice United States Marshals Service Office of General Counsel CG-3, 15th Floor Washington, DC 20530-0001 March 26, 2021 Re: Freedom of Information Act Request No.
    [Show full text]
  • Nebraska's Unique Contribution to the Entertainment World
    Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition
    [Show full text]
  • Tilghmanwilliammatthew.Pdf
    University of Oklahoma Libraries Western History Collections William M. Tilghman and Zoe A. Tilghman Collection Tilghman, William Matthew (1854–1925). Papers, 1843–1960. 2 feet. Lawman. Correspondence (1901–1960) regarding the Tilghmans, as well as gangsters and outlaws, Communist infiltration of the Works Progress Administration in Oklahoma, and poets and writers of Oklahoma; Tilghman’s personal financial records (n.d.); manuscripts and typescripts (n.d.), including the memoirs of Bill Tilghman and writings by Zoe Tilghman regarding the first Christmas in Oklahoma City, Oklahoma Territory; publications (1843–1949) by the Poetry Society of Oklahoma, the Oklahoma Authors Club, and the Women of ’89 Club, including a mid- nineteenth century book on feminine etiquette; programs (1903–1934) of academic, social, charitable, and religious institutions and organizations; newspaper clippings regarding outlaws; and showbills (n.d.) for western-oriented motion pictures. ______________ Box 1: Correspondence, Notes, and Forms Correspondence: Zoe A. Tilghman Folder: 1. Adams, Russell (March 18, 1955). Letter to Zoe Tilghman, re: Caleb Brooks, William Tilghman, Oscar Halsell, Billy Raidler, Bill Doolin, and western writers. 2. Bolds, George W. (January 17, 1953). Letter to Zoe Tilghman, re: health and William Tilghman. 3. Carroll, Mrs. G.P. (January 28, 1930). Letter to Victor Harlow, re: poem by Zoe Tilghman. 4. Croy, Homer (Thanksgiving, 1954). Letter to Zoe Tilghman, re: Jesse James III. 5. Dies, Martin - U.S. Representative (June 10, 1938). Letter from Zoe Tilghman, re: alleged communist activities in Federal Writers Project in Oklahoma. Includes several statements, etc. Copy. 6. Graham, L.J. - Assistant U.S. Attorney-General. a. (April 18, 1916).
    [Show full text]
  • THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
    THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence.
    [Show full text]
  • Wild West Photograph Collection
    THE KANSAS CITY PUBLIC LIBRARY Wild West Photograph Collection This collection of images primarily relates to Western lore during the late 19th and parts of the 20th centuries. It includes cowboys and cowgirls, entertainment figures, venues as rodeos and Wild West shows, Indians, lawmen, outlaws and their gangs, as well as criminals including those involved in the Union Station Massacre. Descriptive Summary Creator: Brookings Montgomery Title: Wild West Photograph Collection Dates: circa 1880s-1960s Size: 4 boxes, 1 3/4 cubic feet Location: P2 Administrative Information Restriction on access: Unrestricted Terms governing use and reproduction: Most of the photographs in the collection are reproductions done by Mr. Montgomery of originals and copyright may be a factor in their use. Additional physical form available: Some of the photographs are available digitally from the library's website. Location of originals: Location of original photographs used by photographer for reproduction is unknown. Related sources and collections in other repositories: Ralph R. Doubleday Rodeo Photographs, Donald C. & Elizabeth Dickinson Research center, National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma. See also "Ikua Purdy, Yakima Canutt, and Pete Knight: Frontier Traditions Among Pacific Basin Rodeo Cowboys, 1908-1937," Journal of the West, Vol. 45, No.2, Spring, 2006, p. 43-50. (Both Canutt and Knight are included in the collection inventory list.) Acquisition information: Primarily a purchase, circa 1960s. Citation note: Wild West Photograph Collection, Missouri Valley Special Collections, Kansas City Public Library, Kansas City, Missouri. Collection Description Biographical/historical note The Missouri Valley Room was established in 1960 after the Kansas City Public Library moved into its then new location at 12th and Oak in downtown Kansas City.
    [Show full text]
  • SASS Regulators Class of 1990 Alias SASS# First Name Last Name Location B
    SASS Regulators Class of 1990 Alias SASS# First Name Last Name Location B. B. McShagnasty 452 Don Wright CA Big Medicine 19 Eric Peterson CA Butch Cavechee 20 Tony Cipponeri CA Cat Ballou 55 Barbara Ormand NM Doc Bones 158 Dan Howard CA Double D 1091 Donn A. Davis CA Frank M. Canton, USM 81 Stephen Beecher CA Graybeard 153 Harold Itchkawitch CA Hash Knife 587 Gene Henry CA Iron Hooks 843 Bart Antista CA Kate Elder 10 Terry Wenzel NV Lady Rebel 550 Elizabeth Gryder TN Little Britches 543 Judith Henderson AZ Old Deadeye 422 Michael Sinclair AZ Rabid Jack 40 Steven Hand CA Sidewinder 26 Brent Bowling, DDS CA Texas Jack Omohundro 151 Frank Leaman CA Class of 1991 Alias SASS# First Name Last Name Location Billy Dixon 196 D. Thomas Thompson TX Blue Eyes 92 Pat Myers CA Hipshot 7 Brad Myers CA Joan Rumble 677 Joan Rumble AZ Sara Sota 33 Roz Britton SD Shakey Jake 1387 Jake W. Johnson CA Sweetwater 1122 Jessica Ming CA Class of 1992 Alias SASS# First Name Last Name Location Appaloosa 555 David Paul CA Broken Hand 148 Larry Walker AZ Doc Alan Mortimer 178 Melvin Astrahan CA Southpaw Too 199 Don Stein IN Temple 180 Donald B. Smith, Jr. OH Zzyzx 357 Harry T. Campbell MA Class of 1993 Alias SASS# First Name Last Name Location Hondo Kid El Tejano 312 Lee Glover CA Lucky Ned Pepper 574 Ron Brimer GA Phil A. Buster 1647 Michael Hahn HI Texas Ranger 1508 Rob A. Bowman KY Class of 1994 Alias SASS# First Name Last Name Location Belle Starr 373 Sandra McCoid CA Grey Fox 223 Gary Kangas CANADA Hondo 21 C.S.
    [Show full text]