A Study Guide For

Total Page:16

File Type:pdf, Size:1020Kb

A Study Guide For A Study Guide for Written by William Shakespeare Directed by Gordon Reinhart Presented by Shakespearience a program of the Idaho Shakespeare Festival 2 table of contents Section one: WELCOME! Section three: AFTER THE SHOW Special thanks……………………………………….….pg 4 Activity: Breaking News!...................................pg 18 Using this study guide…………………………….….pg 4 Activity: Character Comparison…………………...pg 19 About the Idaho Shakespeare Festival…….….pg 5 Activity: Shakespearean Shorts…………..…..….pg 20 A note from the director……………………..……...pg 5 Activity: Sound Check………………………...………pg 21 Activity: Exploring Hamlet…………………………...pg 22 Theme: Mortality………………….....…………….…..pg 22 Section two: BEFORE THE SHOW Theme: Misogyny………………………………………..pg 22 Meet the Cast……………………………………………..pg 6 Activity: Art of the Insult…………………………...…pg 23 About WILLIAM SHAKESPEARE.…………………..pg 7 Activity: #2Borno2B………….………………………..pg 24 Hamlet Synopsis………….…………………………....pg 8 Activity: Think Like a Critic……………………….....pg 25 Character Connections…………………………….…pg 9 Theme: Parent/Child Conflict……………………...pg 25 Did You Know? Facts.......................................pg10 Activity: “the play’s the thing”……….…….……...pg 11 Discuss: Popularity of Hamlet…………...…..……pg 11 Section four: APPENDIX Vocabulary Words…………………………………..….pg 12 Resources…………………………………………………..pg 26 Activity: Word Search.…………………………………pg 13 Suggested viewing/reading.………..………….…..pg 26 Activity: The 15-Minute Play……………………….pg 14-17 End Quote…………………………………………………..pg 27 Festival History…….……………………………………..pg 28 3 welcome! A Very Special Thank You! Using This Guide... Dear Teachers, As a part of Idaho Shakespeare Festival’s educational programming, Shakespearience performances have Welcome to the Shakespearience study guide for Hamlet! enriched the lives of well over one million students and This collection of materials has been designed to expand your teachers since 1981 with productions that convey the students’ engagement with the performance as well as provide unique and impactful voice of theater arts. The magic of back ground knowledge on William Shakespeare and the in- this art form is brought to schools across the State of fluential literature he wrote. Idaho each Winter/Spring semester with assistance This resource includes a range of information, discussion top- from a generous group of underwriters: ics, and activities that can stand on their own or serve as build- ing blocks for a larger unit. The activities are designed to be Idaho Commission on the Arts mixed, matched and modified to suit the needs of your partic- Idaho Humanities Council and National Endowment for ular students. the Humanities Inside, you’ll find activities to share with your students both Laura Moore Cunningham Foundation before the show and after the show, indicated by headings at Idaho Community Foundation and the following funds: the top of the page. These are designed to help focus your stu- o Children’s Charities of Idaho, Unrestricted Southwest dents’ engagement with the performance by giving them spe- Region cific themes to watch out for, as well as topics for discussion o F.M., Anne G. & Beverly B. Bistline Philanthropic Fund following the performance. Each activity is designed to meet o James A. Pinney Memorial Fund Idaho Standards of Education to foster critical thinking and o Statewide Education Philanthropic Gift Fund problem solving skills. Wells Fargo We encourage you and your students to share your thoughts Idaho Power Foundation with us! Any of the artwork or activities your students send The Whittenberger Foundation will be shared with the artists who created Hamlet, and any feedback from you will help to improve our study guides for Target future audiences! Our mailing address is located on page 25. Thank you so much! 4 before the show About Our Education Programs: A Note From the Director... Hamlet by William Shakespeare would be a very short tale The Idaho Shakespeare Festival has become an integral were it not for one thing: the hero’s conscience. The Ghost of part of arts education throughout Idaho. The Festival’s Hamlet’s dead father tells him that he was murdered, who did annual Shakespearience tour brings live theater to more it, and that Hamlet must avenge his father’s murder. Many than 25,000 high-school students in more than 50 modern stories have this essential premise, where Idaho communities each year. Since it began touring in vengeance equals justice and courage and so it is 1986, Shakespearience has enriched the lives of nearly unquestioned. Soon the bullets are flying from the hero’s gun and from his clear conscience, but does vengeance equal 500,000 students. justice? Does it equal courage? Is it the right thing to do? In 1999, the Festival assumed the operations of Idaho In Hamlet, Shakespeare explores the knotty problem of how Theater for Youth. This alliance has more than doubled to fight evil without becoming evil. Claudius feels justified in the Festival’s annual educational programming, killing his brother, the king and Hamlet’s father, for the power resulting in the Festival becoming the largest provider of to lead a Christian empire. Hamlet is charged to avenge this murder of his father by murdering his uncle to restore professional, performing arts outreach in the state of justice. The battle between these two, Claudius and Hamlet, Idaho. In addition to the statewide Idaho Theater for plays out in the royal court of Denmark but more importantly Youth school tour, which brings professional in each man’s stormy conscience. It is literally a battle productions to nearly 30,000 students in grades K-6 between heaven and hell. across Idaho, the Festival oversees year-round School of Both men struggle with eternal questions: “Does hesitation Theater programs. This series of classes in acting, make me a coward?” “Is redemption possible after playwriting and production, for students of all ages, murder?” In the end, Claudius opts to pursue his original enrolls over 300 Treasure Valley students each year, course: murder to maintain power; but Hamlet arrives at a very different place, articulated in his littlest speech, a few and includes our one-of-a-kind Apprentice Company. words near the end about the ‘fall of a sparrow’ (which Look for upcoming student productions throughout the references the book of Mathew) when he determines that to summer, fall and spring. “Let be” is a better strategy than being obsessed with “to be or not to be” and taking up arms. Honoring, rather than For more information on any of the Festival’s fighting your conscience is a better state than chaotic action educational activities, please contact the Education in service of a call to avenge one murder with Manager at the Festival offices or by email at another. Hamlet finally let’s his conscience – not the Ghost of [email protected]. his father – guide him and it takes him to a perfect, though tragic, end. -Gordon 5 before the show the cast of Hamlet meet the artists! Rod O’Toole Tess Gregg Laertes Ophelia Dakotah Brown Hamlet Chris Canfield Claudius Sasha Allen-Grieve Rod Wolfe Queen Gertrude Polonius 6 before the show The Life and Times of William Shakespeare William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. Because of poor record-keeping in small towns, his exact day of birth is unknown; it is traditionally celebrated on April 23rd. When he was eighteen, he married Anne Hathaway (who was 26 at the time). The couple had three children, one of whom died of the plague in childhood. The bulk of Shakespeare’s working life was spent in London. He enjoyed success not only as a play- wright, but also as an actor and shareholder in the acting company, Lord Chamberlain’s Men (later known as the King’s Men). In 1593 Shakespeare became a published poet; at the time theaters had been closed due to the plague, a contagious epidemic disease that devastated the population of London. He wrote many of his plays on English history as well as several comedies and at least two tragedies (Titus Andronicus and Romeo and Juliet). It is assumed that Shakespeare’s sonnets were also written during the 1590s. When the theaters reopened in 1594, Shakespeare continued his career as an actor, playwright, and acting company shareholder. His career would span over the next twenty years. Though there is certainly a In 1599, Lord Chamberlain’s Men built a theater for themselves across the river from London, naming it standard depiction of his ap- The Globe. The plays that are considered by many to be Shakespeare’s major tragedies (Hamlet, Othello, pearance, no portrait of Shake- King Lear, and Macbeth) were written while the company was residing in this theater, as were such comedies speare was ever produced while as Twelfth Night and Measure for Measure. Many of Shakespeare’s plays were performed at court (both for he was alive; this mysterious Queen Elizabeth I and her successor King James I), some were presented at the Inns of Court (the residencies fact adds to the theory that of London’s legal societies), and some were doubtless performed in other towns, at the universities, and at Shakespeare may have not been great houses when the acting company went on tour. the artist behind his plays. Between 1608 and 1612, Shakespeare wrote several plays — among them The Winter’s Tale and The Tempest — presumably for the company’s new indoor Blackfriars theater, though the plays seem to have been performed at the Globe and at court as well. Shakespeare wrote very little after 1612, widely thought to be the year he wrote King Henry VIII. It was during a performance of Henry VIII in 1613 that the Globe theater caught fire and burned to the ground. Shakespeare retired from the stage sometime between 1610 and 1613 and returned to Stratford, where he died on April 23rd, 1616. Until the 18th Century, Shakespeare was generally thought to have been no more than a simple, rough and untutored genius.
Recommended publications
  • The Story O/Hamlet
    Thestory o/Hamlet The guards of ElsinoreCastle in Denmark have scen a Ghoston the bardcmenrs.Ir lookslike rhe fatherof prince -l'hev Hamlet who died only rwo monrhs bcfore. ask Horario.a youngnobleman and a friendof rhe prrnie, ro watchwith them and to talk to the Ghost.rffhen it appears. it doesnot speak, and disappears from sight. The new King of Denrnark Thc new King ofDenmark is Claudius,Hamler's uncle who hasjust ma[ied the Prince'smother, Gertrude.He allows Laertes,the son of his Lord Chamberlain,polonius. to rcturnto Parrsand urges Hamlel to castoff hismournine. Hamletis srill disrrcssed by his tarher'sdearh and decplv upsel that his mother has marriedbarelv t*o m,rnrh, afterwards.He longsfor deathand cundemnshis mother 'Fraihy, with the words, rhy nameis woman., Hamlet's lorying for death O! that this too too sol llesh toutrt nelt, ThalL)and r.sobe itseu inb a dn) . IInr ueary, shle,tat, and u,tfrolitubb Seemb mea fie usesof rhis;^orLl. Acrr Scii Poloniusbids farewellto hisson.advising him on howa youngman shouldbehave. Polonius's advice to his son l,leithera bonote4 nor a lealer be; Forloa ofi tosesbofi ilsetf dndfri.n t, And bonuA s dul\ th, eds ol hu,bart,j. Thr oboreall. to rhnc mv sctlbe rruc, And mustfoll@^, ttsthe nigtu rheda|, Thoucanst not fien befalse to anJma . Act r Sciii A ghostly rneeting Hamlet,meanwhile, has gone ro the castlebattlcments with Horatio. Vhen the Ghosrappears, he speaksro Hamlel, as the spirit of his dead farhcr. The Ghosrrells how he was l14 hr\ asks.llrrnltt 1o rcvtntle murdcrcd h\ (lhudius lnd lecp thc mcctingsccrer i""ii.-ii"*r",':i;.'.
    [Show full text]
  • The Tragedy of Hamlet
    THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf.
    [Show full text]
  • Reinhold, Renee 24016 Thompson.Pdf (578.0Kb)
    Renee J. Reinhold Capstone Abstract Technology In Education The Teacher Education Program at Northern Illinois University is typically divided into two sections: the methods courses/teacher preparation semesters, and the actual sixteen-week student teaching experience. This unintentional separation often leaves the students in the prepatory semesters apprehensive about what is actually going to ,happen when they are student teaching. The student teachers themselves also feel somewhat alienated from the program due to being off-campus. This research project presents a model of how to connect the two divided segments of the Elementary Education program through telecommunica~s. Students from CIEE 344 were used to complete the model. These pre~ semester students searched tools available on the internet to coincide with a thematic unit I was planning for my third grade student teaching experience. In the end, this model grew into not only using the information sent via electronic mail, but also evolved into a technological experience for the children. The third graders learned the basic searching mechanisms on the internet to complete cooperative reports on planets which were shared with the class. ~, HONORS 1HESIS ABSTRAcr nmsIS SUBMISSION FORM Aln1IOR:Renee Jean Reinhold THESISTITLE: "Technology in Education ADVISOR: Dr. Tom Thompson ADVISOR'SDEPT: Curriculum s Inst. DISCIP~: Science Curriculum and Instruction YEAR: 1996 PAGE LENGTH: BmLIOGRAPHY: yes ILLUSTRATED: no PUBUSHED (YES OR NO): no LIST PUBLICAnON: no COPIES AVAllABLE (HARD COPY. MICROFILM. DISKETIE): 4 ABSTRACf (100-200 WORDS): See Attached AlAY 10 19!6 Student name:.~R_e.u.n_e_e--W.J..•.,--Aolo"""''''''''~~-= _ Approved by: Department of: Curriculum and Instruction Date: April 29, 1996 / Technology In Education I.
    [Show full text]
  • William Shakespeare Hamlet
    Extra Material The Renaissance (1485-1625) William Shakespeare Hamlet (1600-01) TEXT 3 1 BEforE READING ‘Frailty, thy name is woman’ is a sentence uttered by Hamlet in his first soliloquy when he expresses his disappointment at his mother’s hasty marriage with Claudius. Keep it in mind while reading the following extract and say if it can be Material / Extra applied to Gertrude. Hamlet MP3 87 After the ghost has asked Hamlet to remember and to revenge him, according to the medieval code, the young prince is more and more torn between the necessity to comply with his father’s request and his inability to act, as appears in many of his soliloquies. He pretends to be mad and arranges the performance of a play resembling his father’s murder to observe Claudius’ and the Puritan Age 2 The Renaissance reactions, which clearly betray his guilt. After the performance he visits his mother. HAMLET. Look here, upon this picture, and on this, The counterfeit presentment of two brothers. AMLETO. Guardate questo ritratto, e quest’altro. See, what a grace was seated on this brow; Sono le immagini fedeli dei due fratelli. Guardate 1 2 quanta luce di grazia su questo volto! I riccioli Hyperion’s curls; the front of Jove himself; d’Iperione, la fronte di Giove; l’occhio d’un Marte 5 An eye like Mars3, to threaten and command; alla minaccia e al comando; il portamento di A station like the herald Mercury4 Mercurio l’araldo, appena posa il piede sui colli ai margini del cielo; un complesso e una forma New-lighted on a heaven-kissing hill; in cui, veramente, sembra che ogni dio abbia A combination and a form indeed, impresso il suo suggello per garantire al mondo Where every god did seem to set his seal, l’autenticità di un uomo totale.
    [Show full text]
  • The Hamlet Mash-Up1
    ASIATIC, VOLUME 6, NUMBER 2, DECEMBER 2012 The Hamlet Mash-Up1 Geoff Klock2 Borough of Manhattan Community College, City University of New York, USA Abstract Shakespeare’s Hamlet is one of the most famous works of art in the world, and has inspired countless interpretations, allusions, references and discussions. The author describes his creation of a video collage of Hamlet material, that shows, rather than claims, the ubiquity of Hamlet, and points toward what Shakespeare could look like after the advent of the Internet. Hamlet’s value as Hollywood shorthand is discussed, and some of the throwaway Hamlet references are seen to be more complex than they may first appear. Projects of a similar nature are discussed and encouraged. Keywords Hamlet, video, collage, multi-media, Shakespeare, theatre The Hamlet Mash Up http://www.youtube.com/watch?v=DDTAn6r4HpQ When I began teaching Hamlet in my British Literature 1 class I told my students that Hamlet was very famous and very influential. I pointed out, for example, that the basic plot of Hamlet is repeated in The Lion King. Some students nodded their heads but I felt like the point needed more illustration. I gave them a handout explaining that the following expressions come from Hamlet: something rotten in the state of Denmark mad north by north west murder most foul to thine own self be true 1 This article was originally presented in a truncated form at the Poetry and Poetics of Popular Culture, University of South Australia, Online Conference, Nov 11, 2011. 2 Geoff Klock received his doctorate in English Literature from The University of Oxford.
    [Show full text]
  • Hamlet 1/31/01 Cx and © Web Copy
    HAMLET PRINCE OF DENMARK Adapted by Peggy L. Anderson & Judith D. Anderson High Noon Books A division of Academic Therapy Publications 20 Commercial Boulevard Novato, CA 94949-6191 www.HighNoonBooks.com Table of Contents About William Shakespeare . .v The Story . .7 Prologue . .9 Act I . .11 Act II . .25 Act III . .31 Act IV . .41 Act V . .53 The Play . .63 Cast of Characters . .65 Act I . .67 Act II . .81 Act III . .87 Act IV . .99 Act V . .115 Globe Theatre . .125 About the Editors . .127 ABOUT WILLIAM SHAKESPEARE (1564-1616) illiam Shakespeare was born in Stratford-upon- Avon, a market town about eighty miles Wnorthwest of London. His father was a glovemaker and a trader in wool, hides, and grain. The family, which had eight children, while not rich, led a comfortable life. William was the third child in the family, and it is thought that he attended the Stratford grammar school where classes started at six or seven in the morning and lasted until five or six in the late afternoon. When the family’s finances declined, it became necessary for him to leave school to go to work for a local tradesman. He married Anne Hathaway when he was eighteen and she was twenty-six. They had three children, including twins. It is not known exactly when or why Shakespeare left Stratford and moved to London where he quickly became involved in the theater both as an actor and a playwright. Theaters in London were closed from 1592 to 1594 because of the terrifying plague that swept throughout Europe, so Shakespeare spent his time writing plays and publishing two long narrative poems that immediately became popular and started him on the road to fame.
    [Show full text]
  • King Lear, Henry V, Romeo and Juliet, and Others
    Folger Shakespeare Library https://shakespeare.folger.edu/ Get even more from the Folger You can get your own copy of this text to keep. Purchase a full copy to get the text, plus explanatory notes, illustrations, and more. Buy a copy Contents From the Director of the Folger Shakespeare Library Front Textual Introduction Matter Synopsis Characters in the Play Scene 1 Scene 2 ACT 1 Scene 3 Scene 4 Scene 5 Scene 1 Scene 2 ACT 2 Scene 3 Scene 4 Scene 1 Scene 2 Scene 3 ACT 3 Scene 4 Scene 5 Scene 6 Scene 7 Scene 1 Scene 2 Scene 3 ACT 4 Scene 4 Scene 5 Scene 6 Scene 7 Scene 1 ACT 5 Scene 2 Scene 3 From the Director of the Folger Shakespeare Library It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare’s plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare,” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as The Folger Shakespeare (formerly Folger Digital Texts), we place a trusted resource in the hands of anyone who wants them.
    [Show full text]
  • Touring Spring 2020 Across the State of Washington by William Shakespeare | Directed by Ana María Campoy
    Touring Spring 2020 Across The State of Washington By William Shakespeare | Directed by Ana María Campoy All original material copyright © 2020 Seattle Shakespeare Company CONTENT HAMLET Welcome Letter..........................................................................1 Plot and Characters...................................................................2 Articles Why Bilingual Shakespeare?................................................................3 About William Shakespeare.................................................................4 Theater Audiences: Then and Now.....................................................5 Educator Resource Guide Resource Educator At a Glance Modern Shakespeare Adaptations......................................................7 About the Play.......................................................................................8 Themes in Hamlet.................................................................................9 Soliloquies....................................................................................11 Our Production Director’s Notes..................................................................................12 Central Components of a Día de los Muertos Ofrenda/Altar............14 Activities Cross the Line: Quotes........................................................................15 Compliments and Insults...................................................................16 Cross the Line: Themes......................................................................17
    [Show full text]
  • STUDY GUIDE to Producing Excellent Shakespeare Productions and Education Access When the Words Lived Only on the Page
    THE MISSION OF THE PHILADELPHIA SHAKESPEARE THEATRE IS “TO BE A WORLD-CLASS SHAKESPEARE COMPANY, AND TO BRING OUR EDUCATION PROGRAMS TO EVERY HIGH SCHOOL STUDENT IN THE REGION.” Each year, our education program, The Open Door Project, SCHOOL TOUR reaches 5,000–6,000 students in over 70 campuses in the Greater Our school tour brings live theatre into auditoriums, cafeterias, Philadelphia area. In the last twenty years over 80,000 high school and gymnasiums. Our 75-minute adaptations of Hamlet and HAMLET and middle school students have been served. Our curriculum is Macbeth are performed by four professional actors and are approved by 10 area school districts and complies with the common followed by a discussion with the actors. Many students say core curriculum. The Theatre received a Resolution from the City seeing the play performed live helps them to not only understand Council of Philadelphia honoring the theatre for its commitment the plot and language, but to feel emotions that they could not STUDY GUIDE to producing excellent Shakespeare productions and education access when the words lived only on the page. programming, and making both accessible to all. We also received the Excellence in Theatre Education and Community Service Award, TEACHER WORKSHOP sponsored by the Virginia and Harvey Kimmel Arts Education Fund Each fall (November) we partner with The Folger Shakespeare for The Open Door Project. Library to present The Shakespeare Set Free Workshop to demonstrate a new way of teaching Shakespeare and offer a wealth STUDENT MATINEES of practical resources for teachers. The workshop provides teachers Each school year, we offer 50 full-scale matinee performances with ACT 48 Credits, free tickets to our shows, a Page to Stage (Spring and Fall productions) complete with original music, sets Handbook, DVDs, and a flash drive loaded with teaching resources.
    [Show full text]
  • Uranus, Neptune and Pluto
    Modern Astronomy: Voyage to the Planets Lecture 8 The outer planets: Uranus, Neptune and Pluto University of Sydney Centre for Continuing Education Autumn 2005 Tonight: • Uranus • Neptune • Pluto and Chiron • The Voyager missions continue (or not?) The only mission to fly to the outer planets was Voyager 2. After leaving Saturn in August 1981, Voyager arrived at Uranus in January 1986, then flew on past Neptune in August 1989. It then swung down below the ecliptic and headed into interstellar space. Uranus Uranus was discovered in 1781 by William Herschel, musician and amateur astronomer. Herschel became the first person in recorded history to discover a new planet, at a stroke doubling the size of the known Solar System. In fact, Uranus had been detected, mistaken for a star, on 22 occasions during the preceding century, including by John Flamsteed, the first Astronomer Royal, who called it 34 Tauri. Basic facts Uranus Uranus/Earth Mass 86.83 x 1024 kg 14.536 Radius 25,559 km 4.007 Mean density 1.270 g/cm3 0.230 Gravity (eq., 1 bar) 8.87 m/s2 0.905 Semi-major axis 2872 x 106 km 19.20 Period 30 685.4 d 84.011 Orbital inclination 0.772o - Orbital eccentricity 0.0457 2.737 Axial tilt 97.8o 4.173 Rotation period –17.24 h 0.720 Length of day 17.24 h 0.718 Uranus shows an almost totally featureless disk. Even Voyager 2 at a distance of 80,000 km saw few distinguishable features. Uranus’ atmosphere is made up of 83% hydrogen, 15% helium, 2% methane and small amounts of acetylene and other hydrocarbons.
    [Show full text]
  • Hamlet #PRINCEOFDENMARK: Exploring Gender and Technology Through a Contemporary Feminist Re-Interpretation of Hamlet Allegra B
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2015 Hamlet #PRINCEOFDENMARK: Exploring Gender and Technology through a Contemporary Feminist Re-Interpretation Of Hamlet Allegra B. Breedlove Scripps College Recommended Citation Breedlove, Allegra B., "Hamlet #PRINCEOFDENMARK: Exploring Gender and Technology through a Contemporary Feminist Re- Interpretation Of Hamlet" (2015). Scripps Senior Theses. 667. http://scholarship.claremont.edu/scripps_theses/667 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. HAMLET #PRINCEOFDENMARK: EXPLORING GENDER AND TECHNOLOGY THROUGH A CONTEMPORARY FEMINIST RE-INTERPRETATION OF HAMLET BY ALLEGRA B. BREEDLOVE SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR HOROWITZ PROFESSOR MACKO PROFESSOR TAYLOR The Beginning: Why Hamlet? Anna Marburger as Guildenstern, Allegra Breedlove as Hamlet, Zoe Jacobs as Rosencrantz In the vernacular of theatre criticism Hamlet is widely regarded as Shakespeare’s masterpiece, and the title role is considered to be one of the greatest challenges an actor can face. Hamlet as a protagonist is complex and inscrutable, irascible and vengeful, and yet still somehow maintains a certain relatable quality. He is all at once steeped in resentment and melancholy, consumed by rage and filial obligation, and gripped by terror of whatever fate awaits him after death. The dynamic of this fear and drive to fulfill the many impossible tasks that rest upon his shoulders seems to tap into a truth that is universally human and instantly recognizable.
    [Show full text]
  • Hamlet's First Soliloquy
    Hamlet Hamlet’s first soliloquy - Act I, sc 2 O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue.
    [Show full text]