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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
Women Accountants in the 1880 US Federal Census: a Genealogical Analysis Diane H
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Accounting School of Management 2010 Women Accountants in the 1880 US Federal Census: A Genealogical Analysis Diane H. Roberts University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/acct Part of the Accounting Commons Recommended Citation Roberts, Diane H., "Women Accountants in the 1880 US Federal Census: A Genealogical Analysis" (2010). Accounting. Paper 1. http://repository.usfca.edu/acct/1 This Conference Proceeding is brought to you for free and open access by the School of Management at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Accounting by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. 1 Women Accountants in the 1880 US Federal Census: A Genealogical Analysis By Diane H. Roberts Submitted to the American Accounting Association National Meeting (Meeting to be Held August, 2010) Submission Date January 6, 2010 Title page added for FDC Submission Purposes – actual submission is blind submission and started on next page. 2 Women Accountants in the 1880 US Federal Census: A Genealogical Analysis Abstract: This historical census micro-data project examines the characteristics of women who self report as accountants in the 1880 US Federal Census. Using the data provided by the actual Census forms the demographic, familial, and economic characteristics of women accountants are examined and found to be quite different from the experience of accountants overall found by Lee [2007]. -
The Miser. (L'avare.) by Moliere Translated Into English Prose with a Short Introduction and Explanatory Notes
THE MISER. (L'AVARE.) BY MOLIERE TRANSLATED INTO ENGLISH PROSE WITH A SHORT INTRODUCTION AND EXPLANATORY NOTES. BY CHARLES HERON WALL This play was acted for the first time on September 9, 1668. In it, Moliere has borrowed from Plautus, and has imitated several other authors, but he far surpasses them in the treatment of his subject. The picture of the miser, in whom love of money takes the place of all natural affections, who not only withdraws from family intercourse, but considers his children as natural enemies, is finely drawn, and renders Moliere's Miser altogether more dramatic and moral than those of his predecessors. Moliere acted the part of Harpagon. PERSONS REPRESENTED. HARPAGON, father to CLEANTE, in love with MARIANNE. CLEANTE, HARPAGON'S son, lover to MARIANNE. VALERE, son to ANSELME, and lover to ELISE. ANSELME, father to VALERE and MARIANNE. MASTER SIMON, broker. MASTER JACQUES, cook and coachman to HARPAGON. LA FLECHE, valet to CLEANTE. BRINDAVOINE, and LA MERLUCHE, lackeys to HARPAGON. A MAGISTRATE and his CLERK. ELISE, daughter to HARPAGON. MARIANNE, daughter to ANSELME. FROSINE, an intriguing woman. MISTRESS CLAUDE, servant to HARPAGON. * * * * * The scene is at PARIS, in HARPAGON'S house. THE MISER. ACT I. SCENE I.--VALERE, ELISE. VALERE. What, dear Elise! you grow sad after having given me such dear tokens of your love; and I see you sigh in the midst of my joy! Can you regret having made me happy? and do you repent of the engagement which my love has forced from you? ELISE. No, Valere, I do not regret what I do for you; I feel carried on by too delightful a power, and I do not even wish that things should be otherwise than they are. -
The Italians of the South Village
The Italians of the South Village Report by: Mary Elizabeth Brown, Ph.D. Edited by: Rafaele Fierro, Ph.D. Commissioned by: the Greenwich Village Society for Historic Preservation 232 E. 11th Street, New York, NY 10003 ♦ 212‐475‐9585 ♦ www.gvshp.org Funded by: The J.M. Kaplan Fund Greenwich Village Society for Historic Preservation 232 East 11th Street, New York, NY 10003 212‐475‐9585 212‐475‐9582 Fax www.gvshp.org [email protected] Board of Trustees: Mary Ann Arisman, President Arthur Levin, Vice President Linda Yowell, Vice President Katherine Schoonover, Secretary/Treasurer John Bacon Penelope Bareau Meredith Bergmann Elizabeth Ely Jo Hamilton Thomas Harney Leslie S. Mason Ruth McCoy Florent Morellet Peter Mullan Andrew S. Paul Cynthia Penney Jonathan Russo Judith Stonehill Arbie Thalacker Fred Wistow F. Anthony Zunino III Staff: Andrew Berman, Executive Director Melissa Baldock, Director of Preservation and Research Sheryl Woodruff, Director of Operations Drew Durniak, Director of Administration Kailin Husayko, Program Associate Cover Photo: Marjory Collins photograph, 1943. “Italian‐Americans leaving the church of Our Lady of Pompeii at Bleecker and Carmine Streets, on New Year’s Day.” Library of Congress, Prints and Photographs Division, Farm Security Administration – Office of War Information Photograph Collection, Reproduction Number LC‐USW3‐013065‐E) The Italians of the South Village Report by: Mary Elizabeth Brown, Ph.D. Edited by: Rafaele Fierro, Ph.D. Commissioned by: the Greenwich Village Society for Historic Preservation 232 E. 11th Street, New York, NY 10003 ♦ 212‐475‐9585 ♦ www.gvshp.org Funded by: The J.M. Kaplan Fund Published October, 2007, by the Greenwich Village Society for Historic Preservation Foreword In the 2000 census, more New York City and State residents listed Italy as their country of ancestry than any other, and more of the estimated 5.3 million Italians who immigrated to the United States over the last two centuries came through New York City than any other port of entry. -
The Rights of Children in Islam
THE RIGHTS OF CHILDREN IN ISLAM By: KHALID DHORAT STUDENT NO: 9440836 Dissertation submitted in fulfilment of the requirements of the degree Master Of Arts in Isliimic Studies, Faculty Of Arts at the Rand Afrikaans University of South Africa January1996 So ervlsora Professor A .11. I. Del Professor J .F. J. Vii MI■SM■rg ACKNOWLEDGEMENTS All praises are due to Allah Ta who inspired me to study the unique and distinguished religion al-Islam, and salutations and benedictions be upon his chosen and celebrated Rastil. Muhammad bin 'Abdullah (SAW). My heartfelt gratitude goes to my inspirational tutor, Prof Dr. 'Abd al-Rahman I Doi, for his invaluable guidance, practical suggestions and meaningful comments upon this dissertation. Also, to my second Professor, Prof. J F J Van Rensburg; who painstakingly went through this thesis with a fine tooth-comb, and made invaluable suggestions for its improvement. Many extended thanks to the board members of the Dar al-Salem Islamic Research Centre, Laudium for allowing me access to the Centre to utilise the computer and library facilities, especially to it's most devoted patron, Maulana Ashraf Ebrahim Dockrat I fully appreciate the kind helping gestures of my fellow research-workers at the Centre for their assistance in operating the computer, Maulana Mubin Cassim and Maulana 'Abdullah Jeenah. To my computer specialist, Veresh Sita who aided me immeasurably whenever the computer and the disks gave problems. Abundance of appreciation to my cherished and beloved wife, Farzanah bint Maulana Rafiq Hathurani for her support, enthusiasm and for keeping vigil with me for the better part of many a night. -
Dress and Fashion, “Rosista” Style 31
FashionNation: The Politics of Dress and Gender in 19th Century Argentine Journalism (1829-1880) by Susan Hallstead B.A. in Spanish, University of Pittsburgh, 1997 M.A. in Hispanic Literature, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of the Department of Hispanic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 i UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Susan Hallstead It was defended on December 12, 2005 and approved by Mabel Moraña, PhD, Professor Gerald Martin, PhD, Professor Jerome Branche, PhD, Associate Professor Susan Andrade, PhD, Associate Professor Dissertation Director: Mabel Moraña, PhD, Professor ii Copyright © by Susan Hallstead 2005 iii TABLE OF CONTENTS 1. Introduction 1 2. Forced Traditions, Forged Equality: Dress and Fashion, “Rosista” Style 31 2.1. Entering a New World Order: Of Essence, Appearance and Peinetones 33 2.2. The Brute of all Brutes, the Tiger of all Tigers: Rosas, the Rosista Dress Code and the othering of the Lettered City 66 2.3. Rosas and the Afro-Argentine: The Relationship of Race and Dress in the Rosista Era 92 3. Challenging Barbarism and Waging Wars of Images: Argentina’s Men of Letters find Fashion (1829-1852) 113 3.1. Early Argentine Journalism and National Politics: The Challenges of the Post-Independence Period 118 3.2. Fashion’s Appearance at the Intellectual Round Table: Consumption, Citizenship and the Ideal Unitarist 130 3. 3. The Foundational Parameters of Argentine Nationalism: Fashion, Civilization and Barbarism 183 4. After Caseros: Women Write on Fashion, Nation and Politics 206 4.1. -
2Security Lockdown 7Surviving Semester
THE OUR grotto LADY OF LOURDES ACADEMY MIAMI, FLORIDA VOLUME 50/ISSUE 6 May 2013 www.olla.org/grotto/may C SHOO L’S OUT SECURITY LOCKDOWN SURVIVING SEMESTER SPORTS SUCCESSES Check out the effects of Boston Reminisce over the hIghlights of inside For a HOW TO guide to surviving 2 bombing on the government’s 7the last few months of the school year, 16 each superb sports teams’ victories security policies. check out this month’s issue. from the entire year. peek 2 news | the grotto |may 2013 The State of Our Nation(al Security) KATHRYN MELLINGER These acts of terror have been influenced organizations. by the extremist teachings of an American As far as Dzhokhar goes, he has been A sense of closure has overcome the cleric named Anwar al-Awlaki. assigned multiple public defenders who - nation with the capturing of one of the The fanatic teachings clearly influenced will plead his case in federal court in hopes Boston bombers, Dzhorkhar Tsarnaev. 53% the actions of the terrorists who decided of avoiding the death penalty. Though the suspect has been stabilized, to attack the Boston marathon on Patriot’s According to U.S. News, it is very feel that the govern he is not capable of speaking due to a self Day, after finishing the homemade bombs likely that the attorneys will bargain with inflicted gunshot wound to the neck. early. The bombs were created using prosecutors on the idea that Dzhokhar was ment has not taken In order to gain information regarding pressure cookers in the apartment of not fully aware of his actions and did not enough measures the recent terror attacks, the FBI denied Tamerlan, the older suspect. -
Virginia Woolf's Short Fiction: a Study of Its Relation
VIRGINIA WOOLF'S SHORT FICTION: A STUDY OF ITS RELATION TO THE STORY GENRE; AND AN EXPLICATION OF THE KNOWN STORY CANON by David Roger Tallentire B.Sc, The University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard. THE UNIVERSITY OF BRITISH COLUMBIA April, 1968 In presenting this thesis in partial fulfilment of the requirement for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date /&, /?6S ii ABSTRACT The short stories of Virginia Woolf have never re• ceived serious scrutiny, critics determinedly maintaining that the novels contain the heart of the matter and that the sto• ries are merely preparatory exercises. Mrs. Woolf, however, provides sufficient evidence that she was "on the track of real discoveries" in the stories, an opinion supported by her Bloomsbury mentors Roger Fry and Lytton Strachey. A careful analysis of her twenty-one known stories suggests that they are indeed important (not merely peripheral to the novels and criticism) and are successful in developing specific techniques and themes germane to her total canon. -
Memoirs of Dr.Edson Harvey Fichter, Jr
Memoirs of Dr.Edson Harvey Fichter, Jr. compiled by his daughter, Nancy Dillon BOYHOOD AND TEEN YEARS Edson was born on Sunday, July 3rd, 1910, in an old farmhouse near the small town of Randolph, Iowa. The country doctor that assisted with his birth eventually became his brother-in-law, marrying his elder sister, Mabel. As a boy he was called “Eddie” or just “Boy Fichter”. He was the youngest of four children. His siblings were Mabel, Edna, and Corby. Edson wrote the following many years later: “When I was a little boy, our family of six went to Omaha, Nebraska, which was about 50 miles from our farm, to buy clothing. I can remember, more or less clearly, that much of the time we were there I was crying because I was frightened by the big city.” When Edson was five he became a first grader along with another boy, Irving Travelute, and two girls, Louise Allely and Hilda Hintz, at Harvard, a one-room country schoolhouse one mile from his farm. He and his brother Corby, age 12, walked to school or rode together on a black pony named Billy. At the end of the first semester the teacher was committed to a mental institution; then it became clear to his family that his school morning stomach ache had not always been malingering. His sister, Mabel, 21 years older than he and unmarried, was the teacher the second semester. The following nonsense verse is the only thing that he can specifically remember as having learned at Harvard: Where is a boy going And what is he going to do, And how is he going to do it When the world bursts through? The above named horse, Billy, occasionally showed some surprising behavior. -
The Politics of Gender and the Visual in Virginia Woolf and Angela Carter
The Politics of Gender and the Visual in Virginia Woolf and Angela Carter Caleb Sivyer Thesis submitted for the degree of Doctor of Philosophy (English Literature) School of English, Communication & Philosophy Cardiff University 2015 Summary This thesis investigates the relationship between gender and the visual in texts by Virginia Woolf and Angela Carter. Drawing on visual studies, gender studies and film theory, I argue that my selected texts present the gendered visual field as dynamic and layered, foregrounding both a masculine economy of vision and the possibility of alternative forms of gendered subjectivity and ways of looking. The Introduction discusses the key methodological frameworks used in this thesis, including Jonathan Crary’s account of the historical construction of vision, the debates around gender, mobility and visuality centred on the figure of the flâneur, and Laura Mulvey’s account of the cinematic male gaze. I argue for the importance of recognising that the field of vision is a site of contestation composed of an interplay of connected gendered looks. Chapter One focuses on the unresolved tensions between different gendered looks in Mrs Dalloway (1925) which take place across a number of spaces and are mediated by a variety of visual frames. Chapter Two turns to Orlando (1928) to explore Woolf’s playful subversion of a masculine visual economy through a protagonist who changes sex and dress. In addition to this vacillation of appearance, I argue that the text’s representations of London in the 1920s, in particular the department store and motor-car, contribute to a proliferation of gendered looks. In turning to The Passion of New Eve (1979), Chapter Three shows how Carter foregrounds the violence involved in the performance of gender, particularly as mediated through the cinema, and further subverts masculine vision by representing gender as a masquerade. -
Accounting in Fiction S
Ouachita Baptist University Scholarly Commons @ Ouachita Articles Faculty Publications 2-28-2017 Accounting in Fiction S. Ray Granade Ouachita Baptist University, [email protected] Follow this and additional works at: https://scholarlycommons.obu.edu/articles Part of the Accounting Commons, and the American Literature Commons Recommended Citation Granade, S. Ray, "Accounting in Fiction" (2017). Articles. 75. https://scholarlycommons.obu.edu/articles/75 This Bibliography is brought to you for free and open access by the Faculty Publications at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Articles by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. ACCOUNTING IN FICTION by S. Ray Granade 2/28/2017 Studies about: “The Accountant in Fiction.” Accountancy 92 no. 1050 (Feb 1981): 94. Abstract: Reviews The Bourne Identity by Robert Ludlum. Barrett, William C., III. “My Life in Crime: Chronicles of a Forensic Accountant.” http://www.accountingweb.com/technology/trends/my-life-in- crime-chronicles-of-a-forensic-accountant. Beard, V. “Popular Culture and Professional Identity: Accountants in the Movies.” Accounting, Organizations and Society (1994): 303-318. Bougen, P.D. “Joking Apart: The Serious Side to the Accountant Stereotype,” Accounting, Organizations and Society (1994): 319-335. Boys, P. “A Source of Accounting History: Somerset Maugham.” The Accounting Historians Notebook (Fall 1994): 7-9, 24. Brieschke, Patricia A. “The Administrator in Fiction: Using the Novel to Teach Educational Administration,” Education Administration Quarterly 26 (November, 1990), 376. “Company Promoters I Have Known.” The Accountant, 36 (6 April 1907): 443. The current number of The Grand Magazine contains an interesting article under the above heading which is one of a series entitled Confessions of a Accountant.