Donny Cates Aaron Kuder Matt Wilson

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AARON KUDER MATT WILSON DONNY CATES LGY#734 8 BONUS DIGITAL EDITION – DETAILS INSIDE! RATED RATED 0 0 8 1 1 $3.99 US T+ 7 5 9 6 0 6 0 9 5 3 9 1 THOR IS THE GOD OF THUNDER AND ALL-FATHER OF ASGARD. LATELY, HIS HAMMER MJOLNIR HAS BEEN GROWING HEAVY, AND SO HE PUT IT TO A TEST… THOR THREW MJOLNIR DOWN TO EARTH – TO BROXTON, OKLAHOMA, WHERE ASGARD ITSELF WAS ONCE STATIONED – AND LEFT A MESSAGE ON IT ASKING WITNESSES TO CALL IRON MAN. ONCE TONY ARRIVED, MJOLNIR’S INSCRIPTION CHANGED ONCE AGAIN. THIS TIME, THOR TOLD THE LOCALS…TO PICK UP THE HAMMER. WHICH IS HOW LOCAL MECHANIC ADAM AZIZ FOUND HIMSELF HOLDING A GOD’S HAMMER AND WEARING ASGARDIAN ARMOR IN THE MIDDLE OF A WHEAT FIELD. “HAMMERFALL” PART TWO OF TWO DONNY CATES AARON KUDER MATT WILSON WRITER GUEST ARTIST COLOR ARTIST VC’S JOE SABINO OLIVIER COIPEL & LAURA MARTIN LETTERER & DESIGNER COVER ARTISTS NIC KLEIN; ALEX ROSS; LEINIL FRANCIS YU & SUNNY GHO VARIANT COVER ARTISTS SARAH BRUNSTAD WIL MOSS C.B. CEBULSKI ASSOCIATE EDITOR EDITOR EDITOR IN CHIEF THOR CREATED BY STAN LEE, LARRY LIEBER & JACK KIRBY TTHOR No. 8, December 2020. Published Monthly except in January and September by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2020 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO THOR, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. KEVIN FEIGE, Chief Creative Ofﬁ cer; DAN BUCKLEY, President, Marvel Entertainment; JOHN NEE, Publisher; JOE QUESADA, EVP & Creative Director; DAVID BOGART, Associate Publisher & SVP of Talent Affairs; TOM BREVOORT, SVP of Publishing; DAVID GABRIEL, VP of Print & Digital Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; DAN EDINGTON, Managing Editor; RICKEY PURDIN, Director of Talent Relations; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Custom Solutions & Integrated Advertising Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 09/11/2020 and 09/21/2020 by FRY COMMUNICATIONS, MECHANICSBURG, PA, USA. .

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Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning.
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