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JANUARY/FEBRUARY 2017 VOLUME 16, N UMBER 1 INSI DE Being, Becoming, Landscape: Its Ecological Impulse and Its Ethical Project Artist Features: Josh Hon, Lee Mingwei, Wang Jian Conversations: Huang Yong Ping, Juan Moreira, Wong Wai Yin Amazing Grace: Contemporary Chinese Christian Art US$12.00 NT$350.00 P R INTED IN TAIWAN 6 VOLUME 16, NUMBER 1, JANUARY/FEBRUARY 2017 CONTENTS 32 2 Editor’s Note 4 Contributors 6 Lee Mingwei: Relating to Art and Artists in the Twenty-First Century Rachel Ng 22 nothingness was not: A New World Voon Pow Bartlett 44 32 Being, Becoming, Landscape: The Iconography of Landscape in Contemporary Chinese Art, Its Ecological Impulse, and Its Ethical Project Elena Macrì 44 A Missing Story in Havana: A Conversation with Juan Moreira Zheng Shengtian 57 Josh Hon: Dead Water Convulsion— Hong Kong—1980s 66 Leung Chi Wo 66 A Conversation with Wong Wai Yin Phoebe Wong 77 Containers, Napoleon’s Bicorne Hat, Snake: Huang Yong Ping Talks about Empires at Monumenta, Paris Yu Hsiao Hwei 90 Amazing Grace: Contemporary Chinese Christian Art 77 Patricia Eichenbaum Karetzky 108 Chinese Name Index Cover: Lee Mingwei, Luminous Depths (detail), 2013, installation view in atrium of Peranakan Museum, Singapore. Photo: Sean 90 Dungan. Courtesy of the artist. We thank Yukon Art Space Co. Ltd. and Freddy Yang, JNBY and Lin Li, Cc Foundation and David Chau, Chen Ping, Kevin Daniels, Qiqi Hong, Sabrina Xu, David Yue, Andy Sylvester, Farid Rohani, Ernest Lang, D3E Art Limited, Stephanie Holmquist and Mark Allison for their generous contribution to the publication and distribution of Yishu. Vol. 16 No. 1 1 Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Yishu 78 presents a diverse selection of texts FOUNDING EDITOR Ken Lum beginning with a feature on Lee Mingwei, an EDITOR-IN-CHIEF Keith Wallace MANAGING EDITOR Zheng Shengtian artist whom we last covered in 2002. Rachel EDITORS Julie Grundvig Ng looks at his work from the perspective of Kate Steinmann Chunyee Li cultural identity in a world of globalization and, CIRCULATION MANAGER Larisa Broyde WEB SITE EDITOR Chunyee Li in addition, how his work is positioned with ADVERTISING Sen Wong respect to relational aesthetics. Among Voon Michelle Hsieh Pow Bartlett’s interests are Chinese artists ADVISORY BOARD engaged with abstraction, and here she explores Judy Andrews, Ohio State University Melissa Chiu, Hirschhorn Museum and Sculpture Garden the work of Wang Jian and how it goes beyond John Clark, University of Sydney formal aesthetics and enters a realm embedded Lynne Cooke, National Gallery of Art, Washington, D.C. Okwui Enwezor, Critic and Curator in philosophical notions about nothingness. Artist Britta Erickson, Independent Scholar and Curator Fan Di’an, Central Academy of Fine Arts Leung Chi Wo has curated an exhibition of the Fei Dawei, Independent Critic and Curator work of Josh Hon, and his text reflects upon Gao Minglu, University of Pittsburgh Hou Hanru, MAXXI, Rome an artist well remembered in Hong Kong for his Hu Fang, Vitamin Creative Space and the shop early experimental multimedia projects during Katie Hill, University of Westminster Claire Hsu, Asia Art Archive the 1980s, a time when such work existed outside Martina Köppel-Yang, Independent Critic and Historian Sebastian Lopez, Critic and Curator the mainstream. Lu Jie, Long March Space Charles Merewether, Critic and Curator Apinan Poshyananda, Ministry of Culture, Thailand Yu Hsiao Hwei speaks with Huang Yong Ping Philip Tinari, Ullens Center for Contemporary Art about his project Empires for the Grand Palais, Chia Chi Jason Wang, Independent Critic and Curator Wu Hung, University of Chicago Paris, and provides insight into the thought Pauline J. Yao, M+, West Kowloon Cultural District processes that come into play in conceiving ART & COLLECTION GROUP LTD. and realizing such a major installation. In his 6F. No. 85, Section 1, Chungshan N. Road, Taipei, Taiwan 104 Phone: (886)2.2560.2220 conversation with Cuban artist Juan Moreira, Fax: (886)2.2542.0631 Zheng Shengtian builds upon his research into E-mail: [email protected] the exchanges between mainland China and VICE GENERAL MANAGER Jenny Liu Latin America during the 1950s and 60s. Phoebe MARKETING MANAGER Joyce Lin CIRCULATION EXECUTIVE Perry Hsu Wong converses with Hong Kong artist Wong Wai Yin about two of her 2016 projects and Yishu is produced bi-monthly in Vancouver, Canada, and published in Taipei, Taiwan. The publishing dates are January, March, May, uncovers an art practice that is idiosyncratic and July, September, and November. All subscription, advertising, and submission inquiries may be sent to: conceptual, but that also arises from everyday experiences that are patently familiar. YISHU INITIATIVE OF CONTEMPORARY CHINESE ART SOCIETY 200–1311 Howe Street Vancouver, BC, Canada V6Z 2P3 Phone: 1.604.649.8187 Elena Marcrì identifies a number of Chinese E-mail: offi[email protected] artists who reference the tradition of DIRECTOR Zheng Shengtian SECRETARY GENERAL Yin Qing shanshuihua—mountain and water painting— and considers how they bring it into a RETAIL RATES USD $12 / EUR 9 / TWD 350 (per copy) contemporary context that reveals a disparity SUBSCRIPTION RATES between China’s economic progress and the 1 Year Print Copy (6 issues including air mail postage): possibility of ecological sustainability. Finally, Asia $94 USD/Outside Asia $104 USD Patricia Karetzky takes us into territory Yishu has 2 Years Print Copy (12 issues including air mail postage): not yet explored: the introduction of Christianity Asia $180 USD/Outside Asia $198 USD 1 Year PDF Download (6 issues): $49.95 USD into mainland Chinese society, and, more 1 Year Print Copy and PDF (6 issues including air mail postage): provocatively, into the work of Chinese artists. Asia $134 USD/Outside Asia $144 USD The approach of these artists, however, is not DESIGN AND PRODUCTION Leap Creative Group one of promoting the tenets of Christianity but of CREATIVE DIRECTOR Raymond Mah exploring it in more personal and discreet ways. ART DIRECTOR Gavin Chow DESIGNER Philip Wong PRINTING Chi Wei Colour Printing Ltd. WEB SITE http://yishu-online.com Keith Wallace WEB DESIGN Design Format ISSN 1683 - 3082 No part of this journal may be reprinted without the written Erratum: Photo captions on pages 76 and 77 of Yishu 77 should be dated 2015 not 2016. permission from the publisher. The views expressed in Yishu are not necessarily those of the editors or publisher. Yishu: Journal of Contemporary Chinese Art 典藏國際版(Yishu)創刊於 2002年5月1日 典藏國際版‧第16卷第1期‧2017年1–2月 社 長： 簡秀枝 法律顧問： 思科技法律事務所 劉承慶 創刊編輯： 林蔭庭（Ken Lum） 總策劃： 鄭勝天 2 編者手記 主 編： 華睿思 (Keith Wallace) 編 輯： 顧珠妮 (Julie Grundvig) 4 作者小傳 史楷迪 (Kate Steinmann) 黎俊儀 網站編輯： 黎俊儀 6 李明維：關係到二十一世紀的藝術 行 政： 藍立杉 (Larisa Broyde) 和藝術家 廣 告： 謝盈盈 黃萬芳（Rachel Ng） 黃晨 顧 問： 王嘉驥 田霏宇 (Philip Tinari) 22 無非物：一個新世界 安雅蘭 (Judy Andrews) 邱文寶（Voon Pow Bartlett） 巫 鴻 林似竹 (Britta Erickson) 范迪安 招穎思 (Melissa Chiu) 32 當代中國藝術中風景的圖像學: 洛柿田 (Sebastian Lopez) 胡 昉 生態關懷與道德目標 侯瀚如 Elena Macrì 徐文玠 (Claire Hsu) 姜苦樂 (John Clark) 姚嘉善 (Pauline J. Yao) 高名潞 44 哈瓦那軼事──與胡安 · 莫雷拉 費大爲 的對話 楊天娜 (Martina Köppel-Yang) 盧 杰 鄭勝天 Lynne Cooke Okwui Enwezor Katie Hill Charles Merewether 57 韓偉康：死水痙攣──香港 Apinan Poshyananda ──1980年代 出 版： 典藏藝術家庭 梁志和（Leung Chi Wo） 副總經理： 劉靜宜 行銷總監： 林素珍 發行專員： 許銘文 黃慧妍訪談 地 址： 台灣台北市中山北路一段85號6樓 66 電話: (886) 2.2560.2220 黃小燕 傳真：(886) 2.2542.0631 電子信箱：[email protected] 編輯製作： Yishu Initiative of Contemporary 77 集裝箱、拿破崙帽、蛇──黃永砯談 Chinese Art Society Monumenta 2016 ：《帝國》計劃 加中當代藝術協會 余小蕙 會 長： 鄭勝天 秘書長： 陰晴 地 址： 200 - 1311 Howe Street, Vancouver, BC, V6Z 2P3, Canada 90 奇異恩典：當代中國的基督教藝術 電話: (1) 604.649.8187 Patricia Eichenbaum Karetzky 電子信箱: offi[email protected] 訂閱、投稿及廣告均請與Yishu Initiative聯繫。 108 中英人名對照 設計製作： Leap Creative Group, Vancouver 創意總監： 馬偉培 藝術總監： 周繼宏 設計師： 黃健斌 印 刷： 台北崎威彩藝有限公司 本刊在溫哥華編輯設計，台北印刷出版發行。 一年6期。逢1、3、5、7、9、11月出版。 網 址： http://yishu-online.com 管 理： Design Format 國際刊號： 1683-3082 售 價： 每本12美元 / 9歐元 / 350台幣 一年6期 （含航空郵資）： 封面：李明維，浮光之淵（局部），新加坡 亞洲94美元 / 亞洲以外地區104美元 土生華人博物館天井內裝置。Sean Dungan攝影。 兩年12期 （含航空郵資）： 藝術家提供。 亞洲180美元 / 亞洲以外地區198美元 感謝力邦文化與楊豐收、JNBY與李琳、 一年網上下載： 49.95美元 Cc基金會與周大為、Kevin Daniels、洪琪琪、 一年6期加網上下載： 徐依夢、余啟賢、Andy Sylvester、Farid Rohani、 亞洲134美元 / 亞洲以外地區144美元 Ernest Lang、陳萍、賀芳霓（Stephanie Holmquist） 和Mark Allison 、D3E Art Limited對本刊出版與發行 版權所有，本刊內容非經本社同意不得翻譯和轉載。 的慷慨支持 本刊登載內容並不代表編輯部與出版社立場。 Contributors Voon Pow Bartlett is an artist, curator, several international exhibitions, most recently lecturer, and writer as well as an associate the 37th edition of EVA International— member of the Institute of Chartered Ireland’s Biennial (2016), the Manchester Asia Accountants in England and Wales. She is Triennial (2014), and Marrakech Biennale interested in exploring an expanded field in (2012). He has represented Hong Kong in the the study of the complex causal framework Venice Biennale and exhibited at Tate Modern, influencing global discourses on fine art. She London; PS1, New York; Witte de Witte, The serves as a trustee of Third Text and as an Netherlands; Museu da Imagem e do Som, advisor to Contemporary Chinese Art Journal São Paulo; and the Contemporary Art Centre, and the British Chinese Art Association. She Vilnius, among others. founded Artefiction in order to promote a transnational dialogue. She is also a volunteer Elena Macrì is an independent scholar based at the Victoria & Albert Museum in London. in Italy. She received her M.A. in Chinese Studies and Ph.D. in Chinese Art History Patricia Eichenbaum Karetzky holds the from the University of Naples “L’Orientale,” O. Munsterberg Chair of Asian Art at Bard specializing in Chinese modern and College, Annandale-on-Hudson, New York. contemporary art. During her career, she She has published several books, on subjects has also studied and conducted research in such as the art of the Tang dynasty and China, at the China Academy of Art and Chinese Buddhist art, and she has served as the Nanjing University of the Arts.
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    34 / FOCUS ON Ottagono 272 07-08/ 2014 Ottagono 272 07-08/ 2014 FOCUS ON / 35 scuole Aalto University School of Arts, Design and Architecture PROGETTO Helsinki, Finland BENESSERE Estonian Academy of Arts Tallinn, Estonia SCHOOLS: PROJECT WELL-BEING Sheffield Hallam University A cura di/edited by Silvia Airoldi Sheffield, UK WDKA Willem de Kooning Academy Rotterdam, The Netherlands Nelle pagine seguenti si parla di biodiversità, Seguendo un concetto un metodo che lo rendesse esplicito, che prevedesse consapevolezza collettiva, ecologia, rapporto tra uomo il coinvolgimento degli utenti finali già dalla fase L’École de design Nantes Atlantique e tecnologia, accessibilità fisica e cognitiva, equilibrio che estende sempre di analisi, facendo propri metodi presi da altre Nantes, France personale, armonia e identità, agricoltura biologica più il suo significato discipline come l’etnografia e l’antropologia. e servizi per la città. La quarta edizione di ‘Future e l’applicazione Il concetto di human centred design si è allargato Talents’ promosso da Ottagono, in collaborazione con nel tempo fino a costruire una serie di piattaforme SPD scuola Scuola del Design Cumulus, verte sul tema del benessere personale e ad ambiti diversi. per la co-progettazione, dall’open design al politecnica Politecnico di Milano collettivo. Le interpretazioni che si possono dare al Individuale crowdfunding, in cui gli utenti finali assumono IADE – Creative University di design Milan, Italy Lisbon, Portugal Milan, Italy tema sono di ampio respiro, dalla soluzione medicale
  • The Chronological Development of Parent Empowerment in Children's

    The Chronological Development of Parent Empowerment in Children's

    Asia Pacific Education Review Copyright 2007 by Education Research Institute 2007, Vol. 8, No.3, 487-499. The Chronological Development of Parent Empowerment in Children’s Education in Hong Kong Shun-wing NG Hong Kong Institute of Education Hong Kong The decentralization of the power of school governance is one of the recent trends of educational development in a global society in which the notion of parents as stakeholders and partners of state education is being gradually recognized, albeit at different paces, in several Asian countries. This paper attempts to analyze the chronological development of parent empowerment in Hong Kong. By examining the education policy documents of Hong Kong in the last three decades and looking into related debates in education reforms, the author conceptualizes five phases of development of parent empowerment which include (1) the period of absolute quiescence and acquiescence; (2) the period of wakefulness of parents’ rights and responsibilities, (3) the period of enhancing communication; (4) the period of accountability; and (5) the period of parents as partners. Key words: parent empowerment, parent involvement, education reform, home-school cooperation 1 Introduction Education Commission, 1996; Ng, 2001). After 1985, the emphasis of educational restructuring has been placed For the last two decades, there have been rapid social, mainly on the assurance of education quality, to which the economic and political changes and developments in Hong government has allocated a great deal of funding aimed at Kong. Accordingly, the education environment has been improving the teaching environment. Cheng (2007) changed quickly; thus, education goals and tasks have conceptualized the period of the 1990s as emphasizing the become more complex and demanding (Cheng, 1996).
  • September / October 2020 Vol

    September / October 2020 Vol

    PENTICTON ART GALLERY Arts Letter September / October 2020 Vol. 43 No. 5 OUR MISSION OUR VALUES The Penticton Art Gallery exists The following inform all initiatives and shape the mission and vision to exhibit, interpret, preserve, statements of the Gallery: and promote the visual, artistic, and cultural heritage of Indige- Community Responsibility: the Gallery interacts with the communi- nous Peoples and of Canada; ty by designing programs that inspire, challenge, educate, and enter- and to educate and engage the tain while recognizing excellence in the visual arts. public on local, regional, and global social issues through the Professional Responsibility: the Gallery employs curatorial exper- visual arts. tise to implement the setting of exhibitions, programs, and services in accordance with nationally recognized professional standards of oper- ation. OUR VISION Fiscal Responsibility: the Gallery conducts the operations and pro- We envision a gallery accessible grams within the scope of the financial and human resources availa- to everyone as a vibrant public ble. space in service of our commu- nity, to foster greater social en- gagement, critical thinking, and Territorial Acknowledgement: the Penticton Art Gallery acknowl- creativity. edges that the land on which we gather is the unceded territory of the Sylix (Okanagan) Peoples. VISIT US GALLERY STAFF BOARD OF DIRECTORS 199 Marina Way Maya Gauthier Eric Hanston Penticton, British Columbia Executive Director President V2A 1H5, Canada [email protected] Kristine Lee Shepherd