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The Lives and Music of Jeff and Tim Buckley Pdf, Epub, Ebook DREAM BROTHER: THE LIVES AND MUSIC OF JEFF AND TIM BUCKLEY PDF, EPUB, EBOOK David Browne | 384 pages | 01 Oct 2001 | HarperCollins Publishers | 9781857029895 | English | London, United Kingdom Dream Brother: The Lives and Music of Jeff and Tim Buckley - David Browne - Google книги I bought a sitar and experimented with alternative tunings on my guitar to make it sound more Indian. This is one of many ways in which Grace has opened up so many aspects of my listening repertoire. You need to excuse that Nineties production. This is a record that will make you feel a lot, and reaffirm your belief in what art can do. Already have an account? Log in here. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. The most insightful comments on all subjects will be published daily in dedicated articles. You can also choose to be emailed when someone replies to your comment. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. Please continue to respect all commenters and create constructive debates. Please be respectful when making a comment and adhere to our Community Guidelines. You can find our Community Guidelines in full here. There are no Independent Premium comments yet - be the first to add your thoughts. There are no comments yet - be the first to add your thoughts. Buckley spent time working in a hotel and playing guitar in various struggling bands playing in styles from jazz, reggae, and roots rock to heavy metal and he toured with the dancehall reggae artist Shinehead. His full-length full-band album, Grace, was released in the United States on August 23, , the same day Buckley and band kicked off a European tour in Dublin, Ireland. Within the simple constraints of guitar, bass, and drums and some extraordinary string arrangements he creates a dense but immediate emotional vessel that cannot be pinned down in any rock, soul, or folk category, or as mainstream or alternative. After completing touring in , Buckley started to write for a new album to be called My Sweetheart the Drunk. Buckley worked with Patti Smith on her album Gone Again and met collaborator Tom Verlaine, the lead singer for the punk band Television. Buckley asked Verlaine to be producer on the new album and he agreed. In the middle of , Buckley and his band began recording sessions in Manhattan with Verlaine. On the night of May 29 , he and a friend traveled to the local Wolf River Harbor, where Buckley spontaneously decided to go swimming in the Mississippi River Buckley had gone swimming there several times before. Despite a determined rescue effort that night, Buckley remained missing. Buckley was 30 years old. The Grateful Dead in the same timeframe were able to get extremely stoned but still keep aware that music was for the listener. Somehow Tim couldn't. He became seduced by the pleasure of listening to his own music in his own mind, without understanding that performers must connect to those listening or they have no right to be on a stage. I had not been a fan of Jeff's music, and having seen quite a few YouTube videos of it, he seems to me to be someone with excellent musicianship but no feel for song construction. His stuff goes on and on, and his best performances are of other people's songs. Finally, the issue that never gets discussed in this book, but should be, is that of hereditary mental illness, which appears to have been an issue with both father and son. At one point the author mentions "borderline personality" as if it were something someone "came down with. But obviously both father and son had some major mental issues, and it seems clear that Jeff was losing touch with reality during his last months of life, given the word-salady quotes presented here. A bit more insight into this could have helped give us more empathy for these two brilliant but doomed musicians. The author's intellectuality appears to be the real problem here. He is too much the New York jazz critic, too far away from the reality of musicians and the life they lead. Mar 22, Alyx rated it really liked it. Jesus, I'm a nerd. I go headlong into revisiting a dormant crush on the doomed son of a doomed son by checking in with my local library. Fortunately, David Browne wrote a pretty substantial biography on the Buckleys that twines, parallels, and misses the two young men who shared heritage but not each other's lives. I think the Jeff portion was what they were going to make the stalled biopic out of, which would be good source Jesus, I'm a nerd. I think the Jeff portion was what they were going to make the stalled biopic out of, which would be good source material though an unnecessary exercise, and James Franco is now too old. It drags as it gets closer toward both men's inevitable demise, but also captures what made them good artists, terrible commercial entities, maddenly charismatic individuals, and neatly encapsulates their familial lineage across post-war California migration and Irish and Panamanian ancestry. I was also pleasantly surprised to find that Jeff dated some interesting women and one with my exact birthday , though annoyed by the cold reality that he was at times a real pretentious dweeb. Like father, like son. In short, a good read even if you didn't house a glossy of one of them in your spiral notebook during your junior high years. Mar 23, Kelly Murray rated it it was amazing Shelves: biography. This book deepened my love and appreciation for Jeff Buckley as if that were even possible. I loved getting the really intimate perspective on both Jeff's and his father's lives. They never really knew each other, but were similar in many ways. This is the only book that has ever made me cry at the end. It really made me appreciate the kind of person that Jeff was, even if he was a bit before my time. He seemed to have had such a pure soul and wanted nothing more than to spread love soooo good! He seemed to have had such a pure soul and wanted nothing more than to spread love and kindness in the world. It's like he had passion flowing through his veins. View 1 comment. Nov 21, Paul Gleason rated it really liked it. Browne's book is a solid and exhaustive biography of two of the greatest musicians of the twentieth century: Tim and Jeff Buckley. I especially appreciate Browne's technique of telling Tim's and Jeff's stories concurrently, and not devoting the first half of his book to Tim and the second half to Jeff. I learned that both father and son suffered from depression and erratic behavior. Tim and Jeff were also true musical geniuses - and it's the way in which both combine introspection, earnestness, a Browne's book is a solid and exhaustive biography of two of the greatest musicians of the twentieth century: Tim and Jeff Buckley. Tim and Jeff were also true musical geniuses - and it's the way in which both combine introspection, earnestness, and incredible singing Tim had a five-octave range that makes their music so meaningful. You probably already know the story. Tim was briefly married to Jeff's mother, but they split shortly before Jeff was born. So while Tim was making some of the most innovative music of the late s and early s listen to Starsailor or "Song to the Siren" if you haven't already done so by combining folk music, free jazz, rock and roll, and really every musical form that came within his grasp. Tim's music is nothing like his more popular L. Every album was an innovation and progression. But his emotional fragility led to heroin addiction and a rather random overdose at the age of 28 in , which paralleled his son's equally rather random death by drowning at the age of 30 in I know Jeff's music much better than Tim's because Jeff was my contemporary he would be six years older than I if he were alive. I loved his one true album, Grace, when it first came out. It was the perfect record for me because it combined all of the styles of guitar playing that I loved. The riff on "Grace" is brilliant and moving, and the delicate performance of Leonard Cohen's "Hallelujah" is, as you know, one of the greatest songs ever committed to tape. I could tell that Jeff loved Zeppelin, Piaf, Jane's Addiction, progressive rock, folk music - really anything he came across. He was like his dad in this way. And, like Tim, Jeff was earnest, passionate - and not angry. This was crucial in , when music seemed either hateful and nihilistic or ironic and distant. Jeff managed to avoid these extremes and make an honest, brilliant record that somehow sounded spontaneous and highly produced at the same time.
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