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STEVE LAMBERT Web: Visitsteve.Com ).'82/+0'3+9-'22+8? STEVE LAMBERT Web: visitsteve.com Education 2006 University of California at Davis | MFA, Studio Art 2001 San Francisco Art Institute | BFA, Interdisciplinary 1995–98 College of San Mateo (Community College may have saved my life) Grants, Awards, & Residencies 2012 Santa Fe Art Institute, Santa Fe, NM | Artist Residency for Half-Life Exhibition Space One Eleven, Birmingham, AL | Visual Arts Network (VAN) Artist Residency Institutional Grant | A Blade of Grass (for Center for Artistic Activism Book Project) Open Society Foundations Democracy and Power Grant (for Center for Artistic Activism) 2011 SPACES, Cleveland, OH | Artist Residency 2010 Headlands Center for the Arts | 2010 Bridge Residency Open Society Institute Grant, 2010–2011 (for the School for Creative Activism) Pacific Foundation Partnership, 2009–2010 2009 Prix Ars Electronica | Award of Distinction | for New York Times Special Edition Lower East Side Printshop | Special Editions Residency 2008 Eyebeam Art & Technology Center | Senior Fellowship San Francisco Weekly | Best Public Art of 2008 Turbulence Commission | for ABSML with Jeff Crouse 2007 Rhizome Commission for AddArt | Member Selection Eyebeam Art & Technology Center | Senior Fellowship 2006–07 Eyebeam Art & Technology Center | OpenLab R&D Fellowship 2004 Creative Work Fund | Visual Art Award | for The Anti-Advertising Agency 2002 California Arts Council Residency Grant | Artist In Residence 1981 San Mateo Times | Father’s Day Draw Your Dad Contest | 1st Prize Solo Exhibitions 2012 Charlie James Gallery, LA CA | TBA (September) Real Art Ways, Hartford CT | Capitalism Works For Me! True/False 2011 SPACES, Cleveland OH | “Capitalism Works For Me” 2009 Pulse Miami Art Fair | IMPULSE Solo Feature with Charlie James Gallery Charles James Gallery, Los Angeles CA | “Everything You Want Right Now!” 2005 McBean Project Space at the San Francisco Art Institute, SF CA | Offices of the Anti-Advertising Agency Selected Group Exhibitions 2012 Decordova Biennial | Decordova Museum, Lincoln MA Enacting Populism | Kadist Foundation, Paris MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico Half Life: Patterns of Change | Santa Fe Art Institute Capital Offense: The End(s) of Capitalism | Beacon Arts Building, Los Angeles 2011 Creative Time’s Living as Form SPACES, Cleveland OH | Capitalism Works For Me! The Harlem Stage, NYC | A Celebration of Revolution and the Vision of a New World Charlie James Gallery and Marine, Los Angeles | If These Walls Could Talk group show 2010 Portland Art Museum, Portland Maine | False Documents and Other Illusions Elizabeth Foundation for the Arts, NYC | “Short Term Deviation” Just Art 2010 | NY CLU Benefit Los Angeles Contemporary Exhibitions, CA | HollywoodMerchmART! curated by Emma Grey Park Life, SF CA | “this is the book I have written for you” U.Turn Art Space, Cinncinati OH | Palling Around with Socialists Eyebeam Art and Technology Center | Re:Group: Beyond Models of Consensus Barbara Seiler Galerie, Zurich | Drawings curated by Marcel van Eeden Lower East Side Printshop | EDITIONS 10 San Francisco Fine Art Fair NEXT Exhibition, Chicago PULSE Art Fair, NYC 2009 Piemonte Share Festival, Torino Italy The Arts Guild of Rahway, NJ | Moolah: An Exhibit About Money Bedford Gallery, Walnut Creek | SF Arts Commission Art on Market Street Project Schroeder Romero Gallery, NYC | Play It Forward Gallery Alfero, NJ | Camera Chimera OK Centre, Linz, Austria | Ars Electronica Award Exhibition Jen Bekman Gallery, NY | Summer Reading Weatherspoon Art Museum | Our Subject Is You San Jose Institute of Contemporary Art | It’s Not Us, It’s You FACT, Liverpool | Climate for Change 2008 The Vera List Center at Parsons The New School for Design | Ours: Democracy in the Age of Branding Park Avenue Armory/Creative Time | Democracy In America: The National Campaign The Hunterdon Museum of Art, Clinton, NJ | The House That Sprawl Built Articule - Viva Art Action Montreal | Black Market Type & Print Shop Poster Series International Guerilla Video Festival, Milan, Italy The Audacity of Desperation | Urbana Champaign IMC, traveled to PS 122 Gallery at DEMO Space 122 Whitney Museum of American Art | Whitney Biennial - collaboration with Neighborhood Public Radio Catharine Clark Gallery, SF, CA | “Wish You Were Here: Postcards from our Awesome Future” prints 2007 20th Dallas Video Festival | “Tech-Art Activism: A Video Art Collection curated by Carolyn Sortor” Eyebeam, NY NY | “Source Code: 10th Anniversary Show” American Film Institute, LA, CA | "Pixelodeon 2007â³ | curated by Kenyatta Cheese YBCA, SF CA | Collective Foundation Centre de Cultura Contempornia de Barcelona | “OFFF Festival” | w/ Graffiti Research Lab Federation Square Big Screen, Melbourne Australia | “Caught on Tape” The Lab, SF CA | “Corporate Identity” Finger Lakes Environmental Film Festival | for the Samaras Project (with Dara Greenwald and Josh MacPhee) 2006 Glowlab Conflux 2006 | Brooklyn, NY | with Sara Dierck and Michael Dodge as Anti-Advertising Agency The Lab, SF CA | “Some Assembly Required” curated by Michael Arcega and Stephen Wolf Catharine Clark Gallery, SF CA | with Packard Jennings as Anti-Advertising Agency The New Gallery, Calgary Alberta CANADA | Shopdropping 2005 Het Wilde Weten, Rotterdam, The Netherlands | 2005 Rotterdam VHS Festival POND Gallery, SF CA | Shopdropping Haley Martin Gallery, SF CA | Sprawl 2004 The Luggage Store | “A Spoonful of Sugar” Mission 17, SF CA | “Budget Gallery Allstars” New Langton Arts, SF CA | Underwear Party/li> 2003 stART at Judson Church, NY NY | “Breaking News” 2002 Luggage Store Gallery, SF CA | “NO WAR” Detroit Museum of New Art, Detroit MI | “Ground Zero” 2001 Theater for the New City, NY NY | “Counting Coup” Center for Social Change, Northhampton MA | “Counting Coup” 2000 Havana, Cuba | 7th Havana Biennial | “Paladar” Collections Sheldon Museum of Art Library of Congress Progressive Insurance Collection Selected Public Art Works & Projects 2012 "It’s Time to Fight” Billboard, Manchester, England 2011- “Capitalism Works For Me! True/False” | Temporary public art installation touring Cleveland, Boston, Hartford, Santa Fe, Los Angeles, and other cities. 2011 “I Want You To Have This” | Edition of 80 with subscription art service, The Present Group 2008 Viva Art Action Montreal | Black Market Type & Print Shop | Posters pasted around Montreal in conjunction with exhibition 2007 San Francisco Arts Commission Art on Market Street Poster Series Davis Art Commission, Davis CA | Welcoming Committee performance | Curated by Renny Pritikin 2006 The Steve Lambert Show | series of bi-weekly experimental public affairs radio programs on KDVS radio. Curatorial Projects 2008–11 Add-Art | Browser plugin that replaces online advertising with art 2006- WhyTheyHate.US | Online 1999-‘05 The Budget Gallery | San Francisco and Los Angeles 2003 Adeline Kent Award | “Gail Wight: The Evolution of Disarticulation” | Walter McBean Gallery Stencils: The Art of Negative Spaces | with StencilArchive.Org Learning to Love You More with Aragon High School | Assignment #5 | San Mateo City Hall 2001 San Francisco Art Institute, SF CA | “Prime Time” Lecture Series for SFAI Artists Committee Writing 2009 “The Yes Men” BOMB Magazine, Spring 2009 2008 The Great Internet Wiki Marathon New York Foundation for the Arts NYFA Current Magazine, May 2008 Documentary Films 2011 This Space Available: The Grassroots Movement Against Visual Pollution 2010 Cultures of Resistance 2009 The Yes Men Fix The World 2008 Graffiti Research Lab: The Complete First Season Books 2011 Jorinde Seijdel (Editor), Liesbeth Melis (Editor), Merijn Oudenampsen (Editor), Open 20: The Populist Imagination, NAi Publishers, Pgs 27–37 Iaspis, DESIGN ACT Socially and politically engaged design today critical roles and emerging tactics, Sternberg Press xtine burrough (editor), NetWorks: Case Studies in Web Art and Design, Routledge Dalton Conley, You may Ask Yourself: An Introduction to Thinking Like a Sociologist, 2e., W. W. Norton & Company 2010 Marc and Sara Schiller, TRESSPASS A History of Uncomissioned Urban Art, Taschen Press Patrick Frank, Prebles’ Artforms, 10th edition, Prentice Hall, pg. 447 Stphanie Lemoine, Artivisme: Art, Action Politique et Rsistance Culterelle, Editions Alternatives/li> 2009 The Yes Men Activity book/Keep It Slick, Miller Gallery at Carnegie Mellon University Alexander Alberro and Blake Stimson (editors), Institutional Critique, MIT Press Annice Jacoby (editor) Street Art San Francisco: Mission Muralismo! Abrams Press 2008 Russell Howze, Stencil Nation, Manic D Press, Inc. Nato Thompson (editor), A Guide to Democracy in America Creative Time Books 2007 Keri Smith The Guerilla Art Kit Princeton Architectural Press 2004 Josh MacPhee, Stencil Pirates Soft Skull Press Bibliography 2012 WNPR, Connecticut Public Radio – interview during local segment on Morning Edition Boston Metro, “Artwork Capitalizes on Public Spaces, Feedback” p2, April 10, 2012 Francine Koslow Miller, “At the DeCordova Biennial, Dreams of Disneyland” Art in America, Jan 26th 2011 Rens Groenendijk, “Het Katern/Onzichtbaar” Eigen Huis & Interieur (Netherlands), October 2011, pg 271 Joseph Clark, “Patriot Games” Cleveland Scene Magazine, Sept 14, 2011 Steven Litt, “Spaces gallery kicks off Fall season with a slant toward conceptual art”, Cleveland Plain Dealer, August 26th Rob Walker, “Implausible Futures for Unpopular Places” DesignObserver.com John d’Addario, “The (Other) C-Word” Hyperallergic.com
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