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A Review and Comparison on Different Video Deinterlacing
International Journal of Research ISSN NO:2236-6124 A Review and Comparison on Different Video Deinterlacing Methodologies 1Boyapati Bharathidevi,2Kurangi Mary Sujana,3Ashok kumar Balijepalli 1,2,3 Asst.Professor,Universal College of Engg & Technology,Perecherla,Guntur,AP,India-522438 [email protected],[email protected],[email protected] Abstract— Video deinterlacing is a key technique in Interlaced videos are generally preferred in video broadcast digital video processing, particularly with the widespread and transmission systems as they reduce the amount of data to usage of LCD and plasma TVs. Interlacing is a widely used be broadcast. Transmission of interlaced videos was widely technique, for television broadcast and video recording, to popular in various television broadcasting systems such as double the perceived frame rate without increasing the NTSC [2], PAL [3], SECAM. Many broadcasting agencies bandwidth. But it presents annoying visual artifacts, such as made huge profits with interlaced videos. Video acquiring flickering and silhouette "serration," during the playback. systems on many occasions naturally acquire interlaced video Existing state-of-the-art deinterlacing methods either ignore and since this also proved be an efficient way, the popularity the temporal information to provide real-time performance of interlaced videos escalated. but lower visual quality, or estimate the motion for better deinterlacing but with a trade-off of higher computational cost. The question `to interlace or not to interlace' divides the TV and the PC communities. A proper answer requires a common understanding of what is possible nowadays in deinterlacing video signals. This paper outlines the most relevant methods, and provides a relative comparison. -
High Frame-Rate Television
Research White Paper WHP 169 September 2008 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon BRITISH BROADCASTING CORPORATION BBC Research White Paper WHP 169 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon Abstract The frame and field rates that have been used for television since the 1930s cause problems for motion portrayal, which are increasingly evident on the large, high-resolution television displays that are now common. In this paper we report on a programme of experimental work that successfully demonstrated the advantages of higher frame rate capture and display as a means of improving the quality of television systems of all spatial resolutions. We identify additional benefits from the use of high frame-rate capture for the production of programmes to be viewed using conventional televisions. We suggest ways to mitigate some of the production and distribution issues that high frame-rate television implies. This document was originally published in the proceedings of the IBC2008 conference. Additional key words: static, dynamic, compression, shuttering, temporal White Papers are distributed freely on request. Authorisation of the Head of Broadcast/FM Research is required for publication. © BBC 2008. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC Future Media & Technology except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. The BBC grants permission to individuals and organisations to make copies of the entire document (including this copyright notice) for their own internal use. -
Basics of Video
Basics of Video Yao Wang Polytechnic University, Brooklyn, NY11201 [email protected] Video Basics 1 Outline • Color perception and specification (review on your own) • Video capture and disppy(lay (review on your own ) • Analog raster video • Analog TV systems • Digital video Yao Wang, 2013 Video Basics 2 Analog Video • Video raster • Progressive vs. interlaced raster • Analog TV systems Yao Wang, 2013 Video Basics 3 Raster Scan • Real-world scene is a continuous 3-DsignalD signal (temporal, horizontal, vertical) • Analog video is stored in the raster format – Sampling in time: consecutive sets of frames • To render motion properly, >=30 frame/s is needed – Sampling in vertical direction: a frame is represented by a set of scan lines • Number of lines depends on maximum vertical frequency and viewingg, distance, 525 lines in the NTSC s ystem – Video-raster = 1-D signal consisting of scan lines from successive frames Yao Wang, 2013 Video Basics 4 Progressive and Interlaced Scans Progressive Frame Interlaced Frame Horizontal retrace Field 1 Field 2 Vertical retrace Interlaced scan is developed to provide a trade-off between temporal and vertical resolution, for a given, fixed data rate (number of line/sec). Yao Wang, 2013 Video Basics 5 Waveform and Spectrum of an Interlaced Raster Horizontal retrace Vertical retrace Vertical retrace for first field from first to second field from second to third field Blanking level Black level Ӈ Ӈ Th White level Tl T T ⌬t 2 ⌬ t (a) Խ⌿( f )Խ f 0 fl 2fl 3fl fmax (b) Yao Wang, 2013 Video Basics 6 Color -
Alchemist File - Understanding Cadence
GV File Understanding Cadence Alchemist File - Understanding Cadence Version History Date Version Release by Reason for changes 27/08/2015 1.0 J Metcalf Document originated (1st proposal) 09/09/2015 1.1 J Metcalf Rebranding to Alchemist File 19/01/2016 1.2 G Emerson Completion of rebrand 07/10/2016 1.3 J Metcalf Updated for additional cadence controls added in V2.2.3.2 12/10/2016 1.4 J Metcalf Added Table of Terminology 11/12/2018 1.5 J Metcalf Rebrand for GV and update for V4.*** 16/07/2019 1.6 J Metcalf Minor additions & corrections 05/03/2021 1.7 J Metcalf Rebrand 06/09/2021 1.8 J Metcalf Add User Case (case 9) Version Number: 1.8 © 2021 GV Page 2 of 53 Alchemist File - Understanding Cadence Table of Contents 1. Introduction ............................................................................................................................................... 6 2. Alchemist File Input Cadence controls ................................................................................................... 7 2.1 Input / Source Scan - Scan Type: ............................................................................................................ 7 2.1.1 Incorrect Metadata ............................................................................................................................ 8 2.1.2 Psf Video sources ............................................................................................................................. 9 2.2 Input / Source Scan - Field order .......................................................................................................... -
Secam Decoder
MITSUBISHI LINEAR INTEGRATED CIRCUIT M52325AP SECAM DECODER [GENERAL DESCRIPTION] pin configuration The M52325AP is designed for SECAM chrominance decoding.The IC should preferably be used in conjunction with PAL / NTSC signal processor M52340SP and the fref / IDENT 1 16 CVBS IN switched capacitor baseband delay line. It consists of a bell filter,a demodulator and an identification BELL OUT 2 15 SAND IN circuit. The IC needs no adjustment and few external Vcc 3 M52325AP 14 BLACK ADJ. R components are required. A signal with highly stable BAND GAP 4 13 PLL auto 1 reference frequency is required for the calibration, and a three - level sandcastle pulse for blanking and burst gating. SACAM KILLER OUT 5 12 PLL auto2 GND 6 11 BLACK ADJ. B BELL ref. 7 10 - (B - Y ) OUT [FEATURES] PLL ref. 8 9 - (R - Y ) OUT • Fully integrated filters 16 PIN DIL PLASTIC PACKAGE • No adjustment • Few external compornents • Used with a switched capacitor baseband delay line [STRUCRURE] [APPLICATION] Bipolar Silicon Monolithic IC SECAM Color Television 16 PIN DIL PLASTIC PACKAGE [QUICK REFERENCE DATA] SYMBOL PARAMETER MIN. TYP. MAX. UNIT positive power supply Vcc pin3 7.5 8.0 8.5 V Icc supply current pin3 18 24 30 mA input dynamic range VDR - 1.0 1.4 Vp-p pin16 -(R-Y) output voltage amplitude VR-Y 0.85 1.00 1.15 Vp-p (peak to peak value) ;pin9 -(B-Y) output voltage amplitude VB-Y (peak to peak value) ;pin10 1.10 1.24 1.43 Vp-p MITSUBISHI 1 - 13 MITSUBISHI LINEAR INTEGRATED CIRCUIT M52325AP SECAM DECODER Vcc=8.0V 0.1µ F + BELL PLL PLL OUT 22µF auto2 auto1 0.1µF 2 12 13 3 BAND GAP BANDGAP 4 CVBS IN BELL ACC AMP PLL 16 FILTER B-Y 10 -(B-Y) BELL OUTPUT OUT ref. -
Adv7177/Adv7178
Integrated Digital CCIR-601 to PAL/NTSC Video Encoder ADV7177/ADV7178 FEATURES ITU-R BT601/656 YCrCb to PAL/NTSC video encoder Color-signal control/burst-signal control High quality, 9-bit video DACs Interlaced/noninterlaced operation Integral nonlinearity <1 LSB at 9 bits Complete on-chip video timing generator NTSC-M, PAL-M/N, PAL-B/D/G/H/I OSD support (ADV7177 only) Single 27 MHz crystal/clock required (±2 oversampling) Programmable multimode master/slave operation 75 dB video SNR Macrovision AntiTaping Rev. 7.01 (ADV7178 only)1 32-bit direct digital synthesizer for color subcarrier Closed captioning support Multistandard video output support: On-board voltage reference Composite (CVBS) 2-wire serial MPU interface (I2C®-compatible) Component S-video (Y/C) Single-supply 5 V or 3 V operation Component YUV or RGB Small 44-lead MQFP package Video input data port supports: CCIR-656 4:2:2 8-bit parallel input format Synchronous 27 MHz/13.5 MHz clock output 4:2:2 16-bit parallel input format Full video output drive or low signal drive capability APPLICATIONS 34.7 mA max into 37.5 Ω (doubly terminated 75 R) MPEG-1 and MPEG-2 video, DVD, digital satellite, 5 mA min with external buffers cable systems (set-top boxes/IRDs), digital TVs, Programmable simultaneous composite and S-VHS CD video/karaoke, video games, PC video/multimedia (VHS) Y/C or RGB (SCART)/YUV video outputs Programmable luma filters (low-pass/notch/extended) 1 The Macrovision anticopy process is licensed for noncommercial home use Programmable VBI (vertical blanking interval) only, which is its sole intended use in the device. -
AD8188/AD8189 350 Mhz Single-Supply (5 V)
350 MHz Single-Supply (5 V) Triple 2:1 Multiplexers AD8188/AD8189 FEATURES FUNCTIONAL BLOCK DIAGRAM Fully buffered inputs and outputs IN0A 1 24 VCC Fast channel-to-channel switching: 4 ns DGND 2 LOGIC 23 OE Single-supply operation (5 V) IN1A 3 22 SEL A/B V 4 SELECT 21 V High speed REF ENABLE CC 350 MHz bandwidth (−3 dB) @ 200 mV p-p IN2A 5 0 20 OUT0 300 MHz bandwidth (−3 dB) @ 2 V p-p VCC 6 19 VEE Slew rate: 1000 V/μs VEE 7 1 18 OUT1 Fast settling time: 7 ns to 0.1% IN2B 8 17 VCC V 9 2 16 OUT2 Low current: 19 mA/20 mA EE IN1B 10 15 VEE Excellent video specifications: load resistor (RL) = 150 Ω VEE 11 14 DVCC Differential gain error: 0.05% IN0B 12 AD8188/AD8189 13 VCC Differential phase error: 0.05° 06239-001 Low glitch Figure 1. All hostile crosstalk −84 dB @ 5 MHz −52 dB @ 100 MHz High off isolation: −95 dB @ 5 MHz Low cost Fast, high impedance disable feature for connecting multiple outputs Logic-shifted outputs APPLICATIONS Switching RGB in LCD and plasma displays RGB video switchers and routers GENERAL DESCRIPTION The AD8188 (G = 1) and AD8189 (G = 2) are high speed, 4.0 6.0 single-supply, triple 2-to-1 multiplexers. They offer −3 dB small 3.5 5.5 signal bandwidth of 350 MHz and −3 dB large signal bandwidth 3.0 5.0 of 300 MHz, along with a slew rate in excess of 1000 V/μs. -
Be) (Bexncbe) \(Be
US 20090067508A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2009/0067508 A1 Wals (43) Pub. Date: Mar. 12, 2009 (54) SYSTEMAND METHOD FOR BLOCK-BASED Related U.S. Application Data PER-PXEL CORRECTION FOR FILMI-BASED SOURCES (60) Provisional application No. 60/971,662, filed on Sep. 12, 2007. (75) Inventor: Edrichters als Publication Classification (51) Int. Cl. Correspondence Address: H04N II/02 (2006.01) LAW OFFICE OF OUANES. KOBAYASH P.O. Box 4160 (52) U.S. Cl. ............................ 375/240.24; 375/E07.076 Leesburg, VA 20177 (US) (57) ABSTRACT (73) Assignee: Broadcom Corporation, Irvine, A system and method for block-based per-pixel correction for CA (US) film-based sources. The appearance of mixed film/video can be improved through an adaptive selection of normal deinter (21) Appl. No.: 12/105,664 laced video relative to inverse telecine video. This adaptive selection process is based on pixel difference measures of (22)22) Filed: Apr.pr. 18,18, 2008 sub-blocks within defined blocks of ppixels. SOURCE FILM FRAMES Frame 1 Frame 2 Fram Frame 4 Frame 5 Frame 6 INTERLACED 3:2 VIDEO (BE) 9.(BE) (BEXNCBE)( \(BE). FIELD PHASE DEINTERLACED FRAMES USING REVERSE 3:2 SOURCE OF f BWD WD AWG B WD B FWD AWG B) FWD BD MISSING FIELD Patent Application Publication Mar. 12, 2009 Sheet 1 of 4 US 2009/0067508 A1 I'61) CIE?OV/THE_LNIEC] €)NISTSEIN\/H-] Z.8ESHE/\EH Patent Application Publication Mar. 12, 2009 Sheet 2 of 4 US 2009/0067508 A1 W9. s W9. US 2009/0067508 A1 Mar. -
Rec. 709 Color Space
Standards, HDR, and Colorspace Alan C. Brawn Principal, Brawn Consulting Introduction • Lets begin with a true/false question: Are high dynamic range (HDR) and wide color gamut (WCG) the next big things in displays? • If you answered “true”, then you get a gold star! • The concept of HDR has been around for years, but this technology (combined with advances in content) is now available at the reseller of your choice. • Halfway through 2017, all major display manufacturers started bringing out both midrange and high-end displays that have high dynamic range capabilities. • Just as importantly, HDR content is becoming more common, with UHD Blu-Ray and streaming services like Netflix. • Are these technologies worth the market hype? • Lets spend the next hour or so and find out. Broadcast Standards Evolution of Broadcast - NTSC • The first NTSC (National Television Standards Committee) broadcast standard was developed in 1941, and had no provision for color. • In 1953, a second NTSC standard was adopted, which allowed for color television broadcasting. This was designed to be compatible with existing black-and-white receivers. • NTSC was the first widely adopted broadcast color system and remained dominant until the early 2000s, when it started to be replaced with different digital standards such as ATSC. Evolution of Broadcast - ATSC 1.0 • Advanced Television Systems Committee (ATSC) standards are a set of broadcast standards for digital television transmission over the air (OTA), replacing the analog NTSC standard. • The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies assembled to develop a specification for what is now known as HDTV. -
High-Quality Spatial Interpolation of Interlaced Video
High-Quality Spatial Interpolation of Interlaced Video Alexey Lukin Laboratory of Mathematical Methods of Image Processing Department of Computational Mathematics and Cybernetics Moscow State University, Moscow, Russia [email protected] Abstract Deinterlacing is the process of converting of interlaced-scan video sequences into progressive scan format. It involves interpolating missing lines of video data. This paper presents a new algorithm of spatial interpolation that can be used as a part of more com- plex motion-adaptive or motion-compensated deinterlacing. It is based on edge-directional interpolation, but adds several features to improve quality and robustness: spatial averaging of directional derivatives, ”soft” mixing of interpolation directions, and use of several interpolation iterations. High quality of the proposed algo- rithm is demonstrated by visual comparison and PSNR measure- ments. Keywords: deinterlacing, edge-directional interpolation, intra- field interpolation. 1 INTRODUCTION (a) (b) Interlaced scan (or interlacing) is a technique invented in 1930-ies to improve smoothness of motion in video without increasing the bandwidth. It separates a video frame into 2 fields consisting of Figure 1: a: ”Bob” deinterlacing (line averaging), odd and even raster lines. Fields are updated on a screen in alter- b: ”weave” deinterlacing (field insertion). nating manner, which permits updating them twice as fast as when progressive scan is used, allowing capturing motion twice as often. Interlaced scan is still used in most television systems, including able, it is estimated from the video sequence. certain HDTV broadcast standards. In this paper, a new high-quality method of spatial interpolation However, many television and computer displays nowadays are of video frames in suggested. -
Vistek CIFER HD Video Converter V2.0
CIFER CIFER/SD HD Standards Converter User Guide Issue: 2.0 © Pro-Bel Ltd www.pro-bel.com Vistek Cifer HD Video Converter Contents 1 Description 4 2 Installation 5 2.1 Assembly 5 2.2 Rear Panel 6 2.3 Connections 6 2.3.1 Video Connections 6 2.3.1 Audio Connections 7 2.3.2 Flash Memory Card 9 3 System Operation 10 3.1 Local Control 10 3.1.1 Start Up 10 3.1.2 Option Abbreviations 10 3.1.3 Menu Control 11 3.1.4 Menu Examples 11 3.1.5 Sleep 12 3.2 Core Product Features 12 3.2.1 SDI Inputs 12 3.2.2 SDI Reclocked & Buffered Output 12 3.2.3 SDI Main Outputs 13 3.2.4 Video Reference 13 3.2.5 Standard Detection 13 3.2.6 TRS Signals 13 3.2.7 EDH (SD operation only) 13 3.2.8 Illegal Codes 14 3.2.9 VCO Centre Frequency 14 3.2.10 Version Numbers 14 3.2.11 Display Sleep 15 3.2.12 Display Brightness 15 3.3 Output Format and Aspect Ratios 16 3.3.1 Output Line and Frame Rate 16 3.3.2 Up-Conversion 16 3.3.3 Down Conversion 17 3.3.4 SD Aspect Ratio Conversion 18 3.3.5 SD Width Control 19 3.3.6 Down Conversion Resolution Controls 19 2 HU-CIFER Vistek Cifer HD Video Converter 3.4 Output Timing, Reference and Frame Synchroniser 20 3.4.1 Timing & Delay Control 20 3.4.2 Delay Pulse 23 3.4.3 Video Reference Fail 23 3.4.4 Video Reference Mismatch 24 3.5 Video Processing Amplifier 24 3.5.1 Video Gain 24 3.5.2 Chroma Gain 24 3.5.3 Black Level 24 3.5.4 Hue Shift 24 3.5.5 Dynamic Rounding 25 3.5.6 Limiting 25 3.5.7 Fade to Black 25 3.6 Time Code and Source Identification 26 3.6.1 General 26 3.6.2 Time code and source ID reader interfaces block 27 3.6.3 Time code generator -
Subcourse Edition Ss 0606 8 Analyzing Color Video and Video Test Signals
SUBCOURSE EDITION SS 0606 8 ANALYZING COLOR VIDEO AND VIDEO TEST SIGNALS US ARMY RADIO/TELEVISION SYSTEMS SPECIALIST MOS 26T SKILL LEVEL 1, 2 & 3 COURSE ANALYZING COLOR VIDEO AND VIDEO TEST SIGNALS SUBCOURSE SS0606 US Army Signal Center and Fort Gordon Fort Gordon, Georgia EDITION 8 5 CREDIT HOURS REVISED: 1988 General The Analyzing Color Video and Video Test Signals subcourse requires a basic understanding of television electronics, television systems operation, and television transmissions. This subcourse is designed to teach you the knowledge and the basic applications used in color television transmission and television test signals. Information is provided on the fundamentals of color, color transmission, color test signals, and basic television test signals. The subcourse is presented in three lessons, each lesson corresponding to a terminal objective as indicated below. Lesson 1: DESCRIBE THE FUNDAMENTALS OF COLOR TASK: Describe the fundamentals of color used in television transmission. CONDITIONS: Given the information and illustrations relating to the fundamentals of color. STANDARDS: Demonstrate competency of the task skills and knowledge by correctly responding to 80 percent of the multiple-choice test questions covering the fundamentals of color used in television transmission. i Lesson 2: DESCRIBE THE COLOR BAR TEST SIGNALS TASK: Describe and identify the four basic color bar test signals. CONDITIONS: Given information and illustrations relating to the four basic color bar test signals. STANDARDS: Demonstrate competency of task skills and knowledge required for identification of the color bars signals discussed in this lesson by correctly responding to 80 percent of the multiple-choice test questions covering the four basic color bar test signals.