Indian Council for Cultural Relations Empanelment Artists
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Siddheshwari Devi Final Edit Rev 1
Siddheshwari Devi – The Queen of Thumri1 by Aditi Desai Kashi, Benares or Varanasi; the ancient spiritual centre of Hindustan, famous for its Ganga, its temples and ghats, pandits and pandas, had another more sensual side in its graceful yet throbbing sub-culture of music and dance. There was a time when for every devotee going to a temple to propitiate the gods there was another who, chewing his delicately flavoured paan, 1 Edited, updated and rewritten version based on: Original article written by Aditi Desai for The India Magazine, Aug. 1981, No. 9 would be strolling towards some singer’s or dancer’s house. In the Benares sunset, the sound of temple bells intermingled with the soul stirring sounds of a bhajan, a thumri, a kajri, a chaiti, a hori. And accompanying these were the melodious sounds of the sarangi or flute and the ghunghroos on the beat of the tabla that quickened the heartbeat. So great was the city’s preoccupation with music, that a distinctive style of classical music, rooted in the local folk culture, emerged and was embodied in the Benaras Gharana ( school or a distinctive style of music originating in a family tradition or lineage that can be traced to an instructor or region). A few miles from Benares, there is a village called Torvan, which appears to be like any other Thakur Brahmin village of that region. But there is a difference. This village had a few families belonging to the Gandharva Jati, a group whose traditional occupation was music and its allied arts. Amongst Gandharvas, it was the men who went out to perform while the women stayed behind. -
Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
Copyright by Kristen Dawn Rudisill 2007
Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold. -
Master of Performing Arts (Vocal & Instrumental)
MASTER OF PERFORMING ARTS (VOCAL & INSTRUMENTAL) I SEMESTER Course - 101 (Applied Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To critically appreciate a music concert. 2. To understand and compare the ragas and talas prescribed for practical’s. 3. To write compositions in the prescribed notation system. 4. To introduce students to staff notation. Course Content:- I. Theoretical study of Ragas and Talas prescribed for practical and their comparative study wherever possible. II. Reading and writing of Notations of compositions Alap, Taan etc. in the Ragas and Talas with prescribed Laykraries. III. Elementary Knowledge of Staff Notation. IV. Critical appreciation of Music concert. Bibliographies:- a. Dr. Bahulkar, S. Kalashastra Visharad (Vol. 1 - 4 ). Mumbai:: Sanskar Prakashan. b. Dr. Sharma, M. Music India. A. B. H. Publishing Hoouse. c. Dr. Vasant. Sangeet Visharad. Hatras:: Sangeet Karyalaya. d. Rajopadhyay, V. Sangeet Shastra. Akhil Bhartiya Gandharva Vidhyalaya e. Rathod, B. Thumri. Jaipur:: University Book House Pvt. Ltd. f. Shivpuji, G. Lay Shastra. Bhopal: Madhya Pradesh Hindi Granth. Course - 102 (General Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To study Aesthetics in Music. 2. To appreciate the aesthetic aspects of different forms of music. Course Content:- I. Definition of Aesthetics and its Application in Music. II. Aesthetical principles of Different Haran’s. III. Aesthetical aspects of different forms of Music. a. Dhrupad, Dhamar, Khayal, Thumri, Tappa etc. IV. Merits and demerits of vocalist. Bibliographies:- a. Bosanquet, B. (2001). The concept of Aesthetics. New Delhi: Sethi Publishing Company. b. Dr. Bahulkar, S. Kalashastra Visharad (Vol. -
In Young India Young in Gold’ Is ‘Old
downloaded from : www.visionias.net downloaded from : https://t.me/Material_For_Exam follow us: friday, february 2, 2018 Delhi City Edition thehindu.com 36 pages ț 10.00 facebook.com/thehindu twitter.com/the_hindu Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow In a preelection Budget, Finance Minister Arun Jaitley serves up a mix of populism and prudence FARMER SUTRA Special Correspondent <> The focus of the litre has been levied to fund NEW DELHI Budget is farmers, projects. Unlike excise du With a clear eye on the Lok rural India, ties, the Centre is not re Sabha election, Union Fi healthcare and quired to share cess receipts nance Minister Arun Jaitley with the States. education pulled out all the stops in The government’s inabili Arun Jaitley the Narendra Modi govern Finance Minister ty to give away too many ment’s last full Budget to goodies were largely due to promise a better deal for show that individual busi its scal constraints, with farmers, boost the rural nesspersons paid less aver this year’s scal decit over economy and make the age tax than the salaried shooting the 3.2% of GDP poor less vulnerable to class, he reintroduced a at target and likely to touch health exigencies. 40,000 deduction from 3.5% on account of the GST Responding to the dis taxable income for the latter related issues. Instead of a tress in the agriculture in lieu of the existing tax ex 3% decit in the coming sector that has reared its emptions for transport and year, the Centre settled to head in various States medical allowance and ex target the 3.3% mark, defer over the past year, the tended this relief to pen ring the glide path to 3% to government has decid sioners. -
Model Queastion Bank for C G JE
QUESTION PAPER FOR THE WRITTEN TEST FOR TIIE POST OF JUNIOR ENGINEER(IvIECHANICAL) ON COMPASSIONATE GROLJND DIVISION: KUR , Date of Exam : 20. 10.2020 Total marks : : 150 Marks There are 4 sections in the question paper : - SECTION-'I' is carrying 20 marks - SECTION-'ll' is carrying 20 marks SECTION-'lll' is carrying 20 marks SECTION -'lV' is carrying 90 marks Total t7 a Total Time : 02.00 hrs sEcTtoN _ I IGENERAI AWARENESS) (Questlon no. 01 to 20 Carry one mark each) Choose the correct answer from the given optlons: 1) World Environment Day is celebrated on _. mqq+fl crfads_q{ffarlrqrfl tl a) 5th June b) 6th July c) 7th August d) 8th september qs{f, fioa-arg fr)73l-JrF strfrdcr 2) 'Thimphu'is the Gpital of frT 6I {rfirrfr tt a) Meghalaya b) Bhutan c) Manipur d) Sikkim (r)tsrdq dDqc'a OaFrg{ Ofrfuq 3) 'Sabarimala' is located in which of the following state? ,rstrErilffifud ue| 4 g frs f Fra tz a) Tamilnadu b) Kerala c) Karnataka d) Telengana qaft-d-dE Oi-rfr Os-dl-.6 SDAiirrm 4l How many fundamental rights are mentioned in lndian constitution? firc&q tfqra d' fuili dft-fi 3rfusr fir rrds ft.qr erqr t, a) Five b) Six c) Seven d) Eight 9crE fie-a dr)sra dDsn6 Page 1 of 17 5) Total number of districts in Odisha is _. 3i&n$ ffi 6r Ea,iwr_-g; al L7 b) 2s c) 30 d) 33 6) Which of the following is no longer a planet in our solar system? FeafrE-a d t dt-fr €rf,qrt dt{ asa fr rrfafi.t: a) Mercury b) Mars c) Neptune d) pluto (r)gq Oaa-n OAE-qd Oqi) 7) 'Mona Lisa' painting was made by _. -
Uhm Phd 9519439 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality or the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. MI48106·1346 USA 313!761-47oo 800:521-0600 Order Number 9519439 Discourses ofcultural identity in divided Bengal Dhar, Subrata Shankar, Ph.D. University of Hawaii, 1994 U·M·I 300N. ZeebRd. AnnArbor,MI48106 DISCOURSES OF CULTURAL IDENTITY IN DIVIDED BENGAL A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE DECEMBER 1994 By Subrata S. -
University of Alberta
University of Alberta The Refugee Woman: Partition of Bengal, Women, and the Everyday of the Nation by Paulomi Chakraborty A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English and Film Studies ©Paulomi Chakraborty Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-55963-5 Our file Notre référence ISBN: 978-0-494-55963-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
List of Ccrt Scholarship Holders for the Year 2015-2016
LIST OF CCRT SCHOLARSHIP HOLDERS FOR THE YEAR 2015-2016 NAME OF SCHOLAR AUTHORISED PARENT S.NO. FILE NO. FIELD OF TRAINING HOLDER NAME/GUARDIAN NAME 1. SCHO/2015-16/00001 TRISHA BHATTACHARJEE TARUN BHATTACHARJEE FOLK SONGS HINDUSTANI MUSIC 2. SCHO/2015-16/00003 ALIK CHAUDHURI TANMAY CHAUDHURI VOCAL HINDUSTANI MUSIC 3. SCHO/2015-16/00004 DEBJANI NANDI CHANDAN NANDI VOCAL HINDUSTANI MUSIC 4. SCHO/2015-16/00005 SATTWIK CHAKRABORTY SUPRIYO CHAKRABORTY VOCAL HINDUSTANI MUSIC 5. SCHO/2015-16/00006 SANTANU SAHA GAUTAM SAHA VOCAL 6. SCHO/2015-16/00008 SUPTAKALI CHAUDHURI PREMANKUR CHAUDHORI RABINDRA SANGEET 7. SCHO/2015-16/00009 SUBHAYO DAS KAJAL KUMAR DAS RABINDRA SANGEET 8. SCHO/2015-16/00010 ANUVA ROY ASHIS ROY NAZRUL GEETI 9. SCHO/2015-16/00011 PLABAN NAG PRADIP NAG NAZRUL GEETI 10. SCHO/2015-16/00012 SURAJIT DEB KRISHNA BANDHU DEB GHAZAL HINDUSTANI MUSIC 11. SCHO/2015-16/00014 BARSHA DAS BANKIM CHANDRA DAS INSTRUMENT-GUITAR HINDUSTANI MUSIC 12. SCHO/2015-16/00016 ABHIGNAN SAHA GOPESH CHANDRA SAHA INSTRUMENT-TABLA 13. SCHO/2015-16/00017 DEBOLINA DEBNATH DWIJOTTAM DEBNATH HINDUSTANI MUSIC INSTRUMENT-VIOLIN 14. SCHO/2015-16/00020 BINDIYA SINGHA RAMENDRA SINGHA MANIPURI DANCE 15. SCHO/2015-16/00022 BARNITA CHOUDHURY NILADRI CHOUDHURY KATHAK 16. SCHO/2015-16/00023 ADWITIYA DEB ROY ASHISH DEBROY KATHAK 17. SCHO/2015-16/00024 SOUMYADEEP DEB SUSANTA CH. DEB KATHAK 18. SCHO/2015-16/00025 NUPUR SINHA PRADIP SINHA MANIPURI DANCE 19. SCHO/2015-16/00026 MONALISHA SINGHA BISWAJIT SINGHA MANIPURI DANCE 20. SCHO/2015-16/00027 RISHA CHOWDHURY RANA CHOWDHOURY BHARATNATAYAM 21. SCHO/2015-16/00028 NAYAN SAHA NANTURANJAN SAHA PAINTING 22. -
Name of the Artist & Contact Details Links Grading
MINISTRY OF CULTURE FESTIVAL OF INDIA CELL PANEL OF ARTISTS/GROUPS FOR PARTICIPATION IN FESTIVALS OF INDIA ABROAD (O - OUTSTANDING, P- PROMISING, W- WAITING) Kathak S.NO Name of the Artist & contact Details Links Grading 1. Arijeet Mukherjee Business Development and Events Coordinator https://vimeo.com/151495589 Aditi Mangaldas Dance Company - The Drishtikon Dance Foundation Password: within123 O ADD: N-75/4/2, Sainik Farms South Lane - W 17 (Main) New Delhi-110080 MOB: 0 93111 57771 | 0 98105 66044 http://vimeo.com/aditimangaldasdance/ WEB: www.aditimangaldasdance.com Email: unchartedseas [email protected] Password: AMDC-US 2 Shovana Narayan IA&AS retd https://www.youtube.com/watch?v=Hha O Kathak Guru(Padmashri& central Sangeet Natak Akademi awardee) Mq0Nxg5s T2-LL-103, Commonwealth Games Village, Delhi-110092 https://www.youtube.com/watch?v=eOD Cell:+919811173734+919810725340 RnwLc9Mg Email:[email protected] or [email protected] https://www.youtube.com/watch?v=KAw Padmashree Awardee (1996) jM9ggTh8 SNA Awardee (1999-2000) https://www.youtube.com/watch?v=lsUd IJI0yn8 https://www.youtube.com/watch?v=aR W89rFJ6dc https://www.youtube.com/watch?v=KAw jM9ggTh8 https://www.youtube.com/watch?v=UN A_4Cf1taQ https://www.youtube.com/watch?v=4Ax MxNkuxvw https://www.youtube.com/watch?v=RhL 6wQ1Y-WA https://www.youtube.com/watch?v=7A3 dh8pBElg https://www.youtube.com/watch?v=8Xe RJqb65e4 https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=RJQ pWVKMTJI https://www.youtube.com/watch?v=xjsl5 Rq3HVo https://www.youtube.com/watch?v=5Uf sLeqIYhY https://www.youtube.com/watch?v=o- ftl8rIjnc https://www.youtube.com/watch?v=Jrnt MQy2320 https://i.ytimg.com/vi/IMKCvbQ7cUk/mq default.jpg https://www.youtube.com/watch?v=MS wixkNxubg https://www.youtube.com/watch?v=oO1 -WsLotZg https://www.youtube.com/watch?v=gZrd 14SjJkA https://www.youtube.com/watch?v=RJq PTQTD-Zs https://www.youtube.com/watch?v=PG5 -DTTykdk https://www.youtube.com/watch?v=VW Fuv9mBUQI https://www.youtube.com/watch?v=1UY NfMqZ9aQ https://www.youtube.com/watch?v=SDq xUHbTLHw 3. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Karnataka Secondary Education Examination
KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, BANGALORE Special Music,Dance & Talavadya Exam October/November 2015 Page 1 Center Code and 01A GOVT JUNIOR COLLEGE FOR GIRLS Name: Center Address: HIGH SCHOOL SECTION OLD VANI VILAS,OPP VICTORIA HOSPITAL PORT,BENGALURU,,560002 Exam Code: MU01 Exam Id 201 Exam Name: KARNATAKA MUSIC JUNIOR GRADE VOCAL Sl No Registration No Student Name 1 2015110882 A AMULYA 2 2015110883 A RANJINI 3 2015110884 A V MADHAVASRIRAM 4 2015110885 A VAISHNAVI 5 2015110886 AADEESH PRAMOD KINI 6 2015110887 AAKANKSHA K P 7 2015110888 AAKASH SIMHA M R 8 2015110889 ABHILASHA A 9 2015110890 ABHINAVA BHAT P V 10 2015110891 ABHIRAM GUNNA 11 2015110892 ABHIRAM VARMA K 12 2015110893 ABHISHEK D 13 2015110894 ACHALA HEGDE 14 2015110895 ACHALA M 15 2015110896 ACHALA R 16 2015110897 ADHIKESHAVA B S 17 2015110898 ADITHI D RAGHUNATH 18 2015110899 ADITHI NAGARAJ 19 2015110900 ADITHI R 20 2015110901 ADITHI S 21 2015110902 ADITHYA B 22 2015110903 ADITHYA KOTHIMEER 23 2015110904 ADITI ARUN BHAT 24 2015110905 ADITI BHARADWAJ 25 2015110906 ADITI PONNAMMAL 26 2015110907 ADITI S KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, BANGALORE Special Music,Dance & Talavadya Exam October/November 2015 Page 2 Center Code and 01A GOVT JUNIOR COLLEGE FOR GIRLS Name: Center Address: HIGH SCHOOL SECTION OLD VANI VILAS,OPP VICTORIA HOSPITAL PORT,BENGALURU,,560002 Exam Code: MU01 Exam Id 201 Exam Name: KARNATAKA MUSIC JUNIOR GRADE VOCAL Sl No Registration No Student Name 27 2015110908 ADITI S JOIS 28 2015110909 ADITI SREENIVAS 29 2015110910 ADITYA K