THURSDAY MORNING, 8 NOVEMBER 2018 THEATER (VCC), 7:45 A.M. TO 12:15 P.M. Session 4aAA Architectural Acoustics, Engineering Acoustics, Signal Processing in Acoustics, and Noise: Microphone Array Applications in Room Acoustics Gary W. Elko, Cochair mh Acoustics, 25A Summit Ave., Summit, NJ 07901 Michael Vorl€ander, Cochair ITA, RWTH Aachen University, Kopernikusstr. 5, Aachen 52056, Germany Chair’s Introduction—7:45 Invited Papers 7:50 4aAA1. Practical open-concentric spherical microphone array design. Mark R. Thomas (Sound Technol. Res., Dolby Labs., 1275 Market St., San Francisco, CA 94103,
[email protected]) The problem of higher order sound field capture is considered. First-order microphone arrays, such as tetrahedral A-format designs, are commonplace, while interest remains in the increased spatial resolution delivered by higher order arrays. Such arrays typically consist of pressure microphones mounted on a solid spherical baffle, with which higher-order spatial components are estimated algorith- mically. This produces a design trade-off, with small arrays being preferred for spatial aliasing performance and large arrays being pre- ferred for reduced amplification of microphone capsule noise at low frequencies. A practical open sphere design is proposed that contains microphones mounted at multiple radii to fulfill both criteria. Coupled with the use of cardioid microphones, such an array cap- tures higher order soundfields over a wider audio bandwidth than baffled spherical designs of fixed radius. 8:10 4aAA2. Self-calibration of dual, closed surface microphone arrays. Earl G. Williams (Acoust. Div., Code 7106, Naval Res. Lab., 4555 Overlook Ave., Washington, DC 20375,
[email protected]) and William A.