DOCSLIB.ORG

Fort Wayne Alumnus Taylor University Fort Wayne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fort Wayne Alumnus Taylor University Fort Wayne Taylor University Pillars at Taylor University TUFW Alumni Publications Publications for TUFW and Predecessors Spring 1996 Fort Wayne Alumnus Taylor University Fort Wayne Follow this and additional works at: https://pillars.taylor.edu/tufw-alumni-publications Part of the Higher Education Commons Recommended Citation Taylor University Fort Wayne, "Fort Wayne Alumnus" (1996). TUFW Alumni Publications. 56. https://pillars.taylor.edu/tufw-alumni-publications/56 This Book is brought to you for free and open access by the Publications for TUFW and Predecessors at Pillars at Taylor University. It has been accepted for inclusion in TUFW Alumni Publications by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. \ \ Together in His Service . TaylorUniversity PERSPECTIVE Fort Wayne Campus 1025 West Rudisill Blvd. Fort Wayne, Indiana 46807 President: Dr. Jay Kesler Provost: Dr. Daryl Yost On a recent Friday morning, I found my self in the Ramseyer Vice President Fort Wayne Campus: Chapel of Founder's Hall for one of our thrice-weekly Dr. Robert Nienhuis chapel services. Chapel began, as it often does, with Vice President for University Relations: singing led by a worship team composed of students from Dr. Charles Jaggers our campus. Director of University Relations: Mrs. Sherri Harter Matt and Megan were on the keyboards and Patrick was Director of Alumni/Church Relations: playing the drums. Greg was on the electric bass and Dave Rev. William Gerig played the guitar and sang. Amy and Angela provided vocal leadership. FORT WAYNE ALUMNUS is published periodically by Taylor University, Fort It was a rich time of worship with these students leading us in choruses and songs focused Wayne Campus for alumni, friends, faculty on our great Savior. Gazing over the crowd of students and staff gathered in the chapel, I and staff by the Office of University Rela- was overwhelmed with gratitude for the privilege of joining with this group in praise and tions. Inquiries and comments should be worship. directed to: Taylor University - Fort Wayne Campus, Office of University Relations, 1 025 West Rudisill Blvd., Fort Wayne, IN 46807. That evening I returned to the chapel for a gathering of quite a different sort. It was "Loopy Talent Twix," an event sponsored by the Student Activities Council. Numerous groups of Photography: students had prepared musical selections, skits and dramatic monologues for presentation. Jim Garringer Some of the numbers, like Kevin's rendition of "Tornado Shde," made us laugh, while others, like AJ's dramatic presentation of "Poem Name," made us think. Writers: Mark Vermilion Sherri Harter Two very different events in Ramseyer Chapel in one day. Two events dominated by some Lisa Paul Corrinne Mahorney very talented students. We worshiped. We laughed. We celebrated our friendship. Our students are the best! ! They have a deep love of God and truly enjoy worshiping Him. Taylor University complies with all federal They also enjoy one another and have a lot of fun performing with and for one another. and state nondiscrimination laws. Taylor University is an equal-opportunity institu- In a time when people lament the lack of purpose and senseless violence so frequently seen tion. Direct inquiries to the Office of the in young people, I celebrate a group of college students who know both how to pray and President, Taylor University, Upland, IN how to laugh. 46989. 3 1 7-998-520 1 , or the Office of Civil Rights, Washington, DC. Thank You, dear Father, for the students of Taylor Fort Wayne. Deepen their love for You and for orie another. May their lives always be lived in the Joy of the Lord. Amen. On the Cover. The Fort Wayne Campus . together in His service. Dr. Robert Nienhuis Vice President Fort Wayne Campus Togothaf m Hin Service TRAIN UP A CHILD. rain up a child in the way he to practice, much to her coach's dismay. should go and in the end he God honored her commitment and prac- Shani decided to attend Taylor Fort will not departfrom it (Prov- tice times were changed. Through her Wayne after she discovered it had many erbs 22:6). T decision to attend the Bible Club meet- things to offer her, an authentic Chris- ings, she gained respect by others, but tian atmosphere, for her aching spirit; Shani Gray was trained from childhood also realized the accountability that came friendly students, professors and staff, to beheve that if you do your best, your with that recognition. for her hurting heart; and criminal jus- hard work will pay off. It usually does, tice, her intended major not offered at but for her, it did not come without a As she entered her final high school many other Christian colleges, for her cost. year, all the joys of being a senior academic challenge. seemed evident. Shani had the top grades As a child, Shani was raised to do well of her class, was basically "guaranteed" Shani came to Taylor Fort Wayne after in school, make good friends, respect a scholarship to a four year college, and a summer of grief to find healing for her her family and above all, love the Lord. had the love and support of her parents wounds. She found a balm in the chap- For the most part, these came easily for and family. As parents tell their chil- els, friends and professors. "Christ is her. Academics were not difficult for dren, nothing comes easily. Shani evident in the lives on the Fort Wayne her (in fact, she was the valedictorian of learned this disappointing truth in al- campus." her senior class), she made friends who most every area of her life that year. upheld the same moral values with which she was instilled (after a short bout, As valedictorian of her class, and there- Shani Gray during her elementary years, in trouble fore class speaker, she was unable to making), loved and obeyed her parents make her speech as she had prepared it. and family, and from the age of eight On her way to the platform on gradua- she has loved and served the Lord. tion day, she was handed the speech she had written only to find it had been Her commitment to live out her Chris- censored. And, the four year scholar- tianity started at a young age. Having ships she was "guaranteed" were never made the decision to follow Christ only offered to her... a valedictorian with no four years earlier, at the age of 12, she where to go. To add to her grief, her became the assistant Sunday School father had left her family that spring. 0- teacher for the junior class (ages 1 1 6). With no where to go, and broken lives She took full responsibility for the class and dreams, hope seemed too much to at 16 and became the Sunday School hold on to. secretary then as well. Her responsibili- ties did not there. her end With mother This, as with all that God allows us to go involved in Youth for Christ, Shani had through, has worked together for a heritage of Christian service to fulfill. good. Growing up Shani never had to choose what to think and be- Her feet were firmly planted as she lieve. Her parents had always entered high school. While Shani did done her thinking for her. Her not want to be involved in YFC, she father had given her goals and decided if she did not, would. It who dreams; when he left, she had took awhile to build a solid group, but to think on her own. Now, she the by time Shani was a high school was left to wonder whose faith junior, 20-30 people consistently met she had, her mom's or her own? for Bible Club. The only conflict for her Although she faced difficult was her emerging involvement in bas- struggles during what should ketball. Bible Club was held Tuesday have been the best year of her afternoons, and basketball practice was life, they have also made her held each afternoon after school, unless who she is today. She learned there was a basketball game. Not letting that even though it looked go of what was dear to her, she decided like she had it all, she didn't she would attend Bible Club and go late have it without God. FORT WAYNE FACES OF T.U.F.W. ANNOUNCING THEOLOGICAL STUDIES CENTER The Taylor University Theological Studies Center at Fort Wayne, in partnership with other seminaries, is being developed and implementation of this partnership is set for summer 1996! Two seminary level courses will be taught this summer, fall and next spring, with plans for additional instruction being offered based on registration. The courses taught this summer will be instructed by Winnebrenner Theological Seminary faculty, and fall courses will be instructed by Taylor University faculty. The concept of a theological studies center is based on cooperative programs and instruction of each participating seminary. A one year certificate will be offered by Taylor University and degrees attained will be granted by the sponsoring seminaries. The Center is the first of Dr. Brent Baker its kind with the idea to knit various seminaries in a consortium arrangement. The cost Dean of Students for graduate level study is $ 1 70 per credit hour, with the standard course being three credit hours. To register or for additional information, contact Stephen Resch, Associate Dean for Lifelong Learning, at 219-456-21 11. GRADUATE STUDIES PARLEZ-VOUS FRANCAIS? TUFW is once again offering summer graduate courses in education. Dr. Jay Beginning this fall, TUFW will add Platte taught the first graduate class in French to her list of foreign languages Taylor's history and returns to the class- taught on campus.
Load more

Recommended publications
  • Tory Lanze#Q=Download Tory Lanez Chixtape 4 Songs Full Album
    tory lanze#q=download tory lanez chixtape 4 songs full album Here’s How Tory Lanez Cleared Every Sample on ‘Chixtape 5’ Tory Lanez’ fourth studio album, Chixtape 5 , boasts 17 earworms built on the back of classic samples. As the fifth installment in the Chixtape series, Tory continues his trend of flipping old-school and iconic R&B samples. For those keeping score at home, this means bringing Chixtape 5 to DSPs is logistically incredible and likely came with a hefty price tag. Listening to Chixtape 5 , hearing the samples (T-Pain’s “I’m Sprung,” Pretty Ricky’s “Your Body,” and many more), and being sucked into a vortex of nostalgia, we at DJBooth had to ask: How, on God’s green earth, did Tory Lanez’ team clear all the samples on this record? And once they cleared the samples, what did the bill look like? In the spirit of journalism, we decided to find out. Speaking with Tory Lanez’s team—Managers Philip Payne, Troy Dubrowsky, Sascha Stone Guttfreund, and Lauren Corcoran, and Kwame Kandekore from legal—we got the exclusive behind-the-scenes look at how Chixtape 5 came to life in all its sampling glory. Our conversation with the team, lightly edited for content and clarity, follows below. DJBooth : Thank you all for taking the time to break this down for me. Sascha Stone Guttfreund : Thank you . We prepared some bullet points: We cleared 17 samples, there was a total of 19 different lawyers we had to clear things through. Ironically, the artists that performed did not get paid feature fees.
    [Show full text]
  • Wright and Modernism in Indiana Indianapolis, Indiana May 1-3, 2015 Vis
    Wright and Modernism in Indiana Indianapolis, Indiana May 1-3, 2015 VIS A Central Indiana holds a trove of architectural treasures. Some, like Frank PHOTO BY ANNE D Lloyd Wright’s Richard Davis House (1950) and John E. Christian Richard Davis House (Wright, 1950) House–Samara (1954) are tucked away in leafy enclaves, and some, like the midcentury modern wonders of Columbus, hide in plain sight. On the Frank Lloyd Wright Building Conservancy’s annual Out and About Wright tour, you’ll get to see both of Wright’s distinctive central Indiana works as well as several highlights around Indianapolis. Saturday, May 2 ERTIKOFF V We’ll depart from the Omni Severin Hotel starting at 8:30 a.m. to tour the local landmark Christian Theological Seminary (Edward Larrabee Barnes, 1966) and the 2012 AIA Honor Award-winning Ruth Lilly Visi- PHOTO BY ALEX tors Pavilion (Marlon Blackwell Architects, 2010) in the 100 Acres Art & John E. Christian House–Samara (Wright, 1954) Nature Park at the Indianapolis Museum of Art. After a brief stop at local icon The Pyramids (Roche Dinkeloo and Associates, 1967), we’ll head out to Wright’s Samara house in West Lafayette, a copper fascia-adorned Usonian still occupied by its original owner, and Davis House in Marion, with its unique 38-foot central octagonal teepee (we are one of the very few groups to tour this unique Wright work!). A seated lunch is included. We’ll return to the hotel around 6:30 p.m. Sunday, May 3 The list of architects with works in Columbus, Indiana reads like a who’s who of the great modernists: Saarinen, Pei, Weese, Pelli, Meier, Roche..
    [Show full text]
  • Anthony Wayne M Em 0 R· I a L
    \ I ·I ANTHONY WAYNE M EM 0 R· I A L 'I ' \ THE ANTHONY WAYNE MEMORIAL PARKWAY PROJECT . in OHIO -1 ,,,, J Compiled al tlze Request of the ANTHONY WAYNE MEMO RIAL LEGISLATIVE COMMITTEE by lhr O..H. IO STATE ARCHAEOLOGICAL and H ISTORICAL SOCIETY 0 00 60 4016655 2 I• Columbus, Ohio 1944 ' '.'-'TnN ~nd MONTGOMERY COt Jt-rt"-' =J1UC llBR.APV Acknowledgments . .. THE FOLLOWING ORGANIZATIONS ass isted lll the compilation of this booklet : The A nthony Wayne Memo ri al J oint L egislative Cammi ttee The Anthony \Vayne Memori al Associati on The! Toledo-Lucas County Planning Commiss ions The Ohio D epa1 rtment of Conservation and Natural Resources The Ohio Department of Highways \ [ 4 J \ Table of Contents I Anthony Wayne Portrait 1794_ ·---···-· ·--· _____ . ----------- ·----------------- -------------------. _____ Cover Anthony Wayne Portrait in the American Revolution ____________________________ F rrm I ispiece Ii I I The Joint Legislative Committee_______ --------····----------------------------------------------------- 7 i· '#" j The Artthony Wayne Memorial Association ___________________________________ .-------------------- 9 I· The Ohio Anthony Wayne Memorial Committee _____________________________________ ---------- 11 I I I Meetings of the Joint Legislative Committee·------·--------- -·---------------------------------- 13 I I "Mad Anthony" Wayne a'dd the Indian \Vars, 1790-179.'---------------------------------- 15 lI The Military Routes of Wa.yne, St. Clair, and Harmar, 1790-179-t- ___________ . _______ 27 I The Anthony Wayne Memorial
    [Show full text]
  • Jahrescharts 2019
    JAHRESCHARTS 2019 TOP 200 TRACKS PEAK ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 DJ Khaled Ft. SZA Just Us We The Best/Epic/Sony 01 02 Chris Brown Undecided RCA/Sony 01 03 Blueface Ft. Cardi B. & YG Thotiana (Remix) Fifth Amendment/eOne 01 04 DJ ClimeX Ft. Nantaniel & Nolay Baila ClimeX Entertainment 01 05 Gang Starr Ft. J. Cole Family And Loyalty Gang Starr Enterprises 01 06 Tyga Ft. G-Eazy & Rich The Kid Girls Have Fun Last Kings/Empire 01 07 Major Lazer Ft. J Balvin & El Alfa Que Calor Mad Decent/Because/Caroline/Universal 01 08 Marshmello Ft. Tyga & Chris Brown Light It Up Joytime Collective/RCA/Sony 02 09 Ed Sheeran & Travis Scott Antisocial Asylum/Atlantic UK/WMI/Warner 02 10 DJ Spanish Fly Ft. Señorita Bailemos Major Promo Music 03 11 Chris Brown Ft. Nicki Minaj & G-Eazy Wobble Up RCA/Sony 01 12 Cardi B Ft. Bruno Mars Please Me Atlantic/WMI/Warner 01 13 Chris Brown Ft. Drake No Guidance RCA/Sony 03 14 DJ ClimeX Ft. Michael Rankiao & Öz Fuego ClimeX Entertainment 01 15 Snoop Dogg Ft. Chris Brown Turn Me On Doggystyle/Empire 01 16 Culcha Candela Ballern Culcha Sound/The Orchard 03 17 Seeed G€LD Seeed/BMG Rights/ADA 03 18 French Montana Ft. City Girls Wiggle It Epic/Sony 01 19 DJ Mustard & Migos Pure Water 10 Summers/UMI/Universal 03 20 Apache 207 Roller TwoSides/Four Music/Sony 04 21 Lil Pump Ft. Lil Wayne Be Like Me Warner Bros./WMI/Warner 04 22 Nicki Minaj Megatron Young Money/Cash Money/UMI/Universal 01 23 Travis Scott Highest In The Room Epic/Sony 03 24 Gesaffelstein & The Weeknd Lost In The Fire Columbia/Sony 03 25 Ardian Bujupi & Farruko Ft.
    [Show full text]
  • Columbus/Columbus
    The Avery Review Sarah M. Hirschman – Columbus/Columbus Columbus, the debut feature film from artist Kogonada set in the unlikely Citation: Sarah M. Hirschman, “Columbus/ Columbus,” in the Avery Review 28 (December midcentury architecture mecca of Columbus, Indiana, was released to great 2017), http://averyreview.com/issues/28/columbus- acclaim this August and enjoyed a slow but celebrated rollout in independent columbus. theaters throughout the fall. [1] The pseudonymous filmmaker has been hailed for the originality of his voice and technique, in particular for the careful framing [1] Columbus is home to an exceptional quantity of midcentury buildings designed by architecture of architecture in his film. His use of deep, flat focus and wide shots foreground heavyweights. This is entirely thanks to a philanthropic the settings and distances viewers from the action of the actors. In this film, effort that began in 1957 by Cummins Corporation Chairman and hometown booster J. Irwin Miller that architecture has the presence normally afforded a central character. I saw provided funding for services on public buildings if the architects working on them were selected from Columbus in Columbus, Indiana, surrounded by a pumped-up hometown crowd a pre-approved short list. While Columbus has been eager to call themselves out as extras or to identify their cars as captured in well known within architecture circles (in 2012 it was the AIA’s “sixth most architecturally important city in parking lots. There was a conspiratorial air in the Yes Cinema, a nonprofit the country”), its location about fifty miles south of Indianapolis and its relatively rural setting have kept it art-house theater where Columbus was enjoying the theater’s highest-grossing under-visited and off the national radar.
    [Show full text]
  • AIA Committee on Design Conference, Columbus, Indiana April 12-15, 2012: “Defining Architectural Design Excellence”
    AIA Committee on Design conference, Columbus, Indiana April 12-15, 2012: “Defining Architectural Design Excellence” Last year Columbus, Indiana was rediscovered in the national media with the public opening of the Miller House and Gardens. An exquisite design collaboration of Eero Saarinen, Alexander Girard and Dan Kiley, completed in 1957, the landmark has been declared “America’s most significant modernist house”. While the house is now owned by the Indianapolis Museum of Art (IMA) and public tours are available through the Columbus Visitors Center, the tours are often sold out, limited in numbers and access. The IMA is providing the AIA-COD the opportunity to visit the house and gardens as an “open house”, with guides distributed throughout to provide information, and is allowing us personal photography. If you have visited Columbus in the past, you are aware of its recognition for its many modern buildings designed by nationally and internationally recognized architects, including Eliel Saarinen, Eero Saarinen, Harry Weese, Robert Venturi, I.M. Pei, Gunnar Birkerts, Kevin Roche, and Richard Meier. Columbus has been called the “mecca of modern architecture” and “the Athens of the Prairie”. In 2000, in a highly unusual move, six modern architecture and landscape architecture sites were designated as National Historic Landmarks; including First Christian Church (Eliel Saarinen), Irwin Union Bank (Eero Saarinen), Miller House and Gardens, North Christian Church (Eero Saarinen), Mabel McDowell Elementary School (John Carl Warnecke), and First Baptist Church (Harry Weese). The AIA COD conference will visit each of these locations. The commitment to design excellence has continued in Columbus the last 10 years, in fact thriving to have had the most construction per capita through the Great Recession.
    [Show full text]
  • Preserving Historic Places
    PRESERVING HISTORIC PLACES INDIANA’S STATEWIDE PRESERVATION CONFERENCE APRIL 17-20, 2018 COLUMBUS, INDIANA 2 #INPHP2018 WBreedingabash streetscape: Farm: Courtesy, courtesy Bartholomew Wabash County County Historical Historical Museum Society GENERAL INFORMATION Welcome to Preserving Historic Places: Indiana’s Statewide Preservation Conference, 2018. We are excited to bring the annual conference for the first time to Columbus, which earned the moniker “Athens of the Prairie” in the 1960s for its world-class design and enlightened leadership. You’ll have a chance to see the city’s architecture—including nineteenth-century standouts and the Mid-Century Modern landmarks that have earned the city international renown. In educational sessions, workshops, and tours, you’ll discover the economic power of preservation, learn historic building maintenance tips, and much more, while meeting and swapping successes and lessons with others interested in preservation and community revitalization. LOCATION OF EVENTS CONTINUING EDUCATION You’ll find the registration desk and bookstore at First CREDITS Christian Church, 531 5th Street. Educational sessions take place at the church and Bartholomew County Public Library The conference offers continuing education credits (CEU) at 536 5th Street. Free parking is available in the church’s and Library Education Units (LEU) for certain sessions and lots on Lafayette Street and in the lot north of the Columbus workshops, with certification by the following organizations: Visitors Center in the 500 block of Franklin Street. Parking AIA Indiana is also available in the garage in the 400 block of Jackson American Planning Association Street. Street parking is free but limited to three hours. American Society of Landscape Architects, Indiana Chapter Indiana State Library BOOKSTORE Indiana Professional Licensing Agency for Realtors The Conference Bookstore, managed by the Indiana Historical Check the flyer in your registration bag for information on all Bureau, carries books on topics covered in educational sessions.
    [Show full text]
  • Detroit Heritage River Nomination Report
    Nomination of the Detroit River Submission Requirements This document sets out the criteria of the Canadian Heritage Rivers Board (CHRS) for the nomination of the Detroit River as a Heritage River within the Canadian Heritage Rivers System (CHRS). The CHRS is the vehicle by which the nominating agency identifies the heritage significance of a river and justifies its inclusion in the CHRS. The purpose of this format is to act as a guide to nominating agencies and to provide consistency in the nomination process. CHRS provides an opportunity for the recognition and conservation of rivers deemed to be of outstanding Canadian heritage value. This value is obtained when it has been determined that a river is an outstanding representative of or unique in a province or territory. By the inclusion of such rivers in a single coast-to-coast system, they become representative of Canada’s river heritage as a whole, thus reflecting a “Canadian value”. 1 Nomination of the Detroit River Canadian Heritage Rivers System The Canadian Heritage Rivers System (CHRS) has been established by the federal, provincial and territorial governments to recognize outstanding rivers of Canada and ensuring management which will protect these rivers and enhance their significant heritage values for the long term benefit and enjoyment of Canadians. To qualify for the Canadian Heritage Rivers System, a river or section of a river must be of outstanding significance in one or more areas: natural heritage, human heritage, or recreational values. The nominated section should be large enough to encompass these values and provide the user with an appreciation of the river’s resources, as well as an enjoyable recreational experience.
    [Show full text]
  • Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
    Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse.
    [Show full text]
  • Modernism in Bartholomew County, Indiana, from 1942
    NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction.
    [Show full text]
  • Report Artist Release Tracktitle Streaming 2017 1Wayfrank Ayegirl
    Report Artist Release Tracktitle Streaming 2017 1wayfrank Ayegirl - Single Ayegirl Streaming 2017 2 Brothers On the 4th Floor Best of 2 Brothers On the 4th Floor Dreams (Radio Version) Streaming 2017 2 Chainz TrapAvelli Tre El Chapo Jr Streaming 2017 2 Unlimited Get Ready for This - Single Get Ready for This (Yar Rap Edit) Streaming 2017 3LAU Fire (Remixes) - Single Fire (Price & Takis Remix) Streaming 2017 4Pro Smiler Til Fjender - Single Smiler Til Fjender Streaming 2017 666 Supa-Dupa-Fly (Remixes) - EP Supa-Dupa-Fly (Radio Version) Lets Lurk (feat. LD, Dimzy, Asap, Monkey & Streaming 2017 67 Liquez) No Hook (feat. LD, Dimzy, Asap, Monkey & Liquez) Streaming 2017 6LACK Loyal - Single Loyal Streaming 2017 8Ball Julekugler - Single Julekugler Streaming 2017 A & MOX2 Behøver ikk Behøver ikk (feat. Milo) Streaming 2017 A & MOX2 DE VED DET DE VED DET Streaming 2017 A Billion Robots This Is Melbourne - Single This Is Melbourne Streaming 2017 A Day to Remember Homesick (Special Edition) If It Means a Lot to You Streaming 2017 A Day to Remember What Separates Me from You All I Want Streaming 2017 A Flock of Seagulls Wishing: The Very Best Of I Ran Streaming 2017 A.CHAL Welcome to GAZI Round Whippin' Streaming 2017 A2M I Got Bitches - Single I Got Bitches Streaming 2017 Abbaz Hvor Meget Din X Ikk Er Mig - Single Hvor Meget Din X Ikk Er Mig Streaming 2017 Abbaz Harakat (feat. Gio) - Single Harakat (feat. Gio) Streaming 2017 ABRA Rose Fruit Streaming 2017 Abstract Im Good (feat. Roze & Drumma Battalion) Im Good (feat. Blac) Streaming 2017 Abstract Something to Write Home About I Do This (feat.
    [Show full text]
  • Detroit River International Crossing
    A LOCAL RESPONSE TO THE DETROIT RIVER INTERNATIONAL CROSSING RECOMMENDATIONS TO GUIDE A COMMUNITY BENEFITS AGREEMENT PRODUCED BY THE Urban and Regional Planning Program University of Michigan AT THE REQUEST OF THE Delray Community Council SPRING 2007 The University of Michigan Urban and Regional Planning Program http://www.tcaup.umich.edu/urp/index.html Gary Brieschke Anny Chang Luke Forrest Cassia Heron Kelsey Johnson Rebecca Mark Mariana Orloff Joe Shultz Logan Winston Advisors Eric Dueweke Larissa Larsen EXECUTIVE SUMMARY SUMMARY EXECUTIVE The proposed Detroit River International Crossing (DRIC) has the potential to once again inflict a dispropor- tionate burden on the southwest neighborhood of Delray. Until this point, the Michigan Department of Transportation (MDOT) and its consultant, The Corrodino Group, have maintained a transparent and admi- rable planning process in regards to the proposed crossing. Despite the process, it is our recommendation that the Delray Community Council (DCC) not only partake in the planning process sanctioned by MDOT and the Corrodino Group, but also attempt to create a Community Benefits Agreement (CBA), a signed contract be- tween MDOT and a coalition of neighborhood groups that outlines how Delray and other residents of South- west Detroit can be fairly compensated for the loss of community and quality of life that would invariably oc- cur should the bridge go through Delray. The following report provides the DCC with relevant information pursuant to a CBA. More specifically, the report provides recommendations as to how the DCC should pro- ceed in terms of securing a CBA, and what they should expect to receive from said agreement.
    [Show full text]