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A Post-Colonial Ontology? Tim Winton’S the Riders and the Challenge to White-Settler Identity
humanities Article A Post-Colonial Ontology? Tim Winton’s The Riders and the Challenge to White-Settler Identity Lyn McCredden School of Communication and Creative Arts, Deakin University, Melbourne 3125, Australia; [email protected] Received: 21 July 2020; Accepted: 23 August 2020; Published: 28 August 2020 Abstract: Through a reading of Australian non-Indigenous author Tim Winton and his novel The Riders, this essay seeks to shake to the very roots white-settler understandings of identity and belonging. The essay treads respectfully into the field of Australian identity, recognizing that Indigenous people’s ancient and sacred relationship with country and the formation of treaties with the nation, are now rightfully central on national agendas. However, this essay asks the following question: what are the ontological grounds upon which respectful dialogue between Indigenous and non-Indigenous Australians might occur, after such violent and traumatic history? The essay explores the possible grounds for an evolving dialogue, one which will be necessarily intersectional: (post)colonial, spiritual/ontological and material. Further, the essay identifies “spirituality” and “ontology” as broad denominators for religion, speculating on a (post)colonial ontology which centers on home and (un)belonging. White-settler Australians, this essay argues, must confront deep ontological issues of brokenness if they are to take part meaningfully in future dialogues. Scully, the protagonist of The Riders, finds himself far from home and stripped of almost all the markers of his former identity: as Australian, as husband, and as a man in control of his life. The novel probes (un)belonging for this individual descendent of colonial Australia, as trauma engulfs him. -
Picador April 2015
PICADOR APRIL 2015 A MAJOR PUBLISHING EVENT On the Run Fugitive Life in an American City Alice Goffman A riveting, groundbreaking account of how the war on crime has torn apart innercity communities by a rising star in sociology Forty years in, the tough on crime turn in American politics has spurred a prison boom that disproportionately affects black communities. It has also torn at the lives of those on the outside. As arrest quotas and high tech surveillance SOCIAL SCIENCE / SOCIOLOGY / URBAN criminalize entire blocks, a climate of fear pervades daily life. Alice Goffman Picador | 4/7/2015 spent six years in one Philadelphia neighborhood, documenting the routine stops, 9781250065667 | $16.00 / $18.50 Can. searches, and beatings that young men navigate as they come of age. We see Trade Paperback | 304 pages | Carton Qty: 5.5 in W | 8.3 in H | 1 lb Wt how families endure raids and interrogations and how "clean" residents struggle to go to school and work as cops chase their neighbors. While recognizing the drug Other Available Formats: trade’s damage, On the Run reveals a justice system gone awry. This exemplary Ebook ISBN: 9781250065674 work highlights the failures of the War on Crime, and presents a compassionate MARKETING chronicle of the families caught in the midst of it. • NEXT SELECTION • National Print and Online Coverage • For readers of Michelle Alexander, Cornel West, and Sudhir Venkatesh • National Public Radio Campaign • National Author Tour • Explosive topic under national debate • Advance Reading Copies • Extensive university -
Lyn Mccredden. the Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016
Commonwealth Essays and Studies 41.2 | 2019 Nadine Gordimer Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30 Jean-François Vernay Electronic version URL: https://journals.openedition.org/ces/447 DOI: 10.4000/ces.447 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 10 June 2019 Number of pages: 121-122 ISSN: 2270-0633 Electronic reference Jean-François Vernay, “Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred”, Commonwealth Essays and Studies [Online], 41.2 | 2019, Online since 05 November 2019, connection on 21 July 2021. URL: http://journals.openedition.org/ces/447 ; DOI: https://doi.org/10.4000/ces.447 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 121 Reviews The Fiction of Tim Winton: Earthed and Sacred. By Lyn McCredden. Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30. Reviewed by Jean-François VERNAY Tim Winton has written his way to become the darling of Australian readers who enjoy his rich prose evocative of the south-western landscape which he calls home. He can be regarded as a left-leaning writer who has a close affinity with the people and es- pecially the land which he celebrates in his stories. His coastal narratives invariably viv- idly depict rural communities functioning in harmony with the beach culture. Winton’s focus is domestic, if not personal, fathoming the cultural and psychological impact of the Australian land. -
This Is the Published Version. Available from Deakin Research
McCredden, Lyn 2013, Dreams of belonging: Tim Winton's Cloudstreet, Reading Australia. This is the published version. ©2013, Lyn McCredden Reproduced with the kind permission of the copyright owner. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30056269 Essay by Lyn McCredden Reading Tim Winton's rollicking, heartbreaking, hopeful saga, Cloudstreet, you are immersed in Australia: its histories, its peoples, its changing values, and its multiple longings. It is Australia imagined large and sprawling, but also in ordinary, intimate detail from a particular dot on the map: working class Perth, Western Australia, from the 1940s to the 1960s. Humorously, lyrically and poignantly, the novel probes questions of where and how to belong. Always already transient and haunted, belonging is a precious but fragile dream, in the midst of family, friends and neighbours. As the Pickles family move into the big, trembling house at number one Cloud Street, It's just them in this vast indoors . there's a war on and people are coming home with bits of them removed . women are walking buggered and beatenlooking with infants in the parks . [the Pickles] have no money and this great continent of a house doesn't belong to them. They're lost. (Winton p. 51) The novel is, of course, only one person's re-imagining of place and time, and for some critics there are omissions, blindnesses and flaws in this vision. However, the fact remains that Author Cloudstreet is a phenomenon; an astoundingly popular novel, made into a television Tim Winton mini-series, adapted to stage, and in 2012 voted the most popular Australian novel by viewers of the ABC's First Tuesday Book Club. -
Tim Winton's Dirt Music EDITORS: Groth and Cummins 2 JASAL: Journal of the Association for the Study of Australian Literature 15.1 Lines Come to Him
Tim Winton’s Dirt Music: Sounding Country/Re-Siting Place STEPHEN HARRIS University of New England Noise is sound out of place as dirt is matter in the wrong place. (Adam Mars-Jones) We hear white noise as one sound; however, by further processing we create new sounds. But the importance of comparing white noise to traditional musical sounds is the realisation that through white noise we reach sounds inaudible to the human ear—part of which I intuitively call the ‘river of sound’. (Toru Takemitsu, quoted in Toop 147). In Tim Winton’s novel, Breath (2008), the narrator, Bruce Pike, gives voice to an idea Winton places at the centre of his earlier novel, Dirt Music: ‘I’ll talk if no one’s listening. It’s like blowing the didjeridu, cycling air through and through, doing little more than explaining yourself to your self while you’re still sane enough to do it’ (21). Having been kinked out of psychological alignment through youthful explorations of extreme states, Pike tells his story for the purpose of explanation, not exculpation—as he insists above, ‘blowing the didj’ is a form of recuperative self-communion equated with talking to one’s self. He has perhaps discovered nothing more than the fact that playing the instrument affords a rudimentary therapeutic function. In narrative terms, the reference to ‘blowing’ the didjeridu appears to carry little dramatic or symbolic weight. Yet, when it is revealed that he has learnt ‘to sustain the circular breathing necessary to keep up the low, growling drone you could send down the valley…’—‘I liked the way it sucked energy from me and drew hard feelings up the way only a good tantrum could when I was little…I blow until it burns…and the wind goes through me in cycles, hot and droning and defiant’ (152/9)—the act of ‘sounding’ the drone assumes a richer allusive resonance. -
Tim Winton, Cloudstreet and the Field of Australian Literature
<<Please read the copyright notice at the end of this article>> Robert Dixon: Tim Winton, Cloudstreet and the field of Australian Literature Author: Robert Dixon Title: Tim Winton, Cloudstreet and the field of Australian Literature Journal: Westerly Imprint: 2005, Volume 50, November, Pages 240-260 Let me begin by saying what I'm not going to do in this paper: I'm not going to do what used to be called a “close reading” of Tim Winton's Cloudstreet. I'm not going to wheel out a theoretical approach through which to interpret the text, as if the reading I could produce by that means were somehow more authoritative than any other. Instead, what I will do is situate Winton's career and this particular novel in what can be called the field of Australian literature. In using this term field, I mean to indicate the whole system involved in the production and reception of Australian literature. This is now a very broad spectrum of institutions, personnel, practices and values that is surprisingly complex and diverse. It is now so extensive that it isn't even confined to Australia. And academic literary criticism — in the sense of theoretically-driven textual analysis — is only one part of that field. Many would say that it's not even the most important part. This idea of a “field” derives from the work of the French sociologist Pierre Bourdieu.1 Much of Bourdieu's work was done on French art culture of the nineteenth century, but it has been widely used in recent years as a tool for thinking about how other culture industries work, including print culture, cinema and music. -
ASFS Program 2018
26th Annual Conference of the Australian Society for French Studies Environment and Identity The University of Western Australia 4 – 7 December 2018 26th Annual Conference of the Australian Society for French Studies Environment and Identity The University of Western Australia 4-7 December 2018 TUESDAY 4 DECEMBER 10am–1pm Masterclass with Nadine Gassie ‘Translating Tim Winton and David Malouf into French’ Institute of Advanced Studies, Irwin Street Building, UWA 2pm–5pm Postgraduate Afternoon Convenor: Sophie Patrick Arts Building, Lecture Room 4 (Afternoon Tea, 3pm-3.30pm) 6pm–7.30pm Rencontre littéraire avec Rodney Saint-Eloi, poète et éditeur Alliance Française de Perth 75 Broadway, Nedlands, WA 6009 WEDNESDAY 5 DECEMBER 8.45am–9.30am Registration University Club, Level 1 9.30am–10am Welcome and Opening Dr Richard Walley, Prof. Matthew Tonts (Dean of the Faculty of Arts, Business, Law and Education), M. Frédéric Flipo (Honorary Consul for France), M. Bertrand Pous (Counsellor for Cooperation and Cultural Action, French Embassy) Paul Gibbard (UWA) Fox Lecture Theatre, Arts Building 10am–11am Keynote 1: Mary Orr, University of St Andrews, UK Bio-prospecting in French/Francophone Studies: Rethinking the ‘mediterranean’ in Periods of Discipline Climate Change Chair: Hélène Jaccomard Fox Lecture Theatre, Arts Building 11am–11.30am Morning Tea University Club, Level 1 uwa.edu.au 3 Parallel Session 1: ARTS LR4 Parallel Session 2: ARTS LR5 Parallel Session 3: ARTS LR6 Writing and Québecois Place and Identity Place in Nineteenth- Identity Chair: -
Contemporary Australian Novels and Crises of Ecologies by David S
Contemporary Australian Novels and Crises of Ecologies by David S Harris Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University June 2017 For Vera & Ray “One is always the index of a multiplicity: an event, a singularity, a life…” (Gilles Deleuze) Table of Contents Abstract ..................................................................................................... 1 Introduction ................................................................................................ 2 Chapter 1 – Crises of Ecologies .............................................................. 13 Chapter 2 – Literary Hopes and Delusions .............................................. 50 Chapter 3 – Other Trajectories ................................................................ 73 Chapter 4 - Tim Winton’s Eyrie .............................................................. 118 Chapter 5 – Alexis Wright’s The Swan Book ......................................... 187 Chapter 6 – Janette Turner Hospital’s Oyster ....................................... 262 Conclusion ............................................................................................. 330 References ............................................................................................ 343 Abstract This thesis is concerned with what contemporary Australian novels can do amid Crises of Ecologies. Crises of Ecologies involve the entanglements of climate change, mass extinction, planetary degradation and capitalism with crises of agency -
Download Breath a Novel Pdf Ebook by Tim Winton
Download Breath A Novel pdf ebook by Tim Winton You're readind a review Breath A Novel book. To get able to download Breath A Novel you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this file on an database site. Book File Details: Original title: Breath: A Novel 224 pages Publisher: Picador; First edition (May 26, 2009) Language: English ISBN-10: 0143009583 ISBN-13: 978-0312428396 ASIN: 0312428391 Product Dimensions:5.5 x 0.6 x 8.2 inches File Format: PDF File Size: 13134 kB Description: Now a Major Motion Picture, Starring Simon Baker, Elizabeth Debicki, and Richard RoxburghBreath is a story of risk, of learning ones limits by challenging death. On the wild, lonely coast of Western Australia, two thrill-seeking teenage boys fall under the spell of a veteran big-wave surfer named Sando. Their mentor urges them into a regiment of danger... Review: I recently discovered this author, recommended by the writer Elin Hilderbrand in The New York Times. I am now snapping up anything by him I can get my hands on. I just finished my third title, “Breath,” which may be the best of the three so far (“Dirt Music,” “Eyrie,” both wonderful). It follows two boys in their early teens as they take up surfing... Ebook File Tags: tim winton pdf, coming of age pdf, western australia pdf, miles franklin pdf, bruce pike pdf, wife eva pdf, beautifully written pdf, friend loonie pdf, pikelet and loonie pdf, dirt music pdf, main character pdf, small town pdf, older surfer pdf, age story pdf, ivan loon pdf, franklin award pdf, highly recommended pdf, literary award pdf, well written pdf, cloudstreet Breath A Novel pdf ebook by Tim Winton in pdf ebooks Breath A Novel breath novel a ebook novel a breath book novel a breath fb2 breath a novel pdf Breath A Novel To make your mistakes and move on. -
“In the Sea but Not of It” Rites of Passage and Liminal Spiritual Perspectives In
“In the sea but not of it” Rites of passage and liminal spiritual perspectives in the fiction of Tim Winton by Ian Donald Brunton Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (English) Acadia University Spring Convocation 2015 c by Ian Donald Brunton, 2014 i This thesis by Ian Donald Brunton was defended successfully in an oral examination on Monday, 9 September, 2014. The examining committee for the thesis was: Dr John Ball, External Examiner Dr Herb Wyile, Internal Examiner Dr John Eustace, Supervisor Dr Lisa Narbeshuber, Acting Head Dr Glyn Bissix, Chair This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree Master of Arts (English). ii I, Ian Donald Brunton, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. Author Supervisor Date Contents Abstract v Acknowledgements vi 1 Introduction 1 1.1 Land’s Edge: Winton’sapproachtoliminality . 2 1.2 Theoriesofliminality........................... 9 1.3 Ad hoc ritesofpassage.......................... 19 2 Short Fiction 25 2.1 “LanternStalk”.............................. 26 2.2 “Wilderness” ............................... 35 2.3 “Laps”................................... 47 3 Cloudstreet 55 3.1 Thehouseasaliminalspace. 56 3.2 RosePickles................................ 63 3.3 QuickLamb................................ 67 3.4 FishLamb................................. 83 3.5 Thehousetransformed .......................... 93 4 Breath 96 iii CONTENTS iv 4.1 Surfingasamasculineriteofpassage . 97 4.2 Surfingasaliminalspiritualexperience . .... 109 5 Conclusion 118 Abstract This thesis examines liminal conditions in the fiction of Western Australian author Tim Winton in light of Victor Turner’s theory of rites of passage, Mircea Eliade’s analysis of religion, and Homi K. -
Tim Winton: Abjection, Meaning-Making and Australian Sacredness
Tim Winton: Abjection, Meaning-making and Australian Sacredness LYN McCREDDEN Deakin University Tim Winton’s fiction has divided critics. His writing has been characterised as nostalgic (Dixon), as too Christian (Goldsworthy), as blokey, and even misogynist (Schürholz). He has been pilloried on the blog site Worst of Perth, with its ‘Wintoning Project,’ which calls for contributions of ‘Australian or Western Australian schmaltz, in the style of our most famous literary son, master dispenser of literary cheese and fake WA nostalgia Tim Winton’ (online). And he has won the top Australian literary prize, The Miles Franklin Award, four times (Shallows, 1984; Cloudstreet, 1992; Dirt Music, 2002; and Breath, 2009). Winton’s oeuvre spans three decades. It remains highly recognisable in its use of Australian vernacular and its sun-filled, beachy Western Australian settings; but it has also taken some dramatic, dark and probingly self-questioning turns. While critics often look for common strands in an author’s oeuvre, it is revealing to consider developments and changes between individual works. How do the darker, more abject elements of Winton’s imaginative visions relate to the ‘wholesome’ if macho Aussie surfer image, or to the writer of plenitude somehow embarrassing to critics? Several potentially contradictory ‘turns’ have also been occurring in the Humanities across this period: turns to post-secularism, re-enchantment or the sacred (see CharlesTaylor’s A Secular Age, and Mark C. Taylor’s After God, both 2007, for two very different approaches to the category of the sacred); and differently, new research being conducted in the jostling but related fields of constructivism, performativity, and posthumanism (see Karen Barad’s influential 2007 text Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning). -
Picador May 2019
PICADOR MAY 2019 PAPERBACK ORIGINAL Talking to Strangers Selected Essays, Prefaces, and Other Writings, 1967-2017 Paul Auster A freshly-curated collection of prose, spanning fifty years of work and including famous as well as never-before-published early writings, from 2018 Man Booker-finalist Paul Auster In this updated collection of literary essays, interviews, prefaces, personal notes, and occasional writings, including poignant and illuminating appreciations of other poets and novelists and of New York City life, Paul Auster offers not only samplings but insights into the first fifty years of his brilliant writing career. LITERARY COLLECTIONS / AMERICAN Through critical readings of literary greats such as Hawthorne, Poe, Beckett and Picador | 5/21/2019 9781250206299 | $20.00 / $26.00 Can. Kafka, as well as less well-appreciated poets from George Oppen to Laura Trade Paperback | 400 pages | Carton Qty: 20 Riding, Auster celebrates the achievements of his fellow authors while probing 8.3 in H | 5.4 in W the constraints of language and considering the relationships between writers and Includes 7 black-and-white photographs the works they create. In addition, through an offering of highly personal notes, throughout essays, and interviews dating back to his student days at Columbia in the 1960s, Subrights: UK, 1st ser., trans., dram.: Carol Auster turns the light on himself, exposing readers to the myriad of topics and Mann Agency; Audio: Holt/Picador inspirations that have shaped his work. From sitting in the bleachers at a Mets Other Available Formats: game to discussing the Dada art movement, from witnessing the death-defying Ebook ISBN: 9781250206305 performances of high-wire artist Philippe Petit to reflecting on the events of September 11th, Auster ushers readers into his thinking across fifty years and through a wide-reaching literary world.