DOCSLIB.ORG

George Eliot Also by K.K

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
George Eliot Also by K.K George Eliot Also by K.K. Collins IDENTIFYING THE REMAINS: GEORGE ELIOT'S DEATH IN THE LONDON RELIGIOUS PRESS George Eliot Interviews and Recollections Edited by K.K. Collins Southern Illinois University Carbondale Selection, editorial matter and introduction © K.K. Collins 2010 Softcover reprint of the hardcover I st edition 20 I 0 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted * save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2010 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG2 1 6XS. Palgrave Macmillan in the US is a division of St Martin's Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout t he world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-432 17-2 ISBN 978-1- 137-08766-9 (eBook) DOI 10.1057/9781137087669 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 19 18 17 16 15 14 13 12 11 10 Transferred to Digital Printing 20 II. For Margie This page intentionally left blank Contents Acknowledgements viii Abbreviations xi Chronology xiii Introduction xvii Part I Mary Anne Evans, 1819-49 1 Part II An Anonymous London journalist, 1850-53 26 Part III Mrs Lewes Abroad and at Home, 1854-58 43 Part IV George Eliot, 1859-78 53 A Few Good Friends 53 Some Younger Women 60 Publishers 71 Other Personal Meetings 76 Sunday Gatherings at the Priory 87 Out and About in London 122 Eton, Cambridge, and Oxford 140 The Countryside 159 The Continent 177 Vignettes 187 Part V Mrs Lewes Alone, 1878-80 196 Part VI Mrs Cross, 1880 216 Part VII Postscripts, 1880-81 228 Index 235 vii Acknowledgements In the course of working on this collection I have come under many pleas­ ant obligations. Among my colleagues at Southern Illinois University Carbondale I wish to thank Scott McEathron, George Goodin, Michael Molino, Beth Lordan, john Hooker, and Frederick Williams for their good advice. David Gobert and Veronique Maisier helped with French, Frederick Betz and Martin Petith with German, and Frederick Williams with Greek and Latin. I am grateful to them all. From the staff of SIUC's Morris Library, I am especially indebted to Deborah Cordts, Marta Davis, Loretta Koch, David Bond, Harry Davis, Charles Flagg, and Roland Person. Travel to other libraries and archives was made possible by financial support from Southern Illinois University Carbondale, for which I thank Michael Molino, Michael Humphries, john A. Koropchak, and Alan C. Vaux. I am also grateful to Prudence M. Rice for timely counsel. Colleagues at other universities provided generous assistance: Christina Bashford, University of Illinois at Urbana-Champaign; Francesca D' Alessandro Behr and Clinton Brand, University of St Thomas; Daniel Brewer, University of Minnesota; Roger Cooke, University of Vermont; Cliff Eisen, King's College London; Kate Flint, Rutgers University; Margaret Harris, University of Sydney; Kerry McSweeney, McGill University; Suzanne Kaufman, Loyola University Chicago; Gerlinde Roder-Bolton, University of Surrey; David Sutton, University of Reading; Angus Trumble, Yale Center for British Art; Alan Walker, McMaster University; and Phyllis Weliver, St Louis University. In London thanks are due to Stephen Humphrey, Southwark Local History Library, and to the staffs of the British Library's Reading Rooms and Manuscripts Reading Room, especially Cynthia Mary Goodwin, Auste Mickunaite, joe Maldonado, Sandra Powlette, and Bart Smith. In Oxford Penelope Bulloch, Alan Tadiello, and jeremy Hinchliff of the Balliol College Library went far out of their ways to assist me, and I thank them most heartily. I am also grateful to Anne Walters of Oxford's Library Services, as well as to Colin Harris of the Bodleian Library and his staff in the Special Collections Reading Rooms. In Cambridge warm thanks are due to Richard Andrewes, Patrick Zutshi, and Godfrey Waller of the University Library, and the staff of its Manuscripts Reading Room; Elizabeth Ennion-Smith and Patricia McGuire of the King's College Archive Centre; Anne Pensaert of the Pendlebury Library of Music; Nicholas Robinson and Marit Gruijs of the Fitzwilliam Museum; and Anne Thomson of Newnham College. The staffs of the following libraries also provided valuable help: Olin Library, Gaylord Music Library, and West Campus Library, Washington viii Acknowledgements ix University in St Louis; the Music Library and the University Library, University of Illinois at Urbana-Champaign, especially Scott Mann; the New York Public Library, especially David Smith; the Houghton Library, Harvard University, especially Heather Cole, Mary Haegert, and Leslie Morris; the Firestone Library, Princeton University; and the Beinecke Rare Book and Manuscript Library, Yale University, especially Anne Marie Menta, Morgan Swan, Ellen R. Cordes, and Taran Schindler. Moira Fitzgerald, also of the Beinecke, deserves special mention here. A deeply gratifying part of preparing this volume has been corresponding, by email and post, with so many welcoming persons associated with librar­ ies and archives. I here thank them en bloc for not pressing 'Delete', or turning to the shredder, when my queries appeared. From collections in the United States, I am obliged to Cheryl Adams, Library of Congress; Susan Boone, Neilson Library, Smith College; Tina Marie Doody, Montclair (New Jersey) Public Library; Edward Gaynor, Small Special Collections Library, University of Virginia; Teresa L. Gipson, Miller Nichols Library, University of Missouri Kansas City; Sarah Hartwell and Jay Satterfield, Dartmouth College Library; Declan Kiely, Morgan Library and Museum, New York; Jennifer B. Lee, Butler Library, Columbia University; Pat Lyons, Doheny Libraries, St John's Seminary; Lisa Moellering, Fondren Library, Rice University; Amanda Price, Ransom Humanities Research Center, University of Texas; Catherine Reed, Swem Library, College of William and Mary in Virginia; and Gayle M. Richardson, Huntington Library. From collections in Britain, I am obliged to Patricia Collins, Richard Bond, and George Turnbull, Manchester Central Library; Stephen Curry, Surrey Libraries; Andrew Mealey, Coventry History Centre; Michael Meredith, Eton College Library; Carol Robinson, Central Library, Coventry; and Linda Young, Kenilworth Library. For handling my requests with such courteous dispatch, and for supplying copies of materials, I am especially grateful to Sally Harrower, Sheila Mackenzie, and lain G. Brown, National Library of Scotland; Rayanne Byatt, Coventry Libraries; Alison Brisby, Castle Howard Archives; and Grace Timmins, Tennyson Research Centre. Finally, Jane Sutton of the Nuneaton Library provided extraordinary help. I am deeply indebted to her. Other correspondents to whom I am grateful are Donna Anstrey, Yale University Press; Mary Cobeldick, National Library of New Zealand; John Collins, formerly of Maggs Bros; Bill Harding; Emma Whitney Hennessey, Wiley-Blackwell; Angie R. Hogan, University of Virginia Press; Sarah Lewis, Curtis Brown Group; Jennifer Marshall, Inveroran; Anette Miiller, Robert­ Schumann-Haus, Zwickau; Zdzislaw Pietrzyk, Anna Kozlowska, Joanna Kopacz, and Joanna Jaskowiec, Jagiellonian Library, Cracow; Jeff Roth, New York Times; Patricia Schultz and Iona Williams, Mellen Press; Mary Siegel, Alexander Street Press; Michelle Sikkes and Jeanne Holierhoek, Montesquieu Institute; Stewart Spencer; the Hon. Oliver Walston; Maria Wiemers, Greg X Acknowledgements James, and Kevin Leamon, State Library of New South Wales; the Revd Danny Wignall, St Stephen's Shottermill; and Charlotte Yeldham. To the following copyright holders and authorities I gratefully acknowl­ edge permission to publish manuscripts in their rights and possession: Lord Acton; Fr Charles Dilke; Camilla Hornby; the Hon. Simon Howard; the British Library Board; the Houghton Library, Harvard University; the Jagiellonian Library; the Jowett Copyright Trustees; the Provost and Fellows of Eton College; the Sophia Smith Collection, Smith College; the Southwark Local History Library; the State Library of New South Wales; the Syndics of Cambridge University Library; the Syndics of the Fitzwilliam Museum; the Tennyson Research Centre; and the Trustees of the National Library of Scotland. To the following copyright holders I gratefully acknowledge permission to publish printed
Load more

Recommended publications
  • George Eliot (1819-1880)
    GEORGE ELIOT (1819-1880) Chronology 1819 Mary Anne Evans born at at Arbury Farm in Warwickshire. Her father, Robert Evans, was an overseer at the Arbury Hall estate, and Eliot kept house for him after her mother died in 1836. Her father remarried and Mary Ann had a good relationship with her two stepbrothers, particularly with Isaac, who played marbles with her and took her fishing. 1824-35 At the age of five she was sent to a local boarding school while Isaac was sent to school in Coventry. She became sternly Christian after her strict religious schooling. 1836 Her mother died and her elder sister married the following year so Mary Ann became her father´s housekeeper and companion. She continue to learn languages and in her own words: "used to go about like an owl, to the great disgust of my brother". 1841 Her father moved to Coventry hoping her daughter would meet a potential husband there. Their next- door neighbour, Mrs Abijah Pears, was the sister of Charles Bray, an enthusiastic social reformer and freethinker. Eliot made friends with the members of the Bray family, and began reading such works as An Enquiry into the Origins of Christianity. Mary Ann soon informed her father that she had lost her faith in Church doctrine. She soon gave up her Evangelicism in favor of a non-sectarian spirituality based on a sense of common humanity. She refused to attend church with her father and began work on a translation from German of Life of Jesus, a rationalist reexamination of some Bible sections.
    [Show full text]
  • Silas Marner / by George Eliot ; Edited with Notes and an Introduction By
    ,-aAaJUW^<»' ^^..^ ELIOT S \X^-'- r^ «, s ..:> •J^!^ VlT/^ - -v..^;.^-/- . ii?\ ?i^ %ir ' ^ :> ^^- GEORGE ELIOT'S SILAS MAENEB IHacmillan's ^^ocltrt Slmerican antr EwqUs]} Classics A Series of English Texts, edited for use in Elementary and Secondary Schools, with Critical Introductions, Notes, etc. i6mo Cloth 25 cents each Addison's Sir Roger de Coverley. Dickens' A Christmas Carol, and The Andersen's Fairy Tales. Cricket on the Hearth. Arabian Nights' Entertainments. Dickens' A Tale of Two Cities. Arnold's Sohrab and Rustum. Dryden's Palamon and Arcite. Au: ten's Pride and Prejudice. Early American Orations, 1760-1824. Bacon's Essays. Edwards' (Jonathan) Sermons. Bible (IViemorable Passages from). Eliot's Silas Marner. Blackmore's Lorna Doone. Emerson's Essays. Browning's Shorter Poems. Emerson's Early Poems. Bi^owning, Mrs., Poems (Selected). Emerson's Representative Men. Bryant's Thanatopsis, etc. Epoch-making Papers in U. S. History. Bulwer's Last Days of Pompeii. Franklin's Autobiography. Bunyan's The Pilgrim's Progress. Gaskell's Cranford. Burke's Speech on Conciliation. Goldsm.ith's The Deserted 'Village, She Burns' Poems (Selections from). Stoops to Conquer, and The Good- Byron's Childe Haro'.d's Pilgrimage. natured Man. Byron's Shorter Poems. Goldsmith's The Vicar of 'Wakefield. Carlyle's Essay on Burns. Grimm's Fairy Tales. Carlylg's Heroes and Hero 'Worship. Hawthorne's Grandfather's Chair. Carroll's Alice's Adventures in 'Wonder- Hawthorne's Mosses from an Old Manse. land (Illustrated). Hawthorne's Tangiewood Tales. Chaucer's Prologue and Knight's Tale. Hawthorne's The House of the Seven Church's The S:ory of the Iliad.
    [Show full text]
  • Middlemarch Ebook
    MIDDLEMARCH PDF, EPUB, EBOOK George Eliot | 736 pages | 01 Jan 1998 | Wordsworth Editions Ltd | 9781853262371 | English | Herts, United Kingdom Middlemarch PDF Book Sign in. Looking for More Great Reads? Previous Intro. Mayor Vincy 7 episodes, Also in Penguin Classics Deluxe Edition. But I missed, more or less completely, the irony in the portrayal of Dorothea, with her righteous aspirations. You must be a registered user to use the IMDb rating plugin. He too brings a warm heart and a sympathetic imagination to his marriage, and he too finds himself subject to his intransigently selfish spouse because of these same admirable qualities. External Sites. An energetic man in his sixties with a soft Midlands accent, he has focussed on encouraging a revival of interest in Eliot among the populace of Nuneaton and Bedworth, a neighboring town where there is an impressive nineteenth-century almshouse, if little else. Powderell 3 episodes, Later, Dorothea comes to see Rosamond and Rosamond explains the misunderstanding, adding that Will loves Dorothea. A few weeks later, I also quit my job. BJ Gallagher, the author who took the quote as the title of her self-help book, lives in Los Angeles. The proposed Reform Bill, the new railroads, and scientific advances are threatening upheaval on every front. In addition to creating a thoroughgoing and rich portrait of the life of a small early 19th-century town, Eliot produced an essentially modern novel, with penetrating psychological insights and moral ambiguity. In what was the front hall and parlor, there are now slot machines and a pool table. Garth 5 episodes, Patrick Malahide See Article History.
    [Show full text]
  • The Role of George Henry Lewes in George Eliot's Career
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2017 The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, Reading and Language Commons, and the Women's Studies Commons Rilett, Beverley, "The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration" (2017). Faculty Publications -- Department of English. 186. http://digitalcommons.unl.edu/englishfacpubs/186 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in George Eliot—George Henry Lewes Studies, Vol. 69, No. 1, (2017), pp. 2-34. doi:10.5325/georelioghlstud.69.1.0002 Copyright © 2017 The Pennsylvania State University, University Park, PA. Used by permission. digitalcommons.unl.edudigitalcommons.unl.edu The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Park Rilett University of Nebraska–Lincoln Abstract This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by foster- ing the mystery of her authorship; by managing her finances; by negotiating her publishing con- tracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them.
    [Show full text]
  • The Hand of Humanity : Eliot's Religious Reformation in Middlemarch
    AN ABSTRACT OF THE THESIS OF Natasha C. Peake for the degree of Master of Arts in English presented on May 6, 1996. Title: The Hand of Humanity: Eliot's Religious Reformation in Middlemarch. Abstract approved: Redacted for Privacy ell As the embodiment of the religiously unsettled Victorian Era in which she lived, George Eliot sought to discover a system of belief that would allow her to reaffirm and maintain her feelings of faith and morality. She believed that the subjective nature of traditional Christianity needed to be replaced with a more objective belief system, one centered on humanity--the Religion of Humanity. The purpose of this thesis is to examine the means in which Eliot discovers and establishes this new sense of religious order in Middlemarch by reforming and incorporating traditional religious images and rituals. Specifically, by drawingupon the practice of the laying on of hands found in all of the predominant Church rituals--the sacraments, Eliot demonstrates the major turning points in the life and faith of her main character, Dorothea Brooke. With the employment of this religiously suggestive gesture, the ability to successfully combine the traditional religious rituals and sense of order with a secular belief system is actualized. Thus, by examining how Eliot relies on the laying on of hands to signify key moments in human existence, in much the same manner that Christianity does with the sacraments such as confirmation and ordination, we can attain a clearer understanding and appreciation of George Eliot's religious reformation in Middlemarch. ©Copyright by Natasha C. Peake May 6, 1996 All Rights Reserved The Hand of Humanity: Eliot's Religious Reformation in Middlemarch by Natasha C.
    [Show full text]
  • In Janet Dempster's Footsteps: Reminiscence
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2016 In Janet Dempster's Footsteps: Reminiscence David Harper Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Harper, David, "In Janet Dempster's Footsteps: Reminiscence" (2016). The George Eliot Review. 382. https://digitalcommons.unl.edu/ger/382 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. IN JANET DEMPSTER'S FOOTSTEPS: A REMINISCENCE By David Harper The road from Trent Valley Station down towards the town centre curves gently past the row of horse-chestnuts in Bond Gate with their white candles. To the young boy arriving to take up residence in Nuneaton it promised something new, always interesting, always just out of reach. From my earliest years I was a keen reader and felt the privilege of our local author's being one of the unquestioned greats; but it was George Eliot's north Warwickshire that initially attracted me, with The Mill on the Floss and Si/as Marner my favourites. This was reinforced by cycling the lanes for miles around, admiring the cottages and farmhouses, absorbing the atmosphere of the churches and, though much less consciously than she expressed it in a letter, 'being made happier by seeing well-cultivated land'.
    [Show full text]
  • Address at Wreath-Laying in the George Eliot Memorial Gardens, Nuneaton 10 June 2001
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2002 Address at Wreath-laying in the George Eliot Memorial Gardens, Nuneaton 10 June 2001 Lynda Carnes Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Carnes, Lynda, "Address at Wreath-laying in the George Eliot Memorial Gardens, Nuneaton 10 June 2001" (2002). The George Eliot Review. 427. https://digitalcommons.unl.edu/ger/427 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WREATH-LAYING IN THE GEORGE ELIOT MEMORIAL GARDENS, NUNEATON 10 JUNE 2001 The Guest of Honour was Lynda Carnes, Chairman of the Bedworth Society. She gave the following Address: Wherefore we come to lay this laurel wreath - Humbly, in reparation for the past, Proudl y, in honour of thy worth, With Reverence, as believing still In beauty, truth and love. George Eliot, or Mary Ann Evans as she was known when she lived here in Nuneaton, died on 22 December 1880. She was buried in Highgate Cemetery, on 29 December, in unconsecrat­ ed ground in a grave adjoining that of George Henry Lewes. The coffin was loaded with lov­ ing tributes in the shape of lilies, camellias, and other beautiful white flowers with here and there a small bouquet of violets.
    [Show full text]
  • Henry James Reads George Eliot Lindsey Traub
    8 Beyond the Americana: Henry James reads George Eliot Lindsey Traub With typically magisterial conviction, F.R. Leavis announced in the first chapter of The Great Tradition that ‘it can be shown, with a conclusive- ness rarely possible in these matters, that James did actually go to school to George Eliot’.1 His argument is certainly convincing but his acute observations about the development of The Portrait of a Lady (1881) out of Daniel Deronda (1876), include the assertion that ‘Isabel Archer is Gwendolen Harleth and Osmond is Grandcourt’ or, on concession, that ‘Isabel Archer is Gwendolen seen by a man’.2 Leavis does not crudely suggest that the fruit of George Eliot’s tutelage is plagiarism: the influence of Gwendolen and Grandcourt on The Portrait of a Lady must have sug- gested itself to many readers. But James’s assiduous reading of George Eliot and particularly his reflections on her heroines offered him much more than a set of characters to borrow. This essay will trace the progress of an important and far-reaching lesson James drew from this literary mentor along a trail to be found in his essays and reviews of the older nov- elist. He read and studied her in the 1860s and 1870s, during her years of major achievement and his apprenticeship. In 1880 he began The Portrait of a Lady and George Eliot died. I shall begin to explore, through those essays and reviews, how the woman he described wonderingly, after her death, as ‘this quiet, anxious, sedentary, serious, invalidical English lady’3 helped the ambitious young American writer to an understanding of the possibilities of fiction far beyond the adventures of the American Girl, with which he was fast becoming associated.
    [Show full text]
  • Abstraction and the Subject of Novel-Reading: Drifting Through Romola
    Abstraction and the Subject of Novel Reading: Drifting through Romola DAVID KURNICK Two compelling recent accounts of !ctional characterization, perhaps unsurpris- ingly, take George Eliot as their exemplary case. In fact, in the work by Audrey Jaffe and Catherine Gallagher I’m referring to, Eliot’s method of making characters is all about exemplarity itself. To be sure, Jaffe’s The Affective Life of the Average Man and Gallagher’s “George Eliot: Immanent Victorian” differ in many particulars, most profoundly about the issue of how Eliot asks us to feel about the typicality of her characters: Gallagher describes Eliot’s project as “making us want . the quotidian” (73), while Jaffe argues that in Middlemarch “likeness anxiety takes on tragic proportions.” But whether we conceive of typicality as a condition the novels recommend to us or as a nightmarish vision of undifferentiation the novels make us fear, it seems clear that Eliot’s protagonists take their characteristic shape—their shape as characters—by oscillating between the conditions of radical individuality and radical generality. Jaffe and Gallagher both concentrate on Middlemarch, and it is worth noting that in that novel modern character measures itself not only against a vision of the general or the quotidian but also against a gold standard of epic plenitude. I’m referring to the presentation in the novel’s prelude of Dorothea Brooke as a modern—and thus cruelly diminished and averaged out—version of Saint The- resa. This dynamic, whereby we come to know characters by the epic precedents they fail adequately to revive, is given its most overt delineation in Middlemarch, but it features elsewhere in Eliot’s work.
    [Show full text]
  • Marriage in Victorian England and George Eliot's Middlemarch
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2003 Formulating Fantasies: Marriage in Victorian England and George Eliot's Middlemarch Liza Welch Barnes Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the English Language and Literature Commons Recommended Citation Barnes, Liza Welch, "Formulating Fantasies: Marriage in Victorian England and George Eliot's Middlemarch" (2003). Theses and Dissertations. 131. https://csuepress.columbusstate.edu/theses_dissertations/131 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/formulatingfantaOObarn Formulating Fantasies: Marriage in Victorian England and George Eliot's Middlemarch by Liza Welch Barnes A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program For Honors in the degree of Bachelor of Arts in English Language and Literature/Professional Writing, College of Arts and Letters.. Columbus State University /'' Thesis Advisor aiuc-f /iJ SStJs'1 Date ~/A(/cj Committee Member ,^^^^-i(hscJ^^l>A^ry^^(^ Date v/p//# 3 V l Committee Member | » | / > Date Uzijt lJ u ^ CSU Honors Committee Member /3c*^"^- }h LL^^tl Date *2*l/*3 Coordinator, Honors Program /^f^^^l A ' Ni^*"^ Date V 7"/*? One of the oldest states of existence known to humanity, marriage is a traditional state of being, uniting one man and one woman to love, honor, cherish, and protect each other for the rest of their lives.
    [Show full text]
  • English Sample Question
    Recruitment Test for Lecturers for Degree Classes, 2015 English Sample Question Time 2 Hours Full Marks 100 Answer all questions Each question carries 1 mark. 1. Which Shakespearean play contains the line: “I am more sinned against than sinning.” (A) King Lear (B) Hamlet (C) Coriolanus (D) Macbeth 2. ‘How noble in reason ! how infinite in faculty ! in form and moving how express and admirable ! In action how like an angel ! in apprehension how like a God !’ What does Hamlet marvel at in this passage? (A) His own self (B) His father (C) Man (D) Woman 3. Steeling herself to the murder, Lady Macbeth calls on ______ to “unsex me here”. (Macbeth I. v . 39) Choose the right option to fill in the blank: (A) God (B) the spirits of hell (C) the angels in heaven (D) no one in particular 4. “Neither a borrower nor a lender be”: Who said this? (a) Polonious in Hamlet (b) Cordelia in King Lear (c) Macbeth in Macbeth (d) Rosalind in As You Like It. 5. “Cowards die many times before their deaths; The valiant never taste of death but once.” Who said this? (A) Antony in Antony and Cleopatra (B) Hamlet in Hamlet (C) Julius Caesar in Julius Caesar (D) Othello in Othello. 6. Which of the following begins with the following line? “If music be the food of love, play on” (A) The Twelfth Night (B) A Midsummer Night’s Dream (C) As You Like It (D) The Merchant of Venice. 7. ‘If they be two, they are two so As stiff twin compasses are two ;’ These lines are attributed to (A) George Herbert (B) Andrew Marvel (C) John Donne (D) Robert Herrick 7.
    [Show full text]
  • Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot Mary K
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks@UARK University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2014 The ulturC al Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot Mary K. Leigh University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Women's Studies Commons Recommended Citation Leigh, Mary K., "The ulturC al Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot" (2014). Theses and Dissertations. 2094. http://scholarworks.uark.edu/etd/2094 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Cultural Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot The Cultural Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Mary K. Leigh Henderson State University Bachelor of Arts in English, 2006 Henderson State University Master of Liberal Arts, 2010 December 2014 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ______________________________________ Dr. David Jolliffe Dissertation Director ______________________________________ ____________________________________ Dr. Danny Sexton Dr. Karen Madison Committee Member Committee Member Abstract Mid-century Victorian England creates an environment for women in which they are expected to adhere strictly to a socially inculcated view of gender and prescribed behaviors.
    [Show full text]