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WXXI Program Guide | May 2021
WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 SEE CENTER PAGES OF CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFOR WXXI SHOW MAY/EARLY JUNE 2021 HIGHLIGHTS! WXXI-TV DAYTIME SCHEDULE MAY/EARLY JUNE PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete prime time television schedule begins on page 2. Saturday The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 6:00am Ready Jet Go! 8:00am Hero Elementary 6:30am Arthur 8:30am Xavier Riddle and the Secret Museum 7:00am Molly of Denali 9:00am Curious George 7:30am Wild Kratts 9:30am A Wider World 8:00am Hero Elementary 10:00am This Old House 8:30am Xavier Riddle and the Secret Museum 10:30am Ask This Old House 9:00am Curious George 11:00am Woodsmith Shop 9:30am Daniel Tiger’s Neighborhood 11:30am Ciao Italia 10:00am Donkey Hodie 12:00pm Lidia’s Kitchen 10:30am Elinor Wonders Why 12:30pm Christopher Kimball’s Milk Street Television 11:00am Sesame Street 1:00pm The Great British Baking Show 11:30am Pinkalicious & Peterrific 2:00pm America’s Test Kitchen 12:00pm Dinosaur Train 2:30pm Cook’s Country 12:30pm Clifford the Big Red Dog 3:00pm Second Opinion with Joan Lunden (WXXI) 1:00pm Sesame Street 3:30pm Rick Steves’ Europe 1:30pm Donkey Hodie 2:00pm Daniel Tiger’s Neighborhood Sunday 2:30pm Let’s Go Luna! 6:00am Mister Roger’s Neighborhood 3:00pm Nature Cat 6:30am Arthur 3:30pm Wild Kratts 7:00am Molly -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and Thetwo and One Half National Conventions
DOCUMENT RESUME ED 072 623 EM 010 708 AUTHOR Stone, Robert R. -TITLE Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and theTwo and One Half National Conventions. PUB DATE Nov 72 NOTE 9p.; Paper presented at the National Association of Educational Broadcasters Annual Convention (48th,Las Vegas, Nevada, October 29-November 1, 1972) EDRS PRICE MF -$0.65 HC-$3.29 DESCRIPTORS *Electronic Equipment; *Engineering; *Equipment Utilization; Public Affairs Education; *Public Television; *Video Equipment IDENTIFIERS National Public Affairs Center; *Public Broadcasting Service ABSTRACT Television coverage of the 1972 Presidential Conventions was a complicated, time consuming, exhausting andyet challenging task for the Public Broadcasting Service(PBS). Operating on limited funds and borrowed equipment, PBS had to literally throw together its operation in Miami Beach and still keep tabson'the candidates wandering around the country. The author,an engineering manager with KCET-TV in Los Angeles, outlines the engineering gymnastics that PBS had to go through to provide thecoverage necessary. The video equipment, telephone communications,power requirements, and remote set ups are described in careful technical detail. (MC) My presentation today is on the Public Broadcasting Service participation in the NPACTcoverage of the N1 political primaries and the two andone half national (NJ conventions. U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE 4.0 RobertR. act-1e_, KcET, Los khReles OFFICE OF EDUCATION THIS DOCUMENT HAS SEEN REPRO. r\I National Public Affairs Center for television oucEoEXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIO- N.- requested PBS to assist them in their proposedcoverage 0 :IraSTATEDIATT 43TVII:EICE3SRS 21:: of the forthcoming Democratic and Republican National REPRESENT OFFICIAL OFFICE OF EOU L]. -
AM One-Sheet W Logo Revised121913
One of the most durable and worthwhile jewels in public television’s crown. TV Worth Watching American Masters , THIRTEEN’s award-winning biography series, celebrates our arts and culture. Created and launched in 1986 by Susan Lacy, the series set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 67 Emmy nominations and 26 awards — nine for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies. When it comes to biography, no one’s doing it better than American Masters. Wall Street Journal American Masters has produced an exceptional library, bringing unique originality and perspective to exploring the lives and illuminating the creative journeys of our most enduring writers, musicians, visual and performing artists, dramatists, filmmakers and those who have left an indelible impression on our cultural landscape. Balancing a broad and diverse cast of characters and artistic approaches, while preserving historical authenticity and intellectual integrity, these portraits reveal the style and substance of each subject. The series enters its 28 th season on PBS in 2014 beginning with Salinger — premiering January 21 on PBS (check local listings) — the series’ 200 th episode. -
Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera -
A Quiet Revolution
A quiet revolution The moral economies shaping journalists’ use of NGO-provided multimedia in mainstream news about Africa Katherine Wright Goldsmiths, University of London A thesis submitted for the degree of PhD in Media and Communications 2014 1 Declaration I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. 2 Acknowledgements With grateful thanks to my study participants for their time, trust and candour - without you there would be no study. I also want to thank my supervisor, Natalie Fenton, who manages to combine the sharpest of minds with the warmest of hearts. Your support has meant so much to me over the past few years. The encouragement and constructive criticism of others at Goldsmiths has also been invaluable, especially Aeron Davis, Des Freedman and Gholam Khiabany, who all kindly read drafts of chapters for me. Next, I want to note my debt to my dear colleagues in Journalism at the University of Roehampton. I especially want to thank Ros Coward, whose passionate belief that practitioners should ‘get into’ research started me off down this route in the first place. In addition, the words of advice and support from colleagues at other institutions have been really helpful, especially those of Mel Bunce, Lilie Chouliaraki, Glenda Cooper, Nick Couldry, Shani Orgad, Chris Paterson, Martin Scott, Helen Yanacopulos and Silvio Waisbord. -
Brahms Reimagined by René Spencer Saller
CONCERT PROGRAM Friday, October 28, 2016 at 10:30AM Saturday, October 29, 2016 at 8:00PM Jun Märkl, conductor Jeremy Denk, piano LISZT Prometheus (1850) (1811–1886) MOZART Piano Concerto No. 23 in A major, K. 488 (1786) (1756–1791) Allegro Adagio Allegro assai Jeremy Denk, piano INTERMISSION BRAHMS/orch. Schoenberg Piano Quartet in G minor, op. 25 (1861/1937) (1833–1897)/(1874–1951) Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Jun Märkl is the Ann and Lee Liberman Guest Artist. Jeremy Denk is the Ann and Paul Lux Guest Artist. The concert of Saturday, October 29, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. TCHAIKOVSKY 5: Fri, Nov 4, 8:00pm | Sat, Nov 5, 8:00pm Han-Na Chang, conductor; Jan Mráček, violin GLINKA Ruslan und Lyudmila Overture PROKOFIEV Violin Concerto No. 1 I M E TCHAIKOVSKY Symphony No. 5 AND OCK R HEILA S Han-Na Chang SLATKIN CONDUCTS PORGY & BESS: Fri, Nov 11, 10:30am | Sat, Nov 12, 8:00pm Sun, Nov 13, 3:00pm Leonard Slatkin, conductor; Olga Kern, piano SLATKIN Kinah BARBER Piano Concerto H S ODI C COPLAND Billy the Kid Suite YBELLE GERSHWIN/arr. -
Bibliography
Bibliography Abramiuk, M.A. The Foundations of Cognitive Archaeology. Cambridge & London: The MIT Press, 2012. Abbott, Evelyn, and E.D. Mansfield. Primer of Greek Grammar. Newbury Port, MA: Focus Classical Reprints, 2000 [1893]. Ahl, Frederick. “The Art of Safe Criticism in Greece and Rome.” American Journal of Philology 105 (1984): 174–208. Ahl, Frederick. Metaformations: Soundplay and Wordplay in Ovid and Other Classical Poets. Ithaca and London: Cornell University Press, 1985. Ahl, Frederick. “Making Poets Serve the Established Order: Censoring Meaning in Sophocles, Virgil, and W.S. Gilbert.” Partial Answers 10/2 (2011): 271–301. Alexander, Michelle. The New Jim Crow. New York: The New Press, 2010. Alexanderson, Bengt. “Darius in the Persians.” Eranos 65 (1967): 1–11. Alexiou, Margaret. The Ritual Lament in Greek Tradition. Cambridge: Cambridge Uni- versity Press, 1974. Alfaro, Luis. “Electricidad: A Chicano Take on the Tragedy of Electra.” American Theatre 23/2 (February 2006): 63, 66–85. Alley, Henry M. “A Rediscovered Eulogy: Virginia. Woolf’s ‘Miss Janet Case: Classical Scholar and Teacher.’” Twentieth Century Literature 28/3 (1982): 290–301. Allison, John. Review of Carl Orff: Prometheus (Roland Hermann, Colette Lorand, Fritz Uhl; Bavarian Rundfunks Symphony Orchestra and Women’s Chorus, Rafael Kubelík, cond.; live recording, Munich, 1975), Orfeo C526992I (1999). http://www.classical-music.com/review/orff-2. Andreas, Sr., James R. “Signifyin’ on The Tempest in Mama Day.” In Shakespeare and Appropriation, (eds.) Christy Desmet and Robert Sawyer. London: Routledge, 1999. Aristophanes. Lysistrata, The Women’s Festival and Frogs, (ed.) and trans. Michael Ewans. Norman: Oklahoma University Press, 2011. Armstrong, Richard H. -
MOLLY of DENALI Episode Descriptions and Curriculum Episodes #101-139
MOLLY OF DENALI Episode Descriptions and Curriculum Episodes #101-139 NOTE: EPISODE NUMBERS ARE NOT IN BROADCAST ORDER EPISODE 101: Grandpa’s Drum Molly finds an old photo of Grandpa as a child and is shocked to see him singing and drumming—Grandpa never sings. When Grandpa tells her he lost his songs when he gave his drum away, Molly goes on a mission to find his drum and return his songs to him. Curriculum: IT Learning Goals: To compare texts and integrate information across multiple textual sources when reading or researching (this could, but need not, lead to writing or developing a presentation). Molly and Tooey look at landmarks in a photo taken in the past and compare them to how the landmarks look in the present. To use a variety of language, navigational, structural, and graphical text features (like a photograph) to help access (read, listen to, and/or view) or convey (write, speak, and/or present, including visually) meaning (which vary depending upon the type of informational text). Graphical Feature: Photograph. Molly and Tooey examine an old photograph to find clues that help them discover what town the photograph was taken in. Social Studies: Collect and examine photographs of the past and compare with similar, current images. Classify events as belonging to past or present. Molly compares an old photograph to new images of towns in Alaska to discover what town the photograph was taken in. Alaska Native Value: Honoring your elders. Knowing who you are — you are an extension of your family. Continuing the practice of Native traditions. -
Summer Virtual #Presstourpbs July 28, 29 and 30
Summer Virtual #PressTourPBS July 28, 29 and 30 (Final) Three half days, 1:00 – 5:00 pm ET (10:00 am – 2:00 pm PT) All times Eastern below PBS Registration: To all TCA members and PBS-confirmed press, please register in advance for this virtual event using this link to start: https://zoom.us/webinar/register/WN_2uRcyS-fRN68-kMCgGor2w After registering, you will receive a confirmation email with your unique access link and other details. The same, single link works for all of the PBS sessions. See the email from Phil Piga ([email protected]) for more details or send an email with any questions. Thank you! Tuesday, July 28 1:00–1:55 pm PBS Executive Session & 50TH ANNIVERSARY PANEL As PBS marks its 50th Anniversary – amid a global pandemic, polarized nation and strained economy – the mission of public media has never been more important. • Paula Kerger, PBS President & CEO • Ken Burns • Judy Woodruff • Dr. Henry Louis Gates, Jr. PR contact: Eleanor Hawkins, 205-276-5252; [email protected]; Jeremy Gaines, 703-739-5135; [email protected] 2:15–2:45 pm PBS NEWSHOUR • Judy Woodruff, anchor and managing editor • Amna Nawaz, senior national correspondent and primary substitute anchor • Yamiche Alcindor, White House correspondent • Lisa Desjardins, Capitol Hill correspondent • Sara Just, executive producer PR contact: Sydney Cameron, [email protected]; 954-478-0703 3:00–3:30 pm PBS Election & News Coverage • Robert Costa, WASHINGTON WEEK • Margaret Hoover, FIRING LINE WITH MARGARET HOOVER • Bernardo Ruiz, VOCES “Latino Vote: Dispatches from the -
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 Pm
PIAZZOLLA CENTENNIAL CELEBRATION Saturday, March 13, 2021 at 7:30 pm ALLEN-BRADLEY HALL MILWAUKEE SYMPHONY POPS Stas Venglevski, bayan Frank Almond, violin Roza Borisova, cello Jeannie Yu, piano Verano Porteño .................................................................Astor Piazzolla Tanguera .............................................................................Mariano Mores Mumuki ................................................................................Astor Piazzolla Quejas de Bandoneón .................................... Juan de Dios Filiberto La Violetera ...............................................................................José Padilla El Choclo................................................................................Ángel Villoldo Jalousie “Tango Tzigane” ................................................. Jacob Gade La Cumparsita ............................................Gerardo Matos Rodríguez Fuga y Misterio ................................................................Astor Piazzolla Allegro Tangabile .............................................................Astor Piazzolla Gitanerias ...................................................................... Ernesto Lecuona Por Una Cabeza .................................................................Carlos Gardel The MSO Steinway piano was made possible through a generous gift from Michael and Jeanne Schmitz. The Milwaukee Symphony Orchestra’s Reimagined Season is sponsored by the United Performing Arts Fund. 1 MILWAUKEE SYMPHONY ORCHESTRA -
Energy F Waifis#11
1 \ 1 -■ Happily He Growls Newsman Moseley Expresses LISTEN TO As He Limns Nazis lawllilriilliil "HARBOR LIGHT" A for Radio’s Future In Every Tues., 10:05 P.M. Hope Despicable Fashion For Flowers and Lawns If CHICAGO. WINX Broadcasts, Sponsors Willing, Boris Marshalov hates all Nazis. He also Soil Airs Assoc. Will That War’s End hates and despises all Japs, Top Gospel Broadcosting Only Convey with Hitler. Goebbels, Goering, et al An’ Extra Rich From rail Quality Does Not Mean End of a War holding positions on his special A Fairfax County Farm ★ • hate parade. Listen to These Yonngsters By J. W. Stepp. It is, therefore, with great de- p light that Marshalov plays Nazi and Jap roles on such WMAL-Blue | Tonight Sydney Moseley, a newscaster of ports the routine developments on Net- work dramatic thrillers as considerable on WOL- the war fronts. However, he is a “Inner popularity Sanctum Mutual, is a radio man by nature. reporter and commentator on news Mystery,” “Counter Spy” and “Manhattan at 6:30 WNAL There is a difference between radio developments only. As far as the Midnight.” [ This soil is from a rich “I make my characters so top i as answer the people—be they newscasters or future role of radio itself is con- vile and they questions loathsome,” he farm land in Fairfax County. writers or bit actors—and cerned he can only hope that the beams, “the listeners script It is being used on the grounds on me- critical present will not be should like to tear my throat to those who use this far-reaching forgot- of the 1 shreds.