Shakespeare Othello Mp3, Flac, Wma

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Shakespeare Othello mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Non Music / Stage & Screen Album: Othello Country: US Style: Spoken Word MP3 version RAR size: 1178 mb FLAC version RAR size: 1926 mb WMA version RAR size: 1908 mb Rating: 4.7 Votes: 984 Other Formats: MP1 VOC MP2 WMA MP3 DMF AAC Tracklist A Othello B Othello Companies, etc. Recorded By – F.C.M. Productions Published By – Worlco Credits Composed By [Musique Concrete], Composed By [Sound Patterns] – Desmond Leslie Directed By – Michael Benthall Voice Actor [Brabantio] – Ernest Hare Voice Actor [Cassio] – John Humphry Voice Actor [Desdemona] – Barbara Jefford Voice Actor [Duke Of Venice] – Charles West Voice Actor [Emilia] – Coral Browne Voice Actor [Iago] – Ralph Richardson Voice Actor [Lodovico, Senator] – Joss Ackland Voice Actor [Narrator] – Michael Benthall Voice Actor [Othello] – John Gielgud Voice Actor [Sailor] – Stephen Moore Voice Actor [Senator] – David Tudor-Jones Voice Actor [Small Part] – David Lloyd-Meredith, Peter Ellis , Roger Grainger Written-By – William Shakespeare Notes Modern abridged version. An F.C.M. production. Includes a 16 page booklet. Australian WRC 2nd pressing, sourced from original stampers and featuring unique sleeve art. Same sleeve design as previous issue, except new addresses. The mono version has a red sticker with "mono" on the back (though these tend to drop off with age). "SLS-4" on labels, "LS/4" on sleeve. 299 Flinders Lane Melbourne 177 Elizabeth St Sydney Newspaper House, 93 Queen St Brisbane 60 Pulteney St Adelaide Barnett's Building, Council Ave Perth Other versions Category Artist Title (Format) Label Category Country Year William Othello (LP, Oldbourne Press, DEOB 3AS DEOB 3AS UK 1964 Shakespeare Album) Odhams Books Ltd. R-00044, Othello (LP, World Record Club, R-00044, Shakespeare* Australia 1975 LS/4 Album, Club, RE) World Record Club LS/4 Othello (LP, World Record Club, LS/4, LS-4 Shakespeare* Album, Mono, LS/4, LS-4 Australia 1969 World Record Club Club, RE) Othello (LP, World Record Club, SLS-4, LS/4 Shakespeare* SLS-4, LS/4 Australia 1966 Album, Club, RE) World Record Club Othello (LP, World Record Club, SLS-4, LS/4 Shakespeare* SLS-4, LS/4 Australia 1964 Album, Club) World Record Club Related Music albums to Othello by Shakespeare Michael Koser - Der Letzte Detektiv 38 - Totentanz Michael Koser - Der Letzte Detektiv 30 - Virtuella Doctor Who - The Broken Crown Various - Pinocchio / Tom Thumb / The Gingerbread Boy Theodor Dopheide - Hook - Folge 2 Shakespeare - King Lear Shakespeare - Measure For Measure Shakespeare - Richard III William Shakespeare - Rex Harrison, Rachel Roberts Directed By Howard Sackler - Much Ado About Nothing Shakespeare - Hamlet - An Original Soundtrack Recording Michael Koser - Der Letzte Detektiv 4 - Schlachthaus Michael Koser - Der Letzte Detektiv 12 - Inselklau.

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Actors and Accents in Shakespearean Performances in Brazil: an Incipient National Theater1
Scripta Uniandrade, v. 15, n. 3 (2017) Revista da Pós-Graduação em Letras – UNIANDRADE Curitiba, Paraná, Brasil ACTORS AND ACCENTS IN SHAKESPEAREAN PERFORMANCES IN BRAZIL: AN INCIPIENT NATIONAL THEATER1 DRA. LIANA DE CAMARGO LEÃO Universidade Federal do Paraná (UFPR) Curitiba, Paraná, Brasil ([email protected]) DRA. MAIL MARQUES DE AZEVEDO Centro Universitário Campos de Andrade, UNIANDRADE Curitiba, Paraná, Brasil. ([email protected]) ABSTRACT: The main objective of this work is to sketch a concise panorama of Shakespearean performances in Brazil and their influence on an incipient Brazilian theater. After a historical preamble about the initial prevailing French tradition, it concentrates on the role of João Caetano dos Santos as the hegemonic figure in mid nineteenth-century theatrical pursuits. Caetano’s memorable performances of Othello, his master role, are examined in the theatrical context of his time: parodied by Martins Pena and praised by Machado de Assis. References to European companies touring Brazil, and to the relevance of Paschoal Carlos Magno’s creation of the TEB for a theater with a truly Brazilian accent, lead to final succinct remarks about the twenty-first century scenery. Keywords: Shakespeare. Performances. Brazilian Theater. Artigo recebido em 13 out. 2017. Aceito em 11 nov. 2017. 1 This paper was first presented at the World Shakespeare Congress 2016 of the International Shakespeare Association, in Stratford-upon-Avon. LEÃO, Liana de Camargo; AZEVEDO, Mail Marques de. Actors and accents in Shakespearean performances in Brazil: An incipient national theater. Scripta Uniandrade, v. 15, n. 3 (2017), p. 32-43. Curitiba, Paraná, Brasil Data de edição: 11 dez.
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J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
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March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster.
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INTRODUCTION xl Othello a 'black devil' and Desdemona's 'most filthy bargain' ^ we cannot doubt that she speaks the mind of many an Englishwoman in the seventeenth-century audience. If anyone imagines that England at that date was unconscious of the 'colour-bar' they cannot have read Othello with any care? And only those who have not read the play at all could suppose that Shake speare shared the prejudice, inasmuch as Othello is his noblest soldier and he obviously exerted himself to represent him as a spirit of the rarest quality. How significant too is the entry he gives him! After listening for 180 lines of the opening scene to the obscene suggestions of Roderigo and lago and the cries of the outraged Brabantio we find ourselves in the presence of one, not only rich in honours won in the service of Venice, and fetching his 'life and being from men of royal siege',3 but personally a prince among men. Before such dignity, self-possession and serene sense of power, racial prejudice dwindles to a petty stupidity; and when Othello has told the lovely story of his courtshipj and Desdemona has in the Duke's Council- chamber, simply and without a moment's hesitation, preferred her black husband to her white father, we have to admit that the union of these two grand persons, * 5. 2.134, 160. The Devil, now for some reason become red, was black in the medieval and post-medievcil world. Thus 'Moors' had 'the complexion of a devil' {Merchant of Venice, i. 2.
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SALUTING THE CLASSICAL TRADITION IN DRAMA A SEQUENCE OF PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The Corcoran Gallery of Art The English-Speaking Union The Royal Shakespeare Company The Royal Academy of Dramatic Art A GALA TRIBUTE TO SIR JOHN Monday, April 19 JUDI DENCH and PAUL SCOFIELD are only two of the stars you’ll see if you help us commemorate the birthday centennial of a man who was widely regarded as the most influential dramatic artist of his era. Highlighting a period of festivities that will be co-sponsored by such institutions as the BBC, THE GARRICK CLUB, THE NATIONAL PORTRAIT GALLERY, THE NATIONAL THEATRE, THE GIELGUD THEATRE THE ROYAL ACADEMY OF DRAMATIC ART, THE ROYAL SHAKESPEARE COMPANY, and THE THEATRE MUSEUM will be a sprightly revel in the West End venue Shaftesbury Avenue London that was renamed for Sir John in 1994. Hosted by media personality NED SHERRIN, this event will feature vignettes by CLIVE FRANCIS, PETER HALL, Curtain 7:30 p.m. DAVID HARE, ROSEMARY HARRIS, MARTIN JARVIS, BARBARA JEFFORD, IAN PRIME SEATS $150 MCKELLEN, MICHAEL PENNINGTON, IAN RICHARDSON, DONALD SINDEN, and OTHER SEATS $40 TO $110 other luminaries. To reserve tickets through the Guild, call (202) 234- 4602. To order through the box office, call 011 44 870 890 1105. DANA IVEY Thursday, May 20 DANA IVEY, who won an Obie Award when she created the title role in an Off-Broadway Driving Miss Daisy (1986-87), had received a previous Obie as Melanie in Quartermaine’s Terms (1982- 83).
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The Scottish Arts Council (CBE ) Mr N
Pt(Z C vk 1 --l6 coPy The Arts Council of Great Britai n A new charter Twenty second annual report and account s The Arts Council of Great Britai n 4 St James's Square London SW 1 year ended 31 March 1967 01-930 973 7 ARTS COUNCIL OF GREAT BRIT IN REFERENCE ONLY 00 NOT REMOVE FROM THE LIBRARY Membership of th e Council, committees and panels Counci l The Lord Goodman (Chairman ) Professor Sir William Coldstream, CBE, DLitt (Vice-Chairman ) The Right Hon. Sir Edward Boyle, Bt, M P Colonel William Crawshay, DSO, ER D Miss Constance Cumming s C. Day Lewis, CBE, DLit t The Earl of Harewood Professor Gwyn Jones, CB E Sir Joseph Lockwoo d Colin H . Mackenzie, CMG Mrs Myfanwy Pipe r Dame Jean Roberts, DBE, DL, J P Professor D. Talbot Rice, MBE, TD, DLitt, FS A Hugh Willatt Angus Wilson, FRS L Sir John Witt Scottish Arts Counci l Colin H . Mackenzie, CMG (Chairman ) Ian Finlay, CBE (Vice-Chairman ) J. S . Boyl e Colin Chandle r J. B. Dalby Cedric Thorpe Davie, OB E R . D . Hunter, MB E Dr J. A . MacLea n Miss Lennox Milne, OB E Edwin Morga n Neil Paterso n Alan Reiach, OB E Professor D Talbot Rice, MBE, TD, DLitt, FS A Dame Jean Roberts, DBE, DL, J P George Singleton, CB E Professor Andrew McLaren Young Dr Douglas Youn g Welsh Arts Counci l Professor Gwyn Jones, CBE (Chairman ) Colonel William Crawshay, DSO, ERD (Vice-Chairman ) Professor W . J . G. Beynon, CBE, PhD, DSc G.
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The • Vpstart • Cr.Ow
Vol. XV THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard and Irfan Tak Clemson University Editorial Assistants Kim Bell, Laurie Brown, Pearl Parker, Judy Payne, Heather Pecoraro, and Jeannie Sullivan Copyright 1995 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XV About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $12 Institutions and Libraries, same rate as individuals- $12 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes.
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The Routledge Companion to Actors' Shakespeare Judi Dench
This article was downloaded by: 10.3.98.104 On: 26 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Companion to Actors’ Shakespeare John Russell Brown, Kevin Ewert Judi Dench Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203816196.ch3 Stanley Wells Published online on: 30 Jun 2011 How to cite :- Stanley Wells. 30 Jun 2011, Judi Dench from: The Routledge Companion to Actors’ Shakespeare Routledge Accessed on: 26 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203816196.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 Judi Dench Stanley Wells Judi Dench stands along with three other great Dames – Ellen Terry, Edith Evans and Peggy Ashcroft – in the line of women performers of Shakespeare over the past century. As an older contemporary of Dame Judi, I have been able to see many of her performances, some of them several times, and have reviewed some for the press.
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LOCANTRO Theatre
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