Magneto-Optical Recording Systems
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Digital Audio Basics
INTRODUCTION TO DIGITAL AUDIO This updated guide has been adapted from the full article at http://www.itrainonline.org to incorporate new hardware and software terms. Types of audio files There are two most important parameters you will be thinking about when working with digital audio: sound quality and audio file size. Sound quality will be your major concern if you want to broadcast your programme on FM. Incidentally, the size of an audio file influences your computer performance – big audio files take up a lot of hard disc space and use a lot of processor power when played back. These two parameters are interdependent – the better the sound quality, the bigger the file size, which was a big challenge for those who needed to produce small audio files, but didn’t want to compromise the sound quality. That is why people and companies tried to create digital formats that would maintain the quality of the original audio, while reducing its size. Which brings us to the most common audio formats you will come across: wav and MP3. wav files Wav files are proprietary Microsoft format and are probably the simplest of the common formats for storing audio samples. Unlike MP3 and other compressed formats, wavs store samples "in the raw" where no pre-processing is required other that formatting of the data. Therefore, because they store raw audio, their size can be many megabytes, and much bigger than MP3. The quality of a wav file maintains the quality of the original. Which means that if an interview is recorded in the high sound quality, the wav file will be also high quality. -
Compact Disc Minidisc Deck
3-856-489-32(1) Compact Disc MiniDisc Deck Operating Instructions EN GB Mode d’emploi F f MXD-D1 1996 by Sony Corporation Sony Corporation Printed in Japan On cleaning WARNING Precautions Clean the cabinet, panel and controls with a soft cloth slightly moistened with To prevent fire or shock a mild detergent solution. Do not use On safety any type of abrasive pad, scouring hazard, do not expose the unit Should any solid object or liquid fall powder or solvent such as alcohol or to rain or moisture. into the cabinet, unplug the unit and benzine. To avoid electrical shock, do have it checked by qualified personnel before operating it any further. If you have any questions or problems not open the cabinet. Refer concerning your unit, please consult your nearest Sony dealer. servicing to qualified On power sources personnel only. • Before operating the unit, check that the operating voltage of the unit is identical with your local power The laser component in this product is supply. The operating voltage is capable of emitting radiation exceeding the limit for Class 1. indicated on the nameplate at the rear of the unit. • If you are not going to use the unit for a long time, be sure to disconnect the CAUTION unit from the wall outlet. To TO PREVENT ELECTRIC SHOCK, DO disconnect the AC power cord, grasp NOT USE THIS POLARIZED AC PLUG the plug itself; never pull the cord. WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY On condensation in the unit INSERTED TO PREVENT BLADE If the unit is brought directly from a EXPOSURE. -
MINIDISC MANUAL V3.0E Table of Contents
MINIDISC MANUAL V3.0E Table of Contents Introduction . 1 1. The MiniDisc System 1.1. The Features . 2 1.2. What it is and How it Works . 3 1.3. Serial Copy Management System . 8 1.4. Additional Features of the Premastered MD . 8 2. The production process of the premastered MD 2.1. MD Production . 9 2.2. MD Components . 10 3. Input components specification 3.1. Sound Carrier Specifications . 12 3.2. Additional TOC Data / Character Information . 17 3.3. Label-, Artwork- and Print Films . 19 3.4. MiniDisc Logo . 23 4. Sony DADC Austria AG 4.1. The Company . 25 5. Appendix Form Sheets Introduction T he quick random access of Compact Disc players has become a necessity for music lovers. The high quality of digital sound is now the norm. The future of personal audio must meet the above criteria and more. That’s why Sony has created the MiniDisc, a revolutionary evolution in the field of digital audio based on an advanced miniature optical disc. The MD offers consumers the quick random access, durability and high sound quality of optical media, as well as superb compactness, shock- resistant portability and recordability. In short, the MD format has been created to meet the needs of personal music entertainment in the future. Based on a dazzling array of new technologies, the MiniDisc offers a new lifestyle in personal audio enjoyment. The Features 1. The MiniDisc System 1.1. The Features With the MiniDisc, Sony has created a revolutionary optical disc. It offers all the features that music fans have been waiting for. -
Model DV6500 User Guide Super Audio CD / DVD Player
E59M5UD.qx3 04.7.16 7:50 PM Page 1 Model DV6500 User Guide Super Audio CD / DVD Player CLASS 1 LASER PRODUCT E59M5UD.qx3 04.7.16 7:50 PM Page 2 TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, WARNING DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the CAUTION presence of uninsulated “dangerous voltage” within the RISK OF ELECTRIC SHOCK product’s enclosure that may be of sufficient magnitude DO NOT OPEN to constitute a risk of electric shock to persons. CAUTION: The exclamation point within an equilateral triangle is TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE intended to alert the user to the presence of important COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. operating and maintenance (servicing) instructions in the REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. literature accompanying the product. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOC ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. NOTE: Operating Environment This equipment has been tested and found to comply with the limits Operating environment temperature and humidity: for a Class B digital device, pursuant to Part 15 of the FCC Rules. +5 C to +35 C (+41 F to +95 F); less than 85%RH (cooling vents not These limits are designed to provide reasonable protection against blocked) Do not install in the following locations harmful interference in a residential installation. -
REFERENCE GUIDE for OPTICAL MEDIA Terence O’Kelly Content Links
REFERENCE GUIDE FOR OPTICAL MEDIA Terence O’Kelly Content Links 1. Frequently Asked Questions (FAQs) a. Digital audio b. CD-R recording c. CD-RW d. DVD and Recordable DVD 2. Introduction to the Reference Guide A. Memorex history A. Differences between analogue and digital recordings B. Binary number system C. Digital audio 3. Compact Disc and how it works A. Book Standards B. Error correction—CIRC 4. CD-R A. Recording dyes B. Music CD-R C. Reflective surface D. Capacity E. Speed ratings a. CLV and Z-CLV b. CAV and P-CAV c. Comparison of speeds vs. time savings 5. CD-RW A. Stability B. Speed ratings 6. Mini-Disc A. Magneto-optical recording C. ATRAC compression D. Hi-MD 7. DVD A. DVD Numbering B. Recordable DVD C. DVD Capacities 8. Recordable DVD Formats A. DVD-R a. Data addresses b. Land Pre-pits B. DVD-RW C. DVD-RAM a. Data addresses b. Cartridge types D. DVD+R a. Data addresses b. ADIP E. DVD+RW 9. Recording onto DVD discs A. VR Recording onto DVD--+VR and –VR B. CPRM C. Capacities of recordable DVD discs a. Capacities in terms of time b. Set-top recorder time chart D. Double-Layer Discs E. Recording Speeds 10. Blue Laser Recording A. High Definition Video B. Blu-ray versus HD DVD C. Laser wavelengths a. Numerical aperture b. Comparison of High Definition Proposals 11. Life-time Expectations of Optical Media 12. Care and Handling of Optical Media 2 FAQs about Optical Media There is a great deal of misinformation, hype, and misunderstanding in the field of optical media. -
An Review of Fully Digital Audio Class D Amplifiers Topologies Rémy Cellier, Gaël Pillonnet, Angelo Nagari, Nacer Abouchi
An review of fully digital audio class D amplifiers topologies Rémy Cellier, Gaël Pillonnet, Angelo Nagari, Nacer Abouchi To cite this version: Rémy Cellier, Gaël Pillonnet, Angelo Nagari, Nacer Abouchi. An review of fully digital audio class D amplifiers topologies. IEEE North-East Workshop on Circuits and Systems, IEEE, 2009, Toulouse, France. pp.4, 10.1109/NEWCAS.2009.5290459. hal-01103684 HAL Id: hal-01103684 https://hal.archives-ouvertes.fr/hal-01103684 Submitted on 15 Jan 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. An Review of Fully Digital Audio Class D Amplifiers topologies Rémy Cellier 1,2 , Gaël Pillonnet 1, Angelo Nagari 2 and Nacer Abouchi 1 1: Institut des Nanotechnologie de Lyon – CPE Lyon, 43 bd du 11 novembre 1918, 69100 Villeurbanne, France, [email protected], [email protected], [email protected] 2: STMicroelectronics Wireless, 12 rue Paul Horowitz, 38000 Grenoble, France, [email protected], [email protected] Abstract – Class D Amplifiers are widely used in portable realized. Finally control solutions are proposed to increase the systems such as mobile phones to achieve high efficiency. This linearity of such systems and to correct errors introduced by paper presents topologies of full digital class D amplifiers in order the power stage. -
MZ-R501\3234036131MZR501UCE\01COV- MZR501UCE\00GB01COV-CED.Fm] Masterpage:Right
filename[\\Ww001\WW001\ON GOING\MZ-R501\3234036131MZR501UCE\01COV- MZR501UCE\00GB01COV-CED.fm] masterpage:Right 00GB01COV-CED.fm Page 1 Monday, November 5, 2001 1:37 PM 3-234-036-13(1) Portable MiniDisc Recorder Operating Instructions WALKMAN and are trademarks of Sony Corporation. MZ-R501/R501PC/R501DPC © 2001 Sony Corporation model name1[MZ-R501/R501PC/R501DPC] model name2[MZ-----] [3-234-036-13(1)] Certain countries may regulate disposal of WARNING battery used to power this product. To prevent fire or shock hazard, do Please consult with your local authority. not expose the unit to rain or moisture. For customers in the USA To avoid electrical shock, do not Owner’s Record open the cabinet. Refer servicing to The serial number is located at the rear of qualified personnel only. the disc compartment lid and the model number is located at the top and bottom. Do not install the appliance in a Record the serial number in the space confined space, such as a bookcase or provided below. Refer to them whenever you call upon your Sony dealer regarding built-in cabinet. this product. Model No. To prevent fire, do not cover the Serial No. ventilation of the apparatus with news papers, table cloths, curtains, etc. And This equipment has been tested and found don’t place lighted candles on the to comply with the limits for a Class B apparatus. digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to To prevent fire or shock hazard, do not provide reasonable protection against place objects filled with liquids, such as harmful interference in a residential vases, on the apparatus. -
History of the Early Days of Ampex Corporation
PAPER History of The Early Days of Ampex Corporation As recalled by JOHN LESLIE and ROSS SNYDER Alexander M. Poniatoff founded Ampex in 1944, primarily to manufacture small motors and generators for military applications. When WWII ended, the military contracts dropped off, and Alex had to search for a new line of business to continue his company’s existence. He and his small group of engineers heard a demonstration of a Magnetophon, a German magnetic tape recorder used by Hitler during WWII. The demonstration quickly convinced Alex to redirect his company and soon it was designing and manufacturing professional-quality magnetic tape recorders. Bing Crosby was a great help in Ampex’s early years. The company grew quickly and, within a short time, dominated the magnetic tape recorder market in radio, television, the record industry, and industrial and military markets for instrumentation recorders . Alex was born in Russia in 1892. His father was well-to- 0 INTRODUCTION do, and sent Alex to Germany for an education in engineering. After college, he returned to Russia only to see his country It has been amazing how many people today are asking become engaged in a civil war. Alex escaped to China, where questions about Ampex and the Company’s contribution to the he went to work for the Shanghai Power Company. He music recording industry, the radio and television broadcast immigrated to the United States in 1927 where he worked for industry and the stereophonic home entertainment field. There General Electric, Pacific Gas & Electric, and the Dalmo Victor is no question that Ampex was a major factor in each of these Corporation in San Carlos, California. -
Mz-Rh1 Mz-M200
2-669-084-11 (2) Operating Instructions MZ-RH1 MZ-M200 Hi-MD Walkman® Portable MD Recorder “WALKMAN“ and “WALKMAN” logo are registered trademarks of Sony Corporation. © 2006 Sony Corporation MZ-RH1/MZ-M200.GB.2-669-084-11(2) WARNING Information IN NO EVENT SHALL SELLER BE To reduce the risk of fire or electric LIABLE FOR ANY DIRECT, shock, do not expose this apparatus INCIDENTAL OR to rain or moisture. CONSEQUENTIAL DAMAGES OF ANY NATURE, OR LOSSES OR Do not install the appliance in a confined EXPENSES RESULTING FROM space, such as a bookcase or built-in ANY DEFECTIVE PRODUCT OR cabinet. THE USE OF ANY PRODUCT. To reduce the risk of fire, do not cover the ventilation of the apparatus with newspapers, For customers who purchased table-cloths, curtains, etc. And do not place this product in the USA lighted candles on the apparatus. Owner’s Record To reduce the risk of fire or electric shock, The serial number is located at the rear of do not place objects filled with liquids, such the disc compartment lid and the model as vases, on the apparatus. number is located at the rear. Record the serial and the model numbers Certain countries may regulate disposal in the space provided below. Refer to them of the battery used to power this product. whenever you call upon your Sony dealer Please consult with your local authority. regarding this product. Model No. _______________________ Caution Serial No. _______________________ The use of optical instruments with this product will increase eye hazard. Product registration CAUTION – INVISIBLE LASER Please register this product on line at RADIATION WHEN OPEN www.sony.com/walkmanreg <http://www.sony.com/walkmanreg> AVOID EXPOSURE TO BEAM Proper registration will enable us to send CAUTION – CLASS 1M INVISIBLE you periodic mailings about software LASER RADIATION WHEN OPEN upgrades, new products, services and other important announcements. -
FATSO EL7X Manual
FATSO EL7x USERS MANUAL FULL ANALOG TAPE SIMULATOR & OPTIMIZER WITH KNEE COMPRESSOR Technology for the Artist empiricallabs.com 1 WARRANTY AND FACTORY SERVICE This Empirical Labs Inc. product is covered by a limited warranty covering full parts and labor for 3 years from the purchase date. The warranty is only effective if the owner has returned his or her warranty card. See warranty card for further details. TABLE OF CONTENTS Should problems arise, contact the factory at [email protected] or use the “Contact “ button on our website. If it becomes necessary, pack the unit up well*, enclose a note explaining the problem and return to Warranty and Factory Service 2 Empirical Labs for repair. Include your name, address, phone, and the date of purchase. Send the unit with freight prepaid to the address below. Table of Contents 3 Empirical Labs Inc. (Attn Service) Features & Specs 4 41 N. Beverwyck Rd. Lake Hiawatha, NJ 07034 What is the FATSO? 5 *Please pack the unit in original carton if possible. Otherwise, pack with bubble pack and/or foam in a thick corrugated box. Shipping people are absolutely brutal to large packages and you must take every precaution to prevent damage to the edges of the front panel. We are not liable for products damaged during shipping. Using for the First Time 5 www.EmpiricalLabs.com Example Settings 6-7, 10 OTHER EMPIRICAL LABS PRODUCTS Recall Sheet 8-9 • Distressor EL8 - Classic Knee Compressor. Used on thousands of major records! Section Details 11 • Distressor EL8X - The original Distressor on Steroids. Image Link and Brit Mod • Lil FrEQ – An EQ with 8 Sections of unparalleled tonal contouring & De-essing. -
New Sound Recording Formats
NEW SOUND RECORDING FORMATS—Library of Congress Practice This statement is meant to cover certain descriptive aspects (GMD, physical description, and notes) associated with recent and emerging sound recording formats. As new formats are cataloged at the Library of Congress, they will be incorporated into this list. The guidelines are meant to aid Library of Congress catalogers and are meant to reflect only Library of Congress practice. Currently the list covers the following: Compact Disc Formats: • Dual Discs • Mini CDs • Mini Discs • SACD • Shaped Discs DVD Formats: • CD/DVD Combos • Dual Discs • DVD Audio Electronic Resources: • CD-ROMs • Midi Files • MP3 Files COMPACT DISC FORMATS Dual Definition: 4 ¾ inch discs with one side that functions as a standard audio Discs compact disc and one side that functions as a standard DVD. The DVD side may contain enhanced audio, images, video, games, etc. The following guidelines apply to items for which the sound recording is determined to be the dominant content. Leader Type “i” or “j” as appropriate 006 [For DVD video] if appropriate 007 [For standard CD] 007 [For DVD audio] if appropriate 245 GMD = [sound recording] 300 1 DualDisc : $b digital ; $c 4 ¾ in. 500 Hybrid CD/DVD-video disc. [or, Hybrid CD/DVD-audio disc.] 538 $a [quote system requirements if present; if not present, do not provide a note] Mini CDs Definition: Do not confuse with MiniDiscs (see below). These are standardly formatted CDs that measure 3 1/8 inches. Some come with an adapter enabling them to play in all standard CD players. 007 /06 = z (other) 245 GMD = [sound recording] 300 $a 1 sound disc : $b digital ; $c 3 1/8 in. -
Vinyl, Vinyl Everywhere: the Analog Record in the Digital World
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2018) Vinyl, Vinyl everywhere: The analog record in the digital world. In: The Routledge Companion to Media Technology and Obsolescence. Wolf, Mark J. P., ed. Routledge, pp. 200-214. ISBN 9781138216266. [Book Section] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/26044/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated.