The Kentucky High School Athlete, November 1971 Kentucky High School Athletic Association

Total Page:16

File Type:pdf, Size:1020Kb

The Kentucky High School Athlete, November 1971 Kentucky High School Athletic Association Eastern Kentucky University Encompass The Athlete Kentucky High School Athletic Association 11-1-1971 The Kentucky High School Athlete, November 1971 Kentucky High School Athletic Association Follow this and additional works at: http://encompass.eku.edu/athlete Recommended Citation Kentucky High School Athletic Association, "The Kentucky High School Athlete, November 1971" (1971). The Athlete. Book 170. http://encompass.eku.edu/athlete/170 This Article is brought to you for free and open access by the Kentucky High School Athletic Association at Encompass. It has been accepted for inclusion in The Athlete by an authorized administrator of Encompass. For more information, please contact [email protected]. K.H.S.A.A. REGIONAL BASKETBALL REPRESENTATIVES (Left to Right) Front Row: Jerry Kimmel, Beechmont; Bob Gour, Bowling Green; Jack Wise, Georgetown; Bob Miller, Ft. Thomas; Goebel Ritter, Whitesburg; Bob Foster, Science Hill. Second Row: Jerry Rexroat, Louisville; Claude Ricketts, Louisville; Curt Selvy, Corbin; Rex Alexander, Murray; Howard Gardner, Eliza- bethtown; Howard Rogers, Winchester. Third Row: Ernie Chattin, Ashland; Bobby Flynn, Lexington; Harry Burke, Prestonsburg; Norman Hammons, Hopkinsville. Official Organ of tlie KENTUCKY HIGH SCHOOL ATHLETIC ASSOCIATION NOVEMBER 1971 strate points. Rebounding, pivoting, and correlated FILMS arm action are taught also. 4 The films listed below are In the Film Library of the KNOW YOUR BASKETBALL, j-s-c-a, 3 reels (33 University of Kejitucky College of Education. The code min.), color, $1.00 letters "e, j, s. c, a" refer to elementary, jxinior high, Provides senior high, college and adult audiences who may enjoy a thorough examination of the rules the particular film listed. The rental prices shown do not and presents guidelines that will aid the fans as apply to schools which use one of the special subscription well as officials, coaches and players in a better service plans offered by the Biixeau of Audio-Visual Material. understanding of those difficult judgment decis- ions that are constantly occurring on the basket- ball court. Basketball LOUISVILLE MALE VS ANDERSON COUNTY (1971 Basketball Finals), e-j-s-c-a, 3 reels BALL HANDLING IN BASKETBALL, j-s-c, 1 (33 min.), color. Silent, $1.00 reel. $2.00 The male Bulldogs displayed their superiority Teaches fundamentals of basketball handling in wearing down a smaller but talented Anderson including stance, grip, control, adjustment, before County to win the championship for the second shooting, catching the ball, and other points. Pre- consecutive year. 83-66. (KHSAA) sents game shots, using special photographic tech- OHIO COUNTY VS CENTRAL (1969 Basketball niques to illustrate principles. Finals), e-j-s-c-a, 31/2 reels (35 min.), color. BASKETBALL BY RUPP, j-s-c-a, 2 reels, $3.00 Silent, $1.00 Animated play diagrams, slow motion photog- Central High School of Louisville won the raphy, and action shot are combined in this nwe State Championship by defeating Ohio County, film prepared under the personal direction of 101-72. in the final game. Central eliminated Mr. Rupp especially for coaching use. Among the Richmond Madison, Hopkinsville, and Maytown drills and plays covered in this film are: pivot to reach the championship game. (KHSAA) man's sUde into the basket; Play No. 6, the fa- RUPP'S PARADE TO THE NATIONAL CHAM- mous Kentucky basket marker; legal screening; PIONSHIP of 1958, j-s-c-a, 4 reels, $4.50 penetration zone defense; and the Kentucky fast This film presents the highlights of all the break. games, both regular season and tournament games, BASKETBALL BY THE RULES, e-j-s-c-a, 3 reels which led up to the U of K's Wildcats winning the (30 min.) color, $1.00 NCAA basketball crown. the surface of the game to Penetrates beneath SHOOTING IN BASKETBALL, j-s-c-a, 1 reel, playing provide a thorough examination of the $2.00 rules and officiating procedures. It will aid the Concentratirng on the set shot, this film pic- fans as well as officials, coaches and players to tures the action of the throw, stance, aim, tra- difficult de- better understand those judgment jectory, and fingertip control. Special attention is cisions that occur constantly. (KHSAA) given total body coordination, especially inward BASKETBALL FUNDAMENTALS — INDIVI- rotation of the hand and arm making the throw. DUAL TECHNIQUES, j-s-c-a, IVi reels, $2.50 THIS IS BASKETBALL, e-j-s-c-a, 3 reels (33 Branch McCracken, Indiana University bas- min.) color. $1.00 ketball coach, used his team to demonstrate the Interpretation of play situations goes beyond fundamentals of basketball. Slow motion pho- the letter of the rule and gives guidelines to better tography is used to break the various court tech- understanding of blocking, charging, basket in niques down into easily grasped essentials. terference, goal tending, screening, and play vio- BASKETBALL KENTUCKY STYLE, j-s-c-a, 2 lations of the free throw, jump and boundary reels. $3.00 (in state). S5.00 (out of state) lines. This is the revised edition of the film "basket- ball by Rupp," prepared under the personal direc- GoU tion of Mr. Hupp especially for coaching use. BUILDING YOUR SWING-UNIT II. j-s-c-a. 3 BASKETBALL STRATEGY FOR GIRLS, j-s-c-a, reels (27 min.), color, $7.50 1 reel, $2.00 Shows how the swing is developed. Stance, The basic strategy of offense play (fakes, rolls, rhythm, movements of upper and lower body cutting, screening, varying pace) and defense play explained with unusual movie techniques. Stu- (player to player, basic zone, shifting zone, tri- dents will identify themselves clearly with ex- angle, and diagonal) is demonstrated and explain- amples on the screen as they build controls into ed in this film. their natural swings. BASKETBALL TECHNIQUES FOR GIRLS, j-s- COURTESY ON THE COURSE, j-s-c-a, 1% reels c-a, 1 reel, $2.00 (18 min.), color, $4.00 Basic movement skills (running, starting, Represents a major effort to fulfill this stopping, turning) passing (finger control, move- need through a positive presentation of etiquiette ment with the pass, leading the receiver, choice procedures as they occur during the normal seq- of the right pass), catching (side pass, high pass), uence of play. Collectively these serve to highlight shooting (finger control, arm extension, wrist flip, the threefold purpose of the rules of etiquette; to choice of the right shot), dribbling, faking, and reduce the probaljility of injury on the course, to pivoting are demonstrated and explained in this speed play, and to sustain enjoyment of the game. film. PITCHING. PITCH AND RUN AND SAND CHAMPIONSHIP BASKETBALI^TEAM TECH- SHOTS-UNIT III, j-s-c-a, 11/4 reels (12 min.), NIQUES, j-s, 1 reel. $2.00 color, $4.50 Man-to-man defense is shown, with the means Teaches fundamentals of pitching, pitch and best used under varying conditions. run and explosion shots out of sand traps. Care- DEFENSIVE FOOTWORK IN BASKETBALL, fully demonstrates the important differences in j-s-c-a, 1 reel. S2.00 arm and wrist action for approach shots. Striding with an opponent, checking, maneuv- PUTTING-UNIT IV, j-s-c-a. 1 reel (10 min.), color, ering him out of position and other basic skills are $4.00 illustrated, using special photography to demon- (Continued on Page Ten) The Kentucky High School Athlete official Organ of the Kentucky High School Athletic Association VOL. XXXIV—No. 4 NOVEMBER, 1971 $1.00 Per Year THE ATHLETIC DIRECTOR ested boys. 3. The athletic director must reflect a sincere By Richard Stanton, Principal interest in all sports. Because most athletic direc- Fridley High School, Minnesota tors are former coaches, it is especially significant I would begin my presentation by making that they display an equal interest in all sports. it clear that I consider the athletic directorship There is no faster way for an athletic director to to be one of the key positions on my senior high lose rapport with a coaching staff than to show school staff. I say this primarily because I am a favoritism to a pai'ticular sport. I believe too many firm believer in the positive benefits of a sound times we tend to evaluate our athletic program athletic program to any school. If we are to have primarily in terms of the success in one or two a truly successful program, the athletic director of the so called "'major sports." It is more real- must be a hard working individual, dedicated to istic, in terms of a true athletic program, to mea- young athletes and their welfare. He must be a sure success in terms of all sports. Although the winner, not a loser, in his approach to the job. participation bit is sometimes overdone, the per- While I suppose we are all interested in a young centage of students in a school participating in athlete having a variety of experiences, the great- some athletic event during the year is perhaps est experience of all is to have success. In ath- the most significant statistic in the evaluation of letics this means winning. 'Phis reflects my own a program. Although not practical in some schools, personal philosophy of athletics. We can teach I believe it is highly desirable that an athletic young athletes to be good losers, and too many director not be actively involved in coaching. times we do a good job of this at Fridley, but to Only in this situation can he give important at- be truly successful we must be winners. Toward tention to all sports. The athletic director must this end our program is hopefully geared. build a harmonious organization of all coaches. Specifically, what then do I expect of my The successful program reflects a consistency athletic director.
Recommended publications
  • Varsity Jazz
    Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 3-4-2014 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2014). The George-Anne. 2845. https://digitalcommons.georgiasouthern.edu/george-anne/2845 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. --*c ""K ------------ + ---- ~ - mm mm NEWS BRAWL THIRD GSU HOSTS I IN THE PLACE 1 EVENTS FOR SAFER 'BORO FINISH PAGE 15 SPRING BREAK PAGE 28 — PAGE 2 — A Tuesday, March 4, 2014 Georgia Southern University THE www.thegeorgeanne.com Volume 84* issue 55 GEORGE-ANNE LONG ROAD AHEAD Navy, Ga. Tech and NC State highlight inaugural Sun Belt football schedule MMJL MJWWMJFJAJ SOilTHtifN i Finally. The road to a possible first if they are to win the conference CEQRGIR Sun Belt Conference titlje has been title. Household names frequent this paved, the 2014 schedule has been schedule and the Eagles are in for some released. With GSUs inaugural season tough competition facing the likes of in the Football Bowl Subdivision the United States Naval Academy, the upon us, fans now know the teams Georgia Institute of Technology and that the Eagles will have to go through North Carolina State University. JAGUAR$ SEE FULL STORY, Page 17 0'K% AGGIES; nlWk\ EagaffSffgEEgi i • * » c © < N EWS @GeorgeAnneN ews 2 Tuesday, March 4, 2014 The George-Anne Staying safe during Spring Break BY BRIANNA QUARTERMAN bracelets while they wait on their results.
    [Show full text]
  • Kit Young's Sale
    KIT YOUNG’S SALE #21 Welcome to Kit Young’s Sale #21. Included in this sale are more fantastic sets MAKE US from The Barry Korngiebel Collection (and we have extended the “make us an AN OFFER II offer” option). Also included are outstanding new arrivals, 1/2 price GAI graded For a limited time you can make us an offer cards part II, baseball lot specials part II, a new set special section, Ted Williams on any set below (or any set on specials and much more. You can order by phone, fax, email, regular mail or www.kityoung.com). We will either accept online through Paypal, Google Checkout or credit cards. If you have any questions your offer or counter with a price more acceptable to both of us. or would like to email your order please email us at [email protected]. Our regular business hours are 8-6 Monday-Friday Pacific time. Toll Free 888-548-9686. 1948 BOWMAN FOOTBALL A 1962 TOPPS BASEBALL B COMPLETE SET VG-EX/EX COMPLETE SET EX-MT This 108 card set issued by Bowman consists of mostly Popular wood-grain border set loaded with stars and rookie cards as it was one of the very first football sets ever Hall of Famers. Overall grade is EX-MT (many better and issued. We’ll call this set VG-EX/EX overall with some better some less). Includes Koufax EX-MT, Clemente EX+/EX- (approx. 20 cards EX-MT) and a few worse. Most cards have MT, Mantle PSA 6 EX-MT, Maris EX/EX+, Berra PSA 6 some wear on the corners but still exhibit great eye appeal.
    [Show full text]
  • Soft Machine Fourth Mp3, Flac, Wma
    Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Other Album: Fourth MP3 version RAR size: 1416 mb FLAC version RAR size: 1626 mb WMA version RAR size: 1708 mb Rating: 4.6 Votes: 730 Other Formats: MMF DMF AU MPC WMA ADX MP4 Tracklist 1 Teeth 9:13 2 Kings And Queens 5:01 3 Fletcher's Blemish 4:36 4 Virtually Part 1 5:16 5 Virtually Part 2 7:06 6 Virtually Part 3 4:33 7 Virtually Part 4 3:22 Companies, etc. Manufactured By – Sony Music Direct (Japan) Inc. Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Remastered At – The Audio Archiving Company Recorded At – Olympic Studios Credits Alto Saxophone, Saxello – Elton Dean Bass Clarinet, Alto Flute – Jimmy Hastings Bass Guitar – Hugh Hopper Cornet – Marc Charig Double Bass – Roy Babbington Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Organ, Piano – Mike Ratledge Producer – Soft Machine Remastered By – Paschal Byrne Research [Compilation And Tape], Liner Notes – Mark Powell Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Notes Originally released in February 1971 as CBS 64280 (Soft Machine - Fourth). Comes in a CD sized papersleeve album replica, with Obi-strip and two inserts of notes mostly in Japanese. Barcode and Other Identifiers Barcode (Text): 4 582192 933688 Barcode (String): 4582192933688 Matrix / Runout: PLA-634X 1 Mastering SID Code: IFPI L277 Mould SID Code: IFPI 45KF Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year S 64280 Soft Machine Fourth (LP, Album) CBS S 64280 UK 1971 Sony Music Fourth (CD, Album, RE, MHCP 424 Soft Machine Direct (Japan) MHCP 424 Japan 2004 Pap) Inc.
    [Show full text]
  • Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5
    ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 1 AllAll StarStar CardsCards VolumeVolume 2828 IssueIssue #5#5 We are BUYING! See Page 92 for details Don’t Miss “Cyber­Monday” Nov. 30th!!! It’s Our Biggest Sale of theYear! (See page 7) ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 2 15074 Antioch Road To Order Call (800) 932-3667 Page 2 Overland Park, KS 66221 Mickey Mantle Sandy Koufax Sandy Koufax Willie Mays 1965 Topps “Clutch Home Run” #134 1955 Topps RC #123 Centered! 1955 Topps RC #123 Hot Card! 1960 Topps #200 PSA “Mint 9” $599.95 PSA “NM/MT 8” $14,999.95 PSA “NM 7” $4,999.95 PSA “NM/MT 8” Tough! $1,250.00 Lou Gehrig Mike Trout Mickey Mantle Mickey Mantle Ban Johnson Mickey Mantle 1933 DeLong #7 2009 Bowman Chrome 1952 Bowman #101 1968 Topps #280 1904 Fan Craze 1953 Bowman #59 PSA 1 $2,499.95 Rare! Auto. BGS 9 $12,500.00 PSA “Good 2” $1,999.95 PSA 8 $1,499.95 PSA 8 $899.95 PSA “VG/EX 4” $1,799.95 Johnny Bench Willie Mays Tom Brady Roger Maris Michael Jordan Willie Mays 1978 Topps #700 1962 Topps #300 2000 Skybox Impact RC 1958 Topps RC #47 ‘97-98 Ultra Star Power 1966 Topps #1 PSA 10 Low Pop! $999.95 PSA “NM 7” $999.95 Autographed $1,399.95 SGC “NM 7” $699.95 PSA 10 Tough! $599.95 PSA “NM 7” $850.00 Mike Trout Hank Aaron Hank Aaron DeShaun Watson Willie Mays Gary Carter 2011 Bowman RC #101 1954 Topps RC #128 1964 Topps #300 2017 Panini Prizm RC 1952 Bowman #218 1981 Topps #660 PSA 10 - Call PSA “VG/EX 4” $3,999.95 PSA “NM/MT 8” $875.00 PSA 10 $599.95 PSA 3MK $399.95 PSA 10 $325.00 Tough! ASC080120_001_Dec 11 cover.qxd
    [Show full text]
  • Soft Machine Fourth Mp3, Flac, Wma
    Soft Machine Fourth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Fourth Country: Europe Released: 1971 Style: Jazz-Rock, Fusion, Prog Rock MP3 version RAR size: 1586 mb FLAC version RAR size: 1547 mb WMA version RAR size: 1165 mb Rating: 4.4 Votes: 105 Other Formats: MP2 AAC AUD FLAC MOD WAV AU Tracklist 1 Teeth 9:12 2 Kings And Queens 5:00 3 Fletcher's Blemish 4:35 4 Virtually Part 1 5:17 5 Virtually Part 2 7:06 6 Virtually Part 3 4:31 7 Virtually Part 4 3:20 Companies, etc. Distributed By – Sony BMG Music Entertainment Phonographic Copyright (p) – Sony BMG Music Entertainment (UK) Ltd. Copyright (c) – Sony BMG Music Entertainment (UK) Ltd. Published By – Soft Machine Publishing Company Limited Published By – Robbins Music Corp. Published By – EMI Music Publishing Ltd. Recorded At – Olympic Studios Remastered At – The Audio Archiving Company Designed At – Waldo's Design & Dream Emporium Glass Mastered At – Sonopress Arvato – 52146330 Credits Alto Saxophone, Saxello – Elton Dean Art Direction [Original LP] – John Hays Bass Guitar – Hugh Hopper Coordinator [Project Co-ordination For Sony Bmg] – Alison Calvert, Charlie Stanford Cornet – Mark Charig* Design [CD Package - Reissue] – Phil Smee Design [Original Lp] – Bloomsbury Group Double Bass – Roy Babington* Drums – Robert Wyatt Engineer – George Chkiantz Executive-Producer – Sean Murphy Flute [Alto], Bass Clarinet – Jimmy Hastings Liner Notes, Edited By [Compilation], Research [Tape Research] – Mark Powell Organ, Piano – Mike Ratledge Photography By [All Other Photographs] – Barry Plummer Photography By [Cover] – Campbell MacCallum Producer – Soft Machine Remastered By – Paschal Byrne Tenor Saxophone – Alan Skidmore Trombone – Nick Evans Written-By – Elton Dean (tracks: 3), Hugh Hopper (tracks: 2, 4 to 7), Mike Ratledge (tracks: 1) Notes Originally released in February 1971 as CBS 64280.
    [Show full text]
  • John, Sir Elton (B.1947) by Nathan G
    John, Sir Elton (b.1947) by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Sir Elton John on stage in 2008. Photograph by Elton John has, over five decades, achieved an amazingly successful track record in Richard Mushet. the music industry. He was not only the biggest-selling pop superstar of the 1970s, Image appears under the but, more surprisingly, he continues to retain popularity among his fans and respect Creative Commons from music critics. Attribution-Share Alike 2.0 Generic license. Elton John holds a music industry record for most consecutive singles placed in the Top 40, a string that began in 1970 and was broken only in 2000. Stephen Erlewine has noted that, although Elton John has endured temporary slumps in creativity and sales, he continues to craft contemporary pop standards that showcase his musical versatility. John's combination of melodic skills, dynamic charisma, and raucous performance style has made him a remarkably popular musical artist. Elton John was born Reginald Kenneth Dwight in Pinner, Middlesex, England on March 25, 1947. Dwight began playing piano at age four and, when he was eleven, won a scholarship to the Royal Academy of Music in London. After six years at school, he left in order to break into the music business. In 1961 he joined his first band, Bluesology, but left in 1966 because of creative differences with bandleader Long John Baldry. During this time Dwight had answered a Liberty Records advertisement for songwriters; and, though he failed the vocal audition, he was given a stack of lyrics written by Bernie Taupin, a young songwriter from Lincolnshire who had also answered the ad.
    [Show full text]
  • Earshot Jazz
    fn One Ear ■ The quartet S tin k h o rn has signed a distribution deal with Omnitone Records, the highly regarded independent New York jazz label, which w ill distribute the group’s just-released new CD, Tunguska, in the U nited States, Italy, Portugal, and Spain. The quartet, w hich is Michael Monhart (saxes), Brian Heaney (electric guitar) H o w a rd O u c h i (drums), and John Morris (electric bass), is also planning a tour o f the East Coast and the Midwest. In August it w ill perform at Seattle’s first progressive rock/jazz festival, T h e P rogm an C o m e th (August 16­ 18), at the M oore Theatre, w hich w ill also present Soft Machine w ith A lla n H o ld s w o rth , Hugh Hopper, E lto n D e a n , and John Marshall, as well as former Gong members Daevid Allen and P ip P yle and their current bands. More information on The Progman Cometh event is available online at www.twomonkeyfinger.com. For more on Omnitone, see www.omnitone.com. S tinkhorn’s website is at www.stinkhorn- music.com. News of bassist M att Sperry , long a fixture on the Seattle improvised-music scene until moving to Oakland, Cal., a few years ago. He appears on three o f the four CDs in a new A n th o n y B raxton box set Six Compositions (Gtm) 2001 (Rastascan Records), that was set to appear late last m onth.
    [Show full text]
  • The History of Rock Music: 1966-1969
    The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Canterbury 1968-73 (These are excerpts from my book "A History of Rock and Dance Music") The Canterbury school of British progressive-rock (one of the most significant movements in the history of rock music) was born in 1962 when Hugh Hopper, Robert Wyatt, Kevin Ayers, Richard Sinclair and others formed the Wilde Flowers. Wyatt, Ayers, Hopper and their new friends Daevid Allen and Mike Ratledge formed the Soft Machine; whereas Sinclair and the others went on to form Caravan. Soft Machine (103), one of the greatest rock bands of all times, started out with albums such as Volume Two (mar 1969 - apr 1969) that were inspired by psychedelic-rock with a touch of Dadaistic (i.e., nonsensical) aesthetics; but, after losing Allen and Ayers, they veered towards a personal interpretation of Miles Davis' jazz-rock on Three (may 1970 - jun 1970), their masterpiece and one of the essential jazz, rock and classical albums of the 1970s. Minimalistic keyboards a` la Terry Riley and jazz horns highlight three of the four jams (particularly, Hopper's Facelift). The other one, Moon In June, is Wyatt's first monumental achievement, blending a delicate melody, a melancholy atmosphere and deep humanity.
    [Show full text]
  • The Eighty-Third Annual Catalogue of Denison University for the Year
    ' • > r'" The Eighty-Third Annual Catalogue Denison Uni versity fl vj^ni^ G»**a,iM/, |/# 0. For the Year 1913-1914 GRANVILLE. OHIO 1814 Contents DENISON UNIVERSITY, Calendar PaKe Trusti " ' — — 5-7 Facult ifficen 8-18 ral Informati- n 13-36 GRANVILLE O >LL1 GE 37-92 Entrance Requirements 38-40 i lepartmi • • ■ I Stud} 46-81 tem 82-92 Ml! PARDSi ■'. Ci iLLEGE 93-96 I" ' \M VCADE MY 97-112 i S'SERV VTORY i >F MUSIC 113-125 S'l UDENT LISTS 130-151 SCHEDULE AND INDEXES 152-166 For information concerning Granville College, address C. W. CHAMBERLAIN, Ph. D., Preiide.it GRANVILLE, OHIO For information concerning Shepardfon College, addros MARGARET JUDSON, A, M., Dean GRANVILLE. OHIO For information concerning the Conservatory of Music, uddresa, KARL H. ESCHMAN. A. M.. Director 1 GRANVILLE. OHIO For information concerning Doane Academy, addreea H. RHODES HUNDLEY. D. So., Dean GRANVILLE, OHIO The University Calendar 1911 February ■ Semester befkaa, v A. M. April 1 ■ . Recesi begin*. * N I*. M. ■< April ■ - ■ | Eta«M end*. 7 SO A. M. -rate Sermon and Sermon June ■ 11 • Ran Associations. June IS . ! Concert, 8 P. M. of Doane lk \ M June ■■ • Literary Prize Contest, • P V LO A M. June I . Alumni ' P. M. President'i Reception, H P. M. cment. 10 A. .' I- • . M 1 P, M. Summer \ m I - September 17. §ep!< \il:n^-mn. r bruin*. V> A M. N Rfj I M begins at . ing R< 81 rurl.. at 1HKH1. r> " . Hol 1 eftat, < ::ui P M. 1013 I ■ i ■'■ 1 ■ •iwi-.
    [Show full text]
  • Soft Machine-SWITZERLAND 1974-PR
    Bio information: SOFT MACHINE Title: SWITZERLAND 1974 (Cuneiform Rune 395/396) Format: CD/DVD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: CANTERBURY / JAZZ ROCK / FUSION Cuneiform Records Release Classic 1974 Bundles-Era Soft Machine Performance Featuring Allan Holdsworth On Guitar And Filmed at One of Europe’s Most Esteemed Jazz Festivals As A Dual DVD+CD Package At the end of 1973, the British band Soft Machine embarked on a fresh start. In December 1973, it added guitarist Allan Holdsworth (recently with Jon Hiseman’s Tempest, and previously Nucleus) to its line-up, which then consisted of Soft Machine founding member and keyboardist Mike Ratledge, along with pianist and saxophonist Karl Jenkins, bass player Roy Babbington, and drummer John Marshall. Jenkins and Ratledge then composed a whole new repertoire, which the band road-tested on extensive tours of North America and continental Europe in the first half of 1974. That material eventually made up Soft Machine’s eighth recording, the first not named after its order of release: the album Bundles, widely acknowledged as a jazz-rock / fusion classic. When released by EMI’s Harvest Label in early 1975, Bundles would secure Soft Machine’s role in the transcontinental jazz-rock pantheon alongside Return To Forever and Mahavishnu Orchestra in the USA, and Nucleus, Brand X, and Isotope in the UK. Soft Machine’s status in the international jazz/rock avant-garde was widely apparent even before Bundles’ official release.
    [Show full text]
  • 224-Backgrounds+Style-Info
    224. Elton John-Medley Backgrounds of S. Radic Sir Elton John, (*1947, born as Reginald Kenneth Dwight) is a British singer, composer and pianist. With over 900 million records sold, he is one of the performers with the most records sold. His repertoire ranges from ballads, rock and rock'n'roll tracks to gospel-like blues and boogie numbers. After the early separation of his parents, Stanley and Sheila Dwight, Reginald Kenneth Dwight grew up with his grandmother Ivy, who motivated him to play the piano. He did not have a good relationship with his father; this relationship, which was marked by a lack of interest in his son, he processed in 1995 in the autobiographical title Made in England ("I had a quit- me father, had a love-me mother"). He began his studies at the Royal Academy of Music in London at the age of eleven. He studied piano and music theory 1. Tonight was released on the album "Blue Moves", for six years and then founded the band Bluesology his eleventh studio album, on October 22, 1976 and with fellow students in 1966. The group accompanied also his second double album (after Goodbye Yellow US soul artists and later became the backing band of Brick Road) and his first album was released by his Long John Baldry. He inspired Dwight to create his own label "Raket Records Ltd". During live concerts stage names by combining the first names of in the Wembley Arena to promote the album, John saxophonist Elton Dean and singer "Long" John spontaneously announced: "I won't be touring for a Baldry to the name Elton John.
    [Show full text]