Book Groups Title List 2021
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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Books I've Read Since 2002
Tracy Chevalier – Books I’ve read since 2002 2019 January The Mars Room Rachel Kushner My Sister, the Serial Killer Oyinkan Braithwaite Ma'am Darling: 99 Glimpses of Princess Margaret Craig Brown Liar Ayelet Gundar-Goshen Less Andrew Sean Greer War and Peace Leo Tolstoy (continued) February How to Own the Room Viv Groskop The Doll Factory Elizabeth Macneal The Cut Out Girl Bart van Es The Gifted, the Talented and Me Will Sutcliffe War and Peace Leo Tolstoy (continued) March Late in the Day Tessa Hadley The Cleaner of Chartres Salley Vickers War and Peace Leo Tolstoy (finished!) April Sweet Sorrow David Nicholls The Familiars Stacey Halls Pillars of the Earth Ken Follett May The Mercies Kiran Millwood Hargraves (published Jan 2020) Ghost Wall Sarah Moss Two Girls Down Louisa Luna The Carer Deborah Moggach Holy Disorders Edmund Crispin June Ordinary People Diana Evans The Dutch House Ann Patchett The Tenant of Wildfell Hall Anne Bronte (reread) Miss Garnet's Angel Salley Vickers (reread) Glass Town Isabel Greenberg July American Dirt Jeanine Cummins How to Change Your Mind Michael Pollan A Month in the Country J.L. Carr Venice Jan Morris The White Road Edmund de Waal August Fleishman Is in Trouble Taffy Brodesser-Akner Kindred Octavia Butler Another Fine Mess Tim Moore Three Women Lisa Taddeo Flaubert's Parrot Julian Barnes September The Nickel Boys Colson Whitehead The Testaments Margaret Atwood Mothership Francesca Segal The Secret Commonwealth Philip Pullman October Notes to Self Emilie Pine The Water Cure Sophie Mackintosh Hamnet Maggie O'Farrell The Country Girls Edna O'Brien November Midnight's Children Salman Rushdie (reread) The Wych Elm Tana French On Earth We're Briefly Gorgeous Ocean Vuong December Olive, Again Elizabeth Strout* Drive Your Plow Over the Bones of the Dead Olga Tokarczuk And Then There Were None Agatha Christie Girl Edna O'Brien My Dark Vanessa Kate Elizabeth Russell *my book of the year. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Margaret Atwood: a Canadian Novelist
Margaret Atwood: A Canadian Novelist Introduction Contents Margaret Atwood is a name nearly all Canadians know, and now that she has finally won the prestigious Booker Prize her already considerable international Introduction reputation is greatly enhanced. Canadians, however, are often criticized for not celebrating our cultural icons, whether it be from a collective sense of modesty or The Range of The Blind uncertainty as to the elusive Canadian identity. Be that as it may, we do recognize Assassin Margaret Atwood as one of our greatest writers, and this international win for her latest novel, The Blind Assassin, certainly gives us reason to reappraise her Not Just A Novelist considerable contribution to that genre of literature referred to as CanLit. The Booker Prize-considered one of the world's most important literary awards-is given each year to what is judged the best original full-length novel written by a citizen of Subjectivity, Literature, the British Commonwealth or the Republic of Ireland. Atwood's novels have been and The Blind Assassin nominated for the Booker three times, and now The Blind Assassin takes its place among the very best literary works of fiction in the world. As Canadians, we have Themes of Margaret good reason to recognize and validate the talent and achievements of our artists, Atwood and we do so. "Canadian content" is a standard qualifier and indicator of success for us, whether in the form of a Jim Carrey movie, the music of Céline Dion, or the Portraying Women's Lives comedy of John Candy or Dan Ackroyd. -
ENGLISH DEPARTMENT SUGGESTED READING for GCSE PUPILS PROSE Pre-Nineteenth Century and Nineteenth Century Fiction Jane Austen
ENGLISH DEPARTMENT SUGGESTED READING FOR GCSE PUPILS PROSE Pre-Nineteenth Century and Nineteenth Century Fiction Jane Austen Pride and Prejudice; Emma Charlotte Bronte Jane Eyre Emily Bronte Wuthering Heights Arthur Conan Doyle Sherlock Holmes Stories Daniel Defoe Robinson Crusoe Charles Dickens A Tale of Two Cities; Great Expectations; Bleak House Fyodor Dostoevsky Crime and Punishment Alexandre Dumas The Three Musketeers; The Count of Monte Cristo George Eliot Silas Marner Henry Fielding Tom Jones Elizabeth Gaskell North and South Thomas Hardy Far From the Madding Crowd; The Mayor of Casterbridge; Thomas Hughes Tom Brown's Schooldays Jerome K Jerome Three Men in a Boat Herman Melville Moby Dick Sir Walter Scott Ivanhoe Laurence Sterne Tristram Shandy RL Stevenson The Strange Case of Dr Jekyll and Mr Hyde Jonathan Swift Gulliver's Travels Mark Twain The Adventures of Huckleberry Finn HG Wells The Time Machine; The War of the Worlds; Oscar Wilde The Picture of Dorian Gray Early Twentieth Century Fiction John Buchan The Thirty-Nine Steps GK Chesterton The Innocence of Father Brown Arthur Conan Doyle The Hound of the Baskervilles Joseph Conrad Lord Jim; Heart of Darkness Daphne Du Maurier Rebecca; F. Scott Fitzgerald The Great Gatsby Ford Madox Ford The Good Soldier EM Forster A Room with a View John Galsworthy The Man of Property Robert Graves I, Claudius Graham Greene Brighton Rock; The Power and the Glory Aldous Huxley Brave New World Christopher Isherwood Mr Norris Changes Trains James Joyce Dubliners DH Lawrence Lady Chatterley's Lover; -
Theology in Silent Films, 1902 to 1927
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Skin and Redemption: Theology in Silent Films, 1902 to 1927 Susan Craig Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1794 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Skin and Redemption: Theology in Silent Films, 1902 to 1927 by Susan Craig A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 Susan Jean Craig All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Martin J. Burke Date Chair of Examining Committee Prof. Helena Rosenblatt Date Executive Officer Prof. Donald Scott Prof. Jonathan Sassi Prof. Marc Dolan THE CITY UNIVERSITY OF NEW YORK Prof. Richard Koszarski RUTGERS UNIVERSITY Supervisory Committee iv Abstract Theology in Silent Films by Susan Craig Adviser: Prof. Martin J. Burke This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films. A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment. -
A Theatre of Expressions
A Theatre of Expressions Narrative Remaking of Identities in Michael Ondaatje’s The English Patient by Helga Marie Stigen Sørhagen A Thesis Presented to The Department of Literature, Area Studies, and European Languages the University of Oslo in Partial Fulfilment of the Requirements for the MA Degree Spring Term 2007 In loving memory of Marta Sørhagen (1905-1994) who read to me for hours 2 Contents Acknowledgements………………………………………………………... 4 Introduction………………………………………………………………… 5 1 A Labyrinthine Narrative: Narrative Structure and Wounded Identity……………………………………………………………...21 2 The Time Around Scars: Scars as a Narrative Technique to Unmake and Remake Identity………………………………………45 3 I Want To Come Home: Loss of Faith in Home and Nation……….68 Conclusion………………………………………………………………….92 Works Cited………………………………………………………………...97 3 Acknowledgements First of all, my sincere and heartfelt thanks go to my supervisor, Nils Axel Nissen. Thank you for agreeing to be my supervisor in the first place, for all your valuable comments and suggestions on my work and on other themes that came along, for prompt replies on e-mail at all times, and for all our good laughs! I will really miss it. To my friends and fellow students at Blindern I want to say thank you for coffee-break-pep- talks in (and outside of) Kafé Niels, in the Common Room, visits to Åpent Bakeri, walks on campus and to town, trips to the library or Akademika, and for little notes on my desk in the study hall. My two years as an MA student have been greatly improved by your presence. A special thank you goes to Kine, Selja, and Siri for reading and commenting on my drafts. -
English IV Summer Reading 2021
2021 Summer Reading- English IV Welcome to English IV! One of the primary concerns of this course is the journey through life and the experiences along the way. We will begin the year with reading and writing activities focused on our own individual stories, experiences and unique viewpoints. But first, we would like you to consider some other perspectives and ways authors tell their stories. Your assignment is to choose a book, either fiction or nonfiction, with a storyline that involves some type of journey. Since English IV is traditionally a British literature course, we strongly encourage you to read authors that are not American, although it is not mandatory. Some things to consider as you read: ● Storytelling and individual perspective ● Journeys (physical, psychological, and/or spiritual) ● Challenges and overcoming obstacles ● Author’s writing style You may purchase a hard copy or digital version of your novel. To help with your selection, you will need to do some research on authors, reviews, and story summary. Amazon or Goodreads are good places to start this process. SOME TITLES TO CONSIDER (These are just suggestions; you are not required to read one of these novels. Please keep your personal and family values in mind as you choose a title.) Never Let Me Go by Kazuo Ishiguro The English Patient by Michael Ondaatje Warlight by Michael Ondaatje The Blind Assassin by Margaret Atwood Life of Pi by Yann Martel The Conservationist by Nadine Gordimer Midnight's Children by Salman Rushdie The Sense of an Ending by Julian Barnes The God of Small Things by Arundhati Roy Disgrace by J.M. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June. -
English Translation of the Mexican Novel Las Tribulaciones De Una Familia Decente, with an Introduction| Urban and Political Aspects of the Mexican Revolution
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1951 English translation of the Mexican novel Las tribulaciones de una familia decente, with an introduction| Urban and political aspects of the Mexican revolution Louise Lilly McBride The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation McBride, Louise Lilly, "English translation of the Mexican novel Las tribulaciones de una familia decente, with an introduction| Urban and political aspects of the Mexican revolution" (1951). Graduate Student Theses, Dissertations, & Professional Papers. 2227. https://scholarworks.umt.edu/etd/2227 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. An English Translation of the Mexican Novel LAS TRIBULACIONES DE UNA FAMILIA DECENTE by Mariano Azuela with an Introduction URBAN AND POLITICAL ASPECTS OF THE MEXICAN REVOLUTION BY B. A., Montana Stat^ University, 1929 Presented in partial fulfillment of the requirements for the degree of Master of Arts Montana State University 1951 Approved: •-c•'/ ' "7,.. -7 Chairman of Board of Examiners Chairman of Committee on Graduate Study UMI Number: EP35836 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Holiday Books from Crawford Doyle
20 Classic Rare Books for Holiday Gifts from Crawford Doyle Here are some nice books which would make thoughtful presents. Take a look and if you're interested, call us at 212 289 2345 or send us an Email at [email protected]. Thanks for your interest. --John Doyle Blue Nights by Joan Didion (Signed - $100) Joan Didion, the noted American journalist and writer of novels, screenplays, and autobiographical works, is best known for her literary journalism and memoirs. She suddenly lost her husband, the author John Gregory Dunne, to a heart attack in 2003, impelling her to write a wrenching memoir, The Year of Magical Thinking, describing the event. Two years later, she lost her only daughter, Quintana Roo Dunne, to a sudden illness. In Blue Nights, she describes her desperate efforts to cope with and survive this tragedy. New York: Knopf, 2011. First Edition. A fine copy bound in black cloth with silver spine lettering in an fine dustwrapper. The author has signed this copy on the title page. The Complete Short Stories of Ernest Hemingway ($150) This comprehensive Hemingway edition includes all of the stories from The First Forty Nine plus fourteen stories published subsequently, seven never- before-published short stories and three extended scenes from unfinished novels. This is the definitive collection of the author's short stories. Hemingway's most beloved classics are here, including "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place." Readers will delight in the seven new tales published here for the first time. New York: Scribner, 1987. -
Ascent of Mt. Carmel'
PREFACE TO THE ELECTONIC EDITION This electronic edition (v 0.9) has been scanned from an uncopyrighted 1962 Image Books second edition of the Ascent and is therefore in the public domain. The entire text and some of the footnotes have been reproduced. Nearly 1000 footnotes (and parts of footnotes) describing variations among manuscripts have been omitted. Page number references in the footnotes have been changed to chapter and section where possible. This edition has been proofread once, but additional errors may remain. Harry Plantinga University of Pittsburgh [email protected] July 1, 1994. 6 ASCENT OF MOUNT CARMEL Treats of how the soul may prepare itself in order to attain in a short time to Divine union. Gives very profitable counsels and instruction, both to beginners and to proficients, that they may know how to disencumber themselves of all that is temporal and not to encumber themselves with the spiritual, and to remain in complete detachment and liberty of spirit, as is necessary for Divine union. ARGUMENT ALL the doctrine whereof I intend to treat in this Ascent of Mount Carmel is included in the following stanzas, and in them is also described the manner of ascending to the summit of the Mount, which is the high estate of perfection which we here call union of the soul with God. And because I must continually base upon them that which I shall say, I have desired to set them down here together, to the end that all the substance of that which is to be written may be seen and comprehended together; although it will be fitting to set down each stanza separately before expounding it, and likewise the lines of each stanza, according as the matter and the exposition require.