1 Index Letter from the editor Philip Horan 3 European Shakuhachi Festival 2010 Marek Matvija 4 The Swiss Shakuhachi Society Madeleine Zeller 6 The Shakuhachi in Germany Albert G. Helm 9 Shin-Tozan Ryû France Jean-François Lagrost 11 La Voie du Bambou Daniel Lifermann 13 The Shakuhachi in Italy Fiore De Mattia 15 The Shakuhachi in Ireland Philip Horan 17 The Kyotaku Tradition in Europe Hans van Loon 18 Playing Shakuhachi in the Netherlands Joke Verdoold 20 The Shakuhachi in Spain Jose Vargas- Zuñiga 22 The Shakuhachi in Sweden/Finland Niklas Natt och Dag 24 The Shakuhachi Scene in the UK Kiku Day/Michael Coxall 26 The Shakuhachi in Denmark Kiku Day 31 Membership page 34 Cover-work by Dominique Houlet
[email protected] What I could say is when I was 20, I spent some time in India with a wonderfull side-blown flute made of madake bamboo. I had great experiences playing for people. I met my actual teacher/master in a temple after a memorable improvisation. I’m still translating his speeches into French today. My job is in the graphic arts, as I was a prolific artist when a teenager. I create websites, logos, illustrations and lay-outs for communication as an independant designer. I discovered synthesizers some time ago, computers from their begining and digital arts/photography. I plunged into macro photos of flowers and realised a concert/show with a film made of flower pictures, called “Listening to the Flowers” where I played shakuhachi live. So I choose to learn shakuhachi for the occasion, and had around 6 months to get ready for the concert.