NEWSLETTER June 2014
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Amazon Adventure 3D Press Kit
Amazon Adventure 3D Press Kit SK Films: Facebook/Instagram/Youtube: Amber Hawtin @AmazonAdventureFilm Director, Sales & Marketing Twitter: @SKFilms Phone: 416.367.0440 ext. 3033 Cell: 416.930.5524 Email: [email protected] Website: www.amazonadventurefilm.com 1 National Press Release: FOR IMMEDIATE RELEASE AMAZON ADVENTURE 3D BRINGS AN EPIC AND INSPIRATIONAL STORY SET IN THE HEART OF THE AMAZON RAINFOREST TO IMAX® SCREENS WITH ITS WORLD PREMIERE AT THE SMITHSONIAN’S NATIONAL MUSEUM OF NATURAL HISTORY ON APRIL 18th. April 2017 -- SK Films, an award-winning producer and distributor of natural history entertainment, and HHMI Tangled Bank Studios, the acclaimed film production unit of the Howard Hughes Medical Institute, announced today the IMAX/Giant Screen film AMAZON ADVENTURE will launch on April 18, 2017 at the World Premiere event at the Smithsonian’s National Museum of Natural History in Washington, D.C. The film traces the extraordinary journey of naturalist and explorer Henry Walter Bates - the most influential scientist you’ve never heard of – who provided “the beautiful proof” to Charles Darwin for his then controversial theory of natural selection, the scientific explanation for the development of life on Earth. As a young man, Bates risked his life for science during his 11-year expedition into the Amazon rainforest. AMAZON ADVENTURE is a compelling detective story of peril, perseverance and, ultimately, success, drawing audiences into the fascinating world of animal mimicry, the astonishing phenomenon where one animal adopts the look of another, gaining an advantage to survive. "The Giant Screen is the ideal format to take audiences to places that they might not normally go and to see amazing creatures they might not normally see,” said Executive Producer Jonathan Barker, CEO of SK Films. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Gillian Bevan Is an Actor Who Has Played a Wide Variety of Roles in West End and Regional Theatre
Gillian Bevan is an actor who has played a wide variety of roles in West End and regional theatre. Among these roles, she was Dorothy in the Royal Shakespeare Company revival of The Wizard of Oz, Mrs Wilkinson, the dance teacher, in the West End production of Billy Elliot, and Mrs Lovett in the West Yorkshire Playhouse production of Stephen Sondheim’s Sweeney Todd, the Demon Barber of Fleet Street. Gillian has regularly played roles in other Sondheim productions, including Follies, Merrily We Roll Along and Road Show, and she sang at the 80th birthday tribute concert of Company for Stephen Sondheim (Donmar Warehouse). Gillian spent three years with Alan Ayckbourn’s theatre-in-the-round in Scarborough, and her Shakespearian roles include Polonius (Polonia) in the Manchester Royal Exchange Theatre production of Hamlet (Autumn, 2014) with Maxine Peake in the title role. Gillian’s many television credits have included Teachers (Channel 4) in which she played Clare Hunter, the Headmistress, and Holby City (BBC1) in which she gave an acclaimed performance as Gina Hope, a sufferer from Motor Neurone Disease, who ends her own life in an assisted suicide clinic. During the early part of 2014, Gillian completed filming London Road, directed by Rufus Norris, the new Artistic Director of the National Theatre. In the summer of 2014 Gillian played the role of Hera, the Queen of the Gods, in The Last Days of Troy by the poet and playwright Simon Armitage. The play, a re-working of The Iliad, had its world premiere at the Manchester Royal Exchange Theatre and then transferred to Shakespeare’s Globe Theatre, London. -
Love's Labour's Lost
CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo. -
Evaluating Multi-Genre Broadcast Media Recognition
The MGB Challenge Evaluating Multi-Genre Broadcast Media Recognition Peter Bell, Jonathan Kilgour, Steve Renals, Mirjam Wester University of Edinburgh Mark Gales, Pierre Lanchantin, Xunying Liu, Phil Woodland University of Cambridge Thomas Hain, Oscar Saz University of Sheffield Andrew McParland BBC R&D mgb-challenge.org Overview Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Overview Establish an open challenge in core ASR research with common data and evaluation benchmarks on broadcast data Controlled evaluation of speech recognition, speaker diarization, and alignment Using a broad, multi-genre dataset of BBC TV output Subtitles & light supervision • Training data transcribed by subtitles (closed captions) – can differ from verbatim transcripts • edits to enhance clarity • paraphrasing • deletions where the speech is too fast • There may be • words in the subtitles that were not spoken • words missing in the subtitles that were spoken • Additional metadata includes speaker change information, timestamps, genre tags, … MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs MGB Resources Fixed acoustic and language model training data – precise comparison of models and algorithms – data made available by BBC R&D Labs • Acoustic model training 1600h broadcast audio across 4 BBC channels (1 April – 20 May 2008), with as-broadcast subtitles – ~33% WER (26% deletions) • Language model -
Resuscitation Resuscitation on Television
Resuscitation 80 (2009) 1275–1279 Contents lists available at ScienceDirect Resuscitation journal homepage: www.elsevier.com/locate/resuscitation Simulation and education Resuscitation on television: Realistic or ridiculous? A quantitative observational analysis of the portrayal of cardiopulmonary resuscitation in television medical dramaଝ Dylan Harris a,∗, Hannah Willoughby b a Department of Palliative Medicine, Princess of Wales Hospital, Bridgend CF31 1RQ, United Kingdom b University Hospital of Wales, Cardiff, United Kingdom article info abstract Article history: Introduction: Patients’ preferences for cardiopulmonary resuscitation (CPR) relate to their perception Received 21 May 2009 about the likelihood of success of the procedure. There is evidence that the lay public largely base their Received in revised form 4 July 2009 perceptions about CPR on their experience of the portrayal of CPR in the media. The medical profession Accepted 9 July 2009 has generally been critical of the portrayal of CPR on medical drama programmes although there is no recent evidence to support such views. Objective: To compare the patient characteristics, cause and success rates of cardiopulmonary resuscita- Keywords: tion (CPR) on medical television drama with published resuscitation statistics. Cardiopulmonary resuscitation Television Design: Observational study. Media Method: 88 episodes of television medical drama were reviewed (26 episodes of Casualty, Casualty, 25 episodes of Holby City, 23 episodes of Grey’s Anatomy and 14 episodes of ER) screened between July 2008 and April 2009. The patient’s age and sex, medical history, presumed cause of arrest, use of CPR and immediate and long term survival rate were recorded. Main outcome measures: Immediate survival and survival to discharge following CPR. -
TUESDAY 19TH FEBRUARY 06:00 Breakfast 09:15 Countryfile Winter
TUESDAY 19TH FEBRUARY All programme timings UK 06:00 Good Morning Britain All programme timings UK All programme timings UK 06:00 Breakfast 08:30 Lorraine 09:50 Combat Ships 06:00 Forces News Replay 09:15 Countryfile Winter Diaries 09:25 The Jeremy Kyle Show 10:40 The Yorkshire Vet Casebook 06:30 The Forces Sports Show 10:00 Homes Under the Hammer 10:30 This Morning 11:30 Nightmare Tenants, Slum Landlords 07:00 Battle of Britain 11:00 Wanted Down Under Revisited 12:30 Loose Women 12:20 Counting Cars 08:00 Battle of Britain 11:45 Claimed and Shamed 13:30 ITV Lunchtime News 12:45 The Mentalist 09:00 Never The Twain 12:15 Bargain Hunt 13:55 Regional News and Weather 13:30 The Middle 09:30 Never The Twain 13:00 BBC News at One 14:00 James Martin's Great British Adventure 13:50 The Fresh Prince of Bel Air 09:55 Hogan's Heroes 13:30 BBC London News 15:00 Tenable 14:15 Malcolm in the Middle 10:30 Hogan's Heroes 13:45 Doctors 14:40 Scrubs 11:00 Hogan's Heroes 14:10 A Place to Call Home 15:05 Shipwrecked 11:30 Hogan's Heroes 15:00 Escape to the Country 15:55 MacGyver 12:00 RATED: Games and Movies 15:45 The Best House in Town 16:45 NCIS: Los Angeles 12:30 Forces News 16:30 Flog It! 17:30 Forces News 13:00 Battle of Britain 17:15 Pointless 18:00 Hollyoaks 14:00 Battle of Britain 18:00 BBC News at Six 18:25 Last Man Standing 15:00 R Lee Ermey's Mail Call 18:30 BBC London News 18:50 How to Lose Weight Well 15:30 R Lee Ermey's Mail Call 19:00 The One Show 19:45 Police Interceptors 16:00 The Aviators 19:30 EastEnders 20:35 The Legend of Tarzan 16:30 The Aviators The residents of Walford pay their final 22:20 Mad Max Fury Road 17:00 RATED: Games and Movies respects to Doctor Legg. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
Casualty-S31-Ep44-One.Pdf
I have tried to show when we are in another LOCATION by using BOLD CAPITALS. I have used DUAL DIALOGUE as people talk over each other on a SINGLE SHOT. From the beginning - for the next hour - everything about ONE is to do with the inexorability of things in life and A+E. Time cannot be reversed, events cannot be interrupted. Like life. FIRST FLOOR OF SMALL HOUSE... Absolute stillness. At first we can’t work out what we are looking at. Just the green numbers of a digital alarm clock - 14.21. A horizontal slither of light, smudging with smoke. Somewhere close a baby gurgles and then coughs. Things are starting to get clearer. Then we hear JEZ shouting and coughing. JEZ(O.O.V) Hello? You in here... Hello? * You in here? * Hello! * She’s here! She’s ... * I got you. It’s OK. * Anyone there? Anyone... * I got her. I got her! * IAIN Was anyone else in there? You listening to me? Anyone else in there? JEZ * No! I shouted. Looked everywhere. No. SUN-MI * Leave me alone. I am OK. I want my * daughter. IAIN * Do you speak English? What’s your name? Miss? SUN-MI (in KOREAN) I want my daughter. JEZ What’s she saying? IAIN I don’t know. Let’s get her on O2 and check her Obs, yes, Jez? Episode 45 - SHOOTING SCRIPT 'One' 1. Casualty 31 Episode 45 - JEZ She was unresponsive when I got to her. Sorry, Iain. * IAIN * Late to the party again, boys. * Superman himself here... ... saw her at the window. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Preterm Labour and Birth
DRAFT FOR CONSULTATION 1 2 Preterm labour and birth 3 4 5 NICE guideline: short version 6 Draft for consultation, June 2015 7 If you wish to comment on this version of the guideline, please be aware that all the supporting information and evidence is contained in the full version. 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 Preterm labour and birth: NICE guideline DRAFT (May 2015) Page 1 of 38 DRAFT FOR CONSULTATION 1 Contents 2 Introduction ...................................................................................................... 3 3 Patient-centred care ......................................................................................... 5 4 Strength of recommendations .......................................................................... 6 5 1 Recommendations .................................................................................... 8 6 Terms used in this guideline ......................................................................... 8 7 1.1 Information and support ...................................................................... 9 8 1.2 Prophylactic vaginal progesterone and prophylactic cervical cerclage 9 10 10 1.3 Diagnosing preterm prelabour rupture of membranes (P-PROM) ..... 11 11 1.4 Antenatal prophylactic antibiotics for women with P-PROM ............. 12 12 1.5 Identifying infection in women with P-PROM .................................... 12 13 1.6 'Rescue’ cervical cerclage ................................................................ 13 14 1.7 Diagnosing -
Top 50 On-Demand Programmes Week Ending 28Th February 2016
Top 50 on-demand programmes Week ending 28th February 2016 Avg Avg Programme TV Player Programme Programme TV Player Programme Streams Streams 1 EastEnders 25/02/2016 Part 2 BBC A, I, W 345,318 26 Dickensian: Episode 20 BBC A, I, W 75,636 2 EastEnders 23/02/2016 BBC A, I, W 339,604 27 Holby City Series 18 All Fall Down BBC A, I, W 75,454 3 EastEnders 25/02/2016 Part 1 BBC A, I, W 324,165 28 Coronation Street (Series 57) 2016 Episode 8847 ITV A, I, W 75,434 4 EastEnders 22/02/2016 BBC A, I, W 304,787 29 EastEnders 19/02/2016 BBC A, I, W 68,281 5 The Night Manager: Episode 1 BBC A, I, W 285,829 30 Dragons' Den Series 13 Episode 15 BBC A, I, W 66,052 6 Happy Valley: Episode 3 BBC A, I, W 234,983 31 Ibiza Weekender (Series 2) Episode 0003 ITV A, I, W 65,536 7 Cuckoo Series 3 The Application BBC A, I, W 215,135 32 Life And Death Row Series 2 Execution BBC A, I, W 64,644 8 Smithy Runs For FIFA President: Sport Relief Special BBC A, I, W 194,698 33 Thirteen: Episode 1 BBC A, I, W 63,376 34 Happy Valley Series 2 Episode 1 BBC A, I, W 61,900 9 Call The Midwife Series 5 Episode 6 BBC A, I, W 192,436 35 Trapped: Episode 4 BBC A, I, W 61,571 10 The Great Sport Relief Bake Off Series 3 Episode 4 BBC A, I, W 175,341 The People V OJ Simpson: American Crime Story: The 36 Shetland Series 3 Episode 5 BBC A, I, W 60,421 11 BBC A, I, W 174,363 Run Of His Life 37 Emmerdale (Series 45) 2016 Episode 7432 ITV A, I, W 59,122 12 Life And Death Row Series 2 Punishment BBC A, I, W 173,598 38 Emmerdale (Series 45) 2016 Episode 7435 ITV A, I, W 58,988 13 The Dumping