Shut out in Seattle [2]
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Paramount Collection
Paramount Collection Airtight To control the air is to rule the world. Nuclear testing has fractured the Earth's crust, releasing poisonous gases into the atmosphere. Breathable air is now an expensive and rare commodity. A few cities have survived by constructing colossal air stacks which reach through the toxic layer to the remaining pocket of precious air above. The air is pumped into a huge underground labyrinth system, where a series of pipes to the surface feed the neighborhoods of the sealed city. It is the Air Force, known as the "tunnel hunters", that polices the system. Professor Randolph Escher has made a breakthrough in a top-secret project, the extraction of oxygen from salt water in quantity enough to return breathable air to the world. Escher is kidnapped by business tycoon Ed Conrad, who hopes to monopolize the secret process and make a fortune selling the air by subscription to the masses. Because Conrad Industries controls the air stacks, not subscribing to his "air service" would mean certain death. When Air Force Team Leader Flyer Lucci is murdered, his son Rat Lucci soon uncovers Conrad's involvement in his father's death and in Escher's kidnapping. Rat must go after Conrad, not only to avenge his father's murder, but to rescue Escher and his secret process as well. The loyalties of Rat's Air Force colleagues are questionable, but Rat has no choice. Alone, if necessary, he must fight for humanity's right to breathe. Title Airtight Genre Action Category TV Movie Format two hours Starring Grayson McCouch, Andrew Farlane, Tasma Walton Directed by Ian Barry Produced by Produced by Airtight Productions Proprietary Ltd. -
MISCELANEA 60.Indb
FRASIER: A CULTURAL HISTORY Joseph J. Darowski and Kate Darowski Lanham, MD: Rowman & Littlefield, 2017 ROBERT MURTAGH Universidad de Almería [email protected] 177 Part of independent publisher Rowman & Littlefield’s “Cultural History of Television” series that (according to their website) “will focus on iconic television shows” from the 1950s to the present that have had a lasting impact on world culture, Frasier: A Cultural History joins a collection of extant publications on defining sitcoms such as Mad Men, Breaking Bad and Star Trek. The authors of the text in question, Joseph J. Darowski and Kate Darowski, are self-confessed Frasier fans with a background in different ambits of cultural study (the former as editor of the “Ages of Superheroes” essay series and author of X-Men and the Mutant Metaphor: Race and Gender in the Comic Books and the latter having researched the history of decorative arts and design). Above all, they share a mutual appreciation for all things Crane. From a structural perspective, the book is divided into two parts: “Part I: Making A Classic” and “Part II: Under Analysis”. Each section is further subdivided into four separate topics. The first deals with: the evolution of Cheers to the emergence of Frasier Crane; the story behind the eclectic cast; character profiles of Frasier, Niles, Martin and Eddy; and finally, a discussion of Daphne and Roz. The second part, as the name suggests, is more academically inclined with chapters examining ongoing character development in the Crane household; an in-depth look at Frasier’s apartment from structural and aesthetic perspectives, as well as in contrast to Niles’s home at the Montana; an analysis of set decoration, particularly chairs; and lastly, the representation of women, gender and race. -
MEATS Press Notes.Final Clean
MEATS Written & Directed by: Ashley Williams Starring: Ashley Williams Giancarlo Sbarbaro Produced by: Neal Dodson Ashley Williams Film Contact: Neal Dodson, producer 818.481.5473 [email protected] Press Contact: Prodigy Public Relations Erik Bright 310.857.2020 [email protected] For HIGHER-RES still photos & more information please visit: www.ashleywilliams.work MEATS SYNOPSIS Director-writer Ashley Williams also stars in MEATS -- a short film about a pregnant vegan who wrestles with her newfound craving for meat. The film is produced by Williams and her husband, Independent Spirit Award winner and Sundance alum Neal Dodson (Margin Call). MEATS is an exploration of the ethics of meat-eating and the fears inherent with becoming a parent. In the short film, Williams plays Lane, who has hired a whole-animal butcher named Chris (played by real-life master butcher Giancarlo Sbarbaro), to educate her on how to responsibly break down a lamb and use every part. Upon arrival, Lane is simultaneously disgusted and mesmerized by the carcass in front of her. As Lane liberates the meat from the bone, she also frees a whole new side of herself, revealing humor, pain, connection, and a newfound mother-to-be. CounterNarrative Films presents MEATS. The cinematographer is Roman Vasyanov (Triple Frontier, Fury, Sundance alum with The East and Charlie Countryman). The editor is Cecilia Delgado. Color is by Roman Hankewycz (Sundance alum with Sound of Silence and Equity, among others) from Harbor Picture Company. Sound design is by three- time Academy-Award nominee Steve Boeddeker (All Is Lost, Black Panther, Sundance alum with I Origins, among others) at Skywalker Sound. -
Individual Joint Last to Die Survivorship
IIPRC-L-02-I-3 INDIVIDUAL SINGLE PREMIUM JOINT LAST TO DIE SURVIVORSHIP ENDOWMENT INSURANCE POLICY STANDARDS CHECKLIST http://www.insurancecompact.org/rulemaking_records/141204_amended_stds_endowment_individual_ single_premium_JLS.pdf Effective Date: December 5, 2016 Scope: These standards are intended to apply to traditional forms of individual single premium joint last to die survivorship endowment insurance which provide that the death benefit is payable upon the death of the last surviving insured to die and the applicable provisions providing for paid-up insurance. The standards do not apply to Plans that are interest sensitive with an account value. Additional standards apply to plans providing return of premium benefits (intermediate period endowment benefits) or plans providing early duration reduced benefits. As used in these standards the following definitions apply: “Cash surrender value” is the cash value reduced by indebtedness. “Cash value” is the guaranteed cash value for the plan of insurance. Drafting Notes: Other terms may be used in the policy provided that they are used consistently. The references to “policy” do not preclude Fraternal Benefit Societies from substituting “certificate” in their forms. Mix and Match: These standards are available to be used in combination with State Product Components as described in Section 111(b) of the Operating Procedure for the Filing and Approval of Product Filings (http://www.insurancecompact.org/rulemaking_records/110414_amended_product_filing_app_A.pdf). Please note that this applies to the entire state or Compact approved forms and NOT to particular provisions contained within such forms. Submit the following: 1. STATEMENT OF INTENT indicating the intent to use one or more State Product Components with a Commission Product Component. -
A Review of Assessment Issues in Gifted Education and Their Implications for Identifying Gifted Minority Students
DOCUMENT RESUME ED 388 024 EC 304 379 AUTHOR Frasier, Mary M. And Others TITLE A Review of Assessment Issues in Gifted Education and Their Implications for Identifying Gifted Minority Students. Research Monograph 95204. INSTITUTION National Research Center cn the Gifted and Talented, Storrs, CT. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE Feb 95 CONTRACT R206R00001 NOTE 46p.; Executive Summary on p.vii-xiii also published separately. AVAILABLE FROMNRC/GT, University of Connecticut, 362 Fairfield Road, U-7, Storrs, CT 06269-2007. PUB TYPE Information Analyses (070) Viewpoints (Opinion/Position Papers, Essays, etc.)(120) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Ability Identification; Economically Disadvantaged; Elementary Secondary Education; Ethnic Groups; *Evaluation Methods; *Gifted; Limited English Speaking; *Minority Groups; Referral; *Student Evaluation; Teacher Attitudes; Test Bias IDENTIFIERS *Disproportionate Representation (Spec Educ) ABSTRACT This review of research and literature examines issues related to the identification of potentially gifted students from groups most likely to be underrepresented in gifted education programs, including racial and ethnic minority groups,economically disadvantaged students, and those with limited English proficiency. Three major reasons for underrepresentation are identified and discussed: (1) test bias (the most frequent attribution for underrepresentation in programs);(2) selective referrals (usually because of teacher attitudes and knowledge about minority students and the type of school students are likely to attend); and (3) reliance on deficit-based paradigms (making recognition of the strengths of minority children less likely). Recommendations for modifying traditional assessment procedures include the use of multiple criteria and nontraditional measures and procedures and modification of selection criteria. -
Resumes.Actorsaccess.Com/Stephanienash
Stephanie Nash SAG / AFTRA / AEA 5’5” dark blonde blue-green eyes contact: 310-994-9039 COMEDY in BLUE FILM: SISTER (Best Actress - Bev. Hills Festival) Lead Dir: Bret Zausmer FASTER Supporting Dir: George Tillman, Jr. LOVE’S UNENDING LEGACY Supporting Dir: Mark Griffiths CIGAR ON THE BEACH Supporting Dir: Stephen Keep Mills BRUCE ALMIGHTY Supporting Dir: Tom Shadyac LUCY'S ROOM Lead Dir: Brian Lindstrom PRISON OF SECRETS Supporting Dir: Fred Gerber TELEVISION : INTELLIGENCE GUEST STAR Dir: Ken Biller CRIMINAL MINDS GUEST STAR Dir: Larry Teng BLOODLINE (pilot) WILL RECUR Dir: Peter Berg CASTLE GUEST STAR Dir: Rob Bowman PARENTHOOD GUEST STAR Dir: Michael Weaver THE CLOSER GUEST STAR Dir: Greg Yaitanes GHOST WHISPERER GUEST STAR Dir: Ian Sander MARVIN MARVIN CO-STAR Dir: Rob Schiller WEEDS CO-STAR Dir: Brian Dannelly THE BOLD & THE BEAUTIFUL GUEST STAR Dir: Cynthia J. Popp PASSIONS GUEST STAR CBS, Los Angeles STRONG MEDICINE GUEST STAR Dir: Tony Cowley NYPD BLUE GUEST-STAR Dir: Mark Tinker NIGHTSHIFT GUEST STAR Soapnet, Los Angeles 7th HEAVEN GUEST STAR Dir: Joel J. Feigenbaum HEAD CASES GUEST STAR Dir: Craig ZIsk CARNIVALE CO-STAR Dir: Jeremy Podeswa ANGEL CO-STAR Dir: Skip Schoolnik DRAGNET GUEST STAR Dir: Kevin Hooks BOSTON PUBLIC GUEST STAR Dir: David Semel GENERAL HOSPITAL GUEST STAR ABC-TV, Los Angeles JUDGING AMY CO-STAR Dir: Kristoffer Tabori FRASIER CO-STAR Dir: Pamela Fryman THEATRE – NEW YORK & REGIONAL + COMEDY:(partial list) BARNUM (several roles) Broadway/Nat’l Tour/dir: Joe Layton WHEN ANTONELA DANCED/TANGO (lead) Off-Broadway & E.S.T., NYC AH WILDERNESS (understudy) Yale Rep. -
CERTIORARI Journal of Consumer Advocacy CONSUMER INFORMATION for the CLIENTS and FRIENDS of FRASIER, FRASIER & HICKMAN, LLP
● SPRING 2018 CERTIORARI Journal of Consumer Advocacy CONSUMER INFORMATION FOR THE CLIENTS AND FRIENDS OF FRASIER, FRASIER & HICKMAN, LLP Page 2: ● CASE FILE Texting and Driving Is Dangerous Health Costs and Small Page 3: Arbitrator Rules for Business Recovered Firefighter Union After Serious Wreck Frasier, Frasier & Nathan H. was riding his motorcycle to Hickman, LLP work in Bartlesville almost two years ago. At Attorneys at Law the last major intersection before arriving, an inattentive driver failed to yield and ran over 1700 Southwest Boulevard Tulsa, Oklahoma 74107 him in the middle of the intersection. As was 918-584-4724 or his practice, Nathan wore a helmet that day. 1-800-522-4049 Nevertheless, he suffered severe and exten- sive orthopedic injuries, requiring multiple Internet site: surgeries. http://www.frasierlaw.com Adding insult to injury, Nathan also devel- E-mail Address: oped severe infections in his wounds and [email protected] broken bones from his hospital stay. Not only did the accident leave him physically inca- Thomas Dee Frasier pacitated for months with multiple surgeries 1924-2001 and hospitalizations, but the small business When the doctors were finally he worked hard for years to develop was dev- able to release Nathan James E. Frasier astated. Nathan hired Frank Frasier and Frasier, from their care, a demand Steven R. Hickman Frasier & Hickman, LLP, because Nathan’s for settlement was made. John W. Flippo local lawyer knew his serious injuries needed someone willing to fight the insurance com- However, Frank Frasier proved them wrong J.L. Franks pany in court. and negotiated a million dollar settlement, The Frasier firm collected all the informa- convincing the insurance company that both Frank W Frasier tion necessary for Nathan’s claim. -
Joe Reynolds, M.F.A. 323-314-9566 (Cell) | Email: [email protected]
Curriculum Vitae Joe Reynolds, M.F.A. 323-314-9566 (cell) | email: [email protected] PROFESSIONAL PROFILE • Extensive background as a professional actor in theatre, film and television. • Experienced instructor of theatre at the secondary and higher education levels. • Accomplished producer of professional touring theatre. • Ability to lead, establish goals, and build a strong ensemble of actors. • Consistent success as an audition teacher for young adults preparing for college theatre programs as well as professional acting jobs. EDUCATION Yale University, New Haven, CT MFA Acting — Yale School of Drama The University of Texas, Austin, TX BFA Acting ACADEMIC/TEACHING EXPERIENCE • Adjunct Instructor, Blinn College, Brenham, TX — 2016 to Present Currently teaching Intro to Theatre • Adjunct Instructor, Texas A and M, Commerce, TX — 2013 to Present Currently teaching online courses: Intro to Theatre, Theatre Management and Speech COURSES TAUGHT Graduate Undergraduate Acting for the Stage Directing for the Stage Theatre Management Voice and Speech for the Actor Acting for the Camera Audition Techniques Stage Dialects Intro to Theatre • Teacher, Lexington High School — 2015 to Present Theatre Teacher and UIL Academic Coordinator PLAYS DIRECTED A Midsummer Night’s Dream The Seagull Reckless • Audition Teacher, Southwestern University, Tal’s Summer Camp — 2009 to Present Courses taught — Audition for the camera, acting for film and television PROFESSIONAL EXPERIENCE • Company Manager, GFI Productions — 1995 to 2002 Broadway Touring Manager for road shows. • Associate Producer, St. Louis MUNY Theatre — 1999 - 2001 Assisted the Executive Producer. Large budget musicals for 10,000 seat outdoor theatre • Owner/Booking Agent, M Bar, Los Angeles, CA — 2002 - 2014 Sole Proprietor and booking agent for a music and comedy club. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
A Year in Review 2016 Screen Training Ireland a Year in Review 2016
SCREEN TRAINING IRELAND A YEAR IN REVIEW 2016 SCREEN TRAINING IRELAND A YEAR IN REVIEW 2016 Welcome to Screen Training Ireland’s Review of 2016 which details key initiatives and training delivered in 2016 and outlines plans for 2017 and beyond. Training and development is of the highest quality, closely aligned to industry needs and clearly targeted to individuals and companies. CONTENTS About Screen Training Ireland .............. 4 What We Do .............................. 6 New Initiatives 2016 ........................8 Training Highlights 2016 ...................17 Bursary Review 2016 ......................35 Local Partnerships ........................38 International Training Partnerships .........44 PANEL SESSION ON DESIGN AND CRAFT DEPARTMENTS AT TROY STUDIOS OPEN DAY Looking Ahead 2017 .......................46 SCREEN LEADERS ABOUT SCREEN TRAINING IRELAND Screen Training Ireland (STI) is the national training and STI offers training for the changing needs of the Irish screen development resource, specifically tailored for Ireland’s film and industry. STI developed and delivered over 52 courses in 2016 and television industry. It was established in 1995 to provide ongoing allocated 1462 places to participants. We also supported workshops training and career development opportunities for professionals and masterclasses at leading Irish Film festivals. Of these training working in the screen industry. places 47% were allocated to female participants and 55% allocated to male participants. STI works with recognised industry professionals, both locally and internationally, to identify, design and deliver training for Irish STI categorises skills needs in three core areas – Creativity and professionals. Training programmes are offered to practitioners and Creative Collaboration (CCC), Production and Technical Skills (P&T) companies to enhance their expertise in film, television, animation and Business and Enterprise (B&E). -
•Now Pitcbincj: Sam Malone• Written by Ken Levine, David Isaacs
, CBDRS •Now PitcbincJ: Sam Malone• 160591-016 Written By Ken Levine, David Isaacs Created and Developed By James Burrows Glen Charles Les Charles Return to Script Department PARAMOUNT PIC'l'traES CORPORATION PINAL DRAFT 5555 Melrose Avenue Hollywood, California 90038 December 9, 1982 CBEBRS •Now Pitcbin91 ~ SAM MALONE ••••••••••••••••••••••••••••••••• DD DANSON DIANE CBAMBERS ••••••••••••••••••••••••••••• SBBLLBY LONG COACH ERNll PANTUSSO ••••• •••••••••••••••••• NICX COLASANTO CARLA TORffLLI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • RHEA PERLMAN CI.IPF • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • .. • JORN' RA'tZENBERGER NORM. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • GEORGB 1IENDT LANA MARSHALL •••••••••••••••••••••••••••••• BARBARA BABCOCK TIBOR SVE'l'KOVIC. • • • • • • • • • • • • • • • • • • • • • • • • • • • RICX BILL PAUL.. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •.• • • PAOL VAUGHN LUIS TIANT ••••••••• • • • • • • • • • • • • • • • • • • • • • • • • BIMSBLF DIRECTOR ••••• •••••••••••••••••••••••••• • ••• nrr. BAR INT. SAM'S OFFICE CHBBRS •Nov Pitching: Sam Malone• .. TEASER -X FADE IN: INT. BAR - CLOSING TIME SAM AND COACH ARE CLOSING tJP. AS THEY HEAD FOR THE DOOR, COACH STOPS AND LOOKS AROUND. COACH Y'know Sam, this is my favorite time of day. SAM Closing time, Coach? COACH No, 1:37. SOmething about it, I don't know ••• SAM Yeah, it's nice. Everybody's probably got their favorite 1:37 story. 2. (X) 1eah. What time of day do you like, S&m? SAM Gee, I don't Jcnow ••• 8115'• nice. COACH I used to like 8:15, but I kinda outgrew it. AS THBY 'l'ALK, SAM 'l'tJRNS 00'1' THE LIGHTS. 'l'BBY GO 00'1' 'l'HB DOOR, UP '1'BB S'l'EPS AND DISAPPEAR. AP'l'ER A BEA'l' NORM COMES ROSSING QY! OP 'l'HB BATHROOM. NORM Wait a minute, I ••• BB STOPS, A THOOGH'l' OCCURS TO HIM. HE LOOKS AROUND,; GOES OVER AND TtJRNS ON 'l'HE TV. -
First Look Program 2021
WELCOME to FIRST LOOK 2021 Welcome to the First Look Festival of 2021! One of my great pleasures as Dean of the School of Cinematic Arts is being able to introduce our festival films each year, and congratulate all the deserving students who contributed to them. This year I am especially proud of the determination and dedication inherent in these projects, as they were completed within the limitations of Covid 19 protocols. Despite this, the work you will see here is of the highest quality, and many will go on to tour the film festival circuit and win awards in the year ahead. They will also serve as calling cards for the talented young professionals who are graduating from the School and launching careers as filmmakers. Our students always depend on their family and friends to help them through their programs. Filmmaking is a challenging endeavor, and it takes a village of encouragement to have the confidence needed to bring a project to fruition. This year our students truly needed support, as our campus was shut down and many of them had to return home. Despite not being able to meet in person, the filmmakers found ways to collaborate. And as their films will attest, did so brilliantly! So please enjoy this year’s festival. And congratulations to all the students whose names appear in the end credits of these films. Elizabeth M. Daley Steven J. Ross/Time Warner Professor and Dean USC School of Cinematic Arts I firmly believe that film has been the major art form of the 20th century, and will continue to have a powerful influence on our culture and society.