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Soft Heap Soft Heap mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Soft Heap Country: Japan Released: 2017 Style: Jazz-Rock, Jazz-Funk MP3 version RAR size: 1795 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1856 mb Rating: 4.8 Votes: 791 Other Formats: XM AC3 MP4 VQF AU MPC RA Tracklist Hide Credits Circle Line 1 6:55 Written-By – Hugh Hopper A.W.O.L. 2 9:35 Written-By – Alan Gowen, Elton Dean, Pip Pyle Petit 3'S 3 6:19 Written-By – Alan Gowen Terra Nova 4 10:03 Written-By – Elton Dean Fara 5 6:42 Trombone – Radu MalfattiTrumpet – Marc CharigWritten-By – Elton Dean Short Hand 6 3:13 Written-By – Alan Gowen Credits Bass – Hugh Hopper Design [Sleeve] – Starshine Graphics Drums – Pip Pyle Mixed By – Anthony David Piano, Synthesizer – Alan Gowen Producer – Soft Heap, Wally Brill Remastered By [Digitally] – Kazuo Ogino Saxophone – Elton Dean Barcode and Other Identifiers Barcode (Scanned): 4527516603182 Matrix / Runout: BELLE172750 1W Mastering SID Code: IFPI L244 Mould SID Code: IFPI 4011 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year CRL 5014 Soft Heap Soft Heap (LP, Album) Charly Records CRL 5014 UK 1979 Soft Heap (CD, Album, 14839 Soft Heap Spalax Music 14839 France 1995 RE) Soft Heap (LP, Album, Seven Seas, Charly K22P-351 Soft Heap K22P-351 Japan 1982 RE) Records Soft Heap (CD, Album, ECLEC2131 Soft Heap Esoteric Recordings ECLEC2131 UK 2009 RE, RM) Related Music albums to Soft Heap by Soft Heap Alan Dean - Raggle Taggle Gypsies / Let's Call It A Day Soft Machine - Live In 1970 Soft Machine - Virtually Gilgamesh - Gilgamesh Elton Dean - Two's And Three's Brainville, Daevid Allen With Hugh Hopper & Pip Pyle - Live In The UK Alan Dean - The Lord's Prayer Alan Dean - Let's Stay Home / With Every Breath I Take National Health - National Health Elton Dean . Paul Dunmall . Paul Rogers . Tony Levin - Elton.

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Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
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By Dorothy Cheney
MEMORIES November, 1917 - March, 1919 By Dorothy Cheney BOAT N the spring of 1917 Peg went to Paris to work I for the Committee of the Children of the Fron- tier, and at the end of October I sailed on the Ro- chambeau to join her. Indian summer days and calm seas made danger seem remote and yet the underlying sense of it startled the strangely mixed company of serious Red Cross and Y. M. C. A. workers, fashionables and adventurers into a sur- prised friendliness. A stout and pompous Ameri- can General organized a Vigilance Committee whose duty, as nearly as I could discover, was, in case of disaster, to secure the life boats to first class passengers. The General walked the deck with a holster strapped about his imposing middle, carry- ing a very large pistol. It was rum ored tkt the French officers found us the most trying and ner- vous boat load they had yet transported. Having been definitely assured the day before sailing that I would be in a cabin with one other woman, it was something of a surprise to find four names written on the door. The others proved to be a Boston school teacher, a missionary nurse and the flapper bride of an aviator, who, with the usual success of wealth and position, was joining her husband contrary to the strictest rules. At night the Y. M. C. A. seemed to be consider- ably less earnest than by daylight. On the unlighted decks forgotten radiolite wrist watch faces, large 8 MEMORIES ones and small ones, winked together and silhou- ettes against the sky melted from two into one.
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Soft Machine Fourth Mp3, Flac, Wma
Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Other Album: Fourth MP3 version RAR size: 1416 mb FLAC version RAR size: 1626 mb WMA version RAR size: 1708 mb Rating: 4.6 Votes: 730 Other Formats: MMF DMF AU MPC WMA ADX MP4 Tracklist 1 Teeth 9:13 2 Kings And Queens 5:01 3 Fletcher's Blemish 4:36 4 Virtually Part 1 5:16 5 Virtually Part 2 7:06 6 Virtually Part 3 4:33 7 Virtually Part 4 3:22 Companies, etc. Manufactured By – Sony Music Direct (Japan) Inc. Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Remastered At – The Audio Archiving Company Recorded At – Olympic Studios Credits Alto Saxophone, Saxello – Elton Dean Bass Clarinet, Alto Flute – Jimmy Hastings Bass Guitar – Hugh Hopper Cornet – Marc Charig Double Bass – Roy Babbington Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Organ, Piano – Mike Ratledge Producer – Soft Machine Remastered By – Paschal Byrne Research [Compilation And Tape], Liner Notes – Mark Powell Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Notes Originally released in February 1971 as CBS 64280 (Soft Machine - Fourth). Comes in a CD sized papersleeve album replica, with Obi-strip and two inserts of notes mostly in Japanese. Barcode and Other Identifiers Barcode (Text): 4 582192 933688 Barcode (String): 4582192933688 Matrix / Runout: PLA-634X 1 Mastering SID Code: IFPI L277 Mould SID Code: IFPI 45KF Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year S 64280 Soft Machine Fourth (LP, Album) CBS S 64280 UK 1971 Sony Music Fourth (CD, Album, RE, MHCP 424 Soft Machine Direct (Japan) MHCP 424 Japan 2004 Pap) Inc.
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Statiocn Resumnes Broadcasting
Continuous Negws ServiceMI liraomIo Since1881 Cam~~~~~~~~~~~~~~~~~~~~~~~enbridge Since 1881 ~~~~~~~~~~~~~~~~sl r~~~~~~assachusetts Voslumne 103, Number 79 Friday, February 25, 1983 I 1 _ WI six teans on ballot for UA president, vice president By Ron Norman Inge Gedo '85. letter coordinator. These offices Six teams of candidates for The decision to use preferential will be filled by write-in candi- Undergraduate Association (UA) balloting, Libby said, was based dates, Libby said. President and Vice President have upon the commission's interpreta- Kenneth E. Dumas, David J. submitted petitions to be includ- tion of the UA Election Code, Scrimshaw and Arthur P. ed on the March 9 ballot. Vasen which states, "the candidate ... are running for the Class of 1983 Balloting will be preferential in with the most votes shall be the presidency. Lillian W. Chiang all races with three or more can- winner." The commission's inter- and Richard A. Cowan are run- didates, according to David M. pretation is that the code does ning for the Class of 1984's Libby '85, UA Election Commis- top not state the election will be by office. sion chairman. The Election plurality, Libby said, and the Michael R. Candan and Commission yesterday confirmed Noelle commission made its choice in M. Merritt will vie for the an announcement made by Class Libby the interest of a most representa- of 1985 presidency, at the Feb. 17 General and Samuel Assembly tive election.- M. Gruer (GA) meeting. and Vivienne Lee are Ken neth H . Segel ' 83, UA running for the The presidential Class of 1986 and vice presi- President suggested the decision presidency.
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Artchipel Orchestra / Truly Yours Musiche Di Phil Miller
PAG 4 PAG 1 ARTCHIPEL ORCHESTRA / TRULY YOURS MUSICHE DI PHIL MILLER 1. Above & Below (Phil Miller © Budding Music) 5:27 solisti: Marrano, Nicita, Fior. 2. Calyx (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 4:46 voce solista: Naima Faraò; solisti: Crisafi & Forges, Nicita. 3. Eastern Region (Phil Miller © Budding Music) 8:47 solisti: Manzoli, Fior, Pedeferri & voc. 4. Nan True’s Hole (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 4:26 recitativo: Ferrara. 5. God Song (Phil Miller © Budding Music / Robert Wyatt © Domino Publishing Co Ltd) 7:40 voce solista: Ferrara; solisti: Fior, Ciceri. 6. Second Sight (Phil Miller © Budding Music) 6:20 solisti: Zenga, Gusella. 7. Truly Yours (Phil Miller © Budding Music) 5:28 voce solista e testo: Sabatino; solisti: Nicita, Pedeferri. 8. Esprit merveilleux (Ferdinando Faraò © SIAE) 7:13 solisti: Marrano, Bolettieri, Gallucci. Marco Fior, Marco Mariani (tr.), Michele Marrano (corno), Alberto Bolettieri (trne), Rudi Manzoli (sop.), Andrea Ciceri (alto), Germano Zenga (ten.), Rosarita Crisafi (bar.), Alberto Zappalà (cl.b.), Carlo Nicita (fl., ottav.), Stefano Montaldo (viol.), Luca Pedeferri (p., fis.), Andrea Serino (sint.), Luca Gusella (vib.), Giuseppe Gallucci (chit.), Gianluca Alberti (b.el.), Stefano Lecchi (batt.), Naima Faraò, Serena Ferrara, Francesca Sabatino (voc.), Francesco Forges (arr. e dir. 5, voc. 5, 7), Ferdinando Faraò (arr. 1- 4 e 6-8, dir., free conduction) Registrato da Giuseppe Salvadori il 12 gennaio 2020 a Officine Meccaniche, Milano. S.I.A.E. MJCD 1372 Design: Silvano Belloni © 2020 – 22PUBLISHING S.R.L. Cover photo: Paolo Araldi MUSICAJAZZ.IT PAG 2 PAG 3 ARTCHIPEL ORCHESTRA dell’orecchiabile Original Peter di Mike Westbrook (…).
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Lynsey De Paul
2 don’t understand why so many people are angry with the recent iTunes promotion of U2’s new album. Now, don’t get me wrong. I am not saying this because I am a fan of the band, or because I think it is a remarkable record. It’s not, and I’m not. The band have made much better records in the past, and they have made considerably worse ones. That isn’t the issue. There have been times in my life when I have been quite impressed with the band’s output, although I would never have called myself a true blue fan. But that isn’t the issue either. The issue is why are so many people incensed by the fact that iTunes paid the band an undisclosed sum (said to be in the multiple millions) to send a copy of the record to everybody who had an iTunes account on the day in question? Those beneficiaries included Dear Friends, me, by the way – twice. Welcome to another issue of Gonzo Weekly The album can be removed from your playlists magazine. For the first time in quite a few with a couple of clicks of a mouse, and although issues, our own life has quietened down I believe it is slightly more complicated if you somewhat; Weird Weekends have come and have an iPhone, I truly don’t think it is going to gone, grand-daughters have been born, and we be that much of an issue. are back in the relative safety of our own little sanctum in North Devon.
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Fundamental Data Structures Contents
Fundamental Data Structures Contents 1 Introduction 1 1.1 Abstract data type ........................................... 1 1.1.1 Examples ........................................... 1 1.1.2 Introduction .......................................... 2 1.1.3 Deﬁning an abstract data type ................................. 2 1.1.4 Advantages of abstract data typing .............................. 4 1.1.5 Typical operations ...................................... 4 1.1.6 Examples ........................................... 5 1.1.7 Implementation ........................................ 5 1.1.8 See also ............................................ 6 1.1.9 Notes ............................................. 6 1.1.10 References .......................................... 6 1.1.11 Further ............................................ 7 1.1.12 External links ......................................... 7 1.2 Data structure ............................................. 7 1.2.1 Overview ........................................... 7 1.2.2 Examples ........................................... 7 1.2.3 Language support ....................................... 8 1.2.4 See also ............................................ 8 1.2.5 References .......................................... 8 1.2.6 Further reading ........................................ 8 1.2.7 External links ......................................... 9 1.3 Analysis of algorithms ......................................... 9 1.3.1 Cost models ......................................... 9 1.3.2 Run-time analysis
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Preliminary Pages
Redefining the Self: Depicting Nature and the Construction of Identity in the Poetry of Anne Michaels and John Steffler by Breanna Keeler Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (English) Acadia University Fall Graduation 2013 © by Breanna Keeler, 2013 ii This thesis by Breanna Keeler was defended successfully in an oral examination on __________________________________ The examining committee for the thesis was: __________________________________ Susan Boddie, Chair __________________________________ Dr. Carrie Dawson, External Reader __________________________________ Dr. Herb Wylie, Internal Reader __________________________________ Dr. Lance LaRocque, Supervisor __________________________________ Dr. John Eustace, Department Head This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree of Master of Arts (English). __________________________________ iii I, Breanna Keeler, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. __________________________________ Author __________________________________ Supervisor __________________________________ Date iv Table of Contents Abstract v Introduction 1 Chapter One Relationships 20 Chapter Two Discourses on Nature 44 Chapter Three History and Memory 81 Conclusion 104 Works Cited 106 v Abstract This thesis utilizes ecocritical and ecofeminist theory to compare the depictions of landscape presented in the poetry of John Steffler and Anne Michaels and examine the consequences of these depictions in terms of the formation of personal identity. Chapter One employs ecofeminist views on the connection between the treatment of women and treatment of nature to provide a framework in which to examine the interpersonal relationships depicted in the poems.
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•Software • Hardware Mods for Synthesizer
May/June 1981 lSSN:0163-4534 ELECTRONIC MUSIC & HOME RECORDING $2. SO •SOFTWARE • HARDWARE MODS FOR SYNTHESIZER Q THE ULTIMATE KEYBOARD The Prophet-10 is the most complete keyboard instrument available today. The Prophet is a true polyphonic programmable synthesizer with 10 complete voices and 2 manuals. Each 5 voice keyboard has its own programmer allowing two completely different sounds to be played simultaneously. All ten voices can also be played from one keyboard program. Each voice has 2 voltage controlled oscillators, a mixer, a four pole low pass filter, two ADSR envelope generators, a final VCA and independent modula tion capabilities. The Prophet-lO’s total capabilities are too The Prophet-10 has an optional polyphonic numerous to mention here, but some of the sequencer that can be installed when the Prophet features include: is ordered, or at a later date in the field. It fits Assignable voice modes (normal, single, completely within the main unit and operates on double, alternate) the lower manual. Various features of the * Stereo and mono balanced and unbalanced sequencer are: outputs * Simplicity; just play normally & record ex * Pitch bend and modulation wheels actly what you play. Polyphonic modulation section * 2500 note capability, and 6 memory banks. * Voice defeat system * Built-in micro-cassette deck for both se Two assignable & programmable control quence and program storage. voltage pedals which can act on each man * Extensive editing & overdubbing facilities. ual independently * Exact timing can be programmed, and an * Three-band programmable equalization external clock can be used. * Program increment footswitch * Ability to change programs automatically in Programmable volume control and a master the sequence.
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Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
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Soft Machine Fourth Mp3, Flac, Wma
Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Fourth Country: Europe Released: 1971 Style: Jazz-Rock, Fusion, Prog Rock MP3 version RAR size: 1586 mb FLAC version RAR size: 1547 mb WMA version RAR size: 1165 mb Rating: 4.4 Votes: 105 Other Formats: MP2 AAC AUD FLAC MOD WAV AU Tracklist 1 Teeth 9:12 2 Kings And Queens 5:00 3 Fletcher's Blemish 4:35 4 Virtually Part 1 5:17 5 Virtually Part 2 7:06 6 Virtually Part 3 4:31 7 Virtually Part 4 3:20 Companies, etc. Distributed By – Sony BMG Music Entertainment Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Copyright (c) – Sony BMG Music Entertainment (UK) Ltd. Published By – Soft Machine Publishing Company Limited Published By – Robbins Music Corp. Published By – EMI Music Publishing Ltd. Recorded At – Olympic Studios Remastered At – The Audio Archiving Company Designed At – Waldo's Design & Dream Emporium Glass Mastered At – Sonopress Arvato – 52146330 Credits Alto Saxophone, Saxello – Elton Dean Art Direction [Original LP] – John Hays Bass Guitar – Hugh Hopper Coordinator [Project Co-ordination For Sony Bmg] – Alison Calvert, Charlie Stanford Cornet – Mark Charig* Design [CD Package - Reissue] – Phil Smee Design [Original Lp] – Bloomsbury Group Double Bass – Roy Babington* Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Flute [Alto], Bass Clarinet – Jimmy Hastings Liner Notes, Edited By [Compilation], Research [Tape Research] – Mark Powell Organ, Piano – Mike Ratledge Photography By [All Other Photographs] – Barry Plummer Photography By [Cover] – Campbell MacCallum Producer – Soft Machine Remastered By – Paschal Byrne Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Written-By – Elton Dean (tracks: 3), Hugh Hopper (tracks: 2, 4 to 7), Mike Ratledge (tracks: 1) Notes Originally released in February 1971 as CBS 64280.
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Alan Gowen & Hugh Hopper with Nigel Morris
Alan Gowen Bracknell - Bresse Improvisations mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Bracknell - Bresse Improvisations Country: Europe Released: 1996 Style: Free Jazz, Jazz-Rock MP3 version RAR size: 1358 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1233 mb Rating: 4.1 Votes: 782 Other Formats: AU RA VOX MP4 AUD AA DTS Tracklist Hide Credits Floating Path 1 18:00 Composed By – Gowen*, Hopper*, Morris* Now What Exactly? 2 7:59 Composed By – Gowen*, Hopper*, Morris* Zaparoshti 3 5:20 Composed By – Gowen*, Hopper*, Morris* Ranova 4 2:00 Composed By – Elton Dean A L'Quest 5 14:46 Composed By – Gowen*, Hopper* Winged Trilby 6 7:08 Composed By – Gowen*, Hopper* Six Cream Bombs From Beaune 7 1:17 Composed By – Gowen*, Hopper* Rubber Daze 8 3:42 Composed By – Gowen*, Hopper* Credits Artwork – Alan Gowen Bass – Hugh Hopper Keyboards – Alan Gowen Liner Notes – Hugh Hopper Loops [Tape Loops] – Hugh Hopper (tracks: 1 to 3) Percussion – Nigel Morris (tracks: 1 to 3) Recorded By – Jacky Barbier (tracks: 4 to 8), Jean-Pierre Weiller (tracks: 4 to 8), Pierre Roger (tracks: 4 to 8) Remastered By – Rob Williams Notes Tracks 1-3 recorded live 21 Sept 1980 at South Hill, Bracknell, U.K. Tracks 4-8 recorded May 1978 at Bresse-sur-Grosne, France. Remastered Elsewhere Studio, Whitstable December 1994. Thanks to Jean-Pierre Weiller and to Dave Stewart for support then and now. Other versions Category Artist Title (Format) Label Category Country Year Alan Gowen & Alan Gowen & Hugh Hopper With Hugh Hopper VP186CD Nigel Morris - Bracknell - Bresse Voiceprint VP186CD Europe 1996 With Nigel Improvisations (CD, Album, RM) Morris Related Music albums to Bracknell - Bresse Improvisations by Alan Gowen Hugh Hopper - Parabolic Versions Sylken Ø Pholde - Sculptor The Wilde Flowers - Tales Of Canterbury - The Wilde Flowers Story Hugh Hopper - Hopper Tunity Box The Crestones - She's a bad Motorcycle / The Grass Hopper Dance Various - Canterburied Sounds Volume 1 Hopper - A Tea With D.
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