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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Alan Gilbert and the New York Philharmonic
FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said. -
And Joydeep Ghosh (Sarod)
The Asian Indian Classical Music Society 51491 Norwich Drive Granger, IN 46530 Concert Announcement Vidushi Mita Nag (sitar) Pandit Joydeep Ghosh (sarod) with Pandit Subhen Chatterjee (Tabla) April 26, 2016, Tuesday, 7.00PM At: the Andrews Auditorium, Geddes Hall University of Notre Dame Cosponsored with the Liu Institute of Asia and Asian Studies Tickets available at gate. General Admission: $10, AICMS Members and ND/SMC faculty: $5, Students: FREE Mita Nag, daughter of the veteran sitarist, Pandit Manilal Nag and granddaughter of Sangeet Acharya Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music that is nearly 300 years old and which is known for its dhrupad style of playing. She was initiated into music at the age of four, and studied with her mother, grandfather and father. She appeared for her debut performance at the age of ten, when she also won the Government of India’s Junior National Talent Search Award. She has given many concert performances, both alone and with her father, in cities in the US, Canada, Japan and Europe as well as in India. Joydeep Ghosh is hailed as one of India’s leading sarod, surshringar and Mohanveena artists. He started his sarod training at the age of five, and has studied with the great masters the late Sangeetacharya Anil Roychoudhury , late Sangeetacharya Radhika Mohan Moitra and Padmabhusan Acharya Buddhadev Dasgupta all of the Shahajahanpur Gharana. He has won numerous awards and fellowships, including those from the Government of India, the title of “Suramani” from the Sur Singar Samsad (Mumbai) and “Swarshree” from Swarankur (Mumbai). -
Music) (Credit System)
Bharati Vidyapeeth Deemed University School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) B.A. 1st Year (Music) Credits (Vocal / Instrumental / Percussion) Sem – 1st Two Language Papers 01 Credit each Theory Paper 02 Stage Performance 14 Viva 07 Sr. Subject Paper Syllabus no 1 Language (English) L11 Biography of Pt. Sapan Chaudhari, Padma Subramaniam, Pt. Shivkumar Sharma, Pt. Jasraj 2 Language (Marathi) L12 Biography Pt. Vishnu Digambar Paluskar 3 Theory (Music) (Vocal & T11 1. Notation System Instrumental) a) Concept of Notation and use (Notation System) b) History of Notation c) Bhatkhande and Paluskar Notation System 2. Concept and Definitions of Terms: Raga, That, Nad, Swara, Shruti, Awartan, Aroha, Awaroha, Swaralankar, Shuddha Swara, Komal Swara, Teewra Swara, That etc. 3. Old Concepts: Gram, Murchna etc. 4 Theory (Music) T12 1) Notation system (Taal Paddhatee) (Percussion) a) In North Indian Classical Style (Notation System) Bhatkhande and Paluskar styles of notation b) Karnataki system. 2) Writing of different taals 3) Notation writing of intricacies of developing Taal : like Kayda, Tukda, Paran, Tihai etc 4) Definition of terms: Taal, Matra, Khanda, Sam, Kaal, Theka 5 Viva (Music) (Vocal & V11 Information on Practical Syllabus Sem I Instrumental) Note – 1. Presentation of other Raga from syllabus.( Except the Raga sung / Played in stage performance) 2. Information of the Ragas mentioned in syllabus i.e. Aaroh – Avaroh, Swar, Varjya Swar, Vadi, Samvadi, Anuvadi, Vivadi, Jaati, Time of Singing Raga etc. 3. Names of the Raga similar to the Raga mentioned in syllabus. 4. Definition – Sangeet, Raag, Taal.. 5. Information of Taal Teentaal – i.e. -
Fusion Without Confusion Raga Basics Indian
Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap". -
DREAMWORLD INDIA Product Description - 2014
DREAMWORLD INDIA Product Description - 2014 About DREAMWORLD INDIA DWI is India’s fastest growing multilayered marketing firm demonstrating deep experience & expertise spanning over a decade. The gradual progression has been challenging & exciting with DWI’s multilayered marketing divisions such as “Direct to consumer, Exhibition sales, Magazine subscription, Institutional sales, Wise Buyers Club & Dream Niketana (Shop)”. Over the years DWI has expanded its distribution nationwide & would shortly go overseas. DWI’s strong sales force has created a direct selling network that has a reach beyond expectations. Our products are sourced from Living Media India Ltd which includes brands like “India Today, Music Today, Business Today, Good house Keeping, Harper Collins, Leopard, Britannica and also branded households, Electronics & several different highly popular magazines of international repute. DWI unceasingly keeps pace with the dynamic market environment to innovate remarkable strategies understanding customer’s needs ensuring unique, branded & exclusive products at an incredible price without any compromise in quality. DWI aims to become a “One-Stop Shop” i.e., our goal is to bring every branded product you need to your door step keeping in mind “Branded products at incredible prices” to help save your hard earned money. Our confidence in our work & product is at the highest level which is why you receive the product or gifts first & then pay. COMPLETE HISTORY OF THE WORLD This is one of the great works of historical reference in the English language .If you were allowed only one history book in the whole of your life. The Complete History of the world would be hard to beat because it conveys a sense not only of time, but also of place. -
Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974)
1 Price Rs. 100/- per copy UNIVERSITY OF KERALA Election to the Senate from the Teachers of Private Colleges (Under Section 17 – Elected Members (6) of the Kerala University Act, 1974) ELECTORAL ROLL OF TEACHERS OF PRIVATE COLLEGES-2018 ROLL No. Name Designation College 1. Dr.Caroline Beena Mendez DDO All Saints’ College. 2. Sonya J Nair Assistant Professor ,, 3. Kukku Xavier Assistant Professor ,, 4. Dr.Liji Varghese Assistant Professor ,, 5. Dr.Sr.Pascoela Adelrich Assistant Professor ,, D’Souza 6. Dr.Rajsree M.S Assistant Professor ,, 7. Sapna Srinivas Assistant Professor ,, 8. Simna S Stephen Assistant Professor ,, 9. Nishel Prem Elias Assistant Professor ,, 10. Diana V Prakash Assistant Professor ,, 11. Dr.Kavitha .N Assistant Professor ,, 12. Joveeta Justin Assistant Professor ,, 13. Celina James Assistant Professor ,, 14. Dr.C.Udayakala Assistant Professor ,, 15. Parvathy Menon Assistant Professor ,, 16. Vijayakumari K Assistant Professor ,, 17. Dr.Sreelekha Nair Associate professor ,, 18. Dr.Reshmi.R.Prasad Associate professor ,, 19. Lissy Bennet Assistant Professor ,, 20. Shirly Joseph Associate professor All Saints’ College. 21. Sebina Mathew C Assistant Professor ,, 22. Renjini Raveendran P Assistant Professor ,, 23. Vidhya T.R Assistant Professor ,, 24. Dr.Deepa M Associate professor ,, 25. Dr.Anjana P.S Assistant Professor ,, 2 26. Dr.Veena Suresh Babu Assistant Professor ,, 27. Dr.Sunitha Kurur Assistant Professor ,, 28. Dr.Sindhu Yesodharan Assistant Professor ,, 29. Dr.Siji V.L Assistant Professor ,, 30. Dr.Beena Kumari K.S Assistant Professor ,, 31. Dr.Nisha K.K Assistant Professor ,, 32. Dr.Sr.Shaina T J Assistant Professor ,, 33. Dr.Dhanalekshmi.T.G Assistant Professor ,, 34. Divya Grace Dilip Assistant Professor ,, 35. -
Dr. Vrushali Deshmukh an Indian Classical Vocalist
Dr. Vrushali Deshmukh An Indian Classical Vocalist Dr. Vrushali Deshmukh, an outstanding vocalist in the field of Hindustani Classical music, gifted with a mellifluous and flexible voice, blends of emotional intelligence. Profile Dr. Vrushali Deshmukh is an India based versatile vocalist and also occasional music composer, also featured in Marathi Sangeet Natak (Music Drama). Footprints: Vrushali stepped into the melodious world of music at a tender age of only six by her mother. Blessed with an inborn talent and good understanding towards ‘Shruti’ and ‘Laya’ since childhood, without any special musical background. Her grandfather was famous Kirtankar of Nath (Warakari) Sampradaya, so that she has a spiritual background and aspect towards music. As a child, when her mother sang Bhajans, she listened to them in rapt attention. This first response to the magic of musical notes became a series involvement and commitment for her, in later life. No doubt that, with her melodious voice she will continue to please music lovers for years to come. Musical Journey Vrushali started learning music with the encouragement of her parents and her own passion. After receiving initial basic training from Shri Anil Hampras and Shri Sudarshan Dhutekar, she got CCRT Young artist scholarship from Ministry of culture department, India. For this, she got basic and advanced training of Hindustani khyal, from senior disciple of Pt.Jasaraj (Mewati tradition) - Pt.Shivadas Degloorkar.After that she has also received special research guidence from Dr. Pornima Dhumale. Now, Vrushali has been learning in the Jaipur - Atrauli style from renowned senior vocalist Vidushi Dr. Ashwini Bhide Deshpande. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Teachers Day Program Details 2018 V11
CMANA 4. Time: 12:00 PM to 12:20 PM in association with GCD 2017 Winner The Sringeri Vidya Bharati Foundation, USA Keshav Muralidharan 19th May 2018 from 10:30 AM Onwards (Vocal) Location The Auditorium, Sringeri Vidya Bharati Foundation, 327,Cays Road, Stroudsburg PA 18360 Break Time: 12:30 PM to 01:15 PM 1. Time: 10:30 AM to 10:50 AM GCD 2017 Winner 5. Time: 01:20 PM to 01:40 PM Neharika Murthy GCD 2016 Winner of Padma Srinivasan Prize (Vocal) Srinath Peraganur ((violin)) 2. Time: 11:00 AM to 11:20 AM Local Teacher Group Participation 6. Time: 01:50 PM to 02:10 PM Teacher Name: Teacher Name: Local Teacher Group Participation Bhavani Prakash Prakash Rao Teacher Name: Manjula Ramachandran Participants Participants Krishna Palya Ananth Rayar Sabarinath Manjula Ramachandran Hemant Gosukonda Ramachandran 3. Time: 11:30 AM to 11:50 AM (Veena) (Vocal) (Mridangam) Local Teacher Group Participation Teacher Name: 7. Time: 02:15 PM to 03:00 PM Srividhya Sairam CMANA HONY PATRON PADMA SRINIVASAN AWARD WINNER IN INSTRUMENTAL CATEGORY ( KRITI,ALAPANA AND SWARAM) IN 2017 Participants Vishal Sowmyan Sabari Ramachandran (Violin) (Mridangam) Sanjana Venkatesh Sowmya Venkatesh www.cmana.org 02 8. Time: 03:10 PM to 03:30 PM GCD 2017 Winner Shardul Krishnakumar T S Nandakumar Shri T.S. Nandakumar, an Top grade artist of the All India Radio, hails 9. Time: 03:40 PM to 04:00 PM from the family of the renowned Nadaswaram exponents, Ambalapuzha Brothers of Kerala. He underwent training in percussion Local Teacher Group Participation under Shri Kaithavana Madhavdas in the Gurukulam tradition. -
Convocation Brochure
XLIII CONVOCATION May 28, 2011 Indian Institute of Technology Kanpur rsrkyhlok¡ nh{kkUr lekjksg Hkkjrh; izkS|ksfxdh laLFkku dkuiqj Heads of Departments Prof. C. Venkatesan Aerospace Engineering Prof. R. Sankararamakrishan Biological Sciences & Bioengineering Prof. Goutam Deo Board of Governors Chemical Engineering Prof. M. Anandakrishnan Prof. Onkar Dikshit Chairman Civil Engineering Prof. Rajendra Govind Harshe Prof. Harish Karnick Computer Science & Engineering Prof. D. V. Singh Prof. S. Qureshi Prof. Ram Singh Nirjar Electrical Engineering Shri N. K. Sinha Prof. Jayanta Chatterjee Industrial & Management Engineering Shri Ashok Thakur Prof. D. Mazumdar Prof. I. D. Dhariyal Materials Science &l Engineering Prof. Rajiv Shekhar Prof. P. M. Dixit Mechanical Engineering Prof. Sanjay G. Dhande Director (Ex-Officio) Prof. R. N. Mukherjee Chemistry Institute Administrators Prof. Neeraj Misra Mathematics & Statistics Prof. Sanjay G. Dhande Director & Chairman Senate Prof. V. Ravishankar Physics Prof. Raj K. Thareja Prof. Lilavati Krishnan Deputy Director Humanities & Social Sciences Prof. V. Chandrasekhar Heads of Inter-Disciplinary Dean, Faculty Affairs Programmes Prof. A. K. Chaturvedi Prof. Onkar Dikshit Dean, Research & Development Environmental Engineering & Management Prof. Manindra Agarwal Dean, Resource Planning & Generation Prof. P. K. Panigrahi Laser Technology Prof. Sanjay Mittal Dean, Academic Affairs Prof. B. Bhattacharyaa Design Prof. Partha Chakraborty Dean, Students’ Affairs Prof. Kamal K. Kar Materials Science Shri Sanjeev S. Kashalkar Prof. P. M. Dixit Registrar Nuclear Engineering & Technology Remember that your knowledge and intellectual attainment is the most sacred wealth of the nation. You shall therefore, use it in a manner befitting the honour and dignity of your country and of your alma mater. You shall make every effort, in all circumstances, to uphold the dignity of your profession and integrity of your character.