Bruckner Orchester Linz

Total Page：16

File Type：pdf, Size：1020Kb

Bruckner Orchester Linz The history of the Bruckner Orchester Linz spans 200 years of tradition and excellence. In the last three decades, it has won an international reputation as one of the leading orchestras of Central Europe. Consisting of 128 musicians, the orchestra is not only the concert orchestra for the state of Upper Austria but also the opera orchestra at the Landestheater Linz, and participates in the Bruckner Festival, the Ars Electronica Festival and the Linzer Klangwolke. The Bruckner Orchester Linz has performed extensively in The United States (2005, 2009), Germany, Spain and Italy under Chief Conductor Dennis Russell Davies in addition to appearances in Japan and France. Recent tours have featured concerts in Cologne, Paris, Vienna and Istanbul ans since 2012 the Orchestra is having its own concert cycle at the Musikverein Wien. The Bruckner Orchester records prolifically including recent productions of Bruckner’s “Nullte” and Fifth Symphonies in completion of a Bruckner cycle for arte nova/SONY as well as of Symphonies No. 6, 7, 8 and 9, The Voyage and the opera Kepler as CD and DVD by Philip Glass. The orchestra has already gained an excellent reputation for its recordings of works by Wolfgang Amadeus Mozart, Franz Schubert, Siegfried Matthus, Franz Schmidt, Erich Wolfgang Korngold and Gustav Holst. During its long and venerable history, the orchestra has performed with such luminaries as Clemens Krauss, Hans Knappertsbusch, Sergiu Celibidache, Kurt Eichhorn, Vaclav Neumann, and Christoph von Dohnányi. In recent times, the distinguished roster has included Zubin Mehta, Serge Baudo, Horst Stein, Vladimir Fedosejew, Michael Gielen, Bernhard Klee, Steven Sloane, Stanislaw Skrowaczewski, Michael Schønwandt and Franz Welser-Möst. The Resident Conductor is Ingo Ingensand. Maestro Heinrich Schiff appears regularly with the orchestra, both as soloist and as conductor. He was named the Principal Guest Conductor in 2004 OÖ. THEATER UND ORCHESTER GmbH Landestheater Linz | Bruckner Orchester Linz Upper Austrian State Theatre | Bruckner Orchester Linz Volksgarten 1 | 4020 Linz | Österreich. Austria +43(0)732.7611.275 | Fax .316 +43(0)676.897611.275 [email protected] | www.brucknerorchester.at Geschäftsführung: Rainer Mennicken, Uwe Schmitz-Gielsdorf, Dennis Russell Davies Aufsichtsrat: Landeshauptmann Dr. Josef Pühringer (Vorsitzender) Firmenbuch: Sitz Linz, Landesgericht Linz, FN 265841v, UID ATU61867956, DVR 459003, KSV1434615 .

Copy Link

Recommended publications

ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT
A.7 ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT SERIE ARRIAGA 2016.2017 Auditorio Nacional Medio colaborador de Música A.7 ORCHESTRE DE LA SUISSE ROMANDE Fue fundada, en 1918, por Ernest Ansermet, que fue su Director hasta 1967. Está formada por 112 músicos permanentes. Sus actividades incluyen una serie de conciertos de abono, en Ginebra y Lausana, los conciertos sinfónicos oficiales de la ciudad de Ginebra, el Concierto Benéfico Anual de las Naciones Unidas y representaciones de ópera en el Grand Théâtre de Ginebra. Jonathan Nott ocupa el puesto de Director Titular, a partir de la temporada 2016-2017. Su Principal Director Invitado es el japonés Kazuki Yamada. Desde sus inicios y bajo el liderazgo de su fundador y de sus sucesores Paul Kletzki (1967-1970), Wolfgang Sawallisch (1970-1980), Horst Stein (1980-1985), Armin Jordan (1985-1997), Fabio Luisi (1997-2002), Pinchas Steinberg (2002- 2005), Marek Janowski (2005-2012) y Neeme Järvi (2012-2015), la orquesta ha contribuido activamente a la historia de la música a través del apoyo a compositores contemporáneos. Una de sus misiones más importantes es el apoyo a nueva música orquestal, especialmente de compositores suizos. Desde sus comienzos y en colaboración con la Televisión Suiza-Francesa sus conciertos llegan a un público de millones de personas en todo el mundo. Gracias a su estrecho trabajo con Decca, se realizaron legendarias grabaciones. El resto de los registros, para unos doce sellos diferentes, han recibido numerosos premios. Más recientemente, la orquesta ha desarrollado una privilegiada colaboración con PentaTone. Sus giras internacionales la han llevado a actuar en las principales salas de concierto de Europa (Berlín, Londres, Viena, Salzburgo, París, Madrid, Barcelona, Budapest y Ámsterdam), Asia (Tokio, Seúl, Beijing), así como en América (Boston, Nueva York, San Francisco, Washington, São Paulo, Buenos Aires y Montevideo).
[Show full text]
The Little Match Girl, Choral Music by Gordon Getty
FOR IMMEDIATE RELEASE NEW PENTATONE CLASSICS CD: THE LITTLE MATCH GIRL CHORAL WORKS BY GORDON GETTY A new recording of choral music by composer Gordon Getty, The Little Match Girl, has just been released on the PentaTone Classics label (PTC 5186 480). Four of Getty’s choral works are performed by the Münchner Rundfunkorchester (Munich Radio Orchestra) and Chor des Bayerischen Rundfunks (Bavarian Radio Choir), with soloists Nikolai Schukoff, Melody Moore and Lester Lynch. The world premiere recordings of The Little Match Girl, after the story by Hans Christian Andersen, and A Prayer for My Daughter, based on the Yeats poem, are coupled with Poor Peter, with text by the composer (a premiere recording of this arrangement), and Joan and the Bells, Getty’s cantata for soprano, baritone, chorus and orchestra. Contents of the CD PentaTone Classics (PTC 5186 480) THE LITTLE MATCH GIRL COMPOSER GORDON GETTY (b. 1933) 2 Nikolai Schukoff, tenor Melody Moore, soprano Lester Lynch, baritone Chor des Bayerischen Rundfunks Chorus Masters: Jörn Hinnerk Andresen (tracks 1-5) and Robert Blank (6-8) Münchner Rundfunkorchester Conducted by Asher Fisch (1-5) and Ulf Schirmer (6-8) A PRAYER FOR MY DAUGHTER* (TRACK 1) For Chorus and Orchestra Text by William Butler Yeats POOR PETER* (TRACKS 2-4) For Tenor, Chorus and Orchestra Text by Gordon Getty THE LITTLE MATCH GIRL* (TRACK 5) For Chorus and Orchestra Text by Hans Christian Andersen (English translation by H. B. Paull) From the short story The Little Match Girl JOAN AND THE BELLS (TRACKS 6-8) Cantata for Soprano, Baritone, Chorus and Orchestra Text by Gordon Getty Total playing time = 66:59 * World Premiere Recording About Gordon Getty (Composer) The music of the American composer Gordon Getty has been widely performed in North America and Europe in such prestigious venues as New York’s Carnegie Hall and Lincoln Center, London’s Royal Festival Hall, Vienna’s Brahmssaal, and Moscow’s Tchaikovsky Hall and Bolshoi Theatre, as well as at the Aspen, Spoleto, and Bad Kissingen festivals.
[Show full text]
Roman TREKEL Baritone
Roman TREKEL Baritone Roman Trekel is born in Pirna, Germany, both parents were opera singers, with eight years he started to study Oboe, later on he studied at the Academy of Music in Berlin with Prof. Heinz Reeh, where he finished his studies also with distinction. First he was member of the opera studio at Staatsoper Berlin and became then member of the ensemble, he is still engaged at Staatsoper Berlin where he has been heard with roles like Pelleas, Count in "Nozze di Figaro", Gugliemo/Don Alfonso, Harlekin, Papageno, Sharpless, Ford, Onegin, Wolfram, Kurwenal and Amfortas, He made his debut at Festival in Bayreuth , where he returned for more than 10 years and sang at most of the major houses including Covent Garden London , Madrid , Zürich , Amsterdam , Florence , Madrid , Tokyo , he made his successful debut at Scala Milano as Wolfram. He was heard in solo concerts at Alte Oper Frankfurt , with MDR Leipzig , NDR Hannover , Philharmonie Cologne , at Schwetzinger Festival, at Ludwigsburger Schlossfestspielen, at Wigmore Hall London , Musikverein Vienna , Zürich , Brussels , Atlanta , Chicago , New York , and in orchestra concerts with Berliner Philharmoniker, Deutsches Symphonie Orchester Berlin , Münchner Philharmoniker, Chicago Symphonie Orchestra, Cleveland Orchestra, Israel Philharmonic Orchestra in Tel Aviv . He worked with conductors such as Claudio Abbado , Daniel Barenboim , Pierre Boulez , Michael Gielen , Hartmut Haenchen , Eliahu Inbal , René Jacobs , Marek Janowski , Fabio Luisi , Zubin Mehta , Ingo Metzmacher , Kent Nagano , Antonio Pappano , Helmut Rilling, Sir Georg Solti , Horst Stein , Christian Thielemann , Franz Welser-Möst , Lothar Zagrosek and stage directors like Philippe Arlaud , Ruth Berghaus , Fred Berndt , Nicolas Brieger , Patrice Chereau , Doris Dörrie , August Everding , Erhard Fischer , Harry Kupfer , Nikolaus Lehnhoff , Jonathan Miller , Alexander Schulin and Keith Warner.
[Show full text]
Decca - Wiener Philharmoniker
DECCA - WIENER PHILHARMONIKER Vienna Holiday, Hans Knappertsbusch New Year Concert 1951, Hilde Gueden (soprano), Clemens Krauss, Josef Krips Overtures of Old Vienna, Willi Boskovsky New Year Concert 1979, Willi Boskovsky Adam: Giselle, Herbert von Karajan Bartók: Two Portraits Op. 5, The Miraculous Mandarin, Op. 19, Sz. 73 (complete ballet), Erich Binder (violin), Christoph von Dohnányi Beethoven: Symphony No. 1 in C major, Op. 21, Pierre Monteux Beethoven: Symphony No. 2 in D major, Op. 36, Hans Schmidt-Isserstedt Beethoven: Symphony No. 4 in B flat major, Op. 60, Hans Schmidt-Isserstedt Beethoven: Symphony No. 3 in E flat major, Op. 55 'Eroica', Erich Kleiber Beethoven: Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Erich Kleiber Beethoven: Fidelio Overture Op. 72c, Clemens Krauss Beethoven: Symphony No. 5 in C minor, Op. 67, Sir Georg Solti, Beethoven: Symphony No. 7 in A major, Op. 92,. Sir Georg Solti Beethoven: Symphony No. 8 in F major, Op. 93, Claudio Abbado Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral', Joan Sutherland (soprano), Marilyn Horne (contralto), James King (tenor), Martti Talvela (bass), Hans Schmidt- Isserstedt Beethoven: Piano Concerto No. 1 in C Major, Op. 15, Friedrich Gulda (piano), Karl Böhm Beethoven: Piano Concerto No. 2 in B flat major, Op. 19, Vladimir Ashkenazy (piano), Zubin Mehta Beethoven: Piano Concerto No. 3 in C minor, Op. 37, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 4 in G major, Op. 58, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 5 in E flat major, Op. 73 'Emperor', Clifford Curzon (piano), Hans Knappertsbusch Beethoven: String Quartet No.
[Show full text]
Ett Porträtt Av Orchestre De La Suisse Romande
Ett porträtt av Orchestre de la Suisse Romande Orchestre de la Suisse Romande – One Century of Music Pentatone PTC5186791 [5 CD] Orchestre de la Suisse Romande bildades 1918 där syftet var att ge den fransktalande populationen i Schweiz en orkester som motpol till den dominerande tysktalande delen av landet. Den legendariske dirigenten Ernest Ansermet var grundaren av orkestern och hans kamp för att få orkestern att överleva både politiskt motstånd men även 1930-talets ekonomiska depression gjorde att han hade alla odds emot sig. På sikt lyckades orkestern att bli så etablerad som tanken var och orkestern fungerar väl än idag. I en ny box från Pentatone på 5 cd får vi höra musik framförd av orkesterns samtliga chefdirigenter. Ansermet var chef nästan 50 år mellan åren 1918–1967 och därefter har orkestern letts av följande dirigenter under betydligt kortare perioder: Paul Kletzki, Wolfgang Sawallisch, Horst Stein, Armin Jordan, Fabio Luisi, Pinchas Steinberg, Marek Janowski, Neeme Järvi och Jonathan Nott (orkesterns nuvarande chefsdirigent). Många välkända maestror har därmed haft ansvaret för orkestern genom åren men ingen så länge som grundaren själv. Denna box innehåller 19 olika verk vilket visar på den mångsidighet som finns hos orkestern. Den första skivan ägnas åt fransk musik, den andra åt tyska tonsättare, nr. 3 fokuserar på verk från 1900-talet och nr. 4 innehåller rysk musik. Den sista, den femte, ägnas åt en historisk inspelning från januari 1943, där Ansermet dirigerar Gustave Dorets ”Les Armaillis”, en dramatisk legend för solister, kör och orkester. Det något daterade ljudet ger en viss begränsning för att få en helt rättvis bild av både verk och framförande.
[Show full text]
D'indysymphonie Sur Un Chant Montagnard Français Saint
MARTIN HELMCHEN – PIANO ORCHESTRE DE LA SUISSE ROMANDE MAREK JANOWSKI D’INDY SYMPHONIE SUR UN CHANT MONTAGNARD FRANÇAIS SAINT-SAËNS SYMPHONIE NO.2 CHAUSSON SOIR DE FÊTE VINCENT D’INDY (1851-1931) Symphonie sur un chant montagnard français Not a single millionaire among the many in Paris is even thinking about learned from Franck – bases all the movements of a composition on the “Symphonie cévenole” Op. 25 (1886) doing something for classical music. No, any composer outside of theatri- same thematic material. Of course, Franck did not invent this technology: (Symphony on a French Mountain Air) cal scene attempting to write a substantial work in Paris is left completely rather, he distilled it from compositions written by Beethoven, among 1 Assez lent – Modérément animé 10. 46 to his own resources.” others. Perhaps this explains why d’Indy began his Symphonie sur un 2 Assez modéré, mais sans lenteur 6. 33 3 Animé 7. 32 chant Montagnard français with a quote from the first bar of Beethoven’s Martin Helmchen, piano hus wrote a bitter Hector Berlioz in 1854. About 30 years later, the Hammerklavier Sonata, transposed into major. Tmusic world in France had a completely different appearance. The The name Camille Saint-Saëns has already been mentioned. How CAMILLE SAINT-SAËNS (1835-1921) defeat suffered in the French-Prussian war in 1870 had resulted in an could it not be? Saint-Saëns was undoubtedly one of the most influential Symphony No. 2 in A minor Op. 55 (1859) 4 Allegro marcato – upsurge of nationalism, of which music had reaped the benefits.
[Show full text]
D'indysymphonie Sur Un Chant
MARTIN HELMCHEN – PIANO ORCHESTRE DE LA SUISSE ROMANDE MAREK JANOWSKI D’INDY SYMPHONIE SUR UN CHANT MONTAGNARD FRANÇAIS SAINT-SAËNS SYMPHONIE NO.2 CHAUSSON SOIR DE FÊTE HYBRID MUL TICHANNEL VINCENT D’INDY (1851-1931) “Not a single millionaire among the many hus wrote a bitter Hector Berlioz in Symphonie sur un chant montagnard français MARTIN HELMCHEN – PIANO in Paris is even thinking about doing some- 1854. About 30 years later, the music “Symphonie cévenole” Op. 25 (1886) T ORCHESTRE DE LA SUISSE ROMANDE thing for classical music. No, any composer world in France had a completely differ- (Symphony on a French Mountain Air) outside of theatrical scene attempting to ent appearance. The defeat suffered in the 1 Assez lent – Modérément animé 10. 46 MAREK JANOWSKI write a substantial work in Paris is left com- French-Prussian war in 1870 had resulted in 2 Assez modéré, mais sans lenteur 6. 33 pletely to his own resources.” an upsurge of nationalism, of which music 3 Animé 7. 32 had reaped the benefits. In the concert hall, Martin Helmchen, piano Total playing time: 62.36 Recording venue: Victoria Hall, Geneva, Switzerland, July 2010 the reign of the German composers was Executive producer: Job Maarse slowly being usurped by the French com- CAMILLE SAINT-SAËNS (1835-1921) Recording producer: Job Maarse posers. An important contributing factor Symphony No. 2 in A minor Op. 55 (1859) Balance engineer: Erdo Groot Recording engineer: Roger de Schot was the founding of the Société Nationale 4 Allegro marcato – Editing: Roger de Schot de Musique in 1871. Proudly announcing its Allegro appassionato 7.
[Show full text]
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist.
[Show full text]
Meistersinger Resources
DIE MEISTERSINGER VON NÜRNBERG RESOURCES Books Die Meistersinger von Nurnberg (Overture Opera Guides) Author: Richard Wagner. Notes: The guide also includes the full libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography and DVD and website guides. English. 300 pages. Overture Publishing. 2015. Die Meistersinger von Nurnberg in Full Score (Dover Music Scores) Author: Richard Wagner. Notes: a reprint of an authoritative and accessible German score from the turn of the twentieth century, the complete orchestral and vocal score, published by Dover Publications; Reprint edition (October 16, 2009). English. 832 pages. Dover Publications. 2009. Die Meistersinger von Nurnberg (G. Schirmer Opera Score Editions) Author: Richard Wagner. Notes: Libretto. German/English. 96 pages. G. Schirmer Libretto 5. 1986. Die Meistersinger von Nurnberg (G. Schirmer Opera Score Editions) Author: Richard Wagner. F Jameson. Notes: orchestral and vocal score. English. 576 pages. G. Schirmer Opera Score Editions. 1986. The Mastersingers of Nuremberg (Die Meistersinger von Nurnberg) (English National Opera Guides) Author: Richard Wagner. Editor: Nicholas John. English. 132 pages. University of Michigan Library. 1983. Richard Wagner and German Opera (Classical Composers) Author: M. Owen Lee. Notes: Childrenʼs book for ages 10 and up. English. 144 pages. Morgan Reynolds Publishing. 2004. Wagner: The Terrible Man and His Truthful Art Author: M. Owen Lee. Notes: The bookʼs author is a Catholic priest and Professor Emeritus of Classics at St. Michael's College, University of Toronto. Lee is also commentator for the Texaco Metropolitan Opera radio broadcasts. English. 96 pages. University of Toronto Press, Scholarly Publishing Division. 1999. Wagner and the Wonder of Art: An Introduction to Die Meistersinger Author: M.
[Show full text]
Press Kit Season 20 – 21
Augmented Reality Season 20 – 21 Press Kit Season 20 – 21 20 – 21 : An augmented Many new productions The 2020-2021 programme includes 5 new productions: Turandot reality by director Daniel Kramer, La Clemenza di Tito by Milo Rau, Parsifal by Michael Thalheimer, Dido and Aeneas by Franck Chartier and the duo Peeping Tom, and La Traviata by Karin Henkel. Two productions come from the Opera Vlaanderen, The 2020-2021 season of the Grand Théâtre formerly led by Aviel Cahn: the Makropulos Affair by Janáček de Genève falls under the sign of augmented with Kornél Mundruczó as director and Debussy’y Pelléas and reality. Emotions, reflections, feelings, questioning Mélisande by Sidi Larbi Cherkaoui and Damien Jalet as directors ... opera awakens all the senses of reality by and choreographers. ennobling both the experience and the spectator. The season’s brochure opens with these words from artist Marina Abramović: “I started to believe in the existence of parallel realities. I think that the Golden Baton reality that we see now has a particular frequency and that we are all on the same frequency, which A rare moment in the recent history of the Grand Théâtre, makes us visible to each other, but that it is also the artistic and musical director of the Orchestre de la Suisse possible to change the frequency. To enter a new Romande, Jonathan Nott, is coming to conduct two productions reality. And I believe there are hundreds of these this season: Parsifal by Wagner and Pelléas and Mélisande by realities.” Crossing walls: Memories Debussy. This will be a completely new collaboration.
[Show full text]
Manfred Hemm Bass
Manfred Hemm Bass Manfred Hemm’s recent and future engagements include BARON OCHS Der Rosenkavalier Bolshoi Theatre, Staatsoper Stuttgart, and Theater Magdeburg, ROCCO Fidelio Santa Fe Opera, TRULOVE The Rake’s Progress Theater an der Wien and Opéra de Nancy et de Lorraine, HUNDING Die Walküre Nationaltheater Mannheim, GURNEMANZ Parsifal Estonian National Opera and Prague National Theatre, as well as Mahler 8 Orquestra Simfònica de Barcelona. Manfred Hemm studied at the Conservatory of Music in Vienna and was a member of the ensemble at the Staatsoper Wien. His début at the Metropolitan Opera New York was as PAPAGENO Die Zauberflöte. He later returned for the role of MASETTO Don Giovanni. After a successful début at the Salzburger Festspiele as FIGARO Le Nozze di Figaro he was invited by Herbert von Karajan to sing at the Easter Festival in Salzburg. He has also sung at the festivals of Bayreuth, Aix-en-Provence, Orange, Vienna, Prague and the Maggio Musicale Florence. Other notable engagements have included LEPORELLO Don Giovanni, DON BASILIO Il Barbiere di Siviglia and ENRICO VIII Anna Bolena Bayerische Staatsoper, TALBOT Maria Stuarda Opéra de Monte Carlo, KUNO Der Freischütz Royal Opera House Covent Garden and Teatro alla Scala, BARON OCHS Der Rosenkavalier Scottish Opera and Den Norske Opera, GURNEMANZ Parsifal Scottish Opera and Teatro Carlo Felice Genoa, LEPORELLO Hamburg, SARASTRO Die Zauberflöte San Francisco Opera, BARON OCHS Opéra de Marseille and KING OF CLUBS The Love for Three Oranges Volksoper Wien. Manfred has worked with conductors such as Claudio Abbado, Wolfgang Sawallisch, Nikolaus Harnoncourt, Armin Jordan, James Levine, Sir Colin Davies, Horst Stein, Sir Georg Solti and Herbert von Karajan.
[Show full text]
De Muzikale Geschiedenis Van De Bayreuther Festspiele, Aflevering 21 Door Johan Maarsingh
De muzikale geschiedenis van de Bayreuther Festspiele, aflevering 21 door Johan Maarsingh Bayreuther Festspiele 1970-1975 In 1970 ging een nieuwe productie van Der Ring des Nibelungen in première. Het was de tweede keer dat Wolfgang Wagner de regie voerde in de tetralogie. In alle jaren was de muzikale leiding in handen van Horst Stein (1928-2008). De geboorteplaats van Stein was Elberfeld, dezelfde plaats waar dirigenten Hans Knappertsbusch en Günter Wand het levenslicht aanschouwden. Stein genoot zijn muzikale opleiding aan de Musikhochschule in Frankfurt en het Conservatorium in Keulen, waar hij orkestdirectie studeerde bij de reeds genoemde Günter Wand. Een gedegen training in het operavak als repetitor gaf Stein een enorm inzicht in een omvangrijk repertoire. Het bracht hem posities aan instellingen als de Hamburgse Staatsopera, de Berlijnse Staatsopera, de Weense Staatsopera, de Salzburger Festspiele en de Bayreuther Festspiele. In Bayreuth is Stein vanaf 1952 een aantal jaren werkzaam als repetitor en werkt hij mee aan de opvoeringen onder leiding van Herbert von Karajan, Keilberth, Knappertsbusch en Clemens Krauss. Inmiddels hebben die Iive-opnamen uit 1952-1953 een legendarische status. Horst Stein werkte met diverse orkesten intensief samen, zoals met de Bamberger Symphoniker en zelfs met het orkest van de Japanse Omroep. Met de Wiener Philharmoniker en het Orchestre de la Suisse Romande maakte Stein in de jaren ‘70 diverse plaatopnamen voor Decca. Live opnamen van menige operavoorstelling is op cd te vinden. Bijvoorbeeld Capriccio van Richard Strauss uit Salzburg in 1985, met Anton de Ridder als Monsieur Taupe (Orfeo). Op dat label zijn in de Bayreuth reeks nog geen opnamen onder zijn leiding verschenen, maar hij was wel de dirigent van filmopnamen die in Bayreuth werden gemaakt voor commerciële uitgave van Parsifal (opname uit 1981, Regie: Wolfgang Wagner) en ook van Die Meistersinger von Nürnberg (opname uit 1984, eveneens in de regie van Wolfgang Wagner).
[Show full text]