Soft Machine Fourth Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Soft Machine Fourth Mp3, Flac, Wma Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Fourth Country: Europe Released: 1971 Style: Jazz-Rock, Fusion, Prog Rock MP3 version RAR size: 1586 mb FLAC version RAR size: 1547 mb WMA version RAR size: 1165 mb Rating: 4.4 Votes: 105 Other Formats: MP2 AAC AUD FLAC MOD WAV AU Tracklist 1 Teeth 9:12 2 Kings And Queens 5:00 3 Fletcher's Blemish 4:35 4 Virtually Part 1 5:17 5 Virtually Part 2 7:06 6 Virtually Part 3 4:31 7 Virtually Part 4 3:20 Companies, etc. Distributed By – Sony BMG Music Entertainment Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Copyright (c) – Sony BMG Music Entertainment (UK) Ltd. Published By – Soft Machine Publishing Company Limited Published By – Robbins Music Corp. Published By – EMI Music Publishing Ltd. Recorded At – Olympic Studios Remastered At – The Audio Archiving Company Designed At – Waldo's Design & Dream Emporium Glass Mastered At – Sonopress Arvato – 52146330 Credits Alto Saxophone, Saxello – Elton Dean Art Direction [Original LP] – John Hays Bass Guitar – Hugh Hopper Coordinator [Project Co-ordination For Sony Bmg] – Alison Calvert, Charlie Stanford Cornet – Mark Charig* Design [CD Package - Reissue] – Phil Smee Design [Original Lp] – Bloomsbury Group Double Bass – Roy Babington* Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Flute [Alto], Bass Clarinet – Jimmy Hastings Liner Notes, Edited By [Compilation], Research [Tape Research] – Mark Powell Organ, Piano – Mike Ratledge Photography By [All Other Photographs] – Barry Plummer Photography By [Cover] – Campbell MacCallum Producer – Soft Machine Remastered By – Paschal Byrne Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Written-By – Elton Dean (tracks: 3), Hugh Hopper (tracks: 2, 4 to 7), Mike Ratledge (tracks: 1) Notes Originally released in February 1971 as CBS 64280. Recorded Autumn, 1970. 24-bit remastering from the original master tapes at The Audio Archiving Company, London. CD package design at Waldo's Design & Dream Emporium. Mike Ratledge & Elton Dean published by Soft Machine Publishing Co. Ltd. Hugh Hopper published by Robbins Music Corp./EMI Music Publishing Ltd. Made in the EU. Barcode and Other Identifiers Barcode: 828768729120 Label Code: LC 13989 Rights Society: BIEM / GEMA Matrix / Runout: [Sony BMG Music Entertainment logo] 52146330/82876872912 21 Mastering SID Code: IFPI LP73 Mould SID Code (Variant 1): IFPI RV15 Mould SID Code (Variant 2): IFPI RV18 Mould SID Code (Variant 3): IFPI RV08 Mould SID Code (Variant 4): IFPI 0770 Other versions Category Artist Title (Format) Label Category Country Year S 64280 Soft Machine Fourth (LP, Album) CBS S 64280 UK 1971 Sony Music Fourth (CD, Album, RE, MHCP 424 Soft Machine Direct (Japan) MHCP 424 Japan 2004 Pap) Inc. S 64280 Soft Machine Fourth (LP, Album, RE) CBS S 64280 UK Unknown Fourth (CD, Album, RE, Sony Records MHCP 614 Soft Machine MHCP 614 Russia 2005 RM, Unofficial, DSD) Int'l Fourth (CD, Album, RE, Sony Records MHCP 614 Soft Machine MHCP 614 Japan 2005 RM, DSD) Int'l Related Music albums to Fourth by Soft Machine Soft Machine - Live At Henie Onstad Art Centre 1971 Jennifer Lopez - Intimate (A Special Compilation) Forge - Part Man, Part Machine Inka - Sä Et Ole Mun Soft Machine - Third Martyn Joseph - Tracks Taken From The Forthcoming Album Being There Seven Stories - Introducing The Album Judges And Bagmen Soft Machine - Bundles Gary Kemp - Standing In Love (The Still Point) Arjona - Trópico Donovan - The Very Best Of Donovan Soft Machine - Fifth.
Recommended publications
  • Varsity Jazz
    Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
    [Show full text]
  • Soft Machine Fourth Mp3, Flac, Wma
    Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Other Album: Fourth MP3 version RAR size: 1416 mb FLAC version RAR size: 1626 mb WMA version RAR size: 1708 mb Rating: 4.6 Votes: 730 Other Formats: MMF DMF AU MPC WMA ADX MP4 Tracklist 1 Teeth 9:13 2 Kings And Queens 5:01 3 Fletcher's Blemish 4:36 4 Virtually Part 1 5:16 5 Virtually Part 2 7:06 6 Virtually Part 3 4:33 7 Virtually Part 4 3:22 Companies, etc. Manufactured By – Sony Music Direct (Japan) Inc. Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Remastered At – The Audio Archiving Company Recorded At – Olympic Studios Credits Alto Saxophone, Saxello – Elton Dean Bass Clarinet, Alto Flute – Jimmy Hastings Bass Guitar – Hugh Hopper Cornet – Marc Charig Double Bass – Roy Babbington Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Organ, Piano – Mike Ratledge Producer – Soft Machine Remastered By – Paschal Byrne Research [Compilation And Tape], Liner Notes – Mark Powell Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Notes Originally released in February 1971 as CBS 64280 (Soft Machine - Fourth). Comes in a CD sized papersleeve album replica, with Obi-strip and two inserts of notes mostly in Japanese. Barcode and Other Identifiers Barcode (Text): 4 582192 933688 Barcode (String): 4582192933688 Matrix / Runout: PLA-634X 1 Mastering SID Code: IFPI L277 Mould SID Code: IFPI 45KF Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year S 64280 Soft Machine Fourth (LP, Album) CBS S 64280 UK 1971 Sony Music Fourth (CD, Album, RE, MHCP 424 Soft Machine Direct (Japan) MHCP 424 Japan 2004 Pap) Inc.
    [Show full text]
  • John, Sir Elton (B.1947) by Nathan G
    John, Sir Elton (b.1947) by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Sir Elton John on stage in 2008. Photograph by Elton John has, over five decades, achieved an amazingly successful track record in Richard Mushet. the music industry. He was not only the biggest-selling pop superstar of the 1970s, Image appears under the but, more surprisingly, he continues to retain popularity among his fans and respect Creative Commons from music critics. Attribution-Share Alike 2.0 Generic license. Elton John holds a music industry record for most consecutive singles placed in the Top 40, a string that began in 1970 and was broken only in 2000. Stephen Erlewine has noted that, although Elton John has endured temporary slumps in creativity and sales, he continues to craft contemporary pop standards that showcase his musical versatility. John's combination of melodic skills, dynamic charisma, and raucous performance style has made him a remarkably popular musical artist. Elton John was born Reginald Kenneth Dwight in Pinner, Middlesex, England on March 25, 1947. Dwight began playing piano at age four and, when he was eleven, won a scholarship to the Royal Academy of Music in London. After six years at school, he left in order to break into the music business. In 1961 he joined his first band, Bluesology, but left in 1966 because of creative differences with bandleader Long John Baldry. During this time Dwight had answered a Liberty Records advertisement for songwriters; and, though he failed the vocal audition, he was given a stack of lyrics written by Bernie Taupin, a young songwriter from Lincolnshire who had also answered the ad.
    [Show full text]
  • Earshot Jazz
    fn One Ear ■ The quartet S tin k h o rn has signed a distribution deal with Omnitone Records, the highly regarded independent New York jazz label, which w ill distribute the group’s just-released new CD, Tunguska, in the U nited States, Italy, Portugal, and Spain. The quartet, w hich is Michael Monhart (saxes), Brian Heaney (electric guitar) H o w a rd O u c h i (drums), and John Morris (electric bass), is also planning a tour o f the East Coast and the Midwest. In August it w ill perform at Seattle’s first progressive rock/jazz festival, T h e P rogm an C o m e th (August 16­ 18), at the M oore Theatre, w hich w ill also present Soft Machine w ith A lla n H o ld s w o rth , Hugh Hopper, E lto n D e a n , and John Marshall, as well as former Gong members Daevid Allen and P ip P yle and their current bands. More information on The Progman Cometh event is available online at www.twomonkeyfinger.com. For more on Omnitone, see www.omnitone.com. S tinkhorn’s website is at www.stinkhorn- music.com. News of bassist M att Sperry , long a fixture on the Seattle improvised-music scene until moving to Oakland, Cal., a few years ago. He appears on three o f the four CDs in a new A n th o n y B raxton box set Six Compositions (Gtm) 2001 (Rastascan Records), that was set to appear late last m onth.
    [Show full text]
  • The History of Rock Music: 1966-1969
    The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Canterbury 1968-73 (These are excerpts from my book "A History of Rock and Dance Music") The Canterbury school of British progressive-rock (one of the most significant movements in the history of rock music) was born in 1962 when Hugh Hopper, Robert Wyatt, Kevin Ayers, Richard Sinclair and others formed the Wilde Flowers. Wyatt, Ayers, Hopper and their new friends Daevid Allen and Mike Ratledge formed the Soft Machine; whereas Sinclair and the others went on to form Caravan. Soft Machine (103), one of the greatest rock bands of all times, started out with albums such as Volume Two (mar 1969 - apr 1969) that were inspired by psychedelic-rock with a touch of Dadaistic (i.e., nonsensical) aesthetics; but, after losing Allen and Ayers, they veered towards a personal interpretation of Miles Davis' jazz-rock on Three (may 1970 - jun 1970), their masterpiece and one of the essential jazz, rock and classical albums of the 1970s. Minimalistic keyboards a` la Terry Riley and jazz horns highlight three of the four jams (particularly, Hopper's Facelift). The other one, Moon In June, is Wyatt's first monumental achievement, blending a delicate melody, a melancholy atmosphere and deep humanity.
    [Show full text]
  • The Eighty-Third Annual Catalogue of Denison University for the Year
    ' • > r'" The Eighty-Third Annual Catalogue Denison Uni versity fl vj^ni^ G»**a,iM/, |/# 0. For the Year 1913-1914 GRANVILLE. OHIO 1814 Contents DENISON UNIVERSITY, Calendar PaKe Trusti " ' — — 5-7 Facult ifficen 8-18 ral Informati- n 13-36 GRANVILLE O >LL1 GE 37-92 Entrance Requirements 38-40 i lepartmi • • ■ I Stud} 46-81 tem 82-92 Ml! PARDSi ■'. Ci iLLEGE 93-96 I" ' \M VCADE MY 97-112 i S'SERV VTORY i >F MUSIC 113-125 S'l UDENT LISTS 130-151 SCHEDULE AND INDEXES 152-166 For information concerning Granville College, address C. W. CHAMBERLAIN, Ph. D., Preiide.it GRANVILLE, OHIO For information concerning Shepardfon College, addros MARGARET JUDSON, A, M., Dean GRANVILLE. OHIO For information concerning the Conservatory of Music, uddresa, KARL H. ESCHMAN. A. M.. Director 1 GRANVILLE. OHIO For information concerning Doane Academy, addreea H. RHODES HUNDLEY. D. So., Dean GRANVILLE, OHIO The University Calendar 1911 February ■ Semester befkaa, v A. M. April 1 ■ . Recesi begin*. * N I*. M. ■< April ■ - ■ | Eta«M end*. 7 SO A. M. -rate Sermon and Sermon June ■ 11 • Ran Associations. June IS . ! Concert, 8 P. M. of Doane lk \ M June ■■ • Literary Prize Contest, • P V LO A M. June I . Alumni ' P. M. President'i Reception, H P. M. cment. 10 A. .' I- • . M 1 P, M. Summer \ m I - September 17. §ep!< \il:n^-mn. r bruin*. V> A M. N Rfj I M begins at . ing R< 81 rurl.. at 1HKH1. r> " . Hol 1 eftat, < ::ui P M. 1013 I ■ i ■'■ 1 ■ •iwi-.
    [Show full text]
  • Soft Machine-SWITZERLAND 1974-PR
    Bio information: SOFT MACHINE Title: SWITZERLAND 1974 (Cuneiform Rune 395/396) Format: CD/DVD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: CANTERBURY / JAZZ ROCK / FUSION Cuneiform Records Release Classic 1974 Bundles-Era Soft Machine Performance Featuring Allan Holdsworth On Guitar And Filmed at One of Europe’s Most Esteemed Jazz Festivals As A Dual DVD+CD Package At the end of 1973, the British band Soft Machine embarked on a fresh start. In December 1973, it added guitarist Allan Holdsworth (recently with Jon Hiseman’s Tempest, and previously Nucleus) to its line-up, which then consisted of Soft Machine founding member and keyboardist Mike Ratledge, along with pianist and saxophonist Karl Jenkins, bass player Roy Babbington, and drummer John Marshall. Jenkins and Ratledge then composed a whole new repertoire, which the band road-tested on extensive tours of North America and continental Europe in the first half of 1974. That material eventually made up Soft Machine’s eighth recording, the first not named after its order of release: the album Bundles, widely acknowledged as a jazz-rock / fusion classic. When released by EMI’s Harvest Label in early 1975, Bundles would secure Soft Machine’s role in the transcontinental jazz-rock pantheon alongside Return To Forever and Mahavishnu Orchestra in the USA, and Nucleus, Brand X, and Isotope in the UK. Soft Machine’s status in the international jazz/rock avant-garde was widely apparent even before Bundles’ official release.
    [Show full text]
  • 224-Backgrounds+Style-Info
    224. Elton John-Medley Backgrounds of S. Radic Sir Elton John, (*1947, born as Reginald Kenneth Dwight) is a British singer, composer and pianist. With over 900 million records sold, he is one of the performers with the most records sold. His repertoire ranges from ballads, rock and rock'n'roll tracks to gospel-like blues and boogie numbers. After the early separation of his parents, Stanley and Sheila Dwight, Reginald Kenneth Dwight grew up with his grandmother Ivy, who motivated him to play the piano. He did not have a good relationship with his father; this relationship, which was marked by a lack of interest in his son, he processed in 1995 in the autobiographical title Made in England ("I had a quit- me father, had a love-me mother"). He began his studies at the Royal Academy of Music in London at the age of eleven. He studied piano and music theory 1. Tonight was released on the album "Blue Moves", for six years and then founded the band Bluesology his eleventh studio album, on October 22, 1976 and with fellow students in 1966. The group accompanied also his second double album (after Goodbye Yellow US soul artists and later became the backing band of Brick Road) and his first album was released by his Long John Baldry. He inspired Dwight to create his own label "Raket Records Ltd". During live concerts stage names by combining the first names of in the Wembley Arena to promote the album, John saxophonist Elton Dean and singer "Long" John spontaneously announced: "I won't be touring for a Baldry to the name Elton John.
    [Show full text]
  • The Kentucky High School Athlete, November 1971 Kentucky High School Athletic Association
    Eastern Kentucky University Encompass The Athlete Kentucky High School Athletic Association 11-1-1971 The Kentucky High School Athlete, November 1971 Kentucky High School Athletic Association Follow this and additional works at: http://encompass.eku.edu/athlete Recommended Citation Kentucky High School Athletic Association, "The Kentucky High School Athlete, November 1971" (1971). The Athlete. Book 170. http://encompass.eku.edu/athlete/170 This Article is brought to you for free and open access by the Kentucky High School Athletic Association at Encompass. It has been accepted for inclusion in The Athlete by an authorized administrator of Encompass. For more information, please contact [email protected]. K.H.S.A.A. REGIONAL BASKETBALL REPRESENTATIVES (Left to Right) Front Row: Jerry Kimmel, Beechmont; Bob Gour, Bowling Green; Jack Wise, Georgetown; Bob Miller, Ft. Thomas; Goebel Ritter, Whitesburg; Bob Foster, Science Hill. Second Row: Jerry Rexroat, Louisville; Claude Ricketts, Louisville; Curt Selvy, Corbin; Rex Alexander, Murray; Howard Gardner, Eliza- bethtown; Howard Rogers, Winchester. Third Row: Ernie Chattin, Ashland; Bobby Flynn, Lexington; Harry Burke, Prestonsburg; Norman Hammons, Hopkinsville. Official Organ of tlie KENTUCKY HIGH SCHOOL ATHLETIC ASSOCIATION NOVEMBER 1971 strate points. Rebounding, pivoting, and correlated FILMS arm action are taught also. 4 The films listed below are In the Film Library of the KNOW YOUR BASKETBALL, j-s-c-a, 3 reels (33 University of Kejitucky College of Education. The code min.), color, $1.00 letters "e, j, s. c, a" refer to elementary, jxinior high, Provides senior high, college and adult audiences who may enjoy a thorough examination of the rules the particular film listed.
    [Show full text]
  • July 8 2006, A&E Arts in Rotation Soft Machine Legacy Is a Very Pale
    July 8 2006, A&E Arts In Rotation Soft Machine Legacy is a very pale ghost of the wildly erratic free-form jazz-folk-rock-R&B-blues-raga group Soft Machine that emerged from the intellectually explosive and artistically liberal atmosphere in Canterbury in the mid-1960s. The original Soft Machine contained, in various combinations over the next decade, such notable members of the British pop-jazz avant garde as bassist/composer Kevin Ayers, singer/drummer Robert Wyatt, singer-songwriter Daevid Allen, keyboardist Michael Ratledge, bassist Hugh Hopper, drummer John Marshall, sax players Elton Dean and Karl Jenkins and guitarists Allan Holdsworth and John Etheridge. The four-piece revival called Soft Machine Legacy - Hopper, Etheridge, Marshall and Dean - manages to evoke much of the progressive spirit of the original band and the heady era that spawned it in the live concert DVD, Soft Machine Legacy, shot last December at the venerable Paris concert club New Morning, only a few weeks before Dean passed away. The 10-song set, ubiquitously available on countless Internet music retail sites for less than $20, includes classics "Ash," "Baker's Treat," "KiteRunner" and "Strange Comfort," as well as several more recent Machine-worthy originals and pre-performance interviews with the 60-something band members who trace with witty, provocative repartee their personal memories of the distant and strange history of one of Britain's most inventive and influential musical collectives. -- Greg Quill .
    [Show full text]
  • Elton Dean Two's and Three's Mp3, Flac, Wma
    Elton Dean Two's And Three's mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Two's And Three's Country: UK Released: 1995 MP3 version RAR size: 1657 mb FLAC version RAR size: 1747 mb WMA version RAR size: 1207 mb Rating: 4.2 Votes: 199 Other Formats: MP3 DXD AHX VOX MP2 MOD RA Tracklist Hide Credits He Who Dares 1 10:15 Guitar – Mark HewinsSaxello – Elton Dean P. R. Department 2 8:20 Bass – Paul Rogers Saxello – Elton Dean Uprising 3 10:32 Alto Saxophone – Elton DeanGuitar – John Etheridge Reconciliation 4 5:03 Alto Saxophone – Elton DeanBass – Marcio MattosPiano – Howard Riley K.T. 5 7:47 Alto Saxophone – Elton DeanPiano – Keith Tippett Riolity 6 5:45 Bass – Marcio MattosSaxello – Elton Dean The Duke 7 Alto Saxophone – Elton DeanBass – Paul Rogers Drums – Tony Levin Tenor Saxophone – 15:47 Paul Dunmall Companies, etc. Phonographic Copyright (p) – Voiceprint Copyright (c) – Voiceprint Made By – DADC Austria Credits Coordinator [For Cd] – Robin Healing Layout – Dream Disc Liner Notes – Pip Pyle Photography By – John Gardiner Notes No recording information provided; original tape released by ED tapes. Uncredited: Tracks 1, 2, 4 to 6 recorded in 1988 at H.O.W. Studios, London Tracks 3, 7 recorded in 1989 at H.O.W. Studios, London Barcode and Other Identifiers Barcode: 5020522316729 Matrix / Runout: VP167CD 13 A1 DADC AUSTRIA [logo] Mould SID Code: IFPI 94B3 Other versions Category Artist Title (Format) Label Category Country Year Two's And Three's Elton EDCD 0605994 (CD, Album, Limited Edition EDCD 0605994 Russia 2000 Dean Unofficial)
    [Show full text]
  • Soft Machine BBC Radio Mp3, Flac, Wma
    Soft Machine BBC Radio mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: BBC Radio Country: UK Style: Art Rock, Psychedelic Rock, Prog Rock, Jazz-Rock MP3 version RAR size: 1263 mb FLAC version RAR size: 1893 mb WMA version RAR size: 1859 mb Rating: 4.4 Votes: 750 Other Formats: MP3 TTA ASF DTS MPC XM AHX Tracklist Hide Credits Clarence In Wonderland 1-1 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 2:57 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* We Know What You Mean 1-2 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 3:11 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* Certain Kind 1-3 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 3:38 WyattProducer – Bernie AndrewsWritten-By – H. Hopper* Hope For Happiness 1-4 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 4:37 WyattProducer – Bernie AndrewsWritten-By – B. Hopper* Strangest Scene (Aka Lullaby Letter) 1-5 Engineer – Dave TatePerformer [Line-up] – Kevin Ayers, Mike Ratledge, Robert 4:55 WyattProducer – Bernie AndrewsRemastered By – Michael King Written-By – K. Ayers* Facelift | Mousetrap | Noisette | Backwards | Mousetrap Reprise Engineer – Tony WilsonPerformer [Line-up] – Brian Hopper, Hugh Hopper, Mike 1-6 11:54 Ratledge, Robert WyattProducer – John WaltersWritten-By [Backwards] – M. Ratledge*Written-By [Facelift | Mousetrap | Noisette | Mousetrap Reprise] – H. Hopper* The Moon In June 1-7 Engineer – Tony WilsonPerformer [Line-up] – Hugh Hopper, Mike Ratledge, Robert 13:02 WyattProducer – John WaltersWritten-By – R. Wyatt* Instant Pussy 1-8 Engineer – Tony WilsonPerformer [Line-up], Written-By – Robert WyattProducer – John 3:19 Walters Slightly All The Time | Out Bloody Rageous | Eamonn Andrews 1-9 Engineer – Tony WilsonPerformer [Line-up] – Elton Dean, Hugh Hopper, Mike Ratledge, 19:12 Robert WyattProducer – John WaltersWritten-By – M.
    [Show full text]