Magnetic Tape Recording for the Eighties
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How to Tape-Record Primate Vocalisations Version June 2001
How To Tape-Record Primate Vocalisations Version June 2001 Thomas Geissmann Institute of Zoology, Tierärztliche Hochschule Hannover, D-30559 Hannover, Germany E-mail: [email protected] Key Words: Sound, vocalisation, song, call, tape-recorder, microphone Clarence R. Carpenter at Doi Dao (north of Chiengmai, Thailand) in 1937, with the parabolic reflector which was used for making the first sound- recordings of wild gibbons (from Carpenter, 1940, p. 26). Introduction Ornithologists have been exploring the possibilities and the methodology of tape- recording and archiving animal sounds for many decades. Primatologists, however, have only recently become aware that tape-recordings of primate sound may be just as valuable as traditional scientific specimens such as skins or skeletons, and should be preserved for posterity. Audio recordings should be fully documented, archived and curated to ensure proper care and accessibility. As natural populations disappear, sound archives will become increasingly important. This is an introductory text on how to tape-record primate vocalisations. It provides some information on the advantages and disadvantages of various types of equipment, and gives some tips for better recordings of primate vocalizations, both in the field and in the zoo. Ornithologists studying bird sound have to deal with very similar problems, and their introductory texts are recommended for further study (e.g. Budney & Grotke 1997; © Thomas Geissmann Geissmann: How to Tape-Record Primate Vocalisations 2 Kroodsman et al. 1996). For further information see also the websites listed at the end of this article. As a rule, prices for sound equipment go up over the years. Prices for equipment discussed below are in US$ and should only be used as very rough estimates. -
Instruction Manual
N A G R A 4.2 PORTABLE ANALOGUE AUDIO TAPE RECORDER INSTRUCTION MANUAL (KSA code No. 20 04 004 151) Kudelski S.A. NAGRA Tape Recorder Manufacturer CH-1033 Cheseaux / SWITZERLAND phone (021) 732 01 01 Copyright reserved for all countries telex 459 302 nagr ch February 1991 Edition Printed in Switzerland telefax (021) 732 01 00 http://www.nagraaudio.com NAGRA, KUDELSKI, NEOPILOT, NEOPILOTTON NAGRASTATIC, NAGRAFAX are registered trade - marks, property of KUDELSKI S.A. NAGRA Tape Recorders Manufacture NAGRA / KUDELSKI certifies that this instrument was thoroughly inspected and tested prior to leaving our factory and is in accordance with the data given in the accompanying test sheet. We guarantee the products of our own manufacture against any defect arising from faulty manufacture for a period of one year from the date of delivery. This guarantee covers the repair of confirmed defects or, if necessary, the replacement of the faulty parts, excluding all other indemnities. All freight costs, as well as customs duty and other possible charges, are at the customer's expense. Our guarantee remains valid in the event of emergency repairs or modifications being made by the user. However we reserve the right to invoice the customer for any damage caused by an unqualified person or a false maneuver by the operator. We decline any responsibility for any and all damages resulting, directly or indirectly, from the use of our products. Other products sold by KUDELSKI S.A. are covered by the guarantee clauses of their respective manufacturers. We decline any responsibility for damages resulting from the use of these products. -
VRX-SL Sales Brochure
Radio Systems VRX-SL Single Channel VHF Receiver Specifications Frequency To be specified within 136-174MHz Modulation Narrowband FM 12.5kHz or 25kHz channel spacing to be specified at time of order Sensitivity 107dBm (luV) signal modulated by 1kHz tone with a peak deviation of 2.5kHz produces an output s+n/n ratio greater than 26dB Squelch Threshold 120dB (0,2uV) nominal. Adjustable through control under battery cover Adjacent Channel Rejection Ratio Better than 75dB Spurious Response Better than 60dB Intermodulation Rejection Ratio Better than 60dB, measured as per MPT 1301 Desensitisation (Blocking) Level Better than -23dBm Spurious Outputs Excellent RF performance Less than -47dBm (20nW) Outputs Recorder-50mV rms (typical) into 20KO, Small size suitable both for discreet body-worn independent of volume setting communication and general portable applications Headphones-60mW typical into 8Q. Squelch-open collector/-ve ground. 'On' when receiver is muted Supply Voltage Outputs for headphones, recorder and squelch state 6-10VDC. Power Source Internal PP3 Alkaline battery. Simple interfacing for control of other equipment Rear panels with power input socket available. Battery Life Available with factory fitted scrambler With squelch lifted and standard headphones connected approximately 12 hours Supply Current The VRX-SL receiver, due to its small size, is generally intended for body- Less than 25mA with squelch lifted and no worn use. However, the receiver's excellent performance and facilities headphones. make it suitable for other portable applications. Temperature Range Above specifications measured between + 10°C to +35°C. Permissible operating Outputs temperature range-10°C to +60°C A single socket provides outputs for ear/headphones (including Front Panel Control inductive earpieces), tape recorder and squelch state. -
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music
Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music Matthew A. Bardin Experimental Music & Digital Media Center for Computation & Technology Louisiana State University Baton Rouge, Louisiana 70803 [email protected] ABSTRACT the 'play head' was utilized to reverse the process and gen- The purpose of this paper is to provide a historical context erate the output's audio signal [8]. Looking at figure 1, from to some of the common schools of thought in regards to museumofmagneticsoundrecording.org (Accessed: 03/20/2020), tape composition present in the later half of the 20th cen- the locations of the heads can be noticed beneath the rect- tury. Following this, the author then discusses a variety of angular protective cover showing the machine's model in the more common techniques utilized to create these and the middle of the hardware. Previous to the development other styles of music in detail as well as provides examples of the reel-to-reel machine, electronic music was only achiev- of various tracks in order to show each technique in process. able through live performances on instruments such as the In the following sections, the author then discusses some of Theremin and other early predecessors to the modern syn- the limitations of tape composition technologies and prac- thesizer. [11, p. 173] tices. Finally, the author puts the concepts discussed into a modern historical context by comparing the aspects of tape composition of the 20th century discussed previous to the composition done in Digital Audio recording and manipu- lation practices of the 21st century. Author Keywords tape, manipulation, history, hardware, software, music, ex- amples, analog, digital 1. -
MD-2321 Book ETOC
Contents Before using Important Safeguards........................ 2 MiniDisc Recorder Precautions ....................................... 3 Features............................................. 4 Supplied accessories......................... 4 Before operating this unit ................. 5 System connections .......................... 6 MD-2321 Operation Playing an MD.................................. 7 Recording to an MD ....................... 12 Using the program function (memory play) ............................. 19 Instruction Manual Editing the contents of an MD........ 20 Naming a track or disc.................... 24 A few important notes Precautions for handling the MiniDisc (MD) ...................... 26 Message list .................................... 26 Troubleshooting guide.................... 27 Rules for digital recording.............. 28 System limitations .......................... 29 Other informations Control positions and names .......... 30 Specifications ................................. 31 Thank you for purchasing the Onkyo MD-2321 Mini- Disc Recorder. Please read this manual thoroughly before making connections and plugging in the unit. Following the instructions in this manual will enable you to obtain optimum performance and listening enjoyment from your new MD-2321. Please retain this manual for future reference. WARNING: WARNING AVIS TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, RISK OF ELECTRIC SHOCK RISQUE DE CHOC ELECTRIQUE DO NOT EXPOSE THIS APPLIANCE TO RAIN OR DO NOT OPEN NE PAS OUVRIR MOISTURE. The -
Magnetic Tape Storage and Handling a Guide for Libraries and Archives
Magnetic Tape Storage and Handling Guide Magnetic Tape Storage and Handling A Guide for Libraries and Archives June 1995 The Commission on Preservation and Access is a private, nonprofit organization acting on behalf of the nation’s libraries, archives, and universities to develop and encourage collaborative strategies for preserving and providing access to the accumulated human record. Additional copies are available for $10.00 from the Commission on Preservation and Access, 1400 16th St., NW, Ste. 740, Washington, DC 20036-2217. Orders must be prepaid, with checks in U.S. funds made payable to “The Commission on Preservation and Access.” This paper has been submitted to the ERIC Clearinghouse on Information Resources. The paper in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials ANSI Z39.48-1992. ISBN 1-887334-40-8 No part of this publication may be reproduced or transcribed in any form without permission of the publisher. Requests for reproduction for noncommercial purposes, including educational advancement, private study, or research will be granted. Full credit must be given to the author, the Commission on Preservation and Access, and the National Media Laboratory. Sale or use for profit of any part of this document is prohibited by law. Page i Magnetic Tape Storage and Handling Guide Magnetic Tape Storage and Handling A Guide for Libraries and Archives by Dr. John W. C. Van Bogart Principal Investigator, Media Stability Studies National Media Laboratory Published by The Commission on Preservation and Access 1400 16th Street, NW, Suite 740 Washington, DC 20036-2217 and National Media Laboratory Building 235-1N-17 St. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Investigation of bit patterned media, thermal flying height control sliders and heat assisted magnetic recording in hard disk drives Permalink https://escholarship.org/uc/item/3nd3d29b Author Zheng, Hao Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Investigation of Bit Patterned Media, Thermal Flying Height Control Sliders and Heat Assisted Magnetic Recording in Hard Disk Drives A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Engineering Sciences (Mechanical Engineering) by Hao Zheng Committee in charge: Professor Frank E. Talke, Chair Professor David J. Benson Professor Eric Fullerton Professor Philip E. Gill Professor Hidenori Murakami 2011 Copyright Hao Zheng, 2011 All rights reserved. This dissertation of Hao Zheng is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2011 iii to my parents Yanping Duan and Guangyuan Zheng iv TABLE OF CONTENTS Signature Page ............................................................................................................... iii Dedication .................................................................................................................... iv Table of Contents .......................................................................................................... -
History of the Early Days of Ampex Corporation
PAPER History of The Early Days of Ampex Corporation As recalled by JOHN LESLIE and ROSS SNYDER Alexander M. Poniatoff founded Ampex in 1944, primarily to manufacture small motors and generators for military applications. When WWII ended, the military contracts dropped off, and Alex had to search for a new line of business to continue his company’s existence. He and his small group of engineers heard a demonstration of a Magnetophon, a German magnetic tape recorder used by Hitler during WWII. The demonstration quickly convinced Alex to redirect his company and soon it was designing and manufacturing professional-quality magnetic tape recorders. Bing Crosby was a great help in Ampex’s early years. The company grew quickly and, within a short time, dominated the magnetic tape recorder market in radio, television, the record industry, and industrial and military markets for instrumentation recorders . Alex was born in Russia in 1892. His father was well-to- 0 INTRODUCTION do, and sent Alex to Germany for an education in engineering. After college, he returned to Russia only to see his country It has been amazing how many people today are asking become engaged in a civil war. Alex escaped to China, where questions about Ampex and the Company’s contribution to the he went to work for the Shanghai Power Company. He music recording industry, the radio and television broadcast immigrated to the United States in 1927 where he worked for industry and the stereophonic home entertainment field. There General Electric, Pacific Gas & Electric, and the Dalmo Victor is no question that Ampex was a major factor in each of these Corporation in San Carlos, California. -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions. -
FATSO EL7X Manual
FATSO EL7x USERS MANUAL FULL ANALOG TAPE SIMULATOR & OPTIMIZER WITH KNEE COMPRESSOR Technology for the Artist empiricallabs.com 1 WARRANTY AND FACTORY SERVICE This Empirical Labs Inc. product is covered by a limited warranty covering full parts and labor for 3 years from the purchase date. The warranty is only effective if the owner has returned his or her warranty card. See warranty card for further details. TABLE OF CONTENTS Should problems arise, contact the factory at [email protected] or use the “Contact “ button on our website. If it becomes necessary, pack the unit up well*, enclose a note explaining the problem and return to Warranty and Factory Service 2 Empirical Labs for repair. Include your name, address, phone, and the date of purchase. Send the unit with freight prepaid to the address below. Table of Contents 3 Empirical Labs Inc. (Attn Service) Features & Specs 4 41 N. Beverwyck Rd. Lake Hiawatha, NJ 07034 What is the FATSO? 5 *Please pack the unit in original carton if possible. Otherwise, pack with bubble pack and/or foam in a thick corrugated box. Shipping people are absolutely brutal to large packages and you must take every precaution to prevent damage to the edges of the front panel. We are not liable for products damaged during shipping. Using for the First Time 5 www.EmpiricalLabs.com Example Settings 6-7, 10 OTHER EMPIRICAL LABS PRODUCTS Recall Sheet 8-9 • Distressor EL8 - Classic Knee Compressor. Used on thousands of major records! Section Details 11 • Distressor EL8X - The original Distressor on Steroids. Image Link and Brit Mod • Lil FrEQ – An EQ with 8 Sections of unparalleled tonal contouring & De-essing. -
The Rewritable Minidisc System
The Rewritable MiniDisc System Tadao Yoshida Advanced Development Laboratories Sony Corporation, Tokyo, Japan Reprinted from the Proceedings of the IEEE,USA vol. 82 no. 10 pp. 1492-1500, OCT 1994. Invited Paper The MiniDisc system was designed with the obvious objective of replacing the conventional Compact Cassette tape recorder system. The MiniDisc format defines two types of optical discs. One is a recordable magneto-optical disc for user recording and another is a conventional read-only disc for music-software publishing. Audio data compression is used to achieve 74 min of playing time on a 64-mm disc. By means of a built-in buffer memory called Shock Resistant Memory, MiniDisc can be used for outdoor portable applications with great ease. Furthermore, MiniDisc was evolved into the MD Data system and with a data capacity of 140 Mbytes and a very compact size, the MD Data system is expected to become one of the standards for removable data storage systems. I. Introduction In 1992 the MiniDisc system was introduced in the consumer audio market as a new digital audio playback and recording system (Fig. 1). The introduction time was just ten years after the introduction of the Compact Disc (CD). As is known, CD has effectively replaced the vinyl LP records in the audio disc market. CD technology is based on 16-bit quantization and 44.1-kHz sampled digital audio recording. The CD sound quality was fairly improved compared to any consumer analog recording equipment. Before starting the CD business, many engineers engaged in the development of the CD solely for its improvement in sound quality, but after the introduction of the CD player into the market, we found out that the consumer became aware of the quick random-access characteristic of Fig. -
Magneto-Optical Recording Systems
10.3 MiniDisc 10.3.1 Introduction and Features of the MiniDisc System The MiniDisc (MD) system, developed by Sony, offers both digital sound and random access features. In addition to these features, the following three types of MiniDiscs have been developed for various applications: Section 10.3 MiniDisc 401 Figure 10.19 Probability of each error length. i Error length (byte) 1. Playback-only MiniDisc for prerecorded music; 2. Recordable MiniDisc allowing up to 74 minutes of recording time; and 3. Hybrid MiniDisc, a combination with premastered and recordable areas. The intrinsic recording technology supporting the recordable MiniDisc is the magnetic field direct overwrite method, applied to a consumer product for the first time in the world. The distinctive features of the MiniDisc are 1. Overwrite function: 2. Maximum 74 min. recording time on a disk only 64mm in diameter, achieved using data compression and high-density recording; 3. Quick random access supported by address information in the wobbled groove; and 4. Disk protection with the cartridge and shutter. Read process Verify process Write process Media production Figure 10.20 Defect management strategies. 402 Chapter 10 Magneto-Optical Recording Systems Moreover, durability and reliability for the recordable MiniDisc have already been proven with data storage media for computer peripherals, such as the magneto optical disk. Figure 10.21 shows the various MD systems. 10.3.2 System Concept and Specifications The specifications of the compact disc (CD) were first proposed in 1982, and are described in the so-called “Red Book.” Since then, the technological developments for both data and recording applications have been specified in the “Yellow Book” and “Orange Book,” respectively.