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CRN What It Was Doing and Why It Was Cognitive Systems Vision Doing It, and to Recover from Mental Continued on Page 8 Expanding the Pipeline
COMPUTING RESEARCH NEWS Computing Research Association, Celebrating 30 Years of Service to the Computing Research Community November 2002 Vol. 14/No. 5 DARPA’s New Cognitive Systems Vision By Ron Brachman and IPTO’s goal is to create a new to cope with systems both keep Zachary Lemnios generation of cognitive systems. growing. In order to make our systems more reliable, more secure, The impact of the Defense Mired in Moore’s Law? and more understandable, and to Advanced Research Projects Agency One benefit of such cognitive continue making substantial contri- (DARPA) on computing over the systems would be their help in butions to society, we need to do past 40 years has been profound. Led extracting us from a corner into something dramatically different. by the visionary J.C.R. Licklider and which our success seems to have his innovative successors in the painted us. The research that has The Promise of Cognitive Information Processing Techniques helped the industry follow Moore’s Systems Office (IPTO), DARPA initiated “Law” has created processors that are IPTO is attacking this problem by work that ultimately put personal remarkably fast and small, and data driving a fundamental change in computers on millions of desktops storage capabilities that are vast and computing systems. By giving systems Ron Brachman and made the global Internet a cheap. Unfortunately, these incred- more cognitive capabilities, we reality. In fact, the original IPTO, ible developments have cut two ways. believe we can make them more which lasted from 1962 to 1985, was While today’s computers are more responsible for their own behavior in large part responsible for estab- powerful than ever, we have been and maintenance. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
HUI What Is a Digital Object Metaphilosophy.Pdf
bs_bs_banner © 2012 The Author Metaphilosophy © 2012 Metaphilosophy LLC and Blackwell Publishing Ltd Published by Blackwell Publishing Ltd, 9600 Garsington Road, Oxford OX4 2DQ, UK, and 350 Main Street, Malden, MA 02148, USA METAPHILOSOPHY Vol. 43, No. 4, July 2012 0026-1068 WHAT IS A DIGITAL OBJECT? YUK HUI Abstract: We find ourselves in a media-intensive milieu comprising networks, images, sounds, and text, which we generalize as data and metadata. How can we understand this digital milieu and make sense of these data, not only focusing on their functionalities but also reflecting on our everyday life and existence? How do these material constructions demand a new philosophical understand- ing? Instead of following the reductionist approaches, which understand the digital milieu as abstract entities such as information and data, this article pro- poses to approach it from an embodied perspective: objects. The article contrasts digital objects with natural objects (e.g., apples on the table) and technical objects (e.g., hammers) in phenomenological investigations, and proposes to approach digital objects from the concept of “relations,” on the one hand the material relations that are concretized in the development of mark-up languages, such as SGML, HTML, and XML, and on the other hand, Web ontologies, the temporal relations that are produced and conditioned by the artificial memories of data. Keywords: digital objects, phenomenology, metadata, Stiegler, Simondon. In this article I attempt to outline what I call digital objects, showing that a philosophical investigation is necessary by revisiting the history of philosophy and proposing that it is possible to develop a philosophy of digital objects. -
The Conference Program Booklet
Austin Convention Center Conference Austin, TX Program http://sc15.supercomputing.org/ Conference Dates: Exhibition Dates: The International Conference for High Performance Nov. 15 - 20, 2015 Nov. 16 - 19, 2015 Computing, Networking, Storage and Analysis Sponsors: SC15.supercomputing.org SC15 • Austin, Texas The International Conference for High Performance Computing, Networking, Storage and Analysis Sponsors: 3 Table of Contents Welcome from the Chair ................................. 4 Papers ............................................................... 68 General Information ........................................ 5 Posters Research Posters……………………………………..88 Registration and Conference Store Hours ....... 5 ACM Student Research Competition ........ 114 Exhibit Hall Hours ............................................. 5 Posters SC15 Information Booth/Hours ....................... 5 Scientific Visualization/ .................................... 120 Data Analytics Showcase SC16 Preview Booth/Hours ............................. 5 Student Programs Social Events ..................................................... 5 Experiencing HPC for Undergraduates ...... 122 Registration Pass Access .................................. 7 Mentor-Protégé Program .......................... 123 Student Cluster Competition Kickoff ......... 123 SCinet ............................................................... 8 Student-Postdoc Job & ............................. 123 Convention Center Maps ................................. 12 Opportunity Fair Daily Schedules -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Curriculum Vitae
Massachusetts Institute of Technology School of Engineering Faculty Personnel Record Date: April 1, 2020 Full Name: Charles E. Leiserson Department: Electrical Engineering and Computer Science 1. Date of Birth November 10, 1953 2. Citizenship U.S.A. 3. Education School Degree Date Yale University B. S. (cum laude) May 1975 Carnegie-Mellon University Ph.D. Dec. 1981 4. Title of Thesis for Most Advanced Degree Area-Efficient VLSI Computation 5. Principal Fields of Interest Analysis of algorithms Caching Compilers and runtime systems Computer chess Computer-aided design Computer network architecture Digital hardware and computing machinery Distance education and interaction Fast artificial intelligence Leadership skills for engineering and science faculty Multicore computing Parallel algorithms, architectures, and languages Parallel and distributed computing Performance engineering Scalable computing systems Software performance engineering Supercomputing Theoretical computer science MIT School of Engineering Faculty Personnel Record — Charles E. Leiserson 2 6. Non-MIT Experience Position Date Founder, Chairman of the Board, and Chief Technology Officer, Cilk Arts, 2006 – 2009 Burlington, Massachusetts Director of System Architecture, Akamai Technologies, Cambridge, 1999 – 2001 Massachusetts Shaw Visiting Professor, National University of Singapore, Republic of 1995 – 1996 Singapore Network Architect for Connection Machine Model CM-5 Supercomputer, 1989 – 1990 Thinking Machines Programmer, Computervision Corporation, Bedford, Massachusetts 1975 -
Collision-Based Computing Springer-Verlag London Ltd
Collision-Based Computing Springer-Verlag London Ltd. Andrew Adamatzky (Ed.) Collision-Based Computing , Springer Andrew Adamatzky Facu1ty of Computing, Engineering and Mathematical Sciences, University of the West of England, Bristol, BS16 lQY British Library Cataloguing in Publication Data Collision-based computing l.Cellular automata 1. Adamatzky, Andrew 511.3 ISBN 978-1-85233-540-3 Library of Congress Cataloging -in -Publication Data A catalog record for this book is available from the Library of Congress. Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers, or in the case of reprographic reproduction in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. ISBN 978-1-85233-540-3 ISBN 978-1-4471-0129-1 (eBook) DOI 10.1007/978-1-4471-0129-1 http://www.springer.co. uk © Springer-Verlag London 2002 Originally published by Springer-Verlag London Berlin Heidelberg in 2002 The use of registered names, trademarks etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant laws and regulations and therefore free for general use. The publisher makes no representation, express or implied, with regard to the accuracy of the information contained in this book and cannot accept any legal responsibility or liability for any errors or omissions that may be made. -
Quantum Mechanics Digital Physics
Quantum Mechanics_digital physics In physics and cosmology, digital physics is a collection of theoretical perspectives based on the premise that the universe is, at heart, describable byinformation, and is therefore computable. Therefore, according to this theory, the universe can be conceived of as either the output of a deterministic or probabilistic computer program, a vast, digital computation device, or mathematically isomorphic to such a device. Digital physics is grounded in one or more of the following hypotheses; listed in order of decreasing strength. The universe, or reality: is essentially informational (although not every informational ontology needs to be digital) is essentially computable (the pancomputationalist position) can be described digitally is in essence digital is itself a computer (pancomputationalism) is the output of a simulated reality exercise History Every computer must be compatible with the principles of information theory,statistical thermodynamics, and quantum mechanics. A fundamental link among these fields was proposed by Edwin Jaynes in two seminal 1957 papers.[1]Moreover, Jaynes elaborated an interpretation of probability theory as generalized Aristotelian logic, a view very convenient for linking fundamental physics withdigital computers, because these are designed to implement the operations ofclassical logic and, equivalently, of Boolean algebra.[2] The hypothesis that the universe is a digital computer was pioneered by Konrad Zuse in his book Rechnender Raum (translated into English as Calculating Space). The term digital physics was first employed by Edward Fredkin, who later came to prefer the term digital philosophy.[3] Others who have modeled the universe as a giant computer include Stephen Wolfram,[4] Juergen Schmidhuber,[5] and Nobel laureate Gerard 't Hooft.[6] These authors hold that the apparentlyprobabilistic nature of quantum physics is not necessarily incompatible with the notion of computability. -
George Jones, Légende De La Country Américaine Souvent Comparé, Dans
George Jones, légende de la country américaine souvent comparé, dans un autre genre, à Franck Sinatra pour la qualité de sa voix, est décédé vendredi 26 avril 2013 à 81 ans. Les problèmes d’alcool et de drogue ont émaillé la vie de ce natif du Texas, qui avait reçu en 2008 la médaille honorifique du Kennedy Center pour sa carrière; médaille remise par George W. Bush. I Always Get Lucky With You de Shine On, album sorti en 1983. G. Jones fait son entrée dans les charts en 1983 avec une chanson co-écrite et enregistrée à l'origine par Merle Haggard. Ils avaient déjà collaboré en 1982, à la fois sur "Yesterday's Wine" et "CC Waterback". Chanson The Grand Tour extraite de l’album : The Grand Tour sorti en 1974. Le mariage troublé de George Jones avec sa compatriote, Tammy Wynette, était en train de s'effondrer au moment où il a enregistré "The Grand Tour", une chanson profondément personnelle qui raconte l'histoire d'un mariage auparavant heureux se terminant par un divorce. Cela s'est avéré prémonitoire, car le couple a mis fin à leur mariage l'année suivante. Choices de l’album Cold Hard Truth de1999. George Jones a réussi à reprendre pied sur la fin de sa carrière avec Choices. La chanson semblait être une profonde confession de Jones, qui a certainement eu son lot de hauts et de bas et de choix discutables dans sa vie et sa carrière. Jones remporte un Grammy Award pour la meilleure performance vocale de Country pour cette chanson. -
There's Plenty of Boole at the Bottom: a Reversible CA Against
Minds & Machines DOI 10.1007/s11023-016-9401-6 There’s Plenty of Boole at the Bottom: A Reversible CA Against Information Entropy 1 2 Francesco Berto • Jacopo Tagliabue • Gabriele Rossi3 Received: 11 May 2016 / Accepted: 19 September 2016 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract ‘‘There’s Plenty of Room at the Bottom’’, said the title of Richard Feynman’s 1959 seminal conference at the California Institute of Technology. Fifty years on, nanotechnologies have led computer scientists to pay close attention to the links between physical reality and information processing. Not all the physical requirements of optimal computation are captured by traditional models—one still largely missing is reversibility. The dynamic laws of physics are reversible at microphysical level, distinct initial states of a system leading to distinct final states. On the other hand, as von Neumann already conjectured, irreversible information processing is expensive: to erase a single bit of information costs *3 9 10-21 joules at room temperature. Information entropy is a thermodynamic cost, to be paid in non-computational energy dissipation. This paper addresses the problem drawing on Edward Fredkin’s Finite Nature hypothesis: the ultimate nature of the universe is discrete and finite, satisfying the axioms of classical, atomistic mereology. The chosen model is a cellular automaton (CA) with reversible dynamics, capable of retaining memory of the information present at the beginning of the universe. Such a CA can implement the Boolean logical operations and the other building bricks of computation: it can develop and host all-purpose computers. -
Request List 619 Songs 01012021
PAT OWENS 3 Doors Down Bill Withers Brothers Osbourne (cont.) Counting Crows Dierks Bentley (cont.) Elvis Presley (cont.) Garth Brooks (cont.) Hank Williams, Jr. Be Like That Ain't No Sunshine Stay A Little Longer Accidentally In Love I Hold On Can't Help Falling In Love Standing Outside the Fire A Country Boy Can Survive Here Without You Big Yellow Taxi Sideways Jailhouse Rock That Summer Family Tradition Kryptonite Billy Currington Bruce Springsteen Long December What Was I Thinking Little Sister To Make You Feel My Love Good Directions Glory Days Mr. Jones Suspicious Minds Two Of A Kind Harry Chapin 4 Non Blondes Must Be Doin' Somethin' Right Rain King Dion That's All Right (Mama) Two Pina Coladas Cat's In The Cradle What's Up (What’s Going On) People Are Crazy Bryan Adams Round Here Runaround Sue Unanswered Prayers Pretty Good At Drinking Beer Heaven Eric Church Hinder 7 Mary 3 Summer of '69 Craig Morgan Dishwalla Drink In My Hand Gary Allan Lips Of An Angel Cumbersome Billy Idol Redneck Yacht Club Counting Blue Cars Jack Daniels Best I Ever Had Rebel Yell Buckcherry That's What I Love About Sundays Round Here Buzz Right Where I Need To Be Hootie and the Blowfish Aaron Lewis Crazy Bitch This Ole Boy The Divinyls Springsteen Smoke Rings In The Dark Hold My Hand Country Boy Billy Joel I Touch Myself Talladega Watching Airplanes Let Her Cry Only The Good Die Young Buffalo Springfield Creed Only Wanna Be With You AC/DC Piano Man For What It's Worth My Sacrifice Dixie Chicks Eric Clapton George Jones Time Shook Me All Night Still Rock And -
There's Plenty of Boole at the Bottom: a Reversible CA Against Information Entropy
UvA-DARE (Digital Academic Repository) There's Plenty of Boole at the Bottom: A Reversible CA Against Information Entropy Berto, F.; Tagliabue, J.; Rossi, G. DOI 10.1007/s11023-016-9401-6 Publication date 2016 Document Version Final published version Published in Minds and Machines License CC BY Link to publication Citation for published version (APA): Berto, F., Tagliabue, J., & Rossi, G. (2016). There's Plenty of Boole at the Bottom: A Reversible CA Against Information Entropy. Minds and Machines, 26(4), 341-357. https://doi.org/10.1007/s11023-016-9401-6 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Minds & Machines (2016) 26:341–357 DOI 10.1007/s11023-016-9401-6 There’s Plenty of Boole at the Bottom: A Reversible CA Against Information Entropy 1 2 Francesco Berto • Jacopo Tagliabue • Gabriele Rossi3 Received: 11 May 2016 / Accepted: 19 September 2016 / Published online: 6 October 2016 Ó The Author(s) 2016.