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Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
An Afternoon on Broadway Marks the Beginning of the Band’S 33Rd Season
Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Our musical director is Mr. Marion Scott. Mr. Scott formed the Band in 1985 to provide a performance outlet for adult musicians in the area. Our membership, currently numbering about 80, includes people of all ages representing many occupations. Most of our concerts have a specific theme upon which the music focuses. Those themes have often led us to include exceedingly difficult works, which we willingly do, and to include special guest artists. The Band gives several concerts throughout the year. Our concerts include many diverse musical genres, composers, and often previously unpublished works for band. Each program is planned to please a variety of musical tastes. If you would like more information about the Band, or wish to join, send us a message to [email protected] or contact David Scarborough at (321) 338-6210. Like us on Facebook at Community Band of Brevard and visit our Web site at http://www.CommunityBandOfBrevard.com. CBOB’S FL DEPARTMENT OF AGRICULTURE & CONSUMER SERVICES REGISTRATION NUMBER IS CH35170. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800- 435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. Board of Directors Conductor .............................................................. Marion Scott Chairman ...................................................... -
RECORDED RICHTER Compiled by Ateş TANIN
RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. -
2019-2020 Music Department Singers Showcase Program PUB-2255 S20.Pdf (6.001Mb)
AWARD-WINNING VOCALISTS FROM SALISBURY UNIVERSITY’S DEPARTMENT OF MUSIC, THEATRE AND DANCE P R E S E N T SINGERS’ SHOWCASE NATS EDITION WITH A Twist ARTISTIC DIRECTOR JOHN WESLEY WRIGHT | PIANISTS WILLIAM M. FOLGER, VERONICA TOMANEK THURSDAY & FRIDAY, FEBRUARY 13 & 14, 2020 HOLLOWAY HALL, GREAT HALL | 7:30 P.M. 1101 CAMDEN AVENUE | SALISBURY, MD 21801 SINGERS’ SHOWCASE NATS EDITION WITH A Twist Featuring 2020 NATS Student Audition Competitors Jeremiah Copeland, Olivia Davidson, Joshua Dennis, Michelina DeVeas, Lance Fisher, Patrick Gover, Jessica Johnson, Kadie Laramore, Kate McLoughlin, Emely Martin, Sara Miller, Gianna Pesaniello Artistic Director Faculty Coaches Pianists Dr. John Wesley Wright Dr. John Wesley Wright, Jennifer Hope Wills, Dr. William Folger & Veronica Tomanek Dr. William Folger, Veronica Tomanek 2020 NATIONAL ASSOCIATION OF TEACHERS OF SINGING STUDENT AUDITION REPERTOIRE ***Audience members choose tonight’s program from the following selections*** “Bel piacere” from Agrippina . .George Frideric Handel Amar y sufrir . .Luis Gonzaga Jordá Into the Night . .Clara Edwards Kate McLoughlin, soprano “Oh! Had I Jubal’s Lyre” from Joshua . .George Frideric Handel Il mio bel foco . .Francesco Conti, attr. Benedetto Marcello Into the Night . .Clara Edwards Michelina DeVeas, soprano “Vedrai carino” from Don Giovanni . .Wolfgang Amadeus Mozart Kling! . .Richard Strauss Take, O Take Those Lips Away . .Amy Beach Kadie Laramore, soprano 1 “Lonely House” from Street Scene . .Kurt Weill Non t'amo piu . ..Paolo Tosti Der Jüngling an der Quelle . .Franz Schubert "Quel galant m'est comparable" from Five Popular Greek Melodies . ..Maurice Ravel Joshua Dennis, tenor Sweet Suffolk Owl . .Richard Hundley La Zingara . .Nicola d’Arienzo “C’est l’extase langoureuse” from Ariettes oubliées . -
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre MICHIGAN OPERA THEATRE Fall Season 1996
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre MICHIGAN OPERA THEATRE Fall Season 1996 CONTENTS A MESSAGE FROM THE GENERAL DIRECTOR . .... .... 2 COMING EVENTS . ..... .. .. .... .. .. 3 BUILDING ON A DREAM ...... .... .. ........... ..... .4 CAPITAL CAMPAIGN ...... ......... .. ... ". ... 6 CAPITAL CAMPAIGN CONTRIBUTORS ......... ...... ........7 BOARD OF DIRECTORS ........... .....................10 MICHIGAN OPERA THEATRE CONTRIBUTORS . .12 ADMINISTRATIVE STAFF .. ........... .... ....... 22 HOUSE POLICIES, GENERAL INFORMATION ...... ..........24 CARMEN ......................... ...... ...... 26 WEST SIDE STORY . ....... ...... .. ........ ... ..... 30 COMMUNITY PROGRAMS ..... .. .... ............. .. .40 ORCHESTRA/CHORUS ROSTER .......... ... .. .. ... .42 Copyright 2010, Michigan Opera Theatre Welcome to the Detroit Opera House. On behalf of Michigan Opera Theatre, welcome to your opera house. I am delighted that you could join us, and hope that this will be one of many visits to the Detroit Opera House - the latest addition to Detroit's celebrated Theatre District. Although the Detroit Opera House remams a masterpiece m progress, I invite you to experience the grandeur of this classic American theater in its nearlY'completed state. From the grand staircase, adorned by a stunning 3,000 piece crystal chandelier, to the hand-crafted proscenium arch, much of the original 1922 elaborate interior design has been lovingly and faithfully restored to its former splendor. The newly constructed 75,000 square foot stage (among the largest in North America), state-of-the-art orchestra pit (large enough to ~ccommodate nearly 100 musicians), and rich acoustical and visual properties make this grand old theater one of the most exciting and coveted in the world. The grand opening of the Detroit Opera House last April was the realization of a twenty-five year dream to provide our community with a world-class facility ideally suited for grand opera and ballet. -
Rex Battle Fonds Inventory #518
page 1 Rex Battle fonds Inventory #518 File: Title: Date(s): Note: Call Number: 2007-034/001 Orchestral scores (1) Allegro con grazia, from the Sixth symphony (pathetique) 1912 : Op. 74 / Peter Tschaikowsky (2) Andantinoin modo di canzona (second movement), from 1915 Symphony in F minor, no. 4, Op. 36 / Peter Tschaikowsky (3) Capriccio Italien : Op. 45 / Peter Tschaikowsky 1909 (4) Capriccio brilliant : Op. 22 / Felix Mendelssohn Bartholdy [19--?] (5) Capriccio Italien / Peter Tschaikowsky 1909 (6) Capriccio Italienne : Op. 45 / Peter Tschaikowsky 1920 (7) Danse macabre : poeme symphonique : Op. 40 / C. 1921 Saint-Saens (8) Finale (fourth movement), from symphony in F minor, 1916 no. 4 / Peter Tschaikowsky (9) Les preludes : symphonic poem / Franz Liszt 1913 (10) Marche slave : Op. 31 / Peter Tschaikowsky 1911 (11) Scherzo : Op. 16, no. 2 / F. Mendelssohn 1920 (12) Second movement (andante), from the fifth symphony / 1912 P. Tschaikowsky (13) Scherzo (allegro), from the Fourth symphony : Op. 36 / 1927 P. Tschaikowsky (14) Symphonie : trancrite pour violin, violoncelle et piano / [1921?] Cesar Frank (15) Symphony in B minor (Pathetique) : no. 6, Op. 74 : first 1924 movement / Peter Tschaikowsky (16) Symphony no. 5 : fourth movement : P. Tschaikowsky. -- 1925-1932 File contains a letter written to Battle and a dedication from friend Nick Anderson. Call Number: 2007-034/002 (1) Aquarellen : Op. 258 : walzer / Josef Strauss [1869?]-[19--?] (2) Dream flowers : waltz-intermezzo / S. Tranlateur 1930 (3) Eternal poem : waltz intermezzo / Ernest Weiller 1903 (4) Gross Wien, tout Vienne : waltz / Johann Strauss 1891 (5) Irish whispers : waltz / Charles Ancliffe 1918 (6) L'eoile d'amour : valse lente / Paul Delmet 1902 (7) Lanette waltz / H. -
Eldon Black Sheet Music Collection This Sheet Music Is Only Available for Use by ASU Students, Faculty, and Staff
Eldon Black Sheet Music Collection This sheet music is only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" feature to locate score(s) and/or composer(s).) Call # Composition Composer Publisher Date Words/Lyrics/Poem/Movie Voice & Instrument Range OCLC 000001a Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Original in E Mr. Arthur Hammerstein. Vocal Score and Lyrics 000001b Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Transposed in F Mr. Arthur Hammerstein. Vocal Score and Lyrics by Otto A. Harbach 000002a American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000002b American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000003a As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000003b As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000004a Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004b Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004c Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000005 Acrostic Song Tredici, David Del Boosey & Hawkes, Inc. -
3Rd Season Little Theatre on the Square
Eastern Illinois University The Keep 1959 Shows Programs 1959 Summer 1959 3rd Season Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1959_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "3rd Season" (1959). 1959 Shows Programs. 11. http://thekeep.eiu.edu/little_theatre_1959_programs/11 This Book is brought to you for free and open access by the 1959 at The Keep. It has been accepted for inclusion in 1959 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. about th Dhea tre at Guy S. Little, Jr. first Opera stars, Mr. Little went on to Columbia University In only two years, the and the American Theatre Wing, garnering the knowl- one of the outstanding edge and experience which would make possible his e summer stock world. Summer of Musicals. uity theatre between Chi- In the past two seasons, some twenty top shows f the few musical theatres were produced at The Grand, including ROBERTA, he latest Broadway musi- CALL ME MADAM, FINIAN'S RAINBOW, THE PA- an air-conditioned indoor JAMA GAME, ANNIE GET YOUR GUN, THE KING medy to his home town AND I, SHOWBOAT and OKLAHOMA! Now an Equity ealized after years of train- theatre, established with midwest audiences and con- that direction. Trained in siderably enlarged in scope, Summer of Musicals ami, where he played launches its thiid and most exciting season to date, pre- Theatre and appeared senting six recent Broadway releases which have never support to Metropolitan been seen in Central Illinois and four all-time favorites. -
Jeff Warren JEFF WARREN (Capt
about th Dhea tre at Guy S. Little, Jr. first Opera stars, Mr. Little went on to Columbia University In only two years, the and the American Theatre Wing, garnering the knowl- one of the outstanding edge and experience which would make possible his e summer stock world. Summer of Musicals. uity theatre between Chi- In the past two seasons, some twenty top shows f the few musical theatres were produced at The Grand, including ROBERTA, he latest Broadway musi- CALL ME MADAM, FINIAN'S RAINBOW, THE PA- an air-conditioned indoor JAMA GAME, ANNIE GET YOUR GUN, THE KING medy to his home town AND I, SHOWBOAT and OKLAHOMA! Now an Equity ealized after years of train- theatre, established with midwest audiences and con- that direction. Trained in siderably enlarged in scope, Summer of Musicals ami, where he played launches its thiid and most exciting season to date, pre- Theatre and appeared senting six recent Broadway releases which have never support to Metropolitan been seen in Central Illinois and four all-time favorites. Z6out the -Shod$ The Midwest Premiere of BELLS ARE RINGING, lighted by the "Peer Gynt Ballet" and wonderful songs Broadway smash hit which starred Judy Holliday, opens like "Strange Music." Since its introduction in 1944, it the season. This delightful show, which includes tunes has rapidly taken its place in the standard operetta like "The Party's Over" and "Just in Time" is the won- repetoire. derfully wacky story of Ella Peterson, who completely SAY, DARLING, which starred Johnny Desmond, upsets a telephone answering sewice but wins the Vivian Blaine and David Wayne in the original New hearts of everyone she meets. -
BOLTON and WODEHOUSE and ^ WRIGHT and Forresti
P lum Lines The quarterly newsletter o f The Wodehouse Society Vol. 17 No i Spring 1997 BOLTON AND WODEHOUSE AND ^ WRIGHT AND fORRESTI By Elin Woodger n 1945, the Trio of Musical Fame became a duo, ment in the center of Manhattan, filled to the brim with Iirrevocably, when Jerome Kern died suddenly and the evidence of their long, productive careers in show unexpectedly. It had been 21 years since the triad of business. Awards, memorabilia, and photographs of Bolton, Wodehouse and Kern had last worked to famous friends and colleagues are distributed hand gether, and the Broadway musical had changed com somely throughout the place, and cover the top of their pletely—thanks, in no small part, to their ground grand piano in the living room. Every inch o f every wall breaking work in the first part of this century. But the seems to be lined with the covers o f sheet music for Princess Theater shows were a thing of the past, much songs they have written and posters o f shows they have to the sorrow of both Plum Wodehouse and Guy produced. As Tony and I wandered through the rooms, Bolton. Although each was to go on to score other examining all these treasures, we experienced much the successes, with or without other collaborators, they same emotion as the stout Cortez must have felt when were never again to recreate the heady days of working with eagle eye he stared at the Pacific! on the Princess musicals —until the late 1960s, when After showing us around their impressive apart Broadway producer-composer Frank Loesser brought ment, our genial hosts settled down with us to talk them together with two extraordinary men named about P.G. -
‘Grand Hotel’ Finally Comes to KC
‘Grand Hotel’ finally comes to KC The Barn Players Press release posted by Bob Evans KANSAS CITY PREMIERE: THE BARN PLAYERS PRESENT THE AWARD WINNING MUSICAL ENSEMBLE MASTERWORK “GRAND HOTEL.” The Doctor. The Baron. The Ballerina. The Bookkeeper. The Mobster. The Mistress. The Concierge, the Bellboys, and even the Lady’s room attendant… You’ll meet them all and more in the Barn Players upcoming regional and local premiere production of the award winning musical, GRAND HOTEL, running April 25th through May 5th, 2019, at The Arts Asylum: 1000 East 9th Street, (between Troost and Harrison Street), Kansas City, MO 64106. You’ll be captivated as 1920s European intrigue and extravagance sweeps across the Barn Players stage with GRAND HOTEL. Luther Davis, Robert Wright and George Forrest, the esteemed Broadway creators of the classic “Kismet,” teamed with Maury Yeston of “Titanic” and “Nine” fame to create a modern masterwork that went on to win multiple Tony and Drama Desk Awards. GRAND HOTEL richly contrasts comedy, tragedy, gaudy glitz and realism, as issues of life and death, financial ruin, love, mystery, and murder all converge to enthrall you. The multi-talented ensemble cast of the Barn Players production of GRAND HOTEL includes: Rachel Adcock, Erica Baruth, Paul Brennan II, Christoph Cording, Brad Dawdy, JC Dresslaer, Graham Fairleigh, Tony Francisco, Raheem Fielder- Bey, Chuck Harper, Sharon Johnson, Brian King, Valerie Knott, Brian Larios, Nathan Le, Kathleen Marx, Ashley McGuire, Mark McNeal, Andrea Hobley, Rob Reeder, Joy Richardson, Matt Runnells, Michael Scahill, Ramsey Self, Nancy Seeman, Ryan Stevens, Miles Wirth, and Daniel Wohlberg. -
Nordic Symphony - Grieg at the Cross-Roads
MUZIKOLOŠKI ZBORNIK • MUSICOLOGICAL ANNUAL XXXIX UDK 78.082.1 Grieg Kjell Skyllstad Institutt for musikk og teater, Universitetet i Oslo Inštitut za glasbo in gledališče Univerze v Oslu Nordic Symphony - Grieg at the cross-roads Nordijska simfonija - Grieg na razpotju Ključne besede: Edvard Grieg, nacionalno v gla Keywords: Edvard Grieg, Nationalism in music, sbi, nordijska glasba Nordic music POVZETEK SUMMARY V glasbenem zgodovinopisju se pojem Evrope pojav In music historiography there appears the notion lja z razmejitvijo na osrednjo, "univerzalno" glasbe of a Europe musically divided between a central no kulturo in periferne, •nacionalne" usmeritve. "universal" culture and a peripheral "national" orien Skladatelji 19. stoletja iz Skandinavije in Vzhodne tation. 19th century composers of the Scandinavian Evrope si delijo usodo marginaliziranih ustvarjal and East European countries share the same fate of cev, provincialnih predstavnikov "nacionalnih" ali being marginalized as provincial representatives of »regionalnih" kultur in so postavljeni nasproti tistim, "national" or "regional" cultures, in contrast to those ki „govorijo jezik človeštva" (Alfred Einstein). V that •spake the language of humanity" (Alfred Ein Nemčiji je Edvard Grieg še vedno ·Kleinkunstler" in stein). In Germany Edvard Grieg is stili derogati naj ne bi bil sposoben ustvarjati obsežnih sonatno vely regarded as Kleinkunstler, who was not able zasnovanih glasbenih del, ki bi ustrezala merilom to produce large scale works in sonata form, which »Univerzalne" umetnosti. Kar danes prepoznavamo alone would qualify far the stature of a "universal" kot norveško ali nacionalno v Griegovih delih, se artist. What we now recognize as Norwegian or je izoblikovalo kot nosilec tovrstne pomenskosti in national in Grieg's works became carriers of such interpretacij šele po skladateljevi smrti.