DOCSLIB.ORG

Nightspots Peace Out, #1033 • December 22, 2010 2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nightspots Peace Out, #1033 • December 22, 2010 2010 nightspots Peace out, #1033 • December 22, 2010 2010 nightspots #1033 • December 22, 2010 1 From the June 9 cover. Photo by DJ Res-5. 2 From the March 17 cover. Photo by Kirk. 3 From the June 23 cover. Photo by Kirk. 4 From the Sept. 1 cover. Photos by Kristofer Reynolds. 5 From the Aug. 18 cover. Photo by Harlan 1 Vaughn. 6 From the March 3 cover. Photo by Dan Paterno. 3 7 From the May 12 cover. Photo by Anthony 2 Meade. 8 From the Nov. 10 cover. Photo by Kirk. 9 From the April 28 cover. Photo by Kirk. 4 10 From the Aug. 4 cover. Photo by Kirk. 11 From the Feb. 3 cover. Photo by Kirk. 6 5 12 From the Sept. 29 cover. Photo by Kirk. 13 From the Oct. 27 cover. Photo by Kirk. 14 From the Oct. 13 cover. Photo by Rick Aguilar. 7 9 15 From the March 31 cover. Photo by G. 8 Thomas Ward Photography. 10 16 From the May 26 cover. Photo by Chester Munro. 13 17 From the Dec. 8 cover. Illustration by 11 14 Heather Barstow. 12 18 From the July 7 cover. Photo by Kirk. 19 From the Nov. 24 cover. Photo by Pubert. 20 From the July 21 cover. Photo by Anthony 17 Meade. 15 16 18 4 19 20 PUBLISHER DIRECTOR OF NEW MEDIA Tracy Baim Jean Albright ASSISTANT PUBLISHER OFFICE Terri Klinsky Meghan Streit MANAGING EDITOR PHOTOGraphY Kirk Williamson Mel Ferrand, Kat Fitzgerald, Dave Ouano, Kirk, Kizzy, ADVERTISING REPRESENTATIVES Ryan Kolodziej, Anthony Meade, Steve Starr, DJ Res-5 Terri Klinsky, Kirk Williamson, Amy Matheny, Dave CAST OF CHARACTERS Ouano Andrew Davis, Homer Marrs, Marc “Moose”Moder, NATIONAL ADVERTISING REPRESENTATIVE Jennifer Parello, Peter Pointers, Randy Pubert Rivendell Media 212-242-6863 Copyright 2010 Windy City Media Group/Lambda Publications Inc. All rights reserved. Reprint by permission only. Back issues available for $3 per issue (postage included). nightspots Return postage must accompany all manuscripts, drawings, and photographs submitted if they are to be returned, and no responsibility may be assumed for unsolicited materials. 5315 N. Clark St. #192, Chicago, IL 60640 All rights to letters, art and photos sent to Nightspots/Windy City Times will be treated as unconditionally assigned for publication purposes and as such, subject to editing and 773.871.7610, fax 773.871.7609 comment. The opinions expressed by the columnists, cartoonists, letter writers, and com- mentators are their own and do not necessarily reflect the position of Nightspots/Windy www.WindyCityMediaGroup.com City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City Times is not to be construed as any [email protected] indication of the sexual orientation of such person or organization. While we encourage readers to support the advertisers who make this newspaper possible, Nightspots/Windy City Times cannot accept responsibility for advertising claims. That Guy by Kirk Williamson A year in pictures. Never before has my hairstyle been so all over the place. Thanks for enjoying our Nightspots exploits this year and we’ll see yer ass in 2011! With Ms. Cleo at With Aurora at Spin. With Jake Shears at Sidetrack. Berlin. With Ruben at Inn With Viviana at With Jamie at The Exile. Cocktail. Call. With Chaz at With Lorenzo at Sofo. With Leon Andrew at Jackhammer. Parlour. With Ronnie Kroell at Doing an ungodly With TJ at Wild Pug. Roscoe’s. shot at Scarlet. 6 nightspots December 22, 2010 Photo by Harlan Vaughn BERLIN PARLOUR Photos by Kirk CREW Photo by Kirk Photos by Kirk Photo by Kirk MARY’S Photo by Kat Fitzgerald ATTIC CLUB KRAVE Photos by Kirk 8 nightspots December 22, 2010 HOLIDAY WEEKENDS ARE SIDETRACK WEEKENDS. Christmas Eve • Friday, Dec. 24 • Open 3pm - 2am. Christmas • Saturday, Dec. 25 • Open 5pm - 3am New Year’s Eve • FRI, DEC. 31 $25 tickets available from your bartender or online @ EQIL.org NYE WELCOME 1.1.11 ® 3349 N. Halsted Sidetrack Chicago.com Limted Valet Parking Available We’re Giving Away a trip to NYC & Two trips to Palm Springs! Friends & New Year’s Babies A benefit for Equality Illinois PAC START THE YEAR WITH A SPLASH! Saturday, January 1st A sparklliing,, ffresh start to the NEW YEAR. OOppeenn aatt 33ppmm.. Giive-aways allll day iinclludiing Spa Treatments!! DANCING ABOUT THE MOOSIE ARCHITECTURE by Marc “Moose” Moder Awards 2010 Since I was a little gay I used to watch and critique US award shows. I can’t say I’ve ever seen a roster of award winners on any of them that made sense commercially or artistically. I’m still stinging from Taylor Swift’s Grammy win last year. So, if only to balance things out karmically in my musical world, I present the 2010 “Moosies.” Why does that sound dirty? Best New Artist: While Florence + The Machine’s Best Comeback: Kelis hit it strong this year after a Lungs came out overseas and crept into the US career of hits and misses. Getting dumped by NAS market in 2009, it was officially released and broke and having a baby would make most women get all big in 2010. Florence’s voice hearkens back to Lilith Fair, but Kelis amped up the energy and love vintage Sarah McLachlan (see Vox) or later Siouxsie on her Flesh Tone collection. It’s what we’ve always Sioux but does better known she could do. than both. Along with Most Overhyped: Predictably, Taylor Swift: okay Beth Ditto, she ushered songwriter; cute girl; just can’t sing. In the real world in new era of girls who she’d be writing hits for better singers. can REALLY sing. I mean Most Overrated: Katy Perry. Since her first album, REALLY. If you’ve not yet, I’ve been waiting for her to show us how good she make sure you get “Dog can be but this is two overhyped, pitiful albums in a Days” or “Rabbit Heart,” row. In fact, Teenage Dream is worse than the first so two of the best songs of she’s sliding downhill this—or any—year. artistically. Outside Best Album: Tracey Thorn and Scissor Sisters made the title track, it the two best CDs of their careers this year, but I have sounds like she wrote to give this one to Robyn for Body Talk. More than this album with a any artist in my lifetime she blends pop, dance and drunken Ke$ha and intelligence, breaking down this hardest hipster a few five-years- heart into a whirling dance dervish. olds. “Show me your Best Remake: “Not In Love” by Crystal Castles Peacock, cock, cock”. featuring Robert Smith takes an obscure Canadian Really? hit by Platinum Blonde and transforms it into a Biggest Letdown: manic, urgent and moving synth-pop masterpiece. So many things I was looking forward to this year Also best workout song of the decade. just sucked after all the hype, but none as badly as Best Remix: For a year in which dance music the David Byrne/Fatboy Slim double-CD concept seems to have died, it was one of the hottest years album Here Lies Love. Done as a story of Imelda for remixes. Robin, Gaga and Kylie put out some Marcos, it featured guest vocals by some of the brilliant mixes by up and comers Aviici, Alphabeat biggest names in the business: Cyndi Lauper, Tori and Monarchy respectably, but the most addicting Amos, Natalie Merchant and more. But every last remix of the year was by genius Fred Falke for The track was horribly campy and poorly written. It’s as Gossip’s “Heavy Cross.” He completely rethought the big of a joke as the theme song into an early Duran Duran fantasy that built indicates. and built until it erupted in a luscious synthgasm. Artist of the Year: Robyn. Best Live Show: a-ha--while Robyn’s show should See album of the year. She probably win, I have a soft spot in my heart for did no wrong. a-ha and this year was their farewell tour and only time we’ll have had to see them live ever again. Get links to all It was a joyous and moving sold out show at the Moose’s picks at www. Riviera. If you missed it, you missed it, and you danceaboutarc. should be sad. Their 25-year career yielded far more wordpress.com groundbreaking stuff than “Take On Me.” And Robyn will be back soon anyway if you’re a fan of hot Scandinavians. 10 nightspots December 22, 2010 HYDRATE Photo by Anthony Meade Photo by Kirk @MOSPHERE Photos by Kirk THE CALL Photos by Kirk SOFO Photos by Kirk NORTH END Photo by Kirk 12 nightspots December 22, 2010 MARRS ATTACKS by Homer Marrs have to shave. Doctor: Do you get what I’m trying to say here? Santa’s Last Visit Santa: I think so. I should be a comedian and Garth Algar should deliver toys to kids Santa: I’m having trouble people want you to be? once a year. getting motivated this Santa: Yes. I have to dress Doctor: Not exactly, but go year, Doc. I don’t believe in a certain way, laugh a with that. myself anymore. certain way, travel by Santa: Garth Algar is a Doctor: I believe in you. certain methods … it’s all fictional character, Doc. Santa: Thanks. You’re being prescribed for me. It’s like Doctor: So are you, yet paid. my whole existence is pre- here we are having this Doctor: True, but I don’t have determined.
Load more

Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Song List 2012
    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
    [Show full text]
  • 2021 Hard to Find the HTFR Weekly Wanted List
    © 2021 Hard To Find The HTFR Weekly Wanted List - Prices valid from 28 Sep 2021 to 5 Oct 2021 If you have any of the records in this list for sale, we will pay at minimum the price specified email: [email protected] - Tel: 0121 622 3269 - Visit our website for details on how to sell to us - http://www.htfr.com/secondhand/ MR26666 100Hz EP3 Pacific FIC020 1999 British 12" £4.00 MR75274 16B Trail Of Dreams Stonehouse STR12008 1995 British 12" £2.00 MR18837 2 Funky 2 Brothers And Sisters Logic FUNKY2 1994 British Promo 12" £2.00 MR759025 3rd Core Mindless And Broken WEA International Inc. SAM00291 2000 British 12" £2.00 MR12656 4 Hero Cooking Up Ya Brain Reinforced RIVET1216 1992 British Promo 12" £2.00 MR14089 A Guy Called Gerald 28 Gun Badboy / Paranoia Columbia XPR1684 1992 British Promo 12" £8.00 MR169958 A Sides Punks Strictly Underground STUR74 1996 British 12" £4.00 MR353153 Aaron Carl Down (Resurrected) Wallshaker WMAC30 2009 American Import 12" £2.00 MR759966 Academy Of St. Martin-in-the-F Amadeus (Original Soundtrack Recording) Metronome 8251261ME 1984 Double Album £2.00 MR4926 Acen Close Your Eyes Production House PNT034 1992 British 12" £3.00 MR12863 Acen Trip Ii The Moon Part 3 Production House PNT042RX 1992 British 12" £3.00 MR16291 Age Of Love Age Of Love (Jam & Spoon) React 12REACT9 1992 British 12" £7.00 MR44954 Agent Orange Sounds Flakey To Me Agent Orange AO001 1992 British 12" £8.00 MR764680 Akasha Cinematique Wall Of Sound WALLLP016 1998 Vinyl Album £1.00 MR42023 Alan Braxe & Fred Falke Running Vulture VULT001 2000 French
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Current Top 40.Doc
    2000+ And Top 40 All About That Bass Meghan Trainor Little Things One Direction Am I Wrong? Nico & Vinz Love Foolosophy Jamiroquai Amnesia 5SOS Love Generation Bob Sinclar Anaconda Nicky Minaj Low Flo Rida Baby Justin Bieber Marry You Bruno Mars Bad Romance Lady Gaga Memories David Guetta Bang Bang Jessie J Moves Like Jagger Maroon 5 Beautiful People Chris Brown New Thang Redfoo Best Night Justice Crew OMG Usher ft Will.I.Am Blame Calvin Harris On The Floor Jennifer Lopez Blurred Lines Robin Thicke Only Girl In The World Rhianna Boom Clap Charlie XCX Only Love Can Hurt Like This Paloma Faith Born This Way Lady Gaga Party Rock Anthem LMFAO Budapest George Ezra Please Don't Stop The Music Rhianna California Gurls Katy Perry Prayer In C Lily Wood Call Me Maybe Carly Rae Jepsen Price Tag Jessie J ft B.O.B Candyman Christina Aguilera Problem Ariana Grande Chandelier Sia Que Sera Justice Crew Club Can't Handle Me Flo-Rida Right Round Flo Rida Cool Kids Echosmith Riptide Vance Joy Cosmic Girl Jamiroquai Rock DJ Robbie Williams Count On Me Bruno Mars Royals Lorde Best Song Ever One Direction Run The World Beyonce DJ Got Us Falling In Love Usher ft Pitbull Sex On Fire Kings Of Leon Don't Stop The Party Black Eyed Peas Sexy Back Justin Timberlake Break Free Ariana Grande Shake It Off Taylor Swift Down Jay Z ft Lil Wayne She Came To Give It To You Usher Feat. Nicki Minaj Dynamite Taio Cruz Shots LMFAO ft Lil Jon Empire State Of Mind Jay Z ft Alicia Keys Single Ladies Beyonce Fancy Iggy Azalea Sky Full Of Stars Coldplay Feel So Close Calvin Harris
    [Show full text]
  • Strong Show from First Year Art Graduates
    2A Thursday, May 24,1984 Daily Nexus ORCHID BOWL Strong Show from First Year Art Graduates By MATTHIAS • • ROSENTHAL Usually, exhibitions of EVERY OTHER contemporary modem art just bore me out of my mind, BMME FREE and I find myself looking at Moidiy, May 21st tfen Momorlal Dayl pretty women looking at Oror Rowllni «fen Lams avrMrMr ugly artifacts, musing about how much superior nature’s OPEN 24 H O URS products of beauty are to the Take a Bowling Breakl arbitrary attempts at meaning of some modem O R C H ID BO W L - GALLEO N R O O M art. The course of modem art, it seems, has been the 5925 Calle Real - Goleta • • • Ph. 967-0128 elimination of three things: beauty, pleasure and artistic skills. Don’t get me wrong: this exhibition is different. The 1984 WÆ.B. DU BO IS UCSB Art Department’s first year graduate students W8ITKVG aW ftfiBS are now presenting a small but exciting selection from their recent work. Louise Fowler-Smith, Victoria Palrick Bernard gesticulates in front of his piece, L a s t Tango Taylor-Gore, Patrick Deadline is this Friday, 5/25 Bernard, Sharon Coughran, Jerusalem.” MITCH VICINO/Nwus Michael Drury and Joyce Flager feature pre and post- frustrating them, as is so often the case in contemporary apocalyptic issues, which are, as a matter of fact, artistic art. beautifications of imminent and immanent psychological Fowler-Smith’s preoccupation with her Australian origin, Please submit your essays, and historical (or should I say: post-historical?) horror. is obvious.
    [Show full text]
  • Come & Get It<Span Class="Orangetitle"> Deconstructed
    Hit Songs Deconstructed Deconstructing Today&#039;s Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Come & Get It Deconstructed Skip to: Audio/Video At a Glance Song Overview Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Primary Instrumentation, Tone & Mix Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Selena Gomez Song/Album: Come & Get It / Stars Dance Songwriters: Dean, Eriksen, Hermansen Genre: Pop Sub Genre: Electropop, World (Indian) Length: 3:52 Structure: B-A-B-A-B-C-B Tempo: 80 bpm First Chorus: 0:15 / 6% into the song Intro Length: 0:15 Outro Length: n/a Electric vs. Acoustic: Electric Primary Instrumentation: Synth Lyrical Theme: Love/Relationships Title Occurrences: Come & Get It occurs 12 times within the song Primary Lyrical P.O.V: 1st & 2nd Song Overview Back to Top Released as the lead single from her first solo album, Stars Dance, Come & Get It finds Selena Gomez teaming up with 3 of today’s hottest hitmakers including Tor Hermansen & Mikkel Eriksen (both of Stargate), and Ester Dean with the aim of separating her from her Disney 1 / 71 Hit Songs Deconstructed Deconstructing Today&#039;s Hits for Songwriting Success http://reports.hitsongsdeconstructed.com past and to establish her as a major force within the mainstream Pop scene alongside contemporaries including Rihanna, Katy and Britney. As you’ll see within the report, Come & Get It possesses many of the “hit qualities” that are indicative of today’s chart-topping songs, but it also falls short in some key areas that preclude it from realizing its fullest potential.
    [Show full text]
  • THE LIVING YEARS 1 Timbaland
    Artist - Track Count mike & the mechanics - THE LIVING YEARS 1 timbaland - nelly furtado - justin - GIVE IT TO ME 1 wet wet wet - LOVE IS ALL AROUND 1 justin timberlake - MY LOVE 1 john mayer - WAITING ON THE WORLD TO CHANGE 1 duran duran - I DON'T WANT YOUR LOVE 1 tom walker - LEAVE A LIGHT ON 1 a fine frenzy - ALMOST LOVER 1 mariah carey - VISION OF LOVE 1 aura dione - SOMETHING FROM NOTHING 1 linkin park - NEW DIVIDE (from Transformers 2) 1 phil collins - GOING BACK 1 keane - SILENCED BY NIGHT 1 sigala - EASY LOVE 1 murray head - ONE NIGHT IN BANGKOK 1 celine dion - ONE HEART 1 reporter milan - STAJERSKA 1 michael jackson - siedah garrett - I JUST CAN'T STOP LOVING YOU 1 martin garrix feat usher - DON'T LOOK DOWN 1 k'naan - WAVIN' FLAG (OFFICIAL 2010 WORLD CUP SONG) 1 jennifer lopez & pitbull - DANCE AGAIN 1 maroon 5 - THIS SUMMER'S GONNA HURT 1 happy mondays - STEP ON 1 abc - THE NIGHT YOU MURDERED LOVE 1 heart - ALL I WANNA DO IS MAKING LOVE 1 huey lewis & the news - STUCK WITH YOU 1 ultravox - VIENNA 1 queen - HAMMER TO FALL 1 stock aitken waterman - ROADBLOCK 1 yazoo - ONLY YOU 1 billy idol - REBEL YELL 1 ashford & simpson - SOLID 1 loverboy - HEAVEN IN YOUR EYES 1 kaoma - LAMBADA 1 david guetta/sia - LET'S LOVE 1 rita ora/gunna - BIG 1 you me at six - ADRENALINE 1 shakira - UNDERNEATH YOUR CLOTHES 1 gwen stefani - LET ME REINTRODUCE MYSELF 1 cado - VSE, KAR JE TAM 1 atomic kitten - WHOLE AGAIN 1 dionne bromfield feat lil twist - FOOLIN 1 macy gray - STILL 1 sixpence none the richer - THERE SHE GOES 1 maraaya - DREVO 1 will young - FRIDAY'S CHILD 1 christina aguilera - WHAT A GIRL WANTS 1 jan plestenjak - lara - SOBA 102 1 barry white - YOU'RE THE FIRST THE LAST MY EVERYTHING 1 parni valjak - PROKLETA NEDELJA 1 pitbull - GIVE ME EVERYTHING TONIGHT 1 the champs - TEQUILA 1 colonia - ZA TVOJE SNENE OCI 1 nick kamen - I PROMISED MYSELF 1 gina g.
    [Show full text]
  • Affective Resonance: on the Uses and Abuses of Music in and for Philosophy
    Affective Resonance: On the Uses and Abuses of Music In and For Philosophy ROBIN JAMES Affect is often presented as an alternative to visual and/or representational theories, phenomenologies, and experiences. For example, Jasbir Puar contrasts the “representational” logic of “intersectionality” with the affective logic of assemblage.1 Similarly, Linda Alcoff argues that the “visual” aspects of identity are grounded in corporeal, sensuous horizons.2 The study of affect, both in gender studies and especially in philosophy, has largely ignored music— though this is, thankfully, beginning to change.3 Even scholars working with and through Deleuze, who does actually talk about music, often either overlook his work on music, or use “music” in a very general way, as a metaphor abstracted from musical practices or works.4 These oversights are surprising, because when philosophers who are not explicitly working on music do appeal to music, they often use music as a metaphor for affect.5 Music, like affect, emotion, or implicit understanding, is the Other of philosophy, at least as it is conventionally defined and practiced. For philosophers with little formal training or practical experience in music, “music” often serves as a metaphor for all that philosophy isn’t: affective, sensuous, embodied, feminine, etc. Or, because we don’t know how to put our experiences of music into propositional form, it seems to be purely affective, implicit, sensuous experience.6 Music can seem almost magical, because people without some sort of background in music (either in performance or in theory/history) generally lack the technical skills and concepts to analyze a piece of music and PhaenEx 7, no.2 (fall/winter 2012): 59-95 © 2012 Robin James - 60 - PhaenEx explain how and why it works the way it does.
    [Show full text]
  • School Proposal Robert Martin Pleads 'Not Guilty of Murder
    SECTION TWO ANK SECTION TWO VOLUME LXIV, NO.-28. RED MNKTNrJ^THHRSDAY, JANUARY 1, 1942; PAGES 1 TO 12 tt Zager, Smith IS Ice Yacht Race* It Warden Funera I Home Tax Group Against Robert Martin Pleads It Are Postpoiied t Pass Bar Exam 'O •-•' Rain and-warmer Wither- of t Has 25th Anniversary last week-end , forced a post- New? School Proposal Both Men Clerked With « ponement of the scheduled ice 'Not Guilty Of Murder ,'t yacht races between the cial- Red Bank-Law'Firm •t -lehgerj of the Monmouth Ice i Yacht club of Red Bank »nd the defenders of the Hudson- League Also Opposes Bro&d Abraham J. Zager of • McLaren Instigated Mrs. Aszman'Slaying, Red Bank Morticians Have -.'••. • (i • . • Highland Ice Boat club, ' otroet, son of Mrs. Rose Zager of : ^ The eVenU, best twoof three .. Street ^Tp River.. Extension ^ Hudson avcnu»r and Thomas J, _ Ghargea Turner In Confession -;• Long Record Of Service heats, for the Eastern cham- Smith of Asbury Park received word pionship pennant offered by the thl» morning that they had passed The Taxpayers association of Red - Robert Martin, colored resident of Turner, according to th« ohltf, hM The Worden funoral home, 60 East Rumson Country elubr*were-to™ the state bar examinations, taken at Newark, yesterday pleaded not guilty admitted that he murdered the wo~ have been sailed on Orange Bank-at-a-meetlng-last-nlgJUn-tliB. -Trenton lnOctober.-BpthLyaung men Tront atreot, yostcrday completed Mass Meeting~At~ offlccs of its secretary, Alston Beck-' of-theTnurder-of-Mra,-Edna-rAj5Zmanr- ynnn, hut rrpriltart Martin with insti- 25 years of service In Red Bank and Lake, near Newburgh, New have been.'serving Hh^ir clerkship.
    [Show full text]
  • Have Had a Much Harder Time Catching on Repeated in the Non Sequitur
    MUSIC Reviews ALBUM Kelis, Food A tamer Keliswould've been hardtoimagine in1999At the time, the singer's Virgin Records debut, Kaleidoscope-acarnival of offbeat LABEL: Ninja Tune sounds carved by The Neptunes, and the home of her introductory, PRODUCERS: Dave Sitek, scorned-exanthem "Caught Out There"-wasfinding its base with Kelis the irregulars of R&B. In thespanof five albums, Kelis has hungon RELEASE DATE: April 22 those hip -girl outskirts, openly averting fame and, with it,com- mercialsuccessfor themost part,aside from 2003'ssassy come-on "Milkshake," which hitNo.3onthe Billboard Hot100.Along theway, she becameamother, married and divorcedrapperNas, and ditched the hitmaking producers largely responsible for herpastalbums' mostadventuroustones.After all that, hernewalbum, Food, her first in fouryears,feels like the aftermath ofa supernova.Despite her boundary -pushing backers -TVonthe Radio's Dave Sitek produces and British tastemaker label Ninja Tunes is releasing the album-it's not asexplosiveorforward -thinkingasits predecessors. Kelis,34, Kelis' album ha oftenseems toembodya young,sonic future without boundaries. plenty of soul, But insome waysthis is her oldest -sounding projectyet,both for but little ofhe expected sosf. better and forworse. Kelis has always drifted easily from robotic rhythmstococksure popand hip -hop, and Food is stilla scatter-shot ofgenres-funk, folk, angryblow -off like "Caught Out There." But unlike Nas'2012album Life George Michael -inspiredpop.But the foundation here is clearly throw- Is Good, thecoverof which featuresaglum Nas holding Kelis' wedding back soul, which Sitek interprets with soothing keyboard pads and dress, the split isn'tablatant narrative threadonFood. Still, it'seasy to Afrobeat brass melodies. Thearrangements arebig andopenbut also put an ex-factor filterontracks like "Rumble," abouta once-familiar calm andserene,likeavinyl record playing in the forest.
    [Show full text]
  • Choreography Resume
    SAG/AFTRA ASHER ENTERTAINMENT / CHOREOGRAPHY RESUME TELEVISION The Fosters (13 Episodes)- Series Choreographer Freeform/ABC Family The Fosters: Romeo and Juliet: The Show, Musical EP Freeform/ABC Family America’s Got Talent “Benn Mendoza’s Circus” NBC Shark Tank ABC Dance Moms Season 6 LifeTime Good Day LA- Candice Glover Asher Entertainment MUSIC VIDEOS Rae Sremmund Ft. Nicki Minaj, Young Thug Dir. Motion Family Ne-Yo “Let’s Go” Ft. Calvin Harris Dir. Vincent Haycock/Ultra Records Remy Ma Ft. Chris Brown “Melanin Magic” Dir. Miillident Hailes/ SixTwentySix Productions Calvin Harris Ft. Tinie Tempah “Drinking From the Bottle” Dir. Vincent Haycock & AG Rojas/Ultra Records Major Lazer and Diplo “Too Orginial” Dir. Timothy Erem Little Mix “Love Me Like You” Dir. Sarah McColgan Far East Movement Ft. Flo Rida “Change Your Life” Dir. HyperBallad/Interscope Records Walk Off The Earth “Rule The World” Dir. John Poliquin Marcus & Martinez “Invited” Dir. Miillident Hailes/ SixTwentySix Productions Marcus & Martinez “Lie to You” Dir. Miillident Hailes/ SixTwentySix Productions Eva Simmons “Celebreate the Rain” Dir. Dano Cerny/Spinnin’ Records Bishop Briggs “Dream” Dir. Dano Cerny/UMG Records Bea Miller “S.L.U.T.” Dir. Miles & AJ/ Hollywood Records Chromeo “Frequent Flyer” Funny Or Die Borns “ Electric Love” Dir. Ben & Ross Bullion Productions Galantis “My Head” Dir. Dano Cerny/Atlanitc Records Galantis “U & I” Dir. Dano Cerny/Atlanitc Records Galantis “Satisfied” Dir. Dano Cerny/Atlantic Records Galantis “Penut Butter & Jelly” Dir. Dano Cerny/Atlantic Records Sigala “Sweet Lovin” Dir. Craig Moore Matt Simons “Back Home” Dir. Dano Cerny Matt Simons “Lose Control” Dir. John Laprime Alex Adair “You Make Me Feel Better” Dir.
    [Show full text]