The Meta-Cool of Homage
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Marvel/ Dc Secret Files A.R.G.U.S / S.H.I.E.L.D
MARVEL/ DC SECRET FILES During these sessions you will take place of one of these superheroes from both worlds to discuss the take on action, the strategy, explain the reasons to proceed from certain way and giving enough intelligence and ideas to approach conflicted countries and regions where certain heroes from an specific nationality couldn’t enter due to political motives. OVERVIEW Dangerous objects and devices have fallen into the hands of both Marvel and DC villains. It is the mission of the UN to assign rescue missions of these objects located in different parts of both universes to avoid a possible collision of worlds and being used against humanity. The General Assembly of the United Nations and the Security Council has given special powers to heroes of different countries (and universes) to take action on behalf of the governments of the world to avoid a catastrophe and to be able to fight with the opposing forces that have taken possession of these devices, threatening humanity with them and disrupting world peace forming a Special Force. Recon missions have been done by Black Widow, Catwoman, Hawkeye and Plastic Man and we have gathered information of different objects that are guarded by villains in different locations of both universes. Some in the Marvel universe and others in the DC universe. Each artifact has been enclosed in a magic bubble that prevents its use to any being that has possession of it. But this enchantment created by Doctor Strange and Doctor Fate has expiration time. Within 48 hours, it will be deactivated and anyone who has any of these devices in their possession will be able to freely use them. -
Wolverine: Three Months to Die Book 1 Pdf, Epub, Ebook
WOLVERINE: THREE MONTHS TO DIE BOOK 1 PDF, EPUB, EBOOK Paul Cornell,Ryan Stegman | 160 pages | 26 Aug 2014 | Marvel Comics | 9780785154198 | English | New York, United States Wolverine: Three Months to Die Book 1 PDF Book You will earn 5 Points for writing a review about this product. The Canucklehead gets a tattoo. All Images are copyright protected. Write Your Own Review Only registered users can write reviews. I wish I had been able to write my review sooner, because I've forgotten aspects of the story. Available Stock Add to want list This item is not in stock. New Arrivals November Art by Salvador Larroca. Click accept to give your consent to accept cookies or click the link below for a detailed description of the types of cookies we store. The plot is paper Despite the "Book One" on the cover, and the fact that this collects issues of yet another Wolverine reboot, this is a terrible place to start reding a story. Paul Cornell is a British writer of science fiction and fantasy prose, comics and television. And what happens when they find the man with some answers: Sabretooth?! Ooof, it's bad. Reed Comics Ltd is a limited company registered in England and Wales. One of the better Logan stories I have read in a while. Not bad, thought a bit angst-y and super-hero-y which, contrary to a cover blurb I thought was what Wolverine used to be. There are no discussion topics on this book yet. I don't like the choice of subtitle for this series. -
Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
Click Above for a Preview, Or Download
JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Comicbooks As Cultural Archeology: Gender Representation in Captain America During WWII
lhs (print) issn 1742–2906 lhs (online) issn 1743–1662 Article Comicbooks as cultural archeology: Gender representation in Captain America during WWII Francisco O. D. Veloso Abstract The aim of this article is to discuss how comicbooks, as complex multimodal artifacts, discursively interpret and evaluate events during World War II. More specifically, I examine how women are represented in an archive of 69 Captain America stories published by Marvel Comics between March 1941 and March 1943, drawing on theoretical developments within the area of social semiotics (Halliday, 1978; Hodge and Kress, 1988). An important argument within social semiotics and multimodal studies is that texts are a combination of semiotic resources that are used for produc- tion and consumption of meanings, in specific contexts (Hodge and Kress, 1988). As a consequence, by examining these semiotic resources one can develop a better understanding of social meanings that circulate in society and how these meanings are structurally organized. By examining forms of discourse for social analysis we may identify ways of addressing particular issues at the level of representation. Keywords: comicbooks; gender representation; social semiotics; women 1. Comicbooks as historical documents The use of the term comicbook in this article is motivated by the transforma- tions of the medium across time. Historically, the medium, in its materiality as it circulates today, originated from the newspapers’ ‘funnies’ (Inge, 1990), what is referred to as comic strips, nowadays. A first collection of reprints of previously published funnies was bound together as a giveaway for a Proc- tor and Gamble product, and the successful campaign suggested the medium Affiliation Department of Modern Languages, LIteratures, and Cultures (LILEC), University of Bologna, Italy. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Fantastic Four Kree/Skrull Alliance Cotati Avengers
AVENGERS CAPTAIN CAPTAIN BLACK AMERICA IRON MAN MARVEL PANTHER THOR MANTIS WICCAN FANTASTIC FOUR MR. THE INVISIBLE THE HUMAN THE POWERHOUSE BRAINSTORM SPIDER-MAN WOLVERINE FANTASTIC WOMAN TORCH THING KREE/SKRULL ALLIANCE EMPEROR SUPER- CAPTAIN R’KLLL MUR-G’NN HULKLING SKRULL GLORY COTATI QUOI SWORDSMAN HULK After years of conflict, the Kree and Skrull Empires suddenly united under the leadership of Emperor Dorrek VIII, the Young Avenger and Kree/Skrull hybrid known as Hulkling. His first act as Emperor was to order their combined forces to Earth to defeat their mutual enemy, the plantlike race known as the Cotati. Led by Quoi, the prophesied Celestial Messiah, and his father, the Swordsman, the Cotati plan to eliminate all animal life --starting with Earth. The united members of the Avengers and Fantastic Four have been defending the planet from the invading Cotati but were unable to stop them from planting the seeds for the Death Blossom. Once it blooms, the Cotati will have control of all plant life in the galaxy. Captain Marvel and the Human Torch teamed up with former Young Avenger Wiccan, who revealed he and Hulkling had recently married. He also exposed Emperor Hulking as R’Klll, the former Skrull empress, in disguise. But while Wiccan and his allies freed the true Hulkling from captivity, they were too late to stop R’Klll from activating the Pyre, a weapon that will end the threat of the Cotati forever--by detonating Earth’s sun! story Al Ewing & Dan Slott script Al Ewing artist Valerio Schiti color artist Marte Gracia letterer VC’s Joe Caramagna cover Jim Cheung & Jay David Ramos variant covers Jim Cheung & Jay David Ramos; Michael Cho; John Tyler Christopher; Tony Daniel & Frank D’Armata; Alexander Lozano & Wade von Grawbadger; Mike McKone & Morry Hollowell; Mike Mignola graphic designer Carlos Lao assistant editor Martin Biro associate editor Alanna Smith editor Tom Brevoort editor in chief C.B. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Hulk: World War Hulks Vol. 6 Free
FREE HULK: WORLD WAR HULKS VOL. 6 PDF Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk, Volume 6: World War Hulks by Jeph Loeb No recent wiki edits to this page. Who is the Red Hulk? The truth is finally out: The identity of the Red Hulk is revealed! Everything Hulk fans have been waiting for pays off here, but it only whets the appetite for the epic final showdown between Red and Green Hulks - a cataclysmic battle that will settle Hulk: World War Hulks Vol. 6 comes out on top once and for all. This series is collected among the following paperbacks:. This edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size Hulk: World War Hulks Vol. 6 should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. -
Titles Ordered August 12 - 19, 2016
Titles ordered August 12 - 19, 2016 Audiobook New Adult Audiobook Release Date: Kingsbury, Karen. Brush of wings [sound recording] / Karen Kingsbury. http://catalog.waukeganpl.org/record=b1532910 3/29/2016 Malzieu, Mathias. The Boy With the Cuckoo-Clock Heart [sound http://catalog.waukeganpl.org/record=b1532909 3/2/2010 recording] / Mathias Malzieu [translated by Sarah Ardizzone]. Blu-Ray Non-fiction Blu-Ray Release Date: Bonamassa, Joe Live At The Greek Theatre http://catalog.waukeganpl.org/record=b1532904 9/23/2016 Book Adult Fiction Release Date: Benjamin, J. M. (Jimmie M.), author. On the run with love / by J.M. Benjamin. http://catalog.waukeganpl.org/record=b1533079 Cogman, Genevieve, author. The masked city / Genevieve Cogman. http://catalog.waukeganpl.org/record=b1532892 9/6/2016 Colgan, Jenny, author. The bookshop on the corner : a novel / Jenny Colgan. http://catalog.waukeganpl.org/record=b1532882 9/20/2016 Jefferies, Dinah, 1948- author. The tea planter's wife / Dinah Jefferies. http://catalog.waukeganpl.org/record=b1532897 9/13/2016 Malzieu, Mathias. The Boy With the Cuckoo-Clock Heart / Mathias http://catalog.waukeganpl.org/record=b1532883 11/29/2011 Malzieu [translated by Sarah Ardizzone]. Mullen, Thomas. Darktown : a novel / Thomas Mullen. http://catalog.waukeganpl.org/record=b1532884 9/13/2016 Saunders, Kate, 1960- author. The secrets of wishtide : a Laetitia Rodd mystery / http://catalog.waukeganpl.org/record=b1532895 9/13/2016 Kate Saunders. Adult Non-Fiction Release Date: Beck, Glenn, author. Liars : how progressives exploit our fears for power http://catalog.waukeganpl.org/record=b1532934 8/2/2016 and control / Glenn Beck. De Sena, Joe, 1969- author. -
Her Own Heroine: Feminism and Diversity in the Comic Book Industry
Panel Title: Her Own Heroine: Feminism and Diversity in the Comic Book Industry Moderator: Patricia B. Worrall, Ph.D. English Department University of North Georgia [email protected] First Speaker: Veronica Harris English Department University of North Georgia [email protected] Title: “Breaking the Mold: Ororo Munroe and the Entertainment Industry” Proposal: Throughout the history and development of comic books, there has been adaptations of the characters to different media venues. Storm, or Ororo Munroe, is no exception. She comes from the African country of Kenya born to a native woman and American man. Her mother comes from a line of priestesses said to hold mystical powers to protect their tribes. At a young age, she experiences a tragic plane crashing into her home, which traps her under her mother’s body and rubble. She develops claustrophobic tendencies, which awaken her powers. Later in life, she comes to teach at the Xavier School for Gifted Youngsters, i.e. mutants, and becomes one of the most powerful X-Men. Representations of Storm occur in many different forms of visual media, such as movies and comics. However, the medium of film limits the development of her backstory and heritage because of the film industry’s shift to an emphasis and focus on white males taken from comics. This shift has resulted in restricting and restraining women of color. On the other hand, cartoons, such as Wolverine and the X-Men and X-Men Evolution , do provide some space for her. Although even in comic space restricts and restrains women of color and becomes analogous to Storm’s claustrophobia. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.