European Painting 1850-1930

Adrian runs Adrian Biddell Fine Art Ltd, dealing in paintings and sculpture from a range of periods and specialising in European Painting 1850-1930. He sources works, arranges private sales, and offers both new and established collectors advice on buying, selling and valuations. A principal auctioneer at Sotheby’s for many years, he was a Senior Director in Impressionist and Modern art, before being appointed head of 19th century European paintings.

WWW.ADRIANBIDDELL.COM [email protected] +44 (0) 7767 472735

Online Auction 30th October - 15th November UK & INTERNATIONAL www.article-25.org/10x10 INSTALLATION PACKING TRANSPORTATION STORAGE & SECURITY INSURANCE CONSERVATION +44 (0) 20 8682 0587 [email protected] CONSULTANCY www.artinstallationservices.co.uk

Humanitarian Architecture

Foreword

As the global pandemic has restricted opportunities to meet together in a physical location, this year’s 10x10 is not taking place in the usual manner. Our 10th anniversary of this event was always going to be different – and this year we have embraced a digital platform to enable us to deliver the same high quality artwork, with some fantastic contributions, some from Royal Academicians and one from a celebrated street artist. I am sure you will enjoy browsing the online catalogue from the comfort of your own surroundings, placing bids as you engage with these wonderful artworks. We are indebted to all artists who have made contributions during our anniversary year.

10x10 brings together artists, architects, sculptors and designers, who create and donate artworks inspired by our day to day interaction with the built environment. Article 25 contributors often create a unique piece for the auction. This year’s theme is Markets from Memory, allowing for the reduced and curtailed activity in daily markets, it gave the artists an opportunity to explore the theme laterally. Virtual markets such as housing and financial markets have been depicted, as well as artists recalling markets from their memories and imagination.

Markets are the life-blood of a city. Real or virtual, they connect us with the makers, growers and distributors of our daily needs. The artworks in the auction celebrate these local centres of commerce, community and creativity.

We hope you enjoy the artworks that we have curated. By securing a winning bid on your favourite artwork, you will be supporting our dedicated team of humanitarian architects. We work with vulnerable communities recovering from disaster, conflict and poverty. Article 25’s work abroad aims to create thriving, resilient communities, as we design and build schools, hospitals, and homes in the developing world.

Thank you for your ongoing and unwavering support!

David Murray Managing Director

1 2 Article 25 We Make Design Matter

Article 25 is the world’s leading humanitarian architecture charity. Our vision is for a world where buildings are designed and constructed to provide sustainable solutions to disease, poverty and need. Our art auction is one way you can help to raise funds to support our charity.

In 2020 we completed an Outpatient Department for Leprosy Mission in Purulia, India. We have made great progress in the construction of a Trauma Hospital in Nepal and we are nearing completion of the first phase of construction on a secondary school in Niger. We opened the first classroom block at Child Support Tanzania’s inclusive pre-school, in Mbeya. We started the design work on a children’s village for Kao La Amani orphanage in the north of Tanzania, a community hospital in Montserrat, and a major housing reconstruction programme in Dominica. We also devised a Covid-19 response to improve sanitation in Yangon General Hospital, Myanmar, and helped to raise awareness and funds to provide better shelter in Beirut after the huge explosions that damaged or destroyed more than 45,000 buildings.

3 4 © Nicolas Réméné © Grant Smith

Like many towns and cities throughout the world, London became less accessible during the Covid 19 outbreak in 2020. Despite this, a cohort of committed artistic contributors took inspiration from their memories of one of many thriving that exist in towns and cities around the world. Contributors have thought laterally about this year’s theme, depicting actual market stalls as well as abstract ones such as housing and financial markets. We have curated a series of exciting artworks that we are showcasing through our own digital , via our online auction. We are very grateful for the contributions from all our committed artists during this period of uncertainty in health and economy.

You can peruse the artworks on our online gallery. Auction bids on the 10 x 10 Auction can be accepted from 30th October to 15th November 2020.

5 6 Online Auction LOTS 1-65

56. Kim Shaw Sir David Adjaye Cecil Balmond Banksy Jeanette Barnes Lot Number 1 Lot Number 2 Lot Number 3 Lot Number 4

Wakefield Market, West Yorkshire, 2008 Orbit Di-Faced £10 Note, 2004 & Shard, 2020 Photographic inkjet print Print Inkjet print Pen & chalk drawing 420mm x 595mm 660mm x 480mm 75mm x 145mm 595mm x 405mm Signed on recto Signed on recto, edition 1 of 20 Unsigned, 1 of 100,000 Signed on recto, unique Guide price: £400 - £600 Guide price: £400 - £600 Guide price: £600 - £800 Guide price: £250 - £350

The market hall in Wakefield, West Yorkshire Orbit is an initial sketch for Anish Kapoor’s landmark In 2004, Banksy printed 100,000 of his Di-Faced Tenner Pen and chalk drawing of the entrance to Borough regenerated an area close to the town’s centre. The tower designed for London 2012 Olympics. bills, replacing an image of Queen Elizabeth II with market with the Shard in the background. market space includes separate halls under a flat roof, the late Princess Diana, issued by the “Banksy of supported on a steel frame, providing two sides of a Cecil Balmond OBE, artist, designer and engineer is England.” Featuring Charles Darwin on the reverse, the Jeanette Barnes studied post-graduate at the Royal covered square and offering protection to bus station one of the most significant creators of his generation. bill proclaims: “Trust no one.” Banksy released the bills Academy Schools and RCA. Jeanette Barnes works on passengers. The canopied space functions as an on crowds at Notting Hill and Reading Festivals, and large drawings and prints of urban landscapes and on Balmond transcends the conventional boundaries outdoor trade hub and a portico to the town centre. “spilled” a briefcase of bills at Liverpool Street station. projects and commissions in London, New York, Dubai of discipline, crossing over between art and science, The acquired a Di-Faced Tenner bill in and Shanghai. She is a recipient of prizes awarded by transforming our interpretation of geometry, form and Sir David Adjaye OBE founded Adjaye Associates 2019. the Jerwood, and the Hugh Casson prize for drawing at in 2000, operating studios in Accra, London, and structure. the Royal Academy Summer Exhibition. New York. His largest project, The National Museum Banksy is an anonymous England-based street artist, of African American History & Culture, opened in political activist, and film director, active since the Washington D.C. in 2016. Adjaye has been named as 1990s. His satirical street art and subversive epigrams the recipient of the RIBA Royal Gold Medal 2021. combine dark humour with graffiti executed in a distinctive stencilling technique.

9 10 Alistair Barr Rab Bennetts Mary Bowman John Burrell Lot Number 5 Lot Number 6 Lot Number 7&8 Lot Number 9

Greenwich Market, 2020 Grassmarket, Edinburgh, 2020 Apart / Together, 2020 Inverness Street Market Watercolour Fine line black felt pen Photographic inkjet print Mixed media; pastel on inkjet print of photograph 310mm x 430mm 210mm x 304mm 240mm x 190mm 520mm x 520mm Signed on recto, unique Signed on recto Signed on verso Unique Guide price: £200 - £300 Guide price: £70 - £90 Guide price: £100 - £150 each Guide price: £300 - £500

Greenwich Market has existed since 1400, enduring The evocative place-names in Edinburgh’s old town Two photographs taken during my daily walks on has been influenced by major intrusions; the Black Death, the Civil War and the Blitz. It still thrives include Lawnmarket, Haymarket and Grassmarket Heath and in railways, residential development … its character, today in these uncertain times. where this drawing was created. For many years it during the Covid lockdown. ‘Together’ is a photo of activities and street life are expressions of a disruptive was a place to avoid but its reputation for grim pubs ‘lockdownlovestories.com’ a website encouraging process and attempts at reparation by inhabitants. Alistair Barr is chair of Barr Gazetas, which he founded has recently given way to café and night-club culture. people to share their love stories despite the restrictions A centre for counter-culture in the seventies and a in 1993. Barr is a director of the Academy of Urbanism The setting rivals market squares anywhere in Europe, on human contact during COVID. ‘Apart’ is a reminder refuge for many who survived on old livelihoods. The and a Civic Trust judge. He also plays drums in three with the castle overlooking a fine range of traditional of the 2m social distancing rule as seen in Waterlow contrast of those benefitting from gentrification-led bands. Scottish buildings._A fragment of the city’s medieval Park. regeneration with those who missed out, becomes wall is revealed in a gap site. manifest as unscripted pavement tableau. Mary Bowman is an Architect and Landscape Architect Rab Bennetts founded the architectural practice and a partner with the landscape architectural John Burrell, architect, urban designer and founder Bennetts Associates with his wife Denise in 1987. Having studio Gustafson Porter + Bowman. Bowman is of Burrell Foley Fischer. He contributes to campaigns met at Edinburgh College of Art they established the currently leading the team working on the landscape demonstrating responsive, sustainable approaches practice’s Edinburgh studio in 1994 and now spend surrounding the Eiffel Tower in Paris. to major sites and heritage buildings. He is a board much of their time in the city. Rab Bennetts is an member of International Making Cities Livable/USA and Academician (elect) of the Royal Scottish Academy trustee of Spitalfields Trust. and was awarded the OBE for services to architecture in 2003.

11 12 John Bushell Rebecca Campbell Jack Carter Samantha Charles Lot Number 10 Lot Number 11 Lot Number 12 Lot Number 13

Markets SE1, SE16, EC3, 2020 Fruit ‘n’ Veg, 2018 , 2020 A Memory of Market Life, 2020 Painting & print on Canvas Oil painting on linen Ink and colour wash on tracing paper Print 510mm x 1020mm 610mm x 460mm 660mm x 440mm 285mm x 285mm Signed on recto Signed on recto Signed on recto Signed on verso, Edition 1 of 250 Guide price: £600 - £800 Guide price: £350 - £400 Guide price: £200 - £300 Guide price: £200 - £300

Markets SE1, SE16, EC3 makes links between Borough I have been fortunate to visit India several times and East Street Market is a narrative on the life of East Street A single moment in a journey through the hustle and Market along the Southwark Low Line to the Biscuit enjoy visiting markets which are colourful, noisy and market, a daily market on Walworth Road, SE17. The bustle of the marketplace. The aerial perspective Factory to the south, and across London Bridge vibrant with wonderful (and not so wonderful) smells, view is from a tower block overlooking the market highlights the animated nature of the environment, to in the North. The memory of full of hustle and bustle with the women adding even depicting the array of goods available, serving the focusing on the people who help create the spirited Cathedral, railway, river and market jumbled together more colour in their beautiful saris. I love how they local community. atmosphere that has been sadly missing in 2020. make it London. The possibilities of a vibrant active display their goods with such pride. chain of arches and clear routes linking the three Jack Carter is director of Jack Carter Architects, Samantha Charles has worked as an architectural and places is an exciting proposition for the near future. It Rebecca Campbell lives and works in London, established in 2016, focussing on community and social interiors illustrator for almost 10 years, providing clients is later in the afternoon and Borough Market is winding originally trained as an illustrator, Her paintings have projects. Carter spent 17 years working with Renzo with exciting alternatives to CGl’s. Samantha also down. an impeccable sense of colour and design, coupled Piano on a range of international projects. Current works as a children’s book author/illustrator with her first with a touch of humour. She has travelled extensively, work includes a community hub in a township of book due to be published in Spring 2021. John Bushell, Design Principal at KPF, is working on a spending three months spent in India, seeing Mughal Cape Town, a park and regional hub for Santander in number of projects in Southwark and the City. miniature paintings with their rich earth colours, bold Liverpool and a co-working gallery, in south London. design and exquisite attention to detail.

13 14 Laurie Chetwood Ann Christopher Graham Clarke Peter Cook Lot Number 14 Lot Number 15 Lot Number 16 Lot Number 17

Market Garden, 2020 From Memory - Smithfield, 2020 Zut Alors!, 2005 Mumbai Street Market, 2019 Inkjet print of drawing on digital tablet Mixed media: pastel, graphite, stainless steel clips Hand coloured etching Photographic inkjet print 280mm x 1170mm 280mm x 380mm 800mm x 720mm 545mm x 385mm Signed on recto, unique Signed on verso, unique Signed on recto Unsigned, artist’s proof Guide price: £500 - £700 Guide price: £500 - £700 Guide price: £300 - £400 Guide price: £250 - £350

Market Garden is a celebration of everything that This is my response and memory of Smithfield Market. Zut Alors is a hand coloured copper plate etching. Peter Cook has been photographing architecture leads to the market; myths and legends contributing I love the new additions – especially the translucent and interior design in the UK and internationally since to a good harvest, weather, land and sea. The canopy. The lines created by this addition cutting Graham Clarke, artist, author, illustrator and humorist, 1982. He has built a comprehensive portfolio of work Greek goddess of harvest is Demeter. Her daughter through the soft shapes of the original building that is one of Britain’s most popular and best-selling of some of the world’s finest architects. In 2005 Cook Persephone was abducted by Hades, Demeter remained in my mind and the green/blue colour of printmakers. He has created some five hundred images was awarded an Honorary Fellowship from the Royal grieved and the earth became barren through her paint. Memory distorts wonderfully sometimes. of English rural life and history, of the Bible and of the Institute of British Architects. neglect. Demeter’s joy when her daughter is returned Englishman’s view of Europe. Born in 1941, Clarke’s coincides with fertile spring and summer. Ann Christopher is a non figurative sculptor working upbringing in the austerity of war-time and post-war in cast and fabricated metal. She was the youngest Britain, made him reliant on his own imaginative Laurie Chetwood founded Chetwoods Architects in female sculptor to be elected to the Royal Academy resources. Responding to the comedy of everyday 1988. Chetwood’s artwork is regularly selected for the in 1980. Her work is held in the British Museum, City life, he brings his own unique brand of humour to his RA Summer Exhibition and has been awarded Best of Bristol Museum and Art Gallery, Contemporary interpretation of past and present history through the Architectural Drawing. He is an external examiner Art Society, Corcoran Legacy Collection, The Royal eyes of the common man. at Birmingham City University and University of Academy and Pallant House Gallery. Wolverhampton. He has won three Gold Medals at the Chelsea Flower Show.

15 16 Christian Coop Soham De Anne Desmet Chris Dorley-Brown Lot Number 18-23 Lot Number 24 Lot Number 25 Lot Number 27

Six Markets, 2020 Apple Market, 2020 Urban Development, 1998 From Shithouse to Penthouse Watercolour paintings Acrylic on canvas Wood engraving print on Zerkall paper Photographic inkjet print 430mm x 330mm 340mm x 600mm 340mm x 600mm 560mm x 680mm Framed Signed on verso Signed on recto, edition 22 of 40 Signed on verso, edition 1 of 9 Guide price: £150 - £250 Guide price: £200 - £300 Guide price: £350 - £500 Guide price: £100 - £150

Six watercolors portraying the big six markets of Markets act as social condensers, particularly the Urban Development depicts a terrace house in Chris set up his own photographic practice in 1984 London. Market buildings are perhaps our most apple market in . It is an inspirational Hackney. The images are printed from one boxwood concentrating on documenting East London. In a series historic typology, closely related to Roman Fora. They place hosting vibrant cultural exchanges. The stalls block, printed at successive stages of cutting creating of residencies and commissions focussing on social celebrate both the simple act of trade and the civic change regularly presenting a very dynamic everyday an image with increasing degrees of light and detail housing, workplaces, hospitals and architecture, he has importance of commerce. The studies show how this scene. The painting attempts to capture that and a sense of movement - like watching a stop-frame established a substantial archive. ‘act’ is captured within architecture. movement, through rough brush strokes and use of animation. The work is intended to have the sense of vivid colours. a succession of old monochrome photographs, each Project partners include BBC, Museum of London, Christian Coop is an architect and illustrator. By tracing slightly more exposed than the last. Homerton Hospital, and various the lines of buildings, he captures and understands Soham De is an artist and urban designer. He is co- London Boroughs. He often works with re-energising their detail and proportion. He sees drawing as an act founder of EcoResponsive Environments, a London Anne Desmet RA is a print maker, winning over 40 existing archival material, creating new works. Recent of exploring and learning, one which improves his own based design practice. De explores ideas around the awards with works in public and private collections. publications include The Longest Way Round 2015, architecture. duality of figurative and abstract expressionism. Desmet is author of books on printmaking and drawing. Drivers in the 1980s, 2015, The Corners, 2018 and The She curated the exhibition 100 years of the art of wood East End in Colour: The Photography of David Granick, engraving at the Ashmolean Museum in 2020. 2018. He lives and works in Hackney.

17 18 Chris Dyson Isabella Dyson Oliver Dyson Ewan David Eason Lot Number 26&28 Lot Number 29&30 Lot Number 31 Lot Number 32

Spitalfields Market Spitalfields Market, 2020 That One, Billingsagte, 2020 Sacred Booth Regents Park, 2016 Aquerelle print Print Pencil & watercolour drawing Hot gold foil on giclee print 440mm x 540mm 420mm x 594mm 330mm x 430mm 150mm x 150mm Signed on verso, edition of 5 Signed on verso, edition of 5 Signed on verso Edition 3 of 30 Guide price: £100 - £150 Guide price: £100 - £150 each Guide price: £100 - £150 Guide price: £150 - £250

Living in Spitalfields since the early 2000’s I have seen I have lived in Spitalfields for most of my life and have I grew up in Spitalfields and during the 90’s there was Hot gold foil on archival giclee print inspired by 19th changes in this market hall structure. What fascinates seen it change. The structure of this market hasn’t much less hustle and bustle within the square mile. One Century coloured poverty maps by Charles Booth. me is the towering engineering structure and clever changed, only the use of the market. When I was identifiable activity that always intrigued me was the Booth set out to define levels of poverty and wealth in truss system and small stalls, beautifully designed and young, Spitalfields market was a fruit and vegetable early morning traders of Spitalfields, Smithfield, and London, house by house using a colour coded system. laid out below. All colour and life is displayed, and market. I played on the football pitches as a child. Now Billingsgate clustered in their own pockets of activity. By removing the colours and replacing them with one as we come out of lock down it is wonderful to see small, independent shops have disappeared taking Some years ago, I photographed these markets, a colour, gold, Eason draws on the egalitarian nature of familiar faces coming back to sell their wares. their charm with them. whole industry not seen by daylight. The characters the city. and activity were something that greatly interested Chris Dyson set up Chris Dyson Architects in 2004, a Isabella Dyson completed a Foundation Diploma in me. Ewan David Eason creates images from reality, drawing practice embedded in the local community, working Fine Art at the University of the Arts in Camberwell inspiration from patterns created in cartography. By on heritage and new build projects. Previously an and then graduated from the Cass School of Art in Oliver Dyson completed a Diploma in Architecture gilding with precious metals or using complimentary associate at James Stirling and Michael Wilford’s, and 2017. Dyson has exhibited in London and Suffolk. She at Glasgow School of Art, training as an architect at colours he aims to focus the viewer on the sacredness design director at Farrells for three years. is inspired by the landscape of Suffolk and the urban Allford Hall Monaghan Morris. Dyson Recently started and diversity of our living landscapes. density of London. working at Piercy & Company, building on my interest in materiality and place making.

19 20 Steve Edge Stephanie Elward Roger FitzGerald Max Fraser Lot Number 33 Lot Number 34 Lot Number 35 Lot Number 36

Chanel, 2020 Imagined Markets, 2018 Borough Market, 2020 Petti (Technicolor) coat Lane, 2020 Giclee print on Hahnemuhle Bamboo Inkjet print of digital paintings Acrylic, ink, and collage Digital collage 840mm x 595mm 280mm x 680mm 520mm x 520mm 840cm x 600cm Signed on recto, artist proof, edition of 1 Unsigned Signed on recto Signed on verso Guide price: £400 - £600 Guide price: £200 - £300 Guide price: £150 - £250 Guide price: £150 - £250

Chanel honours the charm and chutzpah of Hoxton I imagined a series of markets whereby the Of all the markets in London, Borough Market is my The print is a celebration of colour, culture and history. Street market, where a vendor sold Chanel No. 5 at five architecture embodies the treasures that can be found favourite. I love the shambolic layout, the smells, The image portrays several references of the market bottles for a tenner. An adjacent stall sold replica Andy inside. the sounds and the bright colours, contrasting with itself and features festivals which take place in and Warhol prints passed off as original pieces. Recalling the rough texture and patina of old brick walls and around London which celebrate inclusion. these memories of the marketplace, the iconic Chanel Stephanie Elward is an architect at Atomik Architecture steelwork to the railway arches overhead. No. 5 is portrayed in Warhol’s style, creating an artwork who enjoys creating colourful illustrations of surreal Max Fraser enjoys travel, drawing inspiration from honouring local markets: their ability to seamlessly places. Roger FitzGerald is Chair of ADP Architecture. He paints cultures different to his own for use in his work. Another combine all manner of goods, attracting audacious in his spare time and has written and illustrated with his inspiration is food: not just the food itself, but its vendors, and the vital role they play at the heart of paintings books on the Buildings of Britain, London and provenance, the environment in which it is served, and communities. New York. the character and attitude of the chef.

Steve Edge founded Steve Edge Design in 1985, working with some of the world’s biggest brands. Diagnosed with severe dyslexia, he won the Young Artist of the Year at 15.

21 22 Christian Furr Dennis Gilbert Tim Gledstone Bill Hanway Lot Number 37 Lot Number 38 Lot Number 39 Lot Number 40 Melting Cheese (Langres La Cave on Midnight Blue), Warwick Junction, Durban, South Africa, 2019 2018 Photograph printed on giclee archival To Market To Market…, 2020 A Lockdown Day at Smithfield Meat Market, 2020 Photographic inkjet print on archival 315gsm paper Hahnemuele 308 gsm cotton rag Sculpture, mixed media: timber,resin,bronze Watercolour 125mm x 175mm 220mm x 270mm 320mm x 260mm x 495mm 310mm x 390mm Signed on verso, edition of 250 Signed on recto, edition 1 of 12 Signed Signed on recto Guide price: £100 - £150 Guide price: £80 - £120 Guide price: £500 - £700 Guide price: £150 - £200

Why not paint cheese? Cheese gets eaten but not Since 2007 I have photographed the market at To Market To Market… was inspired by Gledstone’s View on Grand Avenue through the central arch at often painted. I decided to paint some of the artisan Warwick Junction with Asiye Etafuleni, an NGO that memories of markets as places of visual and acoustic Smithfield Market towards Charter House Street and cheeses of Great Britain & France. I have painted a helps manage the site. Street traders play a role in vibrancy, presenting London trades against the St John’s. The original sketch was done in the early lot of cheeses I still have hundreds more to paint. I city life and contribute to its economy and add to insatiable appetite of international consumers. An afternoon during lockdown with no one around. want to go to other countries and find out about their the vitality and attraction of cities. Warwick is situated apple is devoured by a leaping red bream, both Having worked above the market in the early 2000’s, cheese too and discover what their ideal pairings are. above, around and underneath the primary transport purchased at Brixton Market. The digitally reproduced this was a strangely quiet moment. The textural quality of the cheese can be portrayed hub in Durban. 460,000 people go through this market apple represents an English home grown staple, with beautifully with thick, creamy impasto oil paint. every day, 8,000 traders operate, amongst whom 500 connotations of temptation, greed and desire and Bill Hanway is an architect and artist. Lockdown are traditional medicine traders, “Muthi” men and is the instantly recognisable logo of Apple. There is has allowed me the time and freedom to return to Christian Furr was the youngest artist to be women. tension between local and international market forces, water colour painting, which was much harder when commissioned to paint an official portrait of Queen and the unstoppable tide of consumer consumption. travelling the world for projects. Small positives in this Elizabeth II. Dennis Gilbert has photographed architecture and time of complexity and confusion. the built environment since the 1980’s. He manages Tim Gledstone is a partner at Squire and Partners. the architectural image archive VIEW. In 2005 he was Gledstone’s art explores traditional mediums alongside made honorary fellow of RIBA. contemporary crafted processes, creating an abstract narrative of subject, place and message.

23 24 Luke Adam Hawker Hayes Davidson Thomas Heatherwick Nansi Jones Lot Number 41 Lot Number 42 Lot Number 43 Lot Number 44 Making Borough Market, 2015 Covent Garden, 2015 Hiraeth, 2020 3D augmented digital render printed on archive paper. Paperback book Pen & ink drawing Thames & Hudson 2015 edition, 640pp, ISBN 978- Drawing 590mm x 420mm 420mm x 610mm 350mm x 300mm Framed 29196-2 Signed on recto Signed on recto, unique Guide price: £200 - £300 Signed Guide price: £150 - £250 Guide price: £30 - £50 Guide price: £80 - £120

Luke Adam Hawker draws on location, with pen & ink, In 2015 Hayes Davidson collaborated with French artist Signed copy of the book Making by Thomas Hiraeth is a Welsh word for which there is no direct his observations over hours and sometimes days enable Charles Pétillon, for a public art installation in Covent Heatherwick & Maisie Rowe, Thames & Hudson 2015 English translation. It loosely refers to the idea of longing the collective layers of the drawing to capture a sense Garden, filling the interior of the 19th Century market edition, 640pp, ISBN 978-29196-2. and nostalgia, feelings which we can all relate to at of motion and dynamism, building with 100,000 giant white balloons. Five years this moment in time as we wait to gather as one again. later, through the use of market-leading technology, Thomas Heatherwick, CBE, RA is an English designer In Borough Market I’m transported, Welsh cheese the artist team have reimagined how this installation and the founder of London-based design practice produced in the mountains of Ceredigion and cuts of may live on. Please download the HDxCinemagraph Heatherwick Studio. Since the late 1990s Heatherwick Welsh lamb; waves of nostalgia wash over me. app from the Apple App Store and see for yourself. has emerged as one of Britain’s most significant designers. Heatherwick works with a team of around Nansi Jones grew up in rural Pembrokeshire, Hayes Davidson was founded by Alan Davidson in 180 architects, designers and makers from a studio and surrounded by an abundance of ancient architecture 1989, specialising in architectural visualisation and the workshop in London which has informed her passion for the historical built built environment. HD has produced over 30,000 virtual environment. She is working as a Part 2 Architectural or CGI images for our global client base; working with Assistant for Purcell on regeneration of Battersea Power many of the world’s top architects, designers and Station. developers.

25 26 Ben Kilburn Félicie Krikler Oscar Mather Peter Murray Lot Number 45 Lot Number 46 Lot Number 47 Lot Number 48

The Market, 2020 Legs!, 2020 , 2020 Site Lines, 2020 Mixed media: inket print & collage Giclee print Charcoal drawing Digital drawing on Giclee 450mm x 650mm 500mm x 500mm 670mm x 550mm 340mm x 260mm Signed on verso, unique Signed on recto, edition 1 of 1 Signed on recto Signed on recto, edition 1 of 1 Guide price: £100 - £150 Guide price: £150 - £180 Guide price: £150 - £200 Guide price: £150 - £250

This work is an abstraction of the idea of a market, I am missing the hustle and bustle of going to buy fish This is a memory of Broadway Market, oscillating A view of the City Cluster from Bank Junction which inspired by markets around the world that I have visited at Billingsgate - getting there in the darkness of the between hard and blurred edges, strong and erased celebrates the contextual form of The Leadenhall in far flung places, but also by Broadway Market in early morning - greeted by the yellow structure in the marks. Building and The Scalpel as well as the streetscape Hackney, which is local to me. I’ve drawn this on an shadows of Canary Wharf still sleepy - woken up by improvements to Bank. i-pad and then taken the print and worked on it as a ‘LEGS!’ shouted by the market porters wheeling trolleys Oscar Mather is an architect working for Lynch collage of elements giving it more depth and making it of goods and instantly transported from Poplar to the Architects in London. He trained first in Paris, then in Peter Murray is Curator in Chief of New London a unique piece. deep by a scent. Mendrisio Switzerland. Recently he was a drawing Architecture, a Mayor of London’s Design Advocate tutor for the Architectural Drawing Summer School and the Chairman of the London Society. Ben Kilburn is an architect at Kilburn Nightingale Félicie Krikler is a French architect who has lived and organized by Drawing Matter, Kingston University and Architects. He lives in Hackney with his wife and 3 worked in London for the last 20 years. She’s a director Hauser and Wirth in Somerset. Works realized for Lynch daughters and tries to spend a bit of time every week at Assael Architecture. She loves art. And fish. Architects were exhibited at the Royal Academy on art. Summer Exhibition of 2019 and 2020.

27 28 Daniel Parker Grayson Perry Owen Pomery Peter Randall-Page Lot Number 49 Lot Number 50 Lot Number 51 Lot Number 52

Untitled, 2020 Piggy Bank, 2017 On the Front Steps, 2020 Pears, 2014 iPad digital drawing/ painting Painted & glazed ceramic Drawing Print 700mm x 500mm 200mm long 225mm x 275mm 150mm x 230mm Signed on recto, edition 1 on 1 Unnumbered Signed on recto, unique Signed on recto, edition 6 of 30 Guide price: £80 - £120 Guide price: £1000 - £1500 Guide price: £80 - £120 Guide price: £150 - £180

The painting is a study of the landscape of form and Piggy Bank 2017, is a painted and glazed ceramic On The Front Steps was created during lockdown as Pears, 2014 is one of a series of black and white linocuts colour of the streets and squares of old Stockholm. multiple, bearing the artists mark to the underside. This an attempt to remember some of the more positives based on my observations of plant and animal forms. double-headed piggy bank highlights Perry’s deep aspects in a difficult time. Becoming more connected My practice is informed and inspired by the study of Daniel Parker is an Architect and Designer. He has seated interest on the production and consumption with the local area and seeing people using spaces natural phenomena and its subjective impact on our been drawing for as long as he can remember, his of art, and a wider body of work. Perry’s documentary between home and street for socially distanced emotions. drawings are often a visual explorations of a particular ‘Divided Britain’ examined the emotions, beliefs and summer meetups, was one of those simple pleasures. moment, capturing a montage of fragmented desires that drive loyalty to certain political tribes, and The piece is the original line work of a full colour print. Peter Randall-Page RA studied sculpture at Bath impressions and textures. he used the results as inspiration for this artwork. Academy of Art. His work includes sculpture, drawing, Owen Pomery has a background in architecture, prints, architectural installations and commissions. He Grayson Perry, English contemporary artist, writer spending the last nine years specialising in illustration, has an international reputation and his work is held in and broadcaster. He is known for his ceramic vases, with his particular area of interest being architectural public and private collections throughout the world. A tapestries and his observations of the contemporary narrative. He is author/illustrator of several graphic selection of public sculptures is present in urban and arts scene, and for dissecting British “prejudices, novels, including British Ice and Victory Point. He lives in rural locations throughout the UK. His work is in the fashions and foibles” London and is normally found drawing or exploring. collections of Tate Gallery, Victoria & Albert Museum and the British Museum.

29 30 Richard Rees Ian Ritchie Rebecca Salter Kim Shaw Lot Number 53 Lot Number 54 Lot Number 55 Lot Number 56

Electric Avenue, Brixton Market, 2020 No Bull Market, 2020 Untitled Apollo House, 2015 Painting Ink drawing Mixed media on paper Photographic print, split toned on Ilford fibre paper 520mm x 420mm 210mm x 300mm 150mm x 160mm 550mm x 550mm Framed Signed on recto Unframed Signed on verso Guide price: £250 - £350 Guide price: £150 - £200 Guide price: £500 - £700 Guide price: £300 - £350

Electric Avenue, Brixton Market creates a contained The inspiration behind this ink brush sketch is the symbol Rebecca Salter spent two years as a research student Apollo House was the vinyl LPs pressing factory, from environment for the lively Brixton Market. Butchers and of the Wall Street market - a raging bull. However, a Bull at Kyoto City University of Arts, Japan after graduating Frank Sinatra to The Rolling Stones. The last vinyl to be greengrocers spill out from the shops on the sides. The Market is now a distant possibility with the COVID-19 from Bristol Polytechnic. While in Japan she was trained pressed here was Anarchy in the UK by The Sex Pistols. centre is usually filled with clothes and other food stalls. pandemic and the need to rethink our way of life. in many traditional techniques and combines these There is a distinct flavour of the local Black West-Indian interests with her main practice in painting. In 2011 Kim Shaw is a photographic artist whose working in and African community, shown here in the painting. Ian Ritchie RA leads one of the world’s most thoughtful, she had a major solo show at Yale Center for British analogue. She has exhibited at London Art Fair 2020. innovative and influential architectural practices. He is Art, New Haven, Connecticut and has also featured Shaw’s work has featured in Hyperallergic, Huck Richard Rees is an accomplished artist who has a member of the Akademie der Künste, and Honorary in numerous international solo and group exhibitions. Magazine, BBC Online, Uncertain States, and the FT. exhibited widely at the RA, Mall Galleries and in Visiting Professor at Liverpool University. He has chaired She was elected a Royal Academician in 2014 and his own private shows. He is Vice President of the many international juries including the Stirling Prize, became Keeper of the Royal Academy in 2017. In UK Pastel Society, secretary of the Society of Artists and his practice has won more than 100 national and December 2019 she was elected President of the Royal in Architecture and Chairman of the Society of international awards. He has written several books, Academy. Architectural Illustrators. He specialises in oil pastels and including poetry, and international museums hold his paintings, usually of buildings. art.

31 32 Karl Singporewala Christian Spencer-Davies Amy Stephens Studio MUTT Lot Number 57 Lot Number 58 Lot Number 59 Lot Number 60

Hawksmoor Collection, 2020 Camley Street, the hidden market, 2020 The Lookout, 2016 Smithfield Jamboree, 2020 Photo etched brass Sculpture, mixed media; acrylic on MDF & balsa wood Silkscreen print C type print on metallic paper 6 framed artworks, each 250mm x 300mm 370mm x 420mm x 55mm 420mm x 300mm 600mm x 420mm Signed on recto, edition 1 of 5 Signed on recto Edition 14 of 30 Framed, unnumbered Guide price: £700 - £900 Guide price: £300 - £500 Guide price: £400 - £600 Guide price: £50 - £80

Markets and churches go hand-in-hand in historic Hidden in the industrial estate on Camley Street just The Lookout depicts a small house nestled at the The Bartholomew Fair was Britain’s largest annual London. Brass etching studies of the front elevations of behind Kings Cross there are over 120 fishmongers, bottom of a Norwegian Fjord. The image was taken jamboree from 1133 to 1855. MUTT’s proposal reinstates Hawkmoor’s eight churches designed and built as part 100 butchers and 75 organic muesli makers and it’s during a residency in Norway and later made into a the fair to its original site and proposes an alternative of the 1711 parliament Act for the building of Fifty New where I based my architectural modelmaking business two-layer silkscreen. The green rhomboid form makes future for Smithfield Market. Through a re-plan of Churches in the Cities of London and Westminster or AMODELS for more than ten years. My piece shows an reference to the molecular structure of the mineral the market - like a butcher, carving the building and the Suburbs thereof. old piece of graffiti on a neglected back wall of one of Ilmenite found in the underlying rock. Stephens often exposing its innards - and its surrounding public realm the industrial units. prints on one half of the paper making reference to the a ‘Culinary Quarter’ is created, connecting and Karl Singporewala, participating in his tenth 10x10 architectural void and the idea that the frame enables supplementing the other areas surrounding the Market. auction, is an architect, artist and director at Barbara Christian Spencer-Davies is the founder and ex- the print to transcend into an object. Weiss Architects, London. His artwork and sculptures are Managing Director of AMODELS Ltd where he Studio MUTT is an award-winning architecture practice held in public and private collections worldwide and specialised in making contemporary architectural Amy Stephens is a Trustee and Fellow of the Royal in Liverpool established by Graham Burn, James has been exhibited at the Royal Academy of Arts, V&A models for over 25 years. His work has been exhibited Society of Sculptors. Her work is held in a number of Crawford and Alexander Turner in 2017. The studio’s digital futures, New York Institute of Technology, the HIX worldwide. public and private collections and she has exhibited exciting and innovative proposals have brought gallery and Saatchi Gallery London. throughout the world. international media coverage and invited exhibitions from Milan to Mexico, via London and Liverpool.

33 34 Edmund Sumner Hugh Tuffley Marc Turley Ian Wale Lot Number 61 Lot Number 62 Lot Number 63 Lot Number 64

Premabhai Hall, Ahmedabad, by Balkrishna Dosh 1976 East Street Market, 2020 Moor Street Station, Birmingham, 2020 Smithfields, 2020 Giclee print of photograph Acrylic on canvas Giclee print on Hahnemuhle Sculpture, mixed media: plaster, paint & board 380mm x 420mm Unsigned, but available to sign on purchase, Edition 1 300mm x 420mm 297mm x 420mm 500mm x 500mm of 15 Signed on recto Signed on recto, open edition Signed on verso, artist proof Guide price: £200 - £300 Guide price: £300 - £500 Guide price: £80 - £120 Guide price: £200 - £300

Premabhai Hall, Ahmedabad was designed by Pritzker East Street Market off the Walworth Road is a busy Moor Street Station, Birmingham forms part of a Smithfields is a ‘pixelated’ figure composed of hand- prize winner Balkrishna Doshi and completed in 1976, local market selling food, clothing and household drawing study that looks at the details and proportions made plaster pyramids with Smithfield Market as the it is now closed and an impromptu market place good (now masks and hand gel) which has remained of Victorian Arches in and around Birmingham. focus of intensity and life, at the heart of the network surrounds the hall. Edmund Sumner is a highly regarded operational throughout the pandemic, albeit with a of streets which have developed around it. I always London-based architectural photographer who has reduced offering limited to food during lockdown. It Marc Turley is an Illustrator from Birmingham, working make a point of walking through Smithfield Market, been collaborating with leading architects, publishers, is now as busy as ever, invigorating a diverse local from his studio in Boldmere, Sutton Coldfield. Turley to see the wonderful building and experience the editors and curators globally since 1998. community. hand draws buildings capturing every detail whilst memorable sights and smells on show, in stark contrast maintaining a calmness within the composition. His to the comparatively benign activities taking place in Hugh Tuffley’s London based architectural practice work is a combination of rigorous research, sketchbook the surrounding buildings. It’s a shame that the historic covers a diverse portfolio of private residential, light studies and highly detailed line drawing. He uses a market is being moved out of the City. industrial, boutique hotels, and landscape design variety of mixed media. Originally a qualified architect, primarily in the UK, with the odd foray into Europe and he left his career to pursue illustration and focus on Ian Wale is Associate Landscape Architect and Urban Australia. He was born and raised in Australia, studying working with clients to hand draw and visualise their Designer at David Lock Associates. Other roles include architecture at the University of California, Berkeley creations. dad, husband, sketcher, photographer, runner, cyclist before settling in the UK. and twitcher.

35 36 Kate Yung Lot Number 65

Archive, 2020 Mixed media 300mm x 300mm Signed on recto Guide price: £200 - £300

I have extremely fond memories during my teenage years spent strolling through the food and clothing stalls in Camden market with my best friend. We walked past ‘ Maid’ by Banksy (2007, now destroyed) times and it was one of my favourite artworks. I’ve recreated it by dressing her in a hard hat and construction vest with a black and white scene of the Camden Market I remember ‘swept under the carpet’ For artist, guest, and as it is increasingly getting gentrified. sponsorship opportunities for Kate Yung is an architectural illustrator at Assael Architecture. During her spare time, she enjoys designing and selling greetings cards, and doing a lot our next 10x10 art auction in of running. 2021, please contact:

[email protected]

37 © Grant Smith 38 Special Thanks

Everyone at Article 25 would like to say a huge thank-you to all of our supporters for their generosity over such a challenging year! We are extremely grateful to all the fantastic artists, without whom 10x10 would not be possible. We mustn’t forget our strong and committed team of staff and volunteers, who have continued to work with dedication and resolve throughout, including in preparation for this year’s 10x10. We also wish to give thanks to Art Installation Services, for donating its services to transport, package, display, and value all of the artwork along with the trusty support of auctioneer Adrian Biddell; and Grant Smith for liaising with artists and coordinating all of the artwork donations.

We are very grateful for the year-round sponsorship support to Article 25 from a growing community of companies committed to financially sponsoring our work. Namely Canary Wharf Group, Hoare Lea, Perkins and Will, Penoyre & Prasad, AHMM, Assael Architecture, Bennetts Associates, Future Designs, Tindall Riley, DLA Architecture, Michaelis Boyd, Associates, ChapmanBDSP, HKS, Wilkinson Eyre, Geoshield, WSP, Overbury, Price & Myers, and Throgmorton Investments.

Finally, we want to say a big thank you to Sunand Prasad as our outgoing Chair of our board of trustees. Sunand has skilfully led and guided the charity, helping us to develop a highly impactful organisation able to support many thousands of people to gain greater access to education, healthcare and safer homes.

39 Humanitarian Architecture © Nicolas Réméné Humanitarian Architecture

One Canada Square +44 (0)20 31 97 9800 Article 25 of the Universal declaration of human rights Canary Wharf Instagram: @article_25 shows that adequate, dignified buildings, and housing are fundamental to our human rights. London E14 5AB article-25.org Registered Charity Number 1112621