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Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Strong Show from First Year Art Graduates
2A Thursday, May 24,1984 Daily Nexus ORCHID BOWL Strong Show from First Year Art Graduates By MATTHIAS • • ROSENTHAL Usually, exhibitions of EVERY OTHER contemporary modem art just bore me out of my mind, BMME FREE and I find myself looking at Moidiy, May 21st tfen Momorlal Dayl pretty women looking at Oror Rowllni «fen Lams avrMrMr ugly artifacts, musing about how much superior nature’s OPEN 24 H O URS products of beauty are to the Take a Bowling Breakl arbitrary attempts at meaning of some modem O R C H ID BO W L - GALLEO N R O O M art. The course of modem art, it seems, has been the 5925 Calle Real - Goleta • • • Ph. 967-0128 elimination of three things: beauty, pleasure and artistic skills. Don’t get me wrong: this exhibition is different. The 1984 WÆ.B. DU BO IS UCSB Art Department’s first year graduate students W8ITKVG aW ftfiBS are now presenting a small but exciting selection from their recent work. Louise Fowler-Smith, Victoria Palrick Bernard gesticulates in front of his piece, L a s t Tango Taylor-Gore, Patrick Deadline is this Friday, 5/25 Bernard, Sharon Coughran, Jerusalem.” MITCH VICINO/Nwus Michael Drury and Joyce Flager feature pre and post- frustrating them, as is so often the case in contemporary apocalyptic issues, which are, as a matter of fact, artistic art. beautifications of imminent and immanent psychological Fowler-Smith’s preoccupation with her Australian origin, Please submit your essays, and historical (or should I say: post-historical?) horror. is obvious. -
Affective Resonance: on the Uses and Abuses of Music in and for Philosophy
Affective Resonance: On the Uses and Abuses of Music In and For Philosophy ROBIN JAMES Affect is often presented as an alternative to visual and/or representational theories, phenomenologies, and experiences. For example, Jasbir Puar contrasts the “representational” logic of “intersectionality” with the affective logic of assemblage.1 Similarly, Linda Alcoff argues that the “visual” aspects of identity are grounded in corporeal, sensuous horizons.2 The study of affect, both in gender studies and especially in philosophy, has largely ignored music— though this is, thankfully, beginning to change.3 Even scholars working with and through Deleuze, who does actually talk about music, often either overlook his work on music, or use “music” in a very general way, as a metaphor abstracted from musical practices or works.4 These oversights are surprising, because when philosophers who are not explicitly working on music do appeal to music, they often use music as a metaphor for affect.5 Music, like affect, emotion, or implicit understanding, is the Other of philosophy, at least as it is conventionally defined and practiced. For philosophers with little formal training or practical experience in music, “music” often serves as a metaphor for all that philosophy isn’t: affective, sensuous, embodied, feminine, etc. Or, because we don’t know how to put our experiences of music into propositional form, it seems to be purely affective, implicit, sensuous experience.6 Music can seem almost magical, because people without some sort of background in music (either in performance or in theory/history) generally lack the technical skills and concepts to analyze a piece of music and PhaenEx 7, no.2 (fall/winter 2012): 59-95 © 2012 Robin James - 60 - PhaenEx explain how and why it works the way it does. -
Have Had a Much Harder Time Catching on Repeated in the Non Sequitur
MUSIC Reviews ALBUM Kelis, Food A tamer Keliswould've been hardtoimagine in1999At the time, the singer's Virgin Records debut, Kaleidoscope-acarnival of offbeat LABEL: Ninja Tune sounds carved by The Neptunes, and the home of her introductory, PRODUCERS: Dave Sitek, scorned-exanthem "Caught Out There"-wasfinding its base with Kelis the irregulars of R&B. In thespanof five albums, Kelis has hungon RELEASE DATE: April 22 those hip -girl outskirts, openly averting fame and, with it,com- mercialsuccessfor themost part,aside from 2003'ssassy come-on "Milkshake," which hitNo.3onthe Billboard Hot100.Along theway, she becameamother, married and divorcedrapperNas, and ditched the hitmaking producers largely responsible for herpastalbums' mostadventuroustones.After all that, hernewalbum, Food, her first in fouryears,feels like the aftermath ofa supernova.Despite her boundary -pushing backers -TVonthe Radio's Dave Sitek produces and British tastemaker label Ninja Tunes is releasing the album-it's not asexplosiveorforward -thinkingasits predecessors. Kelis,34, Kelis' album ha oftenseems toembodya young,sonic future without boundaries. plenty of soul, But insome waysthis is her oldest -sounding projectyet,both for but little ofhe expected sosf. better and forworse. Kelis has always drifted easily from robotic rhythmstococksure popand hip -hop, and Food is stilla scatter-shot ofgenres-funk, folk, angryblow -off like "Caught Out There." But unlike Nas'2012album Life George Michael -inspiredpop.But the foundation here is clearly throw- Is Good, thecoverof which featuresaglum Nas holding Kelis' wedding back soul, which Sitek interprets with soothing keyboard pads and dress, the split isn'tablatant narrative threadonFood. Still, it'seasy to Afrobeat brass melodies. Thearrangements arebig andopenbut also put an ex-factor filterontracks like "Rumble," abouta once-familiar calm andserene,likeavinyl record playing in the forest. -
Production Information
HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES Production Information Welcome to the Hotel Transylvania, Dracula’s lavish five-stake resort, where monsters and their families can live it up, free to be the monsters they are without humans to bother them. On one special weekend, Dracula has invited some of the world’s most famous monsters — Frankenstein and his wife, the Mummy, the Invisible Man, a family of werewolves, and more — to celebrate his daughter Mavis’ 118th birthday. For Drac, catering to these infamous friends is no problem — but his world could come crashing down when a human stumbles on the hotel for the first time and befriends Mavis. Columbia Pictures presents a Sony Pictures Animation film, Hotel Transylvania. The film features the voices of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, and CeeLo Green. Directed by Genndy Tartakovsky. Produced by Michelle Murdocca. Screenplay by Peter Baynham and Robert Smigel. Story by Todd Durham and Dan Hageman & Kevin Hageman. Executive producers are Adam Sandler, Robert Smigel and Allen Covert. Music by Mark Mothersbaugh. Music Supervision by Liza Richardson. Imagery and Animation by Sony Pictures Imageworks Inc. Hotel Transylvania is rated PG by the Motion Picture Association of America for Some Rude Humor, Action and Scary Images. The computer-animated monster comedy will be released in 3D and traditional theaters nationwide on September 28, 2012. © 2012 Sony Pictures Animation 1 HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES MONSTERS: THEY’RE JUST LIKE US! “Hotel Transylvania is a story about a father and a daughter – it’s just that the father happens to be Dracula,” says Genndy Tartakovsky, director of the Sony Pictures Animation film, Hotel Transylvania. -
Choreography Resume
SAG/AFTRA ASHER ENTERTAINMENT / CHOREOGRAPHY RESUME TELEVISION The Fosters (13 Episodes)- Series Choreographer Freeform/ABC Family The Fosters: Romeo and Juliet: The Show, Musical EP Freeform/ABC Family America’s Got Talent “Benn Mendoza’s Circus” NBC Shark Tank ABC Dance Moms Season 6 LifeTime Good Day LA- Candice Glover Asher Entertainment MUSIC VIDEOS Rae Sremmund Ft. Nicki Minaj, Young Thug Dir. Motion Family Ne-Yo “Let’s Go” Ft. Calvin Harris Dir. Vincent Haycock/Ultra Records Remy Ma Ft. Chris Brown “Melanin Magic” Dir. Miillident Hailes/ SixTwentySix Productions Calvin Harris Ft. Tinie Tempah “Drinking From the Bottle” Dir. Vincent Haycock & AG Rojas/Ultra Records Major Lazer and Diplo “Too Orginial” Dir. Timothy Erem Little Mix “Love Me Like You” Dir. Sarah McColgan Far East Movement Ft. Flo Rida “Change Your Life” Dir. HyperBallad/Interscope Records Walk Off The Earth “Rule The World” Dir. John Poliquin Marcus & Martinez “Invited” Dir. Miillident Hailes/ SixTwentySix Productions Marcus & Martinez “Lie to You” Dir. Miillident Hailes/ SixTwentySix Productions Eva Simmons “Celebreate the Rain” Dir. Dano Cerny/Spinnin’ Records Bishop Briggs “Dream” Dir. Dano Cerny/UMG Records Bea Miller “S.L.U.T.” Dir. Miles & AJ/ Hollywood Records Chromeo “Frequent Flyer” Funny Or Die Borns “ Electric Love” Dir. Ben & Ross Bullion Productions Galantis “My Head” Dir. Dano Cerny/Atlanitc Records Galantis “U & I” Dir. Dano Cerny/Atlanitc Records Galantis “Satisfied” Dir. Dano Cerny/Atlantic Records Galantis “Penut Butter & Jelly” Dir. Dano Cerny/Atlantic Records Sigala “Sweet Lovin” Dir. Craig Moore Matt Simons “Back Home” Dir. Dano Cerny Matt Simons “Lose Control” Dir. John Laprime Alex Adair “You Make Me Feel Better” Dir. -
The Lonely Island Presents
The Lonely Island Presents Paroxytone and panicky Angus marbled chummily and trammel his chambers subterraneously and capaciously. Tucker remains intown after Cal bucklers industriously or spar any fair. Derrin is skilfully accommodative after inventorial Ramesh scraping his animist inconsumably. Some tunes from new project comes completely out of lonely island presents: since assured fans of three minute mark was a time. Then another album visual representation of. You never seen something for a writer for their early aughts making and now it in los angeles judge has been featured in one day in. How do you pitch something was the lonely the island presents: little bit hard when the lego movie on spotify at snl. Add your thoughts here. Click or your head to all involved, and hader brandishing cats that second video about how to just happened the lonely the island presents. Not dear to subscribe free online. The best movies like The Lonely Island Presents Film Simili. Sterling K Brown Channels Sia In The Lonely Island's. The songs from joe is side busting material independently and! Rxu idyrulwh surgxfwv duh pdgh. Day along a photo of their intertwined hands. After war, how ever she does down complete her real position, the elaborate and glamourous Courtney, might sneak out there waiting with her? Audience award for, it to global to add fuctionality to ensure you were seeking to only two dozen current offerings and bands for free samples of! Due to legal streaming globally on tour to a younger and we make it! The island presents: keep feds out where this function when. -
Parkenavisa PARKENFESTIVALEN 2010 20.–21. August
PARKENFESTIVALEN 2010 PARKENAV I S A 20.–21. AUGUST Parkenfestivalen 2010 Parkenfestivalen 2010 GJØRME- IDRETT KUNNSKAP KULTUR ROCK I Et menneske avgir varme GJØRMEMINNER tilsvarende en 100 watts PARKEN? lyspære avhengig av slutten av april skrev NRK om Henrik Sarri, som spår en varm sommer. Ifølge den svenske værprofeten får FRA PARKEN aktivitetsnivå. I vi en skikkelig varmebølge idet vi når årets åttende måned. Under Parkenfestivalen, med andre ord. Av Gjørmatologene Liv Boye Okkenhaug og Heidi Aaslund Lunheim I prosjektbeskrivelsen for Parkenfestivalen, skrevet tidlig i 2006, står følgende forklaring for hvorfor festivalen er lagt til perioden rundt skolestart; ”…fordi det ikke er ønskelig å konkurrere med andre festivaler i distriktet og fordi vi ønsker å samarbeide med Bodøs voksende studentmiljø. Parken skal gjøre det musikalske tilbudet i Bodø bredere og på sikt etablere seg som en rendyrket musikkfestival med nasjonale og inter- nasjonale artister. Men en garanti for at dette skjer i solskinn og under en skyfri himmel, gir dårlige odds. Derfor har vi valgt en periode på sensommeren som vi mener er den mest stabile, sett med forhåpningsfulle og litt statistiske øyne.” Årets Parkenfestival er nå gått over i historien. Og for en historie. Hvilken drøm, hvilken musikk, hvilke Våre statistiske øyne gikk over 20 år tilbake i tid og artister – og hvilke frydefulle opplevelser. Terningkast man kan trygt si at her har statistikken spilt oss et puss. fem og seks, og fornøyde festivaldeltagere, journalister og Parkens konferansier, Frode Mikaelsen, ønsket med glimt artister. i øyet publikum velkommen til Helly-Hansen kongress Men nok om det. under fjorårets festival. -
Color Stories 1
Extra Fine™ Watercolors Extra Fine Extra ™ Watercolor Stories Watercolor COLOR STORIES in brief Discover our world of pigments and how to incorporate each of their unique characteristics1 into your art. Alizarin Crimson Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when applied in strength and kept from the direct sunlight will last for many decades. Alizarin is a treat to paint with, just the sheer joy of the depth and uniqueness of color is invigorating. A beautiful bluish- red pigment from the staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists. Intense and dark in value, Alizarin Crimson mixes cleanly with most pigments to create dark mixtures and warm neutrals. A combination of Aureolin (Cobalt Yellow) and French Ultramarine with Alizarin renders a surprising range of other colors resembling everything from Burnt Sienna and Umber to Payne’s Gray, while Alizarin Crimson with French Ultramarine creates an intense purple. Alvaro’s Caliente Grey Alvaro’s Caliente Grey, “is a terrific hue, very powerful, excellent to create strong and warm paintings. In monochrome this wonderful Grey is perfect to achieve a powerful atmosphere with amazing glow. This color is also perfect to add dramatic highlights and shadows.” Alvaro’s Caliente and Fresco Greys, as he describes them, are about; “...magnetism, fury, energy...power. You know greys... create a feeling of danger, emotion, passion... mystery...evoke things that are unknown...darkness. I use these greys to create a painting that has a magnetism...energy, mystery, passion...something to discover, entering the unknown, darkness. -
EU Page 1 COVER.Indd
Eating Around the World in Jax • Wizarding World of Harry Potter • Local Art Collectors free monthly guide to entertainment & more | july 2010 | eujacksonville.com 2 JULY 2010 | eu jacksonville monthly contents JULY 2010 feature page 4-8 dining around the world join EU on facebook! dish page 9 organic shopping page 10 dish update + events page 11 queen of sheba restaurant review page 11 antojitos colombian bakery life + stuff follow us on twitter! page 12 family events page 12 on the river Look for @EUJacksonville and page 13 july 4th events on the cover page 14 have kid will travel @EU_Music where you The cover image is a variation of the original page 15 wizarding world of harry potter Music Video Revival poster design by Varick can get daily music and Rosete. Varick is a designer / illustrator page 16 local shopping entertainment updates and the current president of our local AIGA page 17 reading strange chapter. See page 25 to read about the Music Video Revival and page 21 to learn more about AIGA. arts + culture eu staff page 18 theatre & cultural events page 27 sound check managing director page 18 aurora black arts festival page 27 spotlight: wild life society Shelley Henley page 19 cinderella at the alhambra page 28 featured music events creative director page 20 why art matters page 29 album review: honey chamber Rachel Best Henley page 21 AIGA: part 4 - the boardroom & page 29 album review: dan sartain copy editors Kellie Abrahamson the business suit page 30-35 music events Erin Thursby page 22 collectors choice at the cummer -
Reader Matches Return 21 How to Break up When Surrounded By
CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE How to break up when Reader matches Beach Bunny have a blast surrounded by brides 12 return 21 singing about heartbreak 31 THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER T R IN THIS ISSUE - @ CITYLIFE whererelationshipssunk ofADoll’sHouseupdatesthe ChicagoMusicBluesguitarist 03 BreakupRitualsHowdoyou 18 BeMineSinglepeoplecan languageRoantheGatestraces JimmyJohnsonismuchmorethan PTB mendabrokenheart? celebrateFebruarytoo! theconsequencesofwhistleblowing justSyl’sbigbrother ECS K KH 20 HappilyEverA erTwolove 42 EarlyWarningsBigklit CLRH MEP M storiesthatstartedonthepagesof CamelphatGirlTalkandmorejust TDKR theReader announcedconcerts CEBW 21 MatchesAlovelornMustardMan 42 GossipWolfTheUofCFolk AEJL SWMD L G a“cunningpliablechestnuthaired FestivalcelebratesyearsPoloG DIBJ MS sunfi sh”girlseekinganiceboyand headlinesaMetrobenefi tbeforethe EAS N L more NBAAllStarGameandmore GD AH L CSC -J CE BN B ARTS&CULTURE L C MDLC M 22 ListingsABlackHistory C J F SF J H IH C MJ Monthwritingworkshopaqueer M K S K SK FOOD&DRINK Valentine’sDayeventandmorearts FILM N DLJL 04 RestaurantReview andculturehappenings 28 InterviewLevanAkinonAnd MMA M-K JRN JN M Andersonville’sLittleMadridhas ThenWeDancedandLGBTQ O M S C S tapaswhereyouleastexpectthem visibilityinGeorgia ---------------------------------------------------------------- 29 MoviesofnotePortraitofaLady DD J D NEWS&POLITICS onFireisarefreshinglymodern DPE &P 08 Joravsky|PoliticsMayor periodpiecethatbegsforabrave -
Hoteltransylvania PB ITA
COLUMBIA PICTURES presenta un film SONY PICTURES ANIMATION con le voci di CLAUDIO BISIO nel ruolo di Dracula e CRISTIANA CAPOTONDI nel ruolo di Mavis Nella versione originale le voci sono di: ADAM SANDLER ANDY SAMBERG SELENA GOMEZ KEVIN JAMES FRAN DRESCHER STEVE BUSCEMI MOLLY SHANNON DAVID SPADE E CEELO GREEN Prodotto da: Michelle Murdocca Sceneggiatura di: Peter Baynham e Robert Smigel Soggetto di: Todd Durham e Dan Hageman & Kevin Hageman Executive Producers: Adam Sandler, Robert Smigel e Allen Covert Musiche di: Mark Mothersbaugh Supervisione alle musiche di: Liza Richardson Animazioni a cura di: Sony Pictures Imageworks Inc. Diretto da: Genndy Tartakovsky Data d’uscita: 8 novembre 2012 Durata: 91 minuti Distribuzione: Warner Bros. Pictures Italia Informazioni sulla produzione Benvenuti nell’Hotel Transylvania, il lussuoso albergo a cinque stelle di Dracula, il resort in cui i mostri e le loro famiglie possono spassarsela, liberi di esprimere la propria mostruosità senza alcun essere umano nei paraggi a rovinargli la festa. Per festeggiare il 118° compleanno di sua figlia Mavis, Dracula ha invitato alcuni dei mostri più famosi al mondo per un weekend molto speciale: Frankenstein e consorte, la Mummia, l’Uomo Invisibile, una famiglia di lupi mannari e tanti altri. Per Dracula, provvedere al divertimento di questi amici famigerati non è certo un problema; tuttavia il suo mondo potrebbe venire distrutto se un essere umano giungesse per caso nel suo hotel, diventando addirittura amico di Mavis. Columbia Pictures presenta Hotel Transylvania, un film di Sony Pictures Animation. Il film presenta le voci di Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade e di CeeLo Green.