Young Artist Auditions 2020 Repertoire List
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Health & Wellness Issue!
HEALTH & WELLNESS ISSUE! FLYING Doctors Harman Dhaliwal, Angela Schuck and HIGH WITH Rebecca Huisken MAYO OnE Heidi Nelson Shares Her Journey Purchase Any New F150 Truck in stock and receive the following at no cost! - Tonneau Cover for Pickup Box - Set of Molded Splash Guards - Ford All-Weather Floor Mats It’s Our Mankato Ford Tough Truck Package! MADISON AVENUE WAY 22 H When You’re Happy, We’re Happy MANKATO FORD HIG www.mankatoford.com 507.387.3454 236910 28 14 24 40 contents Publisher New Century Press { october • 2014 } Chief Operating Officer { Jim Hensley 10 General Manager Lisa Miller GO Please direct all editorial inquiries Mankato Children’s Health Center ......................................14 and suggestions to: YWCA Women’s Leadership Conference ................................22 Managing Editor Eileen Madsen Spaces.................................................................28 [email protected] A Taste of the River Valley . 34 Outpacing Jet Lag and Other Travel Wellness Tips .......................40 Sales Manager Fun, Festivals & Frolics..................................................50 Natasha Weis Treasures ..............................................................58 507-227-2545 [email protected] BE Sales Team Nomophobia ..........................................................18 Judy Beetch Health Care Q&A.......................................................20 Erin Fritz Tips for Choosing High Heels that are Better for Your Feet ...............24 Ruth Klossner Tami Leuthold Strut Your Stuff ........................................................24 -
Wfrs Triennial Report 2015-2018
WFRS TRIENNIAL REPORT 2018 1 WFRS TRIENNIAL REPORT ON ROSES 2018 Published for the World Federation of Rose Societies COMPILED AND EDITED BY Sheenagh Harris WORLD FEDERATION OF ROSE SOCIETIES Founded 1968 www.worldrose.org The World Federation of Rose Societies is registered in Great Britain as a company limited by guarantee and as a charity under the number 1063582. The objectives of the Society, as stated in the constitution, are: To encourage and facilitate the interchange of information about and knowledge of the rose between national rose societies. To co-ordinate the holding of international conventions and exhibitions. To encourage, and where appropriate, sponsor research into problems concerning the rose. To establish common standards for judging new rose seedlings. To assist in coordinating the registration of new rose names. To establish a uniform system of rose classification. To grant international honours and/or awards. To encourage and advance international cooperation in all other matters concerning the rose. 2 CONTENT Foreword 4 Member Country Reports 86 Preface 6 Argentina 86 Editorial 7 Australia 89 President’s Report 8 Austria 92 Immediate Past President’s Report 11 Belgium 93 WFRS Office Holders 2015-2018 12 Bermuda 96 WFRS Standing Committees 14 Canada 98 WFRS Member Country Societies 15 Chile 99 The Breeders’ Club 17 China 101 Friends of the Federation 19 Czech Republic 103 WFRS Vice Presidential Reports Denmark 104 Africa 20 Finland 107 Australasia – Australia 21 France 109 Australasia - New Zealand 22 Germany 111 Central Asia 23 Great Britain 118 Europe (N) 25 Greece 121 Europe (SE) 27 Hungary 122 Europe (S) 29 Iceland 123 Far East 31 India 125 North America - USA 34 Israel 128 North America – Can. -
University of California, Los Angeles. Department of Dance Master's Theses UARC.0666
http://oac.cdlib.org/findaid/ark:/13030/c8833tht No online items Finding Aid for the University of California, Los Angeles. Department of Dance Master's theses UARC.0666 Finding aid prepared by University Archives staff, 1998 June; revised by Katharine A. Lawrie; 2013 October. UCLA Library Special Collections Online finding aid last updated 2021 August 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections UARC.0666 1 Contributing Institution: UCLA Library Special Collections Title: University of California, Los Angeles. Department of Dance Master's theses Creator: University of California, Los Angeles. Department of Dance Identifier/Call Number: UARC.0666 Physical Description: 30 Linear Feet(30 cartons) Date (inclusive): 1958-1994 Abstract: Record Series 666 contains Master's theses generated within the UCLA Dance Department between 1958 and 1988. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Preferred Citation [Identification of item], University of California, Los Angeles. Department of Dance Master's theses (University Archives Record Series 666). UCLA Library Special Collections, University Archives, University of California, Los Angeles. -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
DANCE 124 Rev Aug 2020
COURSE OUTLINE : DANCE 124 D Credit – Degree Applicable COURSE ID 001133 AUGUST 2020 COURSE DISCIPLINE : DANCE COURSE NUMBER : 124 COURSE TITLE (FULL) : Hip-Hop I COURSE TITLE (SHORT) : Hip-Hop I CATALOG DESCRIPTION DANCE 124 provides students with practical experience in current hip-hop techniques, such as popping, locking, and ticking. Through exercise and discussion the course emphasizes the development of coordination, strength, cardiovascular fitness, and rhythm necessary to meet the demands of high intensity performance skills in the popular street dancing trends. The students are also encouraged to develop individual interpretation and personal style indigenous to this dance form. Total Lecture Units: 1.00 Total Laboratory Units: 0.50 Total Course Units: 1.50 Total Lecture Hours: 18.00 Total Laboratory Hours: 27.00 Total Laboratory Hours To Be Arranged: 0.00 Total Contact Hours: 45.00 Total Out-of-Class Hours: 36.00 Prerequisite: None. GLENDALE COMMUNITY COLLEGE --FOR COMPLETE OUTLINE OF RECORD SEE GCC WEBCMS DATABASE-- Page 1 of 4 COURSE OUTLINE : DANCE 124 D Credit – Degree Applicable COURSE ID 001133 AUGUST 2020 ENTRY STANDARDS Subject Number Title Description Include 1 Read, write, and converse in English; Yes 2 add, subtract, divide, and multiply. Yes EXIT STANDARDS 1 Reproduce a basic hip-hop warm-up; 2 interpret a basic hip-hop combination; 3 examine the application of hip-hop terminology as utilized in live, video and in class performance; 4 compare the development of hip-hop technique from Breakdancing to Funk styles. STUDENT LEARNING OUTCOMES 1 analyze and define basic hip-hop dance terminology and center work; 2 practice correct hip-hop dance placement and dynamic alignment. -
Fiscal Year 2017 Appropriations Request
National Endowment for the Arts Appropriations Request For Fiscal Year 2017 Submitted to the Congress February 2016 National Endowment for the Arts Appropriations Request for Fiscal Year 2017 Submitted to the Congress February 2016 TABLE OF CONTENTS I. Overview ......................................................................... 1 II. Creation of Art .............................................................. 21 III. Engaging the Public with Art ........................................ 33 IV. Promoting Public Knowledge and Understanding ........ 83 V. Program Support ......................................................... 107 VI. Salaries and Expenses ................................................. 115 www.arts.gov BLANK PAGE National Endowment for the Arts – Appropriations Request for FY 2017 OVERVIEW The National Endowment for the Arts (NEA) is America’s chief funder and supporter of the arts. As an independent Federal agency, the NEA celebrates the arts as a national priority, critical to America’s future. More than anything, the arts provide a space for us to create and express. Through grants given to thousands of non-profits each year, the NEA helps people in communities across America experience the arts and exercise their creativity. From visual arts to digital arts, opera to jazz, film to literature, theater to dance, to folk and traditional arts, healing arts to arts education, the NEA supports a broad range of America’s artistic expression. Throughout the last 50 years, the NEA has made a significant contribution to art and culture in America. The NEA has made over 147,000 grants totaling more than $5 billion dollars, leveraging up to ten times that amount through private philanthropies and local municipalities. The NEA further extends its work through partnerships with state arts agencies, regional arts organizations, local leaders, and other Federal agencies, reaching rural, suburban, and metropolitan areas in all 50 states, the District of Columbia, special jurisdictions, and military installations. -
Permissible Fireworks
Life Safety Division Office of the Fire Marshal 21 S Kent Street, Suite 301 Winchester, VA 22601 Telephone 540.662.2298 Fax 540.542.1318 Office of the Fire Marshal 231 E. Piccadilly Street Code Compliance Guideline Winchester, VA 22601 CCG-003 Telephone 540.662.2298 Fax 540. 542.1318 PERMISSIBLE FIREWORKS The Winchester Fire Marshal determines the acceptability of consumer fireworks offered for sale or use within the City of Winchester. The following list of permissible fireworks (listed by item number) is acceptable to the Fire Marshal’s Office for storage, use, and/or retail display. A user of permissible fireworks is not required to obtain a fire code permit or be certified as a pyro technician when such use is on private property with the approval of the property owner. Consumer fireworks (Division 1.4G) that meet acceptable criteria during the annual evaluation and review process are classified through the Virginia Statewide Fire Prevention Code as “permissible fireworks”. The State Fire Marshal’s Office works with other localities, such as Fairfax, Loudoun and Prince William counties as examples, to evaluate and review items by actively comparing the items to the performance criteria found in the American Fireworks Standards Laboratory (AFSL), 2009 Edition. NOTICE: City code states it shall be unlawful for any person, firm, or corporation to transport, store, possess, sell, offer for sale, expose for sale, or to buy, use, ignite, or explode any fireworks that are not permissible fireworks as approved by the Fire Marshal. The sale of permissible fireworks to persons under the age of 18 shall be prohibited unless the person is accompanied by a parent or legal guardian. -
March 2020.Pub
Division of Mental Health and Addictions. “People helping people help themselves.” In this issue: Policy Updates ..................... 2 COVID - 19 ... ............... 3 & 4 NO COVID-19 Social Distancing ... 4 Nat. Dr.’s Day LET’S ..................... 5 Soc. Worker Month .......... 6 Longcliff Museum ........ ............... 7 & 8 Sneaky Snaps ..................... 9 SHARE Wellness Wisdom ......... ............ 10 - 13 HOPE! Culinary Corner ....... 14 Who Am I? .... ................... 15 Vol. 30, No. 3 March 2020 POLICY UPDATES! The following LSH policies were updated in February (All Staff are to read all changed Policies): LSH Policy A-1 Notification of Unusual Incidents – Addendum updated with new interim DMHA Deputy Director contact information. LSH Policy IM-6 Uses and Disclosures of Protected Health Information – Required dis- closures of protected health information to the patient excludes Psychotherapy notes “when deemed unnecessary by attending physician”. References were corrected. LSH Policy IM-11 Uses and Disclosures for Which an Authorization or Opportunity to Agree or Object is not Required – References were corrected. LSH Policy IM-11 Notice of Privacy Practices for Protected Health Information – Minor grammar corrections. References were corrected. LSH Policy IM-15 Disclosures by Whistleblowers and Workforce Member crime Vic- tims – References were corrected. LSH Policy IM-18 Uses and Disclosures Requiring an Opportunity for the Individual to Agree or to Object – No Changes LSH Policy IM-19 Limited Data Set – Corrected References LSH Policy IM-20 Verification Requirements – Corrected References LSH Policy IM-25 Administrative Requirements: Health information Personnel Desig- nations – The complaint officer now receives notices of complaints filed directly from the patient or workforce member, not through the Privacy Officer. References were corrected. -
Æ‚‰É”·ȯLj¾é “ Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ
æ‚‰é” Â·è¯ çˆ¾é “ 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Spectrum https://zh.listvote.com/lists/music/albums/spectrum-7575264/songs The Electric Boogaloo Song https://zh.listvote.com/lists/music/albums/the-electric-boogaloo-song-7731707/songs Soundscapes https://zh.listvote.com/lists/music/albums/soundscapes-19896095/songs Breakthrough! https://zh.listvote.com/lists/music/albums/breakthrough%21-4959667/songs Beyond Mobius https://zh.listvote.com/lists/music/albums/beyond-mobius-19873379/songs The Pentagon https://zh.listvote.com/lists/music/albums/the-pentagon-17061976/songs Composer https://zh.listvote.com/lists/music/albums/composer-19879540/songs Roots https://zh.listvote.com/lists/music/albums/roots-19895558/songs Cedar! https://zh.listvote.com/lists/music/albums/cedar%21-5056554/songs The Bouncer https://zh.listvote.com/lists/music/albums/the-bouncer-19873760/songs Animation https://zh.listvote.com/lists/music/albums/animation-19872363/songs Duo https://zh.listvote.com/lists/music/albums/duo-30603418/songs The Maestro https://zh.listvote.com/lists/music/albums/the-maestro-19894142/songs Voices Deep Within https://zh.listvote.com/lists/music/albums/voices-deep-within-19898170/songs Midnight Waltz https://zh.listvote.com/lists/music/albums/midnight-waltz-19894330/songs One Flight Down https://zh.listvote.com/lists/music/albums/one-flight-down-20813825/songs Manhattan Afternoon https://zh.listvote.com/lists/music/albums/manhattan-afternoon-19894199/songs Soul Cycle https://zh.listvote.com/lists/music/albums/soul-cycle-7564199/songs -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.