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Vermeer in the Age of the Digital Reproduction and Virtual
VERMEER IN THE AGE OF THE DIGITAL REPRODUCTION AND VIRTUAL COMMUNICATION MIRIAM DE PAIVA VIEIRA Universidade Federal de Minas Gerais ABSTRACT: The twentieth century was responsible for the revival of the visual arts, lending techniques to literature, in particular, after the advent of cinema. This visual revival is illustrated by the intersemiotic translations of Girl with a Pearl Earring: a recent low-budget movie was responsible for the revival of ordinary public interest in an art masterpiece from the seventeenth century. However, it was the book about the portrait that catalyzed this process of rejuvenation by verbalizing the portrait and inspiring the cinematographic adaptation, thereby creating the intersemiotic web. In this media-saturated environment we now live in, not only do books inspire movie adaptations, but movies inspire literary works; adaptations of screenplays are published; movies are adapted into musicals, television shows and even videogames. For James Naremore, every form of retelling should be added to the “study of adaptation in the age of the mechanical reproduction and electronic communication” (NAREMORE, 2000: 12-15), long previewed in Walter Benjamin’s milestone article (1936). Nowadays, the celebrated expression could be changed to the age of the digital reproduction and virtual communication, since new technologies and the use of new media have been changing the relations between, and within, the arts. The objective of this essay is to explore Vermeer’s influence on contemporary art and media production, with focus on the collection of portraits from the book entitled Domestic Landscapes (2007) by the Dutch photographer Bert Teunissen, confirming the study of recycling within a general theory of repetition proposed by James Naremore, under the light of intermediality. -
Stuartdybekprogram.Pdf
1 Genius did not announce itself readily, or convincingly, in the Little Village of says. “I met every kind of person I was going to meet by the time I was 12.” the early 1950s, when the first vaguely artistic churnings were taking place in Stuart’s family lived on the first floor of the six-flat, which his father the mind of a young Stuart Dybek. As the young Stu's pencil plopped through endlessly repaired and upgraded, often with Stuart at his side. Stuart’s bedroom the surface scum into what local kids called the Insanitary Canal, he would have was decorated with the Picasso wallpaper he had requested, and from there he no idea he would someday draw comparisons to Ernest Hemingway, Sherwood peeked out at Kashka Mariska’s wreck of a house, replete with chickens and Anderson, Theodore Dreiser, Nelson Algren, James T. Farrell, Saul Bellow, dogs running all over the place. and just about every other master of “That kind of immersion early on kind of makes everything in later life the blue-collar, neighborhood-driven boring,” he says. “If you could survive it, it was kind of a gift that you didn’t growing story. Nor would the young Stu have even know you were getting.” even an inkling that his genius, as it Stuart, consciously or not, was being drawn into the world of stories. He in place were, was wrapped up right there, in recognizes that his Little Village had what Southern writers often refer to as by donald g. evans that mucky water, in the prison just a storytelling culture. -
Lincoln in the Bardo
Get hundreds more LitCharts at www.litcharts.com Lincoln in the Bardo INTRODUCTION RELATED LITERARY WORKS Lincoln in the Bardo borrows the term “Bardo” from The Bardo BRIEF BIOGRAPHY OF GEORGE SAUNDERS Thodol, a Tibetan text more widely known as The Tibetan Book of . Tibetan Buddhists use the word “Bardo” to refer to George Saunders was born in 1958 in Amarillo, Texas, but he the Dead grew up in Chicago. When he was eighteen, he attended the any transitional period, including life itself, since life is simply a Colorado School of Mines, where he graduated with a transitional state that takes place after a person’s birth and geophysical engineering degree in 1981. Upon graduation, he before their death. Written in the fourteenth century, The worked as a field geophysicist in the oil-fields of Sumatra, an Bardo Thodol is supposed to guide souls through the bardo that island in Southeast Asia. Perhaps because the closest town was exists between death and either reincarnation or the only accessible by helicopter, Saunders started reading attainment of nirvana. In addition, Lincoln in the Bardo voraciously while working in the oil-fields. A eary and a half sometimes resembles Dante Alighieri’s Divine Comedy, since later, he got sick after swimming in a feces-contaminated river, Saunders’s deceased characters deliver long monologues so he returned to the United States. During this time, he reminiscent of the self-interested speeches uttered by worked a number of hourly jobs before attending Syracuse condemned sinners in The Inferno. Taken together, these two University, where he earned his Master’s in Creative Writing. -
Wisdom Extracted Hybrid
Wisdom Extracted Hybrid Written by: Eric Chang, Alyssa Jorgensen (VT), Meredith Seaberg (VCU), Joshua Uy (VT), Thomas Davidson (VT), Alia Wilson (VT) Edited by: Eric Chang (while potentially under the influence of very strong painkillers after getting my wisdom teeth removed, sorry in advance!) Special thanks to: Nathalie Unico and Jiyun Chang for playtesting part of the set, and Dr. Cyr for pulling my g-darn teeth out and causing the pain for me to write these questions. Packet 3 Toss-ups 1. In a short story by this author, Callie chains her son Bo to a tree to prevent him from running away and jumping between cars on the interstate, and another story by him centers around Abnesti creating a drug that when administered creates a strong sexual attraction and causes users to fall deeply in love. Those stories, (*) “Puppy” and “Escape from Spiderhead,” are collected in this author’s Tenth of December collection, which was published before his novel that takes place after the death of Willie, the son of the 16th president, as he wanders around the Tibetan “intermediate state.” For 10 points, name this American writer of CivilWarLand in Bad Decline, who won the 2017 Man Booker Prize for his novel Lincoln in the Bardo. ANSWER: George Saunders <Eric Chang> 2. An Ohio minister planned to sue the host of this televised event due to its revealing nature that put him “in danger of hellfire.” One singer from this event wrapped a rope around her wrists while belly dancing to “Ojos Así,” and a choir of young girls sang “Let’s Get Loud” for this event. -
PDF Schedule
LIBRARY LAUNCHES BOOK/FILM SERIES IN APRIL The Gates Public Library is excited to launch The Art of Adaptation, a unique monthly book/film discussion series starting in April. The series explores movie adaptations of books. Each month, participants will read a designated book and then watch the movie version. On the second Wednesday evening of the month at 7:00 p.m., we will gather by Zoom for an informal discussion, exploring how the adaptation stacked up, and the strengths and weaknesses of different storytelling media. The diverse books cover the period 1939 to 2010, and the movie versions encompass a variety of genres, including drama, musical, horror, and works based on true stories. The books and movies are available to borrow free from Gates Public Library, or to download/stream from the library’s OverDrive and Hoopla services (details below). 2021 SCHEDULE All discussion on Zoom begins at 7:00 p.m. on the second Wednesday of the month. After signing up you will be given the Zoom link. April 14: The Haunting, based on The Haunting of Hill House by Shirley Jackson (book 1959, film 1963). A small group of people investigate a purportedly haunted house. Considered by many (including Stephen King) to be one of the 20th century’s best ghost stories, the book has been translated to media multiple times, including two film adaptations, a Netflix series, a radio drama, and two stage plays. We’ll discuss the top-notch 1963 film version, starring Julie Harris and Claire Bloom. [ Check out ebook or e-audiobook on OverDrive | Stream Movie on Hoopla ] May 12: The Accidental Tourist by Anne Tyler (book 1985, film 1988). -
Transmutation of Novel on Silver Screen 1Arya Manoharan and 2Geetha R
International Journal of Pure and Applied Mathematics Volume 119 No. 16 2018, 5389-5395 ISSN: 1314-3395 (on-line version) url: http://www.acadpubl.eu/hub/ Special Issue http://www.acadpubl.eu/hub/ Transmutation of Novel on Silver Screen 1Arya Manoharan and 2Geetha R. Pai 1Department of English & Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. 2Department of English & Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. Abstract The purpose of this paper is to provide a systematic analysis of the transmutation occurring in the adaptation of a narrative for the motion- pictures. Literary adaptation is actually adapting a literary source into another medium. The fascination behind this sort of activity is that to witness how the magical power of words has been revamped into another media. Adaptation can also be considered as a form of communication that happens between the creativity of a particular author, text and the new form that has been created or adapted. Here, the miniature of an adaptation is exercised on the filmic adaptation of Tracy Chevalier’s novel Girl with a Pearl Earring, with an aim to understand the aspects in which the adaptation differs from the source novel. Key Words:Transmutation, narrative, adaptation shift. 5389 International Journal of Pure and Applied Mathematics Special Issue 1. Introduction The colors, the light, the simplicity of the image, that direct gaze: a lot of Vermeer’s paintings are people not looking at us, in their own world, but she draws us in. In that way she’s very modern. When you think about the Monalisa, she is also looking at us, but she isn’t sitting back in the painting, self-contained. -
[PDF] Lincoln in the Bardo: a Novel George Saunders
[PDF] Lincoln In The Bardo: A Novel George Saunders - book free Lincoln In The Bardo: A Novel by George Saunders Download, Free Download Lincoln In The Bardo: A Novel Ebooks George Saunders, Lincoln In The Bardo: A Novel Full Collection, PDF Lincoln In The Bardo: A Novel Free Download, free online Lincoln In The Bardo: A Novel, online free Lincoln In The Bardo: A Novel, Download Online Lincoln In The Bardo: A Novel Book, pdf free download Lincoln In The Bardo: A Novel, read online free Lincoln In The Bardo: A Novel, Lincoln In The Bardo: A Novel George Saunders pdf, by George Saunders Lincoln In The Bardo: A Novel, by George Saunders pdf Lincoln In The Bardo: A Novel, Download Online Lincoln In The Bardo: A Novel Book, Pdf Books Lincoln In The Bardo: A Novel, Read Lincoln In The Bardo: A Novel Books Online Free, Lincoln In The Bardo: A Novel Ebooks Free, Lincoln In The Bardo: A Novel Popular Download, Lincoln In The Bardo: A Novel Read Download, Lincoln In The Bardo: A Novel Free PDF Download, Lincoln In The Bardo: A Novel Free PDF Online, DOWNLOAD CLICK HERE This was quite a few of my favorite stories. The bottom line a bad rapture is written in a way that makes you feel like you should be treated with love as to how we are it. After a girl is blessed to kill her in summer. I 'm now reading the scriptures because it 's spoilers again having finish the book i am unfair to review it. -
The Failure of Sympathy in the Recent Works of J.M. Coetzee
The failure of sympathy in the recent works of JM Coetzee Warwick Ian Shapcott A thesis submitted in fulfilment of the requirements for the degree of Masters of Arts (Research) School of English University of New South Wales July 2006 ORIGINALITY STATEMENT 'I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.' Signed ......... Date ........................ ..~~.l.~.l~.7 ......................... COPYRIGHT STATEMENT 'I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Books I've Read Since 2002
Tracy Chevalier – Books I’ve read since 2002 2019 January The Mars Room Rachel Kushner My Sister, the Serial Killer Oyinkan Braithwaite Ma'am Darling: 99 Glimpses of Princess Margaret Craig Brown Liar Ayelet Gundar-Goshen Less Andrew Sean Greer War and Peace Leo Tolstoy (continued) February How to Own the Room Viv Groskop The Doll Factory Elizabeth Macneal The Cut Out Girl Bart van Es The Gifted, the Talented and Me Will Sutcliffe War and Peace Leo Tolstoy (continued) March Late in the Day Tessa Hadley The Cleaner of Chartres Salley Vickers War and Peace Leo Tolstoy (finished!) April Sweet Sorrow David Nicholls The Familiars Stacey Halls Pillars of the Earth Ken Follett May The Mercies Kiran Millwood Hargraves (published Jan 2020) Ghost Wall Sarah Moss Two Girls Down Louisa Luna The Carer Deborah Moggach Holy Disorders Edmund Crispin June Ordinary People Diana Evans The Dutch House Ann Patchett The Tenant of Wildfell Hall Anne Bronte (reread) Miss Garnet's Angel Salley Vickers (reread) Glass Town Isabel Greenberg July American Dirt Jeanine Cummins How to Change Your Mind Michael Pollan A Month in the Country J.L. Carr Venice Jan Morris The White Road Edmund de Waal August Fleishman Is in Trouble Taffy Brodesser-Akner Kindred Octavia Butler Another Fine Mess Tim Moore Three Women Lisa Taddeo Flaubert's Parrot Julian Barnes September The Nickel Boys Colson Whitehead The Testaments Margaret Atwood Mothership Francesca Segal The Secret Commonwealth Philip Pullman October Notes to Self Emilie Pine The Water Cure Sophie Mackintosh Hamnet Maggie O'Farrell The Country Girls Edna O'Brien November Midnight's Children Salman Rushdie (reread) The Wych Elm Tana French On Earth We're Briefly Gorgeous Ocean Vuong December Olive, Again Elizabeth Strout* Drive Your Plow Over the Bones of the Dead Olga Tokarczuk And Then There Were None Agatha Christie Girl Edna O'Brien My Dark Vanessa Kate Elizabeth Russell *my book of the year. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Margaret Atwood: a Canadian Novelist
Margaret Atwood: A Canadian Novelist Introduction Contents Margaret Atwood is a name nearly all Canadians know, and now that she has finally won the prestigious Booker Prize her already considerable international Introduction reputation is greatly enhanced. Canadians, however, are often criticized for not celebrating our cultural icons, whether it be from a collective sense of modesty or The Range of The Blind uncertainty as to the elusive Canadian identity. Be that as it may, we do recognize Assassin Margaret Atwood as one of our greatest writers, and this international win for her latest novel, The Blind Assassin, certainly gives us reason to reappraise her Not Just A Novelist considerable contribution to that genre of literature referred to as CanLit. The Booker Prize-considered one of the world's most important literary awards-is given each year to what is judged the best original full-length novel written by a citizen of Subjectivity, Literature, the British Commonwealth or the Republic of Ireland. Atwood's novels have been and The Blind Assassin nominated for the Booker three times, and now The Blind Assassin takes its place among the very best literary works of fiction in the world. As Canadians, we have Themes of Margaret good reason to recognize and validate the talent and achievements of our artists, Atwood and we do so. "Canadian content" is a standard qualifier and indicator of success for us, whether in the form of a Jim Carrey movie, the music of Céline Dion, or the Portraying Women's Lives comedy of John Candy or Dan Ackroyd.