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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Paul Clarke Song List
Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Maital Sabban Make-Up Artist
6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST DIRECTORS & PHOTOGRAPHERS: Alberto Tolot David La Chapelle Kevin Kerslake Allan Fis David Steinberg Kieran Walsh Anastacia & Ian David Tsay Kinka Usher Andrew McPherson Davis Factor Larson & Talbert Andrew Southam Dick Buckley Lauren Greenfield Andy Morahan Dominique Guillemont Lita Wilson Angela Alvarado Rosa Eika Aoshima Lorenzo Agius Angelina Venturella Emily Shur Mark Anderson Anghel Decca Fatima Mark Seliger Annie Leibovitz Francis Lawrence Martin Scholler Anouk Besson Frank Samuels Mary Ellen Mark Anthea Benton Gavin Bond Matthew Rolston Anthony Mandler Geoff Moore Meirt Avis Arnold Turner Giuliano Bekor Memo del Bosque Art Streiber Graham Michael Martin Blake Little Gustavo Garzon Michael Muller Bob Giraldi Helmut Newton Michel Gondry Brian Bowen Smith Henman Mike Ruiz Cam Archer Herb Ritts Miranda Penn Turin Carl Rinsch Jack Guy Moshe Brakha Charles Jensen James Houston Nancy Bardawil Chris Applebaum Jeff Berlin Nigel Dick Chris Floyd Jeff Katz Noriyuki Tanaka Chris Fortuna Jeff Lipsky Norman Jean Roy Chris McPherson Jeremy Goldberg Omar Cruz Christopher Beyer Jerry Avenaim Pablo Alfaro Christy Bush Jim Gable Patrick Anderson Craid De Cristo Jim Wright Patrick Demarchelier Craig Cutler John Russo Paul Hunter Danny Ducovny Joseph Kahn Randall Mesdon David Hogan Joseph Murray Randee St. Nicholas David Kellogg Joseph Pluchino Rankin 6356 W. 6th Street • Los Angeles, CA 90048 • Phone 323.935.8455 • Fax 323.935.3143 MAITAL SABBAN MAKE-UP ARTIST (CONT’D.) DIRECTORS & PHOTOGRAPHERS (CONT’D.): Rent Sidon Stephan Kyndt Tom Gatsoulis Richard McLaren Steve Ramser Tony Duran Robert Ascroft Steve Shaw Traktor Robert Fleischauer Steven Lippman Wayne Isham Robert Rodriguez Steven Ziegler Walter Iooss Roger Erickson Stylewar Willie Maldonado Sheryl Nield The Malloy Bros. -
Sebadoh Bubbles on Fourth Try
wff^m^fftf^mfmfwmmmmfw WIWIHIIBHIPIIJPJ^^ .1,1,1,1111111111111 m^0 wm$. fill ; ? /•• Smoking may have caused fire in Sandburg Hall l?y Chad Sirovina The fire started on the third the main desk at Sandburg, the to be replaced," Sroka said. said. floor in room 360B according maintenance staff was the first "That stuff is gone." "We want to concentrate on At 8:47 a.m. on Friday, to Lt. Sroka of the UWM Po to respond to the fire because Sroka said that the fire prob the residents and their well April 30, a fire alarm went off lice Department. there is no security staff on ably started under the desk of being," Peak said. "That's our in Sandburg Hall's South tower Sroka said that the flames duty during the day. one of the occupants. main concern." on the University of Wiscon were extinguished by building According to Sroka, there Bruce Omdoll, Director of According to Peak, at the sin-Milwaukee campus. All personnel before the fire de is smoke and charring damage Risk Management, confirmed time of the fire, there was one residents of the tower were partment arrived and no one to all of the furnishings in the that the fire started in a waste person in the suite and another evacuated and no one was in was injured. room. basket under the student's desk. suite resident in the floor jured. According to a worker at "All of the furnishings have "Circumstantial evidence lounge area, but there was no points to the careless use of one in the room that caught on smoking materials," Omdoll fire. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
ST PAUL & the BROKEN BONES LMVA Saving Water Spin Doctors
ST PAUL & sPIN DOCtORs THE BROKEN BONES August 22 • 7:00 PM ROCK UNDer the RADar August 8 • 7:00 PM ounded in New York City, the SPIN DOCTORS are most famous for their F90’s hits “Two Princes” and “Little Miss Can’t Be Wrong.” In fact, “Two Princes” was the most played song in the world in 1993. Reunited since 2001, all four founding members of the band will be on stage bringing their trademark jam band sound to the Lake. The Spin Doctors’ albumPocket Full of Kryptonite was nominated for Best Pop/Rock Album in addition to a Grammy nomination for Best Rock Performance (Duo or Group with Vocals). Their latest rit, elemental rhythm, tight-as-a-drumhead playing, and album, If the River Were Whiskey (2013) was their best reviewed a profound depth of feeling: these are the promises of a album to date. ‘Whiskey’ is a ten song collection of original songs that great soul band and ST PAUL & THE BROKEN BONES lead singer Chris Barron described as a “ramshackle, broken carriage deliverG on those promises. Front man Paul Janeway’s handle “St. running down a cobblestone hill.” The blues-based album allows Paul” is a wry allusion to the vocalist’s grounding in the church. Like these road-tested musicians to show off what they do best: play live many a legendary soul singer, Janeway, a native of the small town of shows. Chelsea, Alabama, was raised on the gospel side, virtually no non- religious music could be heard in his devout household. Janeway PAWNSHOP KINGS: says, “The only secular music that I heard at all was a 70’s group Opening for SPIN DOCTORS called the Stylistics, and Sam Cooke. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
RESUME FINAL 10-7-19.Xlsx
MacGowan Spencer AWARD WINNING MAKEUP + HAIR DESIGNER, GROOMER I MAKEUP DEPT HEAD I SKIN CARE SPECIALIST + BEAUTY EDITOR NATALIE MACGOWAN SPENCER [email protected] www.macgowanspencer.com Member IATSE Local 706 MakeupDepartment Head FEATURE FILMS Director ▪ Hunger Games "Catching Fire" Francis Lawrence Image consultant ▪ “Bad Boys 2” Michael Bay Personal makeup artist to Gabrielle Union ▪ Girl in a Spiders Web Fede Alvarez Makeup character designer for Claire Foy Trilogy leading lady TV SHOWS/ SERIES ▪ HBO Insecure Season 1, 2 + 3 Makeup DEPT HEAD ▪ NETFLIX Dear White People Season 2 Makeup DEPT HEAD ▪ FOX Leathal Weapon Season 3 Makeup DEPT HEAD ▪ ABC Grown-ish Season 3, episode 306, 307, 308, 309 Makeup DEPT HEAD SHORT FILMS Director SHORT FILMS Director ▪ Beastie Boys "Make Some Noise" Adam Yauch ▪ Toshiba DJ Caruso ▪ Snow White Rupert Sanders ▪ "You and Me" Spike Jonze SOCIAL ADVERTISING: FaceBook, Google, Apple COMMERCIALS Director COMMERCIALS Director ▪ Activia Liz Friedlander ▪ Glidden Filip Engstrom ▪ Acura Martin De Thurah ▪ Heineken Rupert Saunders ▪ Acura W M Green ▪ Honda Filip Engstrom ▪ Adobe Rhys Thomas ▪ Hyundai Max Malkin ▪ Allstate Antoine Fuqua ▪ Infinity Carl Eric Rinsch ▪ Apple "Family Ties" Alejandro Gonzales Inarritu ▪ International Delight Renny Maslow ▪ Applebee's Renny Maslow ▪ Pepperidge Renny Maslow ▪ Applebee's Renny Maslow ▪ Hennessey ▪ AT&T Oskar ▪ Jordan Rupert Sanders ▪ AT&T Rupert Saunders ▪ Kia Carl Eric Rinsch ▪ AT&T Filip Engstram ▪ Liberty Mutual Chris Smith ▪ Catching Fire Francis Lawrence ▪ Lincoln Melinda M. ▪ Chevy Filip Engstram ▪ Miller Lite Antoine Fuqua ▪ Cisco Chris Smith ▪ NFL Chris Smith ▪ Comcast Pat Sherman ▪ Nike Rupert Saunders ▪ Cottonelle Renny Maslow ▪ Nissan Dominick Ferro ▪ Crown Royal Frederick Bond ▪ Pistacios Chris smith ▪ Dannon Liz Friedlander ▪ Pistachios Job Chris smith ▪ Disney Renny Maslow Featuring Snoop Dog, Dennis Rodman + Snooki ▪ Dr. -
A Tribute to Rush's Incomparable Drum Icon
A TRIBUTE TO RUSH’S INCOMPARABLE DRUM ICON THE WORLD’S #1 DRUM RESOURCE MAY 2020 ©2020 Drum Workshop, Inc. All Rights Reserved. From each and every one of us at DW, we’d simply like to say thank you. Thank you for the artistry. Thank you for the boundless inspiration. And most of all, thank you for the friendship. You will forever be in our hearts. Volume 44 • Number 5 CONTENTS Cover photo by Sayre Berman ON THE COVER 34 NEIL PEART MD pays tribute to the man who gave us inspiration, joy, pride, direction, and so very much more. 36 NEIL ON RECORD 70 STYLE AND ANALYSIS: 44 THE EVOLUTION OF A LIVE RIG THE DEEP CUTS 48 NEIL PEART, WRITER 74 FIRST PERSON: 52 REMEMBERING NEIL NEIL ON “MALIGNANT NARCISSISM” 26 UP AND COMING: JOSHUA HUMLIE OF WE THREE 28 WHAT DO YOU KNOW ABOUT…CERRONE? The drummer’s musical skills are outweighed only by his ambitions, Since the 1970s he’s sold more than 30 million records, and his playing which include exploring a real-time multi-instrumental approach. and recording techniques infl uenced numerous dance and electronic by Mike Haid music artists. by Martin Patmos LESSONS DEPARTMENTS 76 BASICS 4 AN EDITOR’S OVERVIEW “Rhythm Basics” Expanded, Part 3 by Andy Shoniker In His Image by Adam Budofsky 78 ROCK ’N’ JAZZ CLINIC 6 READERS’ PLATFORM Percussion Playing for Drummers, Part 2 by Damon Grant and Marcos Torres A Life Changed Forever 8 OUT NOW EQUIPMENT Patrick Hallahan on Vanessa Carlton’s Love Is an Art 12 PRODUCT CLOSE-UP 10 ON TOUR WFLIII Three-Piece Drumset and 20 IN THE STUDIO Peter Anderson with the Ocean Blue Matching Snare Drummer/Producer Elton Charles Doc Sweeney Classic Collection 84 CRITIQUE Snares 80 NEW AND NOTABLE Sabian AAX Brilliant Thin Crashes 88 BACK THROUGH THE STACK and Ride and 14" Medium Hi-Hats Billy Cobham, August–September 1979 Gibraltar GSSVR Stealth Side V Rack AN EDITOR’S OVERVIEW In His Image Founder Ronald Spagnardi 1943–2003 ole models are a tricky thing. -
Arbiter, September 21 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-21-1994 Arbiter, September 21 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. II:1 .~ l· I '<~ i j '1 ff ~. , 1 'I~'. "! , .. 'l:"•• ' k. J ~ Ii ~: !:. .~ ~ . <~~., .~. .<_.,' "'~" '.'~-'-" -""-'~-'-'--' ..•"--'- --,- "~"'-' '-<-.-. .._-~ •. -<-._.-._.- THfARBITER 2 WEDNESDAY, SEPTEMBER 21, 1994 annual festival that showcases indepen- ing ever attempted.' dently produced films from Alaska, Idaho, Shallat says Structures in tbe Stream is ~ about water resources in this country and Oregon, Washington and British Colombia. All works must originate on "how we got in the state we're in today. film and all genres and lengths will be It's a story of the ideology of considered. Screening formats available science ... and of how our federal govern- , ~newsbucket are 35 mrn, 16 mm and video projection. - ~ ment is so powerful today and has jU~ diction over natural resources because of Interested filmmakers should request J , \ ' " _ • BY KATE NEILLY BELL an entry form by writing or calling the choices made a long time ago." Rainy States Film Festival, 1136 .13th Ave., Suite C, Seattle, WA 98122-4405, (206) 322-3572. There is a $15 entry fee.