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Tim Winton Tim Winton Tim Winton FREE OCTOBER 2016 BOOKS MUSIC FILM EVENTS TIM WINTON Mark Rubbo asks Tim Winton about his new book, The Boy Behind the Curtain. page 6 NEW IN OCTOBER HANNAH TIM CLEMENTINE HUNT FOR THE BILLY KENT WINTON FORD WILDERPEOPLE BRAGG & JOE $32.99 $45 $29.99 $29.95 HENRY $27.99 $29.99 $24.99 page 21 $21.95 page 7 page 12 page 13 page 22 READINGS MONTHLY OCTOBER 2016 3 News Readings Monthly Free, independent monthly newspaper published by Readings Books, Music & Film Subscribe You can subscribe to Readings Monthly and our e-news by visiting our website: readings.com.au/newsletters-and-e-news Editor Elke Power [email protected] READINGS KIDS OPENING Whatever your travel style, Lonely friendly streets of Wangaratta. Readings WEEKEND Planet is brimming with inspiration is the official retailer of the Wangaratta Editorial Assistant We’re thrilled to announce that Readings to help you prepare for your perfect Festival of Jazz and Blues. 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The colourcode.com.au Alice Pung, Mitch Vane, Danny Katz and to support Victorian individuals and Known Bookshops Fund provided up to Fiona Wood. Join us for a special teddy bear organisations that wish to further the $2, 000 to ten bookshops across Victoria Front Cover story time, meet your favourite author and development of literacy, community work to activate their shops and activities The October Readings Monthly cover celebrate all things bright and beautiful in our and the arts. Applications must be completed by working with artists in innovative features the cover image from Hannah brand new shop! For more information check and lodged electronically by 5pm, Monday Kent’s new novel, , and creative ways. Our grant supported The Good People out our events calendar on page 4. 31 October 2016. For more information courtesy of the publisher, Picador. 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To celebrate the 2016 judges, writes that the shortlisted oslodavis.com titles ‘reflect the centrality of the novel in Readings Doncaster, we have many special WANGARATTA FESTIVAL author signings scheduled in the lead up to modern culture – in its ability to champion Prices and availability OF JAZZ & BLUES Christmas – visit our events page at readings. the unconventional, to explore the Please note that all prices and release The 2016 Wangaratta Festival of Jazz and unfamiliar, and to tackle difficult subjects.’ dates in Readings Monthly are correct at com.au/events for more information. Blues (28–30 October) showcases some of The six books on the 2016 shortlist are: time of publication, however prices and the world’s finest local and international release dates may change without notice. 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There will be author signings, OF THE PAST SUSSEX George Gittoes will be in conversation with a teddy bear story time, plus prizes, Readings’ own Jemima Bucknell about his Join us for a discussion about the depth and giveaways and more. Together with Sisters in Crime, we’re breadth of our literary heritage chaired by delighted to host an evening with new, illustrated memoir, Blood Mystic, which Text publisher Michael Heyward. In the Free, no booking required Kristel Thornell in conversation with chronicles the world-renowned Australian space of four years, Text Publishing has Saturday 8 October, all day: Lucy Sussex about the former’s new artist’s extraordinary life. released 100 Text Classics, most of them 10am: Meet Sally Rippin novel. On the Blue Train considers what Free, but please book at readings.com.au/events 11am: Meet Bob Graham and Alice Pung long out of print. This series has brought happened to Agatha Christie during Monday 24 October, 6.30pm 12.30pm: A teddy bear’s story time with our numerous extraordinary writers from her mysterious 11-day disappearance, Readings St Kilda Australia and New Zealand to domestic and favourite Walker bear (BYO teddy bear) just as she was on the cusp of fame. 2pm: Meet Mitch Vane & Danny Katz international attention, including Elizabeth 3pm: Meet Fiona Wood Harrower, Kenneth Cook, David Ballantyne, Free, but please book at readings.com.au/events GIDEON HAIGH IN Readings Kids (315 Lygon St, Carlton, Victoria) Amy Witting and Madeleine St John. Tuesday 18 October, 6.30pm 25 CONVERSATION Readings Hawthorn WITH FRANCIS Tickets are $15 and include a copy of one novel KAZ COOKE IN from the Text Classics series, as available on the LEACH 13 CONVERSATION night. Please book at readings.com.au/events L.A. LARKIN AND In Gideon Haigh’s new book, Stroke of Tuesday 4 October, 6.30pm WITH ALAN 19 JAMES PHELAN Genius, Haigh goes beyond the cricketing Cinema Nova, 380 Lygon St., Carlton BROUGH TALK ACTION legend to explore the real Victor Trumper. Kaz Cooke is the number one go-to advisor THRILLERS Haigh and broadcaster Francis Leach will TIM DUNLOP ON for Australian girls and women. Her latest discuss how Trumper became an icon, James Phelan and L.A. Larkin write heart- guide, Girl Stuff 8–12, is a fun, friendly and including the role of George Beldam’s famous 5 WHY THE FUTURE pounding, high stakes action thrillers, informative read for tweens – and for those ‘Jumping Out’ photograph, in creating the IS WORKLESS each with very different protagonists – of us who live and work with tweens. Cooke intersection of sport and art, and reality and ex-CIA operative Jed Walker and British Join us to hear Tim Dunlop discuss his will discuss the book with comedian, TV star myth, that is the Victor Trumper story we investigative journalist, Olivia Wolfe. new book, Why the Future is Workless, a and writer Alan Brough. know today. timely examination of the future of work. Together they will discuss the creative Free, but please book at readings.com.au/events Dunlop will be joined in conversation by the Free, but please book at readings.com.au/events challenges of their genre. Tuesday 25 October, 6.30pm University of Melbourne’s Mark Davis. Thursday 13 October at 5pm Free, but please book at readings.com.au/events Readings Hawthorn Readings Kids (315 Lygon St, Carlton, Victoria) Wednesday 19 October, 6.30pm Free, but please book at readings.com.au/events Readings Carlton Wednesday 5 October, 6.30pm Readings Carlton A WORKSHOP 15 WITH BOOK SIGNING ILLUSTRATOR 20 WITH RICHARD LANCE BALCHIN ROXBURGH Lance Balchin’s Mechanica is a beautifully Come by our Doncaster shop to meet actor, illustrated field guide from the future.
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  • A Post-Colonial Ontology? Tim Winton’S the Riders and the Challenge to White-Settler Identity
    humanities Article A Post-Colonial Ontology? Tim Winton’s The Riders and the Challenge to White-Settler Identity Lyn McCredden School of Communication and Creative Arts, Deakin University, Melbourne 3125, Australia; [email protected] Received: 21 July 2020; Accepted: 23 August 2020; Published: 28 August 2020 Abstract: Through a reading of Australian non-Indigenous author Tim Winton and his novel The Riders, this essay seeks to shake to the very roots white-settler understandings of identity and belonging. The essay treads respectfully into the field of Australian identity, recognizing that Indigenous people’s ancient and sacred relationship with country and the formation of treaties with the nation, are now rightfully central on national agendas. However, this essay asks the following question: what are the ontological grounds upon which respectful dialogue between Indigenous and non-Indigenous Australians might occur, after such violent and traumatic history? The essay explores the possible grounds for an evolving dialogue, one which will be necessarily intersectional: (post)colonial, spiritual/ontological and material. Further, the essay identifies “spirituality” and “ontology” as broad denominators for religion, speculating on a (post)colonial ontology which centers on home and (un)belonging. White-settler Australians, this essay argues, must confront deep ontological issues of brokenness if they are to take part meaningfully in future dialogues. Scully, the protagonist of The Riders, finds himself far from home and stripped of almost all the markers of his former identity: as Australian, as husband, and as a man in control of his life. The novel probes (un)belonging for this individual descendent of colonial Australia, as trauma engulfs him.
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  • ABR Favourite Australian Novels
    Announcing the top ten ABR Favourite Australian Novels Of the 290 individual novels that were nominated in the ABR FAN Poll, below we list the top ten. At the foot of page 25 we simply name the ten titles that followed. We don’t have room to list all of your favourites. A complete alphabetical listing now appears on our website: www.australian- bookreview.com – a fillip to further reading and to a deeper appreciation of the range of Australian fiction, which was our shy hope when we polled our readers. Cloudstreet im Winton’s books attract international kudos, pres- 1 tigious awards and massive sales. Winton won the Australian/Vogel National Award with his first novel andT last year became only the second person to win the Miles Franklin Award four times. Cloudstreet, published in 1991, holds a unique place in Australian readers’ affections. Winton’s tale of the Lambs and the Pickles from the end of World War II to the 1960s won the 1992 Miles Franklin Award and was dramatised by Nick Enright and Justin Monjo. Presciently, in 1994, The Oxford Companion to Australian Literature predicted that ‘it seems certain to establish itself as one of Australia’s best novels’. Countless voters agreed. One of them, Carla Ziino, described it as ‘the quintessential Australian novel’. The Fortunes Voss of Richard atrick White, 2 3 Australia’s first Mahony Nobel Laureate Pfor Literature, dominat- enry Handel’s ed Australian literature grand trilogy from the 1950s to his – Australia death in 1990. Voss, his HFelix (1917), The Way fifth novel, published Home (1925) and Ultima in 1957, won the first Thule (1929), first col- Miles Franklin Award.
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  • Lyn Mccredden. the Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016
    Commonwealth Essays and Studies 41.2 | 2019 Nadine Gordimer Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30 Jean-François Vernay Electronic version URL: https://journals.openedition.org/ces/447 DOI: 10.4000/ces.447 ISSN: 2534-6695 Publisher SEPC (Société d’études des pays du Commonwealth) Printed version Date of publication: 10 June 2019 Number of pages: 121-122 ISSN: 2270-0633 Electronic reference Jean-François Vernay, “Lyn McCredden. The Fiction of Tim Winton: Earthed and Sacred”, Commonwealth Essays and Studies [Online], 41.2 | 2019, Online since 05 November 2019, connection on 21 July 2021. URL: http://journals.openedition.org/ces/447 ; DOI: https://doi.org/10.4000/ces.447 Commonwealth Essays and Studies is licensed under a Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 121 Reviews The Fiction of Tim Winton: Earthed and Sacred. By Lyn McCredden. Sydney: Sydney UP, 2016. vii + 158 pp. ISBN: 9-781743-325032. AU$30. Reviewed by Jean-François VERNAY Tim Winton has written his way to become the darling of Australian readers who enjoy his rich prose evocative of the south-western landscape which he calls home. He can be regarded as a left-leaning writer who has a close affinity with the people and es- pecially the land which he celebrates in his stories. His coastal narratives invariably viv- idly depict rural communities functioning in harmony with the beach culture. Winton’s focus is domestic, if not personal, fathoming the cultural and psychological impact of the Australian land.
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  • This Is the Published Version. Available from Deakin Research
    McCredden, Lyn 2013, Dreams of belonging: Tim Winton's Cloudstreet, Reading Australia. This is the published version. ©2013, Lyn McCredden Reproduced with the kind permission of the copyright owner. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30056269 Essay by Lyn McCredden Reading Tim Winton's rollicking, heartbreaking, hopeful saga, Cloudstreet, you are immersed in Australia: its histories, its peoples, its changing values, and its multiple longings. It is Australia imagined large and sprawling, but also in ordinary, intimate detail from a particular dot on the map: working class Perth, Western Australia, from the 1940s to the 1960s. Humorously, lyrically and poignantly, the novel probes questions of where and how to belong. Always already transient and haunted, belonging is a precious but fragile dream, in the midst of family, friends and neighbours. As the Pickles family move into the big, trembling house at number one Cloud Street, It's just them in this vast indoors . there's a war on and people are coming home with bits of them removed . women are walking buggered and beatenlooking with infants in the parks . [the Pickles] have no money and this great continent of a house doesn't belong to them. They're lost. (Winton p. 51) The novel is, of course, only one person's re-imagining of place and time, and for some critics there are omissions, blindnesses and flaws in this vision. However, the fact remains that Author Cloudstreet is a phenomenon; an astoundingly popular novel, made into a television Tim Winton mini-series, adapted to stage, and in 2012 voted the most popular Australian novel by viewers of the ABC's First Tuesday Book Club.
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  • Tim Winton's Dirt Music EDITORS: Groth and Cummins 2 JASAL: Journal of the Association for the Study of Australian Literature 15.1 Lines Come to Him
    Tim Winton’s Dirt Music: Sounding Country/Re-Siting Place STEPHEN HARRIS University of New England Noise is sound out of place as dirt is matter in the wrong place. (Adam Mars-Jones) We hear white noise as one sound; however, by further processing we create new sounds. But the importance of comparing white noise to traditional musical sounds is the realisation that through white noise we reach sounds inaudible to the human ear—part of which I intuitively call the ‘river of sound’. (Toru Takemitsu, quoted in Toop 147). In Tim Winton’s novel, Breath (2008), the narrator, Bruce Pike, gives voice to an idea Winton places at the centre of his earlier novel, Dirt Music: ‘I’ll talk if no one’s listening. It’s like blowing the didjeridu, cycling air through and through, doing little more than explaining yourself to your self while you’re still sane enough to do it’ (21). Having been kinked out of psychological alignment through youthful explorations of extreme states, Pike tells his story for the purpose of explanation, not exculpation—as he insists above, ‘blowing the didj’ is a form of recuperative self-communion equated with talking to one’s self. He has perhaps discovered nothing more than the fact that playing the instrument affords a rudimentary therapeutic function. In narrative terms, the reference to ‘blowing’ the didjeridu appears to carry little dramatic or symbolic weight. Yet, when it is revealed that he has learnt ‘to sustain the circular breathing necessary to keep up the low, growling drone you could send down the valley…’—‘I liked the way it sucked energy from me and drew hard feelings up the way only a good tantrum could when I was little…I blow until it burns…and the wind goes through me in cycles, hot and droning and defiant’ (152/9)—the act of ‘sounding’ the drone assumes a richer allusive resonance.
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  • The Editing and Publishing of Tim Winton in the United States
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  • Tim Winton, Cloudstreet and the Field of Australian Literature
    <<Please read the copyright notice at the end of this article>> Robert Dixon: Tim Winton, Cloudstreet and the field of Australian Literature Author: Robert Dixon Title: Tim Winton, Cloudstreet and the field of Australian Literature Journal: Westerly Imprint: 2005, Volume 50, November, Pages 240-260 Let me begin by saying what I'm not going to do in this paper: I'm not going to do what used to be called a “close reading” of Tim Winton's Cloudstreet. I'm not going to wheel out a theoretical approach through which to interpret the text, as if the reading I could produce by that means were somehow more authoritative than any other. Instead, what I will do is situate Winton's career and this particular novel in what can be called the field of Australian literature. In using this term field, I mean to indicate the whole system involved in the production and reception of Australian literature. This is now a very broad spectrum of institutions, personnel, practices and values that is surprisingly complex and diverse. It is now so extensive that it isn't even confined to Australia. And academic literary criticism — in the sense of theoretically-driven textual analysis — is only one part of that field. Many would say that it's not even the most important part. This idea of a “field” derives from the work of the French sociologist Pierre Bourdieu.1 Much of Bourdieu's work was done on French art culture of the nineteenth century, but it has been widely used in recent years as a tool for thinking about how other culture industries work, including print culture, cinema and music.
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  • ASFS Program 2018
    26th Annual Conference of the Australian Society for French Studies Environment and Identity The University of Western Australia 4 – 7 December 2018 26th Annual Conference of the Australian Society for French Studies Environment and Identity The University of Western Australia 4-7 December 2018 TUESDAY 4 DECEMBER 10am–1pm Masterclass with Nadine Gassie ‘Translating Tim Winton and David Malouf into French’ Institute of Advanced Studies, Irwin Street Building, UWA 2pm–5pm Postgraduate Afternoon Convenor: Sophie Patrick Arts Building, Lecture Room 4 (Afternoon Tea, 3pm-3.30pm) 6pm–7.30pm Rencontre littéraire avec Rodney Saint-Eloi, poète et éditeur Alliance Française de Perth 75 Broadway, Nedlands, WA 6009 WEDNESDAY 5 DECEMBER 8.45am–9.30am Registration University Club, Level 1 9.30am–10am Welcome and Opening Dr Richard Walley, Prof. Matthew Tonts (Dean of the Faculty of Arts, Business, Law and Education), M. Frédéric Flipo (Honorary Consul for France), M. Bertrand Pous (Counsellor for Cooperation and Cultural Action, French Embassy) Paul Gibbard (UWA) Fox Lecture Theatre, Arts Building 10am–11am Keynote 1: Mary Orr, University of St Andrews, UK Bio-prospecting in French/Francophone Studies: Rethinking the ‘mediterranean’ in Periods of Discipline Climate Change Chair: Hélène Jaccomard Fox Lecture Theatre, Arts Building 11am–11.30am Morning Tea University Club, Level 1 uwa.edu.au 3 Parallel Session 1: ARTS LR4 Parallel Session 2: ARTS LR5 Parallel Session 3: ARTS LR6 Writing and Québecois Place and Identity Place in Nineteenth- Identity Chair:
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  • Blueback by Tim Winton
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  • Download Breath a Novel Pdf Ebook by Tim Winton
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