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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
DEPICTIONS of CHASTITY: VIRTUE MADE VISIBLE Susan L'engle In
DEPICTIONS OF CHASTITY: VIRTUE MADE VISIBLE Susan L’Engle In 1969 a daughter was born to Cher and Sonny Bono. They named her Chastity, an uncommon and burdensome name for a child to bear in this time and place. The negative resonance of this name still prevails, clearly articulated in a 1996 interview with Chastity Bono, where the reporter commented: “When she was born in 1969, Chastity Bono got stuck with that name forever. ‘Not that many people call me Chastity anyway,’ she says. She prefers Chas. Hell, wouldn’t you?”1 Today in the twenty-fi rst century we all have personal takes on the meaning of the word chastity and its relevance to our individual lives, shaped by our upbringing and education and supplemented by input from various media. In the Middle Ages, however, chastity was an all- pervading and multivalent concept that regulated the lives of lay men and women, and clergy alike. The ideals of chastity were expressed verbally by churchmen, theologians, philosophers, poets, and heads of family—and recorded in sermons, Saints’ Lives, advice manuals for rulers, courtesy books, and poems of courtly romance. For many of these texts, artists created images and compositions to illustrate and reinforce the verbal discourse, and it is these visual manifestations that will be analyzed and discussed in this project. As a medievalist I am interested in the various ramifi cations of chas- tity within the strata of medieval society; as an art historian, I want to explore how the notion of chastity can be represented visually, and what circumstances provoke its illustration. -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Take A'trip' to the Gallery —Page 4
I . & i • 4 « Ehra Hau, bronze modalM In Taa Kwon Do In tha 1988 Olymplca, delivers a aplnning back kick to Jaime Myatic during a regular training exerolaa of the American Taa Kwon Do Academy. Take a'trip' to the gallery —page 4 Vice Pres. 'Top' of shake-up the charts -page 2 —page6 NEWS New title, duties added to academic affairs VP After a restmctimng of upper serving as assistant to the interim Provost. level administration at UTSA, However, when a permanent provost is the position of vice president found, Val verde'sconlractis not expected for academic affairs has been tobe renewed. Valverde's offke was con tacted for more informadon, but no mes renamed and expanded. The sages were returned. new position, provost and vice- Dr. Linda Whitson, vice preskknt for president for academic afTairs, administration and planning, was also VP tor academic alMra and now pravoat until a permanent pn>- aaaiata the Interim provoat. voat la appointed. (of Dr. Valverde). Valvenk demotkm. DeLuna said that the Ttie provost position erjcompasses tiie duties of ttie She has no historical knowledge cm the group does not wish to speak to the media subject, and cannot verify or comment on about dwir plans. When adced why she vice president for academic affairs while increasing itsany artkk addressing the subject of Dr. sakl, "Sdategy, I guess." Valvenk." The provost position encompasses the scope of auttiority. Ttie Provost will serve as acting Dr. James W. Wagener, professor in duties of the vice president for academic tlw division of education and presitknt of affairs whik increasing its scope of au UTSA when Valverde was hired, was thority. -
Hat Makers with Attitude - Nytimes.Com
Hat Makers With Attitude - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Help Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS FASHION & STYLE DINING & WINE HOME & GARDEN WEDDINGS/CELEBRATIONS T MAGAZINE Millinery Madness: Hat Makers With Attitude Log in to see what your friends are sharing Log In With Facebook on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Backlash by the With Extra Bay: Tech Riches Anchovies, Alter a City Deluxe Whale Watching Morgan White, Derek John, Justin Smith Hat-makers with attitude: Piers Atkinson, House of Flora and J Smith Esq. By ROBB YOUNG Published: October 3, 2011 They are not the sort of hat makers whose idea of topping off an outfit RECOMMEND involves a charming little cloche or a cozy beret. Some are hell-raising TWITTER provocateurs while others are more like cheeky jesters full of LINKEDIN merrymaking and mischief. A few are die-hard design intellectuals, SIGN IN TO E-MAIL and at least one literally blurs the boundaries between hats and the PRINT hair that they cover. But one thing that unites this motley crew of SINGLE PAGE modern milliners is that “restraint” and “simplicity” are not part of their vocabularies. REPRINTS SHARE “To borrow a phrase from the stylist The Collection: A Fashion Simon Foxton, ‘There’s nothing worse App for the iPad A one-stop than a jaunty trilby,”’ says Fred Butler, destination for an exuberant British accessories Times fashion coverage and the designer who got her big break when latest from the Lady Gaga’s stylist, Nicola Formichetti, commissioned the runways. -
Exploring Alternative Approaches for Managing Electoral Injustice in Africa the Case of Breast Protests in Nigeria and the Sex Strike in Kenya
Exploring alternative approaches for managing electoral injustice in Africa The case of breast protests in Nigeria and the sex strike in Kenya INTRODUCTION through the ballot box. Furthermore, by manipulating the electoral process and rigging the elections against Peace and confl ict are outcomes of human relations. opposition candidates, incumbents have ensured that the However, neither is a permanent condition and rarely people’s votes have not counted. do they occur concurrently or simultaneously in a Th is study deals with three main issues. Th e fi rst is society. Rather, their existence is intermittent and the role of traditional and urban women’s movements in interchangeable, with peace being punctured by confl ict managing the protracted electoral crises in Nigeria and and vice versa. Confl ict is a universal phenomenon and, Kenya. Th e second is the impact of customary and or- in essence, is a global occurrence. Equally, the present thodox repercussions of the public display of half-naked global system is not immune to confl icts. During the bodies and bare breasts by women and their sex-denying Cold War era, confl ict in Africa focused mainly on strategies for attaining electoral justice in Nigeria interstate boundary wars, with intrastate wars being and Kenya, respectively. Th e third is the possibility of limited to a few states on the continent. Th e post-Cold converting these strategies to regional tools for achieving War era, however, which incidentally has coincided electoral justice, peace and political stability. with the period of democratisation in the region, has witnessed a surge in interstate wars, based on political ELECTORAL CONFLICTS and ethno-religious causes. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Title: Title: Title
Title: 45 Seconds from Broadway Author: Simon, Neil Publisher: Samuel French 2003 Description: roy comedy - friendship - Broadway twelve characters six male; six female two acts interior set; running time: more than 120 minutes; 1 setting From America's master of Contemporary Broadway Comedy, here is another revealing comedy behind the scenes in the entertainment world, this time near the heart of the theatre district. 45 Seconds from Broadway takes place in the legendary "Polish Tea Room" on New York's 47th Street. Here Broadway theatre personalities washed-up and on-the-rise, gather to schmooz even as they Title: Aberhart Summer, The Author: Massing, Conni Publisher: NeWest Press 1999 Description: roy comedy - historical - Alberta playwright - Canadian eleven characters eight male; three female two acts "Based on Bruce Allen Powe's 1984 novel [of the same name], Massing's marvelous play is at once a gripping Alberta history lesson, a sweetly nostalgic comedy and a cracking-good-murder-mystery, all rolled up into one big, bright ball of theatrical energy and verve..." Calgary Herald "At its best, Aberhart Summer is a vivid and unsentimental depiction of small-town Canadian life in Title: Accidents Happen Seven short plays Author: DeAngelis, J. Michael Barry, Pete Publisher: Samuel French 2010 Description: roy comedy large cast flexible casting seven one acts Seven of The Porch Room's best short plays collected together into an evening of comedy that proves that no matter what you plan for - accidents happen. The shorts can be performed together as a full-length show or on their own as one acts. -
Collective Memory and the Constructio
Liljedahl: Recalling the (Afro)Future: Collective Memory and the Constructio RECALLING THE (AFRO)FUTURE: COLLECTIVE MEMORY AND THE CONSTRUCTION OF SUBVERSIVE MEANINGS IN JANELLE MONÁE’S METROPOLIS-SUITES Everywhere, the “street” is considered the ground and guarantee of all reality, a compulsory logic explaining all Black Music, conveniently mishearing antisocial surrealism as social realism. Here sound is unglued from such obligations, until it eludes all social responsibility, thereby accentuating its unreality principle. (Eshun 1998: -41) When we listen to music in a non-live setting, we do so via some form of audio reproduction technology. To most listeners, the significant part about the technology is not the technology itself but the data (music) it stores and reverberates into our ears (Sofia 2000). Most of these listeners have memories tied to their favourite songs (DeNora 2000) but if the music is at the centre of the history of a people, can the songs themselves be seen as a form of recollection? In this paper, I suggest that sound reproduction technology can be read as a storage of memories in the context of Black American popular music. I will turn my attention to the critical potential of Afrofuturist narratives in the field of memory- technology in order to focus on how collective memory is performed as Afrofuturist technology in Black American popular music, specifically in the music of Janelle Monáe. At play in the theoretical backdrop of this article are two key concepts: Signifyin(g) and collective memory, the first of which I will describe in simplified terms, while the latter warrants a more thorough discussion. -
Due Process and the Disappearance of Black Girls in Public Education
#BLACKGIRLMAGIC: DUE PROCESS AND THE DISAPPEARANCE OF BLACK GIRLS IN PUBLIC EDUCATION ERICA YOUNG* TABLE OF CONTENTS INTRODUCTION ............................................................................ 209 II. BACKGROUND ......................................................................... 211 A. #BlackGirlMagic ................................................................ 211 B. Individuals with Disabilities Act ........................................ 212 C. Education for all Handicapped Children Act of 1975 ....... 214 D. Title IX ................................................................................ 215 II. DUE PROCESS .......................................................................... 215 A. Due Process ........................................................................ 215 B. Due Process: Special Education ........................................ 216 C. Due Process: Suspension and Expulsion ........................... 218 III. SPECIAL EDUCATION .............................................................. 219 A. Gender Disparity in Special Education .............................. 219 B. Racial Disparity in Special Education ............................... 222 C. The Intersection of Race and Gender for African AMerican Girls ........................................................................................ 225 IV. SCHOOL DISCIPLINE ............................................................... 226 A. The Impact of the Ghetto Black Girl .................................. 226 B. School Discipline