David Elginbrod
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Checklist of George Macdonald's Books Published in America, 1855-1930
North Wind: A Journal of George MacDonald Studies Volume 39 Article 2 1-1-2020 A Checklist of George MacDonald's Books Published in America, 1855-1930 Richard I. Johnson Follow this and additional works at: https://digitalcommons.snc.edu/northwind Recommended Citation Johnson, Richard I. (2020) "A Checklist of George MacDonald's Books Published in America, 1855-1930," North Wind: A Journal of George MacDonald Studies: Vol. 39 , Article 2. Available at: https://digitalcommons.snc.edu/northwind/vol39/iss1/2 This Article is brought to you for free and open access by the English at Digital Commons @ St. Norbert College. It has been accepted for inclusion in North Wind: A Journal of George MacDonald Studies by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. A Checklist of George MacDonald Books Published in America, 1855-1930 Richard I. Johnson Many of George MacDonald’s books were published in the US as well as in the United Kingdom. Bulloch and Shaberman’s bibliographies only provide scanty details of these; the purpose of this article is to provide a more accurate and comprehensive list. Its purpose is to identify each publisher involved, the titles that each of them published, the series (where applicable) within which the title was placed, the date of publication, the number of pages, and the price. It is helpful to look at each of these in more detail. Publishers About 50 publishers were involved in publishing GMD books prior to 1930, although about half of these only published one title. -
A Read of at the Back of the North Wind
A Read��� of At the Back of the North Wind Col�� Ma�love acDonald’s At the Back of the North Wind (1871) was first serialised inM Good Words for the Young under his own editorship, from October 1868 to November 1870. It was his first attempt at writing a full-length “fairy-story” for children, following on his shorter fairy tales—including “The Selfish Giant,” “The Light Princess,” and “The Golden Key”—written between 1862 and 1867, and published in Dealings with the Fairies (1867). At the Back of the North Wind is, in fact, longer than either of the Princess books that were to follow it, The Princess and the Goblin (1872) and The Princess and Curdie (1882). It tells of the boy Diamond’s life as a cabman’s son in a poor area of mid-Victorian London, and of his meetings and adventures with a lady called North Wind; and it includes a separate fairy tale called “Little Daylight,” two dream-stories, and several poems. Generally well received by the public, it has hardly been out of print since. At the Back of the North Wind is MacDonald’s only fantasy set mainly in this world. In Phantastes (1858), Anodos goes into Fairy Land and in Lilith Mr. Vane finds himself in the Region of the Seven Dimensions. In the Princess books we are in a fairy-tale realm of kings, princesses, and goblins; and the worlds of the shorter fairy tales are all full of fairies, witches, and giants. But Diamond’s story nearly all happens either in Victorian London or in other parts of the world where North Wind takes him. -
Short Stories (PDF)
The Works of George MacDonald Short Stories Table of Contents Books of Short Stories............................................................................................................................... 2 Paperback Editions........................................................................................................................................ 4 Short Stories: Articles, Videos, & Stage Productions.................................................................. 5 ! ⟵ Click here for Table of Contents PROSE: 1 Books of Short Stories Various compilations of MacDonald’s short stories exist. The hard cover books available from Johannesen Printing & Publishing are reproductions of editions published during MacDonald’s lifetime or, in the case of The Portent and Other Stories, shortly after his death. While some publishers have classified The Wise Woman as a short story, we have, like Johannesen Printing & Publishing, classified it as a (short) novel. Stories for Young Readers and Adults A number of MacDonald’s short stories—often classified as “fairy tales”—are equally for young readers and adults. These would include all of the stories listed in The Light Princess and Other Fairy Tales, below, as well as Photogen and Nycteris. Novels suitable for young readers are listed in the Novels PDF. Johannesen Printing & Publishing: Hand bound cloth cover editions The Light Princess and Other Fairy Tales Originally published between 1860 and 1890; reproduced from the 1893 edition by G.P. Putnam’s Sons, New York, with photolithography. Contents: 1. The Light Princess 2. The Giant’s Heart (also known as Tell Us a Story) 3. The Shadows 4. Cross Purposes 5. The Golden Key 6. The Carasoyn 7. Little Daylight ! ⟵ Click here for Table of Contents PROSE: 2 The Portent and Other Stories Originally published between 1854 and 1871; reproduced from the 1909 edition of Fisher Unwin, London. Contents: 1. The Portent 2. -
Cheerful Words. from the Writings of George Macdonald
SPARE MINUTE SERIES. CHEERFUL WORDS, FROM THE WRITINGS OF GEORGE MACDONALD. SELECTED BY E. E. BROWN WITH AN INTRODUCTION BY JAMES T. FIELDS > i '"£" BOSTON^ D. LOTHROP & CO., FRANKLIN STREET CORNER OF HAWLEY. - Oh 5? Copyright by D. LOTHROP & COMPANY. 1880. INTRODUCTION. IT must be a very remote corner of America, indeed, where the writings of George MacDonald would not only be knowrv but ardently loved. David Elginbrod, Ranald Ban- nerman. Alec Forbes, Robert Falconer, and Little Diamond have many friends by this time all over the land, and are just as real personages, thousands of miles west of New York and Boston, as they are hereabouts. Now there must be some good reason for this exceptional universality of recognition, and it is not at all difficult to discern why MacDonald's characters should be welcome guests every- where. The writer who speaks through his beautiful crea- tures of imagination, imploring us to believe that " Every human heart is human. That in even savage bosoms There are longings, yearnings, strivings For the good they comprehend not. That the feeble hands and helpless Groping blindly in the darkness 3 " 4 Introduction. Touch God's right hand in that darkness And are lifted up and strengthened — that writer, if he be a master of his art, like MacDonald, will be a light and a joy in every household, however situated. It is pleasant, always, to hold up for admiration the authors who have borne witness to the eternal beauty and cheerful capabilities of the universe around us, whatever may be our own petty sufferings or discomforts ; who con- tinually teach us that Optimism is better than Pessimism, and much more moral as a conduct of life, and are lovingly reminding us, whenever they write books or poems, of the holiness of helpfulness. -
The Immanence of Heaven in the Fiction of CS Lewis and George
Shadows that Fall: The Immanence of Heaven in the Fiction of C. S. Lewis and George MacDonald David Manley Our life is no dream; but it ought to become one, and perhaps will. (Novalis) Solids whose shadow lay Across time, here (All subterfuge dispelled) Show hard and clear. (C.S. Lewis, “Emendation for the End of Goethe’s Faust”) .S. Lewis’s impressions of heaven, including the distinctive notions ofC Shadow-lands and Sehnsucht, were shaped by George MacDonald’s fiction.1 The vision of heaven Lewis and MacDonald share is central to their stories because it constitutes the telos of their main characters; for example, the quest for heaven is fundamental to both Lewis’s The Pilgrim’s Regress and MacDonald’s “The Golden Key.” Throughout their fiction, both writers reveal a world haunted by heaven and both relate rapturous human longing after the source of earthly glimpses; both show that the highest function of art is to initiate these visions of heaven; and both describe a heaven that swallows up Earth in an all-embracing finality. The play Shadowlands is aptly named; for Lewis, the greatest earthly joys were merely intimations of another world where beauty, in Hopkins’s words, is “kept / Far with fonder a care” (“The Golden Echo” lines 44-45). He was repeatedly “surprised by Joy,” overcome with flashes ofSehnsucht during which he felt he had “tasted Heaven” (Surprised 135). For Lewis, “. heaven remembering throws / Sweet influence still on earth . .” (“The Naked Seed” 19-20). This “sweet influence” is a desire, not satisfaction; in his words, it is a “hunger better than any other fullness” (“Preface” from Pilgrim 7). -
The Genesis of the Wind from the Stars
The Genesis of The Wind From The Stars Gordon Reid y knowledge of George MacDonald began in boyhood and grew graduallyM over the years. The first books of his that I read wereThe Princess and the Goblin and The Princess and Curdie, both gifts from my grandmother. The next meeting with MacDonald was mediated by C. S. Lewis’s 1946 Anthology, which I came across when I was an undergraduate at Oxford. Oddly enough, while I found MacDonald’s thoughts stimulating, and copied several into my book of favourite quotations, nevertheless I was not impelled to go and read MacDonald’s works. Of course, at that time I did have many other things to read if I wanted a degree. At any rate, it was not until I was rector of an Edinburgh parish of the Scottish Episcopal Church that I began to read MacDonald’s works. One of my parishioners, Marion Lockhead, gave me David Elginbrod. She was herself a writer who loved George MacDonald: she used to maintain that he ought to be included in any modern Calendar of Saints (her other main candidate for this honour was Dr Johnson). What appealed to Marion about MacDonald was his ability to describe real goodness and to make it interesting and attractive. As a Scot, she also revelled in the dialogue of the characters in MacDonald’s Scottish novels. In this Anthology I have included two of David Elginbrod’s prayers— when read aloud they are magnificent. Encouraged by Marion I read many of MacDonald’s novels, some of the poetry, and both Phantastes and Lilith. -
Select Bibliography of the Works of George Macdonald
George MacDonald: A Select Bibliography This is not a comprehensive listing of MacDonald’s works. For a more complete list, please see the following: Bulloch, John Malcolm. A Bibliography of George MacDonald. 1925. Jordan, Mary Nance. George MacDonald: A Bibliographical Catalog and Record. Limited edition of 100 copies. Fairfax, VA: privately published, 1984. Shaberman, Raphael. George MacDonald: a Bibliographical Study. Winchester, Hampshire/Detroit: St. Paul's Bibliographies/Omnigraphics, 1990. FAIRY TALES & WORKS FOR CHILDREN -Dealings with the Fairies, 1867 -At the Back of the North Wind, 1871 -The Princess and the Goblin, 1872 -Gutta Percha Willie: The Working Genius, 1873 -The Wise Woman, 1875 (alternate titles: The Lost Princess and A Double Story) -The Princess and Curdie, 1883 -The Light Princess and Other Fairy Tales, 1893 -The Complete Fairy Tales, 1999 FANTASIES -Phantastes: A Faerie Romance for Men and Women, 1858 -The Portent, 1864 -Works of Fancy and Imagination (10 vols), 1871 -Lilith, 1895 NON-FICTION WORKS & POETRY -Within and Without: A Dramatic Poem, 1855 -Poems, 1857 -The Disciple and Other Poems, 1867 -Unspoken Sermons, 1867 -The Miracles of Our Lord, 1870 -Exotics: A Translation of the Spiritual Songs of Novalis, the Hymn Book of Luther, and Other Poems from the German and Italian, 1876 -A Book of Strife in the Form of the Diary of an Old Soul, 1880 -A Threefold Cord: Poems by Three Friends, 1883 -The Tragedie of Hamlet, 1885 -Unspoken Sermons: Second Series, 1886 -Unspoken Sermons: Third Series, 1889 -The Hope of the Gospel, 1892 -The Poetical Works of George MacDonald - 2 vols, 1893 -A Dish of Orts, 1893 -Scotch Songs and Ballads, 1893 -Rampolli, 1897 (expanded edition of Exotics) -George Macdonald in the pulpit: the 'spoken' sermons of George Macdonald, 1996 Marion E. -
Macdonald's Counter-Literature Colin Manlove University of Edinburgh (Retired)
Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 35 Friends 6-2006 MacDonald's Counter-literature Colin Manlove University of Edinburgh (retired) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Manlove, Colin (2006) "MacDonald's Counter-literature," Inklings Forever: Vol. 5 , Article 35. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. MacDonald's Counter-literature Cover Page Footnote Keynote Address This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol5/iss1/35 INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana MacDonald’s Counter-literature Colin Manlove Manlove, Colin. “MacDonald’s Counter-literature.” Inklings Forever 5 (2006) www.taylor.edu/cslewis KEYNOTE ADDRESS MacDonald’s Counter-literature Colin Manlove How do MacDonald’s fantasies reflect his very sooner do we identify Him with any one of them than individual theology? If we start from his dislike of fixed His glory has moved elsewhere. God is in every creeds and doctrines, we find this paralleled in his symbol, and in no one of them. -
Dreams, Fairy Tales, and the Curing of Adela Cathcart Suggests: [End Of
Dreams, Fairy Tales, and the Curing of Adela Cathcart F. Hal Broome [This is an edited version of pages 78-101 of Dr. Broome’s unpublished Ph.D thesis, “The Science Fantasy of George MacDonald,” Edinburgh, 1985. It illustrates a discussion of MacDonald’s ideas of hypnotic states and dream states which appears earlier in the thesis and is summarized in Broome’s essay: “The Scientific Basis of MacDonald’s Dream-Frame.”1] he novel Adela Cathcart, published in 1864,2 has been seen as a rather weakT English novel of MacDonald’s, its sole importance coming from the inclusion of his early fairy tales. The plot is relatively simple: a young woman, the Adela Cathcart of the title, is ill, but the illness is suspected by the narrator, “John Smith,” to be of a mental nature. The successful treatment involves the reading of fairy tales, parables and stories to her, with the addition of songs and poetry, in what is truly an early form of group therapy. Aiding Smith are the two Armstrong brothers, one a curate and the other a doctor who provides a romantic interest for Adela. “Health might flow from such a source” (44), thinks Smith, who is a very thinly disguised MacDonald. What is Adela’s problem? First there is a diminished vital force: “If she is tired inside first, everything will tire her” (12). Since physical remedies “act most rapidly in a system in movement” (51), she needs a stimulus which the tales and social situation can provide. The mental action becomes the stimulus. -
Abstract Ware, Stephanie Lynne
ABSTRACT WARE, STEPHANIE LYNNE. Sexuality and Coming of Age in Two Works by George MacDonald. (Under the direction of Leila S. May.) This study attempts to follow George MacDonald as he engages in the strange juggling act by which he simultaneously idealizes women and releases them from the grasp of idolizing males, proclaims their purity and concerns himself with their healthy maturation into sexuality. A comparison of Phantastes and Adela Cathcart reveals the complicating role of sexuality in the coming of age process of both males and females. The male protagonist of the fantasy work Phantastes is asked to learn to control his sexuality and to abandon selfishness in love, and he does so in part by understanding that women, too, have sexual natures. In Phantastes, however, MacDonald hesitates between idealizing, and thus desexualizing, women and accepting sexuality as part of women’s nature, as Anodos’s continuing celibacy upon his return from Fairy Land illustrates. The realistic setting of Adela Cathcart compels MacDonald to address women’s sexuality. The novel demonstrates that a woman can fulfill her traditional angelic role even while confronting the demands of her sexuality. Women are fallen angels who must be taught how to live in their fallen bodies without compromising their angelic calling. In order to become the “angel in the house,” the moral center of the home, individual women must undergo a coming of age process similar to that of the males who struggle so much with handling their sexuality. To mature successfully, and to stave off the selfishness that is threatening to manifest itself in her, Adela, like Anodos, embarks on a journey through fantasy, though she will be borne there through the imagination and words of others. -
University of Dundee DOCTOR of PHILOSOPHY George Macdonald
University of Dundee DOCTOR OF PHILOSOPHY George MacDonald and Victorian Society Smith, Jeffrey Wayne Award date: 2013 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 GEORGE MACDONALD AND VICTORIAN SOCIETY JEFFREY WAYNE SMITH Doctor of Philosophy University of Dundee September 2013 ii TABLE OF CONTENTS Acknowledgements iv Declaration v Abstract vi Abbreviations vii Chapter One: Introduction 1 A Brief Guide to Reading the Thesis 3 Part 1: Critical Assessment 5 MacDonald’s Nonfiction: Writings on the Development of the Imagination and Spiritual Progression 15 Part 2: MacDonald’s Social Views and Ideas 20 MacDonald and the Nineteenth-Century Crisis of Change 20 Transitions between Town and Country in MacDonald’s Novels 28 The Ills of Industrialism in The -
75-82 4 Kihara.Indd
Use of Somnambulism in George MacDonald’s David Elginbrod Midori Kihara(木原 翠) Five years after Phantastes (1858), George MacDonald published a novel, David Elginbrod (1863). Although Phantastes and Lilith (1895) are usually seen as the major MacDonald texts since they are entirely written in standard English and have unique visionary quality, it is worth paying more attention to some of the neglected semi-realist ones, as they share similar themes and characterizations with the better- known works. David Elginbrod is considered his first attempt at a long realistic novel, one of the most dominant styles in the mid-Victorian period. MacDonald started his writing career as a poet with a narrative poem Within and Without (1855), but he later turned to the novel in order to meet the commercial demands of the mid-Victorian literary market. David Elginbrod is also categorised as MacDonald’s first Scottish novel in which he abundantly uses a North-Eastern Scottish dialect in the first section ‘Turriepuffit’, within a distinctively a Scottish country setting. However, the narrative form of David Elginbrod is peculiar, with a combination of Kailyardism (depicting a peaceful Scottish country life), gothic, and mystery elements.1 One of the most important motifs which sustains interest in the novel is ‘somnambulism’, which afflicts the anti-heroine, Euphrasia Cameron (Euphra), who appears in the second section ‘Arnstead’, set in England, and seduces the protagonist Hugh Sutherland. OED defines ‘somnambulism’ as ‘the fact or habit of walking about and performing other actions while asleep; sleep-walking’, and one derivative is ‘somnambulation’. Nouns which mean a person who walks when sleeping are ‘somnambulist’, ‘somnambular’, or ‘somnambule’.