Manfred Hemm Bass

Total Page:16

File Type:pdf, Size:1020Kb

Manfred Hemm Bass Manfred Hemm Bass Manfred Hemm’s recent and future engagements include BARON OCHS Der Rosenkavalier Bolshoi Theatre, Staatsoper Stuttgart, and Theater Magdeburg, ROCCO Fidelio Santa Fe Opera, TRULOVE The Rake’s Progress Theater an der Wien and Opéra de Nancy et de Lorraine, HUNDING Die Walküre Nationaltheater Mannheim, GURNEMANZ Parsifal Estonian National Opera and Prague National Theatre, as well as Mahler 8 Orquestra Simfònica de Barcelona. Manfred Hemm studied at the Conservatory of Music in Vienna and was a member of the ensemble at the Staatsoper Wien. His début at the Metropolitan Opera New York was as PAPAGENO Die Zauberflöte. He later returned for the role of MASETTO Don Giovanni. After a successful début at the Salzburger Festspiele as FIGARO Le Nozze di Figaro he was invited by Herbert von Karajan to sing at the Easter Festival in Salzburg. He has also sung at the festivals of Bayreuth, Aix-en-Provence, Orange, Vienna, Prague and the Maggio Musicale Florence. Other notable engagements have included LEPORELLO Don Giovanni, DON BASILIO Il Barbiere di Siviglia and ENRICO VIII Anna Bolena Bayerische Staatsoper, TALBOT Maria Stuarda Opéra de Monte Carlo, KUNO Der Freischütz Royal Opera House Covent Garden and Teatro alla Scala, BARON OCHS Der Rosenkavalier Scottish Opera and Den Norske Opera, GURNEMANZ Parsifal Scottish Opera and Teatro Carlo Felice Genoa, LEPORELLO Hamburg, SARASTRO Die Zauberflöte San Francisco Opera, BARON OCHS Opéra de Marseille and KING OF CLUBS The Love for Three Oranges Volksoper Wien. Manfred has worked with conductors such as Claudio Abbado, Wolfgang Sawallisch, Nikolaus Harnoncourt, Armin Jordan, James Levine, Sir Colin Davies, Horst Stein, Sir Georg Solti and Herbert von Karajan. Athole Still Artists Foresters Hall T 020 8771 5271 Company No. 06612644 25-27 Westow Street F 020 8771 8172 London SE19 3RY E [email protected] www.atholestill.com Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • What Is Conductorcise® ?
    WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones.
    [Show full text]
  • ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT
    A.7 ORCHESTRE DE LA SUISSE ROMANDE Director Titular: JONATHAN NOTT SERIE ARRIAGA 2016.2017 Auditorio Nacional Medio colaborador de Música A.7 ORCHESTRE DE LA SUISSE ROMANDE Fue fundada, en 1918, por Ernest Ansermet, que fue su Director hasta 1967. Está formada por 112 músicos permanentes. Sus actividades incluyen una serie de conciertos de abono, en Ginebra y Lausana, los conciertos sinfónicos oficiales de la ciudad de Ginebra, el Concierto Benéfico Anual de las Naciones Unidas y representaciones de ópera en el Grand Théâtre de Ginebra. Jonathan Nott ocupa el puesto de Director Titular, a partir de la temporada 2016-2017. Su Principal Director Invitado es el japonés Kazuki Yamada. Desde sus inicios y bajo el liderazgo de su fundador y de sus sucesores Paul Kletzki (1967-1970), Wolfgang Sawallisch (1970-1980), Horst Stein (1980-1985), Armin Jordan (1985-1997), Fabio Luisi (1997-2002), Pinchas Steinberg (2002- 2005), Marek Janowski (2005-2012) y Neeme Järvi (2012-2015), la orquesta ha contribuido activamente a la historia de la música a través del apoyo a compositores contemporáneos. Una de sus misiones más importantes es el apoyo a nueva música orquestal, especialmente de compositores suizos. Desde sus comienzos y en colaboración con la Televisión Suiza-Francesa sus conciertos llegan a un público de millones de personas en todo el mundo. Gracias a su estrecho trabajo con Decca, se realizaron legendarias grabaciones. El resto de los registros, para unos doce sellos diferentes, han recibido numerosos premios. Más recientemente, la orquesta ha desarrollado una privilegiada colaboración con PentaTone. Sus giras internacionales la han llevado a actuar en las principales salas de concierto de Europa (Berlín, Londres, Viena, Salzburgo, París, Madrid, Barcelona, Budapest y Ámsterdam), Asia (Tokio, Seúl, Beijing), así como en América (Boston, Nueva York, San Francisco, Washington, São Paulo, Buenos Aires y Montevideo).
    [Show full text]
  • The Little Match Girl, Choral Music by Gordon Getty
    FOR IMMEDIATE RELEASE NEW PENTATONE CLASSICS CD: THE LITTLE MATCH GIRL CHORAL WORKS BY GORDON GETTY A new recording of choral music by composer Gordon Getty, The Little Match Girl, has just been released on the PentaTone Classics label (PTC 5186 480). Four of Getty’s choral works are performed by the Münchner Rundfunkorchester (Munich Radio Orchestra) and Chor des Bayerischen Rundfunks (Bavarian Radio Choir), with soloists Nikolai Schukoff, Melody Moore and Lester Lynch. The world premiere recordings of The Little Match Girl, after the story by Hans Christian Andersen, and A Prayer for My Daughter, based on the Yeats poem, are coupled with Poor Peter, with text by the composer (a premiere recording of this arrangement), and Joan and the Bells, Getty’s cantata for soprano, baritone, chorus and orchestra. Contents of the CD PentaTone Classics (PTC 5186 480) THE LITTLE MATCH GIRL COMPOSER GORDON GETTY (b. 1933) 2 Nikolai Schukoff, tenor Melody Moore, soprano Lester Lynch, baritone Chor des Bayerischen Rundfunks Chorus Masters: Jörn Hinnerk Andresen (tracks 1-5) and Robert Blank (6-8) Münchner Rundfunkorchester Conducted by Asher Fisch (1-5) and Ulf Schirmer (6-8) A PRAYER FOR MY DAUGHTER* (TRACK 1) For Chorus and Orchestra Text by William Butler Yeats POOR PETER* (TRACKS 2-4) For Tenor, Chorus and Orchestra Text by Gordon Getty THE LITTLE MATCH GIRL* (TRACK 5) For Chorus and Orchestra Text by Hans Christian Andersen (English translation by H. B. Paull) From the short story The Little Match Girl JOAN AND THE BELLS (TRACKS 6-8) Cantata for Soprano, Baritone, Chorus and Orchestra Text by Gordon Getty Total playing time = 66:59 * World Premiere Recording About Gordon Getty (Composer) The music of the American composer Gordon Getty has been widely performed in North America and Europe in such prestigious venues as New York’s Carnegie Hall and Lincoln Center, London’s Royal Festival Hall, Vienna’s Brahmssaal, and Moscow’s Tchaikovsky Hall and Bolshoi Theatre, as well as at the Aspen, Spoleto, and Bad Kissingen festivals.
    [Show full text]
  • John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
    2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll.
    [Show full text]
  • Così Fan Tutte
    Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
    [Show full text]
  • Roman TREKEL Baritone
    Roman TREKEL Baritone Roman Trekel is born in Pirna, Germany, both parents were opera singers, with eight years he started to study Oboe, later on he studied at the Academy of Music in Berlin with Prof. Heinz Reeh, where he finished his studies also with distinction. First he was member of the opera studio at Staatsoper Berlin and became then member of the ensemble, he is still engaged at Staatsoper Berlin where he has been heard with roles like Pelleas, Count in "Nozze di Figaro", Gugliemo/Don Alfonso, Harlekin, Papageno, Sharpless, Ford, Onegin, Wolfram, Kurwenal and Amfortas, He made his debut at Festival in Bayreuth , where he returned for more than 10 years and sang at most of the major houses including Covent Garden London , Madrid , Zürich , Amsterdam , Florence , Madrid , Tokyo , he made his successful debut at Scala Milano as Wolfram. He was heard in solo concerts at Alte Oper Frankfurt , with MDR Leipzig , NDR Hannover , Philharmonie Cologne , at Schwetzinger Festival, at Ludwigsburger Schlossfestspielen, at Wigmore Hall London , Musikverein Vienna , Zürich , Brussels , Atlanta , Chicago , New York , and in orchestra concerts with Berliner Philharmoniker, Deutsches Symphonie Orchester Berlin , Münchner Philharmoniker, Chicago Symphonie Orchestra, Cleveland Orchestra, Israel Philharmonic Orchestra in Tel Aviv . He worked with conductors such as Claudio Abbado , Daniel Barenboim , Pierre Boulez , Michael Gielen , Hartmut Haenchen , Eliahu Inbal , René Jacobs , Marek Janowski , Fabio Luisi , Zubin Mehta , Ingo Metzmacher , Kent Nagano , Antonio Pappano , Helmut Rilling, Sir Georg Solti , Horst Stein , Christian Thielemann , Franz Welser-Möst , Lothar Zagrosek and stage directors like Philippe Arlaud , Ruth Berghaus , Fred Berndt , Nicolas Brieger , Patrice Chereau , Doris Dörrie , August Everding , Erhard Fischer , Harry Kupfer , Nikolaus Lehnhoff , Jonathan Miller , Alexander Schulin and Keith Warner.
    [Show full text]
  • A CONCERT with COMMENTARY, JEFFREY SIEGEL to PRESENT MOZART and HAYDN “The Leonard Bernstein of the Piano” Returns for His Ninth Season
    Contact: Dave Webb Phone: 530-400-1253 E-mail: [email protected] Web: harriscenter.net/about/press-room A CONCERT WITH COMMENTARY, JEFFREY SIEGEL TO PRESENT MOZART AND HAYDN “The Leonard Bernstein of the piano” returns for his ninth season (August 2, 2019, Folsom, CA) Hailed as “an artist who means every note he plays” (New York Times), internationally acclaimed pianist Jeffrey Siegel brings power and passion to his celebrated Keyboard Conversations — returning to Folsom for his ninth season. He has been called “the Leonard Bernstein of the piano” (Chicago Tribune); "Jeffrey Siegel has everything: massive technique, musical sensitivity and character, wide tonal resources, immense reserves of power, and the ability to communicate" (Los Angeles Times). In presenting these “concerts with lively commentary” Mr. Siegel offers comments on the work, the composer, even the times in which the work was composed and then gives a virtuosic performance of a piano masterpiece. A lively Q&A concludes the concert. His presentations enrich the listening experience for the avid music lover as well as provide an inviting, instantly accessible introduction to great music for those new to classical music. "Siegel's programs strengthen the fragile bonds of communication between composer and listener and are as welcome as they are rare." (Chicago Tribune). For his concert on Saturday, August 24, Mr. Siegel will perform MOZART AND HAYDN – HUMOR AND HEARTACHE, an evening of irresistible charm and wit – and deep anguish and sadness. Haydn’s exuberant “Gypsy Rondo” and melancholy “F Minor Variations,” Mozart’s passionate “A Minor Sonata.” The inaugural Keyboard Conversations® With Jeffrey Siegel commences on Saturday, August 24 at 7:30 pm.
    [Show full text]
  • Lynn Freeman Olson Collection Cassette
    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
    [Show full text]
  • Bruckner Orchester Linz
    Bruckner Orchester Linz The history of the Bruckner Orchester Linz spans 200 years of tradition and excellence. In the last three decades, it has won an international reputation as one of the leading orchestras of Central Europe. Consisting of 128 musicians, the orchestra is not only the concert orchestra for the state of Upper Austria but also the opera orchestra at the Landestheater Linz, and participates in the Bruckner Festival, the Ars Electronica Festival and the Linzer Klangwolke. The Bruckner Orchester Linz has performed extensively in The United States (2005, 2009), Germany, Spain and Italy under Chief Conductor Dennis Russell Davies in addition to appearances in Japan and France. Recent tours have featured concerts in Cologne, Paris, Vienna and Istanbul ans since 2012 the Orchestra is having its own concert cycle at the Musikverein Wien. The Bruckner Orchester records prolifically including recent productions of Bruckner’s “Nullte” and Fifth Symphonies in completion of a Bruckner cycle for arte nova/SONY as well as of Symphonies No. 6, 7, 8 and 9, The Voyage and the opera Kepler as CD and DVD by Philip Glass. The orchestra has already gained an excellent reputation for its recordings of works by Wolfgang Amadeus Mozart, Franz Schubert, Siegfried Matthus, Franz Schmidt, Erich Wolfgang Korngold and Gustav Holst. During its long and venerable history, the orchestra has performed with such luminaries as Clemens Krauss, Hans Knappertsbusch, Sergiu Celibidache, Kurt Eichhorn, Vaclav Neumann, and Christoph von Dohnányi. In recent times, the distinguished roster has included Zubin Mehta, Serge Baudo, Horst Stein, Vladimir Fedosejew, Michael Gielen, Bernhard Klee, Steven Sloane, Stanislaw Skrowaczewski, Michael Schønwandt and Franz Welser-Möst.
    [Show full text]
  • Decca - Wiener Philharmoniker
    DECCA - WIENER PHILHARMONIKER Vienna Holiday, Hans Knappertsbusch New Year Concert 1951, Hilde Gueden (soprano), Clemens Krauss, Josef Krips Overtures of Old Vienna, Willi Boskovsky New Year Concert 1979, Willi Boskovsky Adam: Giselle, Herbert von Karajan Bartók: Two Portraits Op. 5, The Miraculous Mandarin, Op. 19, Sz. 73 (complete ballet), Erich Binder (violin), Christoph von Dohnányi Beethoven: Symphony No. 1 in C major, Op. 21, Pierre Monteux Beethoven: Symphony No. 2 in D major, Op. 36, Hans Schmidt-Isserstedt Beethoven: Symphony No. 4 in B flat major, Op. 60, Hans Schmidt-Isserstedt Beethoven: Symphony No. 3 in E flat major, Op. 55 'Eroica', Erich Kleiber Beethoven: Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Erich Kleiber Beethoven: Fidelio Overture Op. 72c, Clemens Krauss Beethoven: Symphony No. 5 in C minor, Op. 67, Sir Georg Solti, Beethoven: Symphony No. 7 in A major, Op. 92,. Sir Georg Solti Beethoven: Symphony No. 8 in F major, Op. 93, Claudio Abbado Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral', Joan Sutherland (soprano), Marilyn Horne (contralto), James King (tenor), Martti Talvela (bass), Hans Schmidt- Isserstedt Beethoven: Piano Concerto No. 1 in C Major, Op. 15, Friedrich Gulda (piano), Karl Böhm Beethoven: Piano Concerto No. 2 in B flat major, Op. 19, Vladimir Ashkenazy (piano), Zubin Mehta Beethoven: Piano Concerto No. 3 in C minor, Op. 37, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 4 in G major, Op. 58, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 5 in E flat major, Op. 73 'Emperor', Clifford Curzon (piano), Hans Knappertsbusch Beethoven: String Quartet No.
    [Show full text]
  • Interview with RENEE FLEMING Was Conducted by the Library of Congress on March 23, 2018
    This interview with RENEE FLEMING was conducted by the Library of Congress on March 23, 2018 Renee Fleming Library of Congress: For you, what was the general experience of making the album like? Renee Fleming: Recording “Signatures” was, for me, the ultimate experience--a chance to capture a wide range of iconic opera scenes from my core repertoire, with legendary conductor, Sir Georg Solti, and the world-renowned London Symphony Orchestra. Opera is a largely European tradition, but I was fortunate to have mentors in American icons Beverly Sills, Marilyn Horne, and Leontyne Price, who gave me invaluable personal guidance at the beginning and well into my career. And as the daughter of two public-school vocal music teachers, I grew up steeped in music, but I was also the beneficiary of a robust, wide-ranging education in arts in our local public school system. To have “Signatures” included in the National Registry of the Library of Congress is an honor that is deeply meaningful for me; not only because I love these works so much, but also because I feel that now, more than ever, valuing arts in our culture is absolutely essential. LOC: How did you go about choosing the particular selections for this album? RF: I was offered a rare opportunity in this album–a luxury, really–of recording full scenes, rather than just excerpted arias. At the time, it was unusual to present so many different languages on one recording, and few Americans recorded in Russian or Czech. For “Signatures,” I recorded extended scenes: Tatyana’s letter scene from “Eugene Onegin,” the Willow Song and Ave Maria sequence from “Otello,” and Daphne’s transformation from Strauss’s opera of the Greek myth.
    [Show full text]
  • Remarks at the Kennedy Center Honors Reception December 8, 2002
    Dec. 8 / Administration of George W. Bush, 2002 Remarks at the Kennedy Center Honors Reception December 8, 2002 Welcome to the East Room of the White By his own will and God-given talent, House. We are glad you’re here. Laura and James Earl Jones gained breakthrough roles I are so pleased to join you in honoring on the stage and in some of the finest the achievements of five great Americans. films of recent decades, from ‘‘The Great We welcome the honorees, and we wel- White Hope’’ to the ‘‘Field of Dreams.’’ come their families and friends who share Along the way, Americans have come to the pride of this special day. know an artist of seriousness and skill. Each new group of Kennedy Center hon- They’ve also come to know a man of great orees presents a picture to remember. This dignity whose voice we hope to hear for year we’ve brought together in one room many years to come. Congratulations. a legend of Broadway, the conductor of It is not commonly known, but Paul the Met, the composer of ‘‘Mrs. Robin- Simon got his start on the stage as well, son’’—[laughter]—the face of Cleopatra— as the White Rabbit—[laughter]—in a sixth [laughter]—and the voice of Darth Vader. grade production of ‘‘Alice in Wonderland.’’ [Laughter] [Laughter] Playing the Cheshire Cat was We’re all looking forward to a fine show his new friend Art Garfunkel. this evening at the Kennedy Center, pro- Paul Simon still thinks of himself as a boy from Queens.
    [Show full text]