Naturalism in the Novels of George Meredith
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TEXT FLY WITHIN THE BOOK ONLY 00 u<OU_1 68287 co ^ co> OSMANIA UNIVERSITY LIBRARY t*o-* 7 Alt i^- Gall No. / Accession No. Author 0ttSkts "J- . Title /v- 4he f'/* Kt^fa/iie ^rU^ r -*JU" ' This book should be returned on or before the date last marked below. THE REINTERPRETJLTION OF VICTORIAN LITERATURE THE REINTERPRETATION OF VICTORIAN LITERATURE EDITED BY JOSEPH E. BAKER FOR THE VICTORIAN LITERATURE CROUP OF THE MODERN LANGUAGE ASSOCIATION OF AMERICA PRINCETON, NEW JERSEY PRINCETON UNIVERSITY PRESS 1950 COPYRIGHT, 1950, BY PRINCETON UNIVERSITY PRESS LONDON: GEOFFREY CUMBERLEGE, OXFORD UNIVERSITY PRESS PRINTED IN THE UNITED STATES OF AMERICA BY PRINCETON UNIVERSITY PRESS AT PRINCETON, NEW JERSEY PREFACE THE Victorian Literature Group of the Modern Language Association of America, at the 1939 meeting in New Or- leans, agreed to put out this volume to further the reinter- pretation of a literature of great significance for us today. The writers of Victorian England first tried* to salvage humane culture for a new world of science, democracy, and industrialism. We owe to them and to Pre-Victorians like the prose Coleridge a revival of Christian thought, a new Classical renaissance (this time Greek rather than Latin), an unprecedented mastery of the facts about nature and man and, indeed, the very conception of "culture" that we take for granted in our education and in our social plan- ning. In that age, a consciousness that human life is subject to constant development, a sense of historicity, first spread throughout the general public, and literature for -The first time showed that intimate integration with its sociafback- ground which marks our modern culture. -
Current Magazines
CURRENT MAGAZINES Geor~e Meredith:-MRS. R. H. Gretton. in the Contemporary. Geor~e Meredith; A Vindication:-Mr. R. E. G. George. in the Fortnightly. G. M., A Reminiscence:-Mr. T. Hardy. in the Nineteenth Century. THERE was a delightful custom long ago, in such magazines as The Edinburgh Review, under which a writer took the titles of certain recent publications as a pretext for discoursing himself on the same subject. He used them as a preacher often uses his text. After a courteous but somewhat distant salaam to the author cited, he indulged himself in even more than the latitude of treat ment which is understood to be "homiletic licence." This ancient privilege will here be revived, and some reflections will be offered about George Meredith who occupies so great a place in the current magazines. Of those critks who have recently discussed him. and whose names stand at the head of this article, nothing more need be said than that their estimates will be read with general pleasure. and that the enthusiasm they show is part of their country's long deferred discharge of debt to one of the very greatest but less appreciated of the Victorians. i I The centenary of Meredith's birth falls in the same yelr in which we keep a like anniversary for Tolstoy and for Ibsen. To anticipate the inevitable criticism, let the reader be warned at once that it is only a few sides, and these by no means the most com mendable, of Meredith which will here be noted. His genius has been extolled again and again. -
William Ernest Henley - Poems
Classic Poetry Series William Ernest Henley - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Ernest Henley(1849 - 1902) William Ernest Henley (August 23, 1849 - July 11, 1903) was a British poet, critic and editor. Henley was born in Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article (Pall Mall Magazine, Nov. 1900) on T. E. Brown the poet, who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius. "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement." Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital. After suffering tuberculosis as a boy, he found himself, in 1874, aged twenty- five, an inmate of the hospital at Edinburgh. From there he sent to the Cornhill Magazine where he wrote poems in irregular rhythms, describing with poignant force his experiences in hospital. Leslie Stephen, then editor, visited his contributor in hospital and took Robert Louis Stevenson, another recruit of the Cornhill, with him. The meeting between Stevenson and Henley, and the friendship of which it was the beginning, form one of the best-known episodes in English literature (see Stevenson's letter to Mrs Sitwell, Jan. 1875, and Henley's poems "An Apparition" and "Envoy to Charles Baxter"). -
How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kane, Julie Ellen, "How the Villanelle's Form Got Fixed." (1999). LSU Historical Dissertations and Theses. 6892. https://digitalcommons.lsu.edu/gradschool_disstheses/6892 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been rqxroduced from the microfilm master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, vdiile others may be from any typ e o f com pater printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b^innm g at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Poetry 3 Student Sample
Contents How to Use This Study Guide with the Text & Literature Notebook ........5 Notes & Instructions to Student ..........................................................................................7 Taking With Us What Matters .............................................................................................9 Four Stages to the Central One Idea ..............................................................................13 How to Mark a Book................................................................................................................18 ROMANTIC ERA Introduction ................................................................................................... 22 Thomas Gray Elegy Written in a Country Churchyard ...................................................... 23 William Blake The Tyger ....................................................................................................... 27 Piping Down the Valleys Wild ...................................................................... 31 The Lamb ....................................................................................................... 32 Robert Burns A Red, Red Rose ............................................................................................ 33 A Man's a Man for A' That .......................................................................... 36 To a Mouse .................................................................................................... 39 Highland Mary ............................................................................................. -
George Meredith, His Life, Genius & Teaching
IS mttmmaxBi ill Ill r.K i&ZjL - V f GEORGE MEREDITH GEORGE MEREDITH HIS LIFE, GENIUS & TEACHING FROM THE FRENCH OF GONSTANTIN PHOTIADES RENDERED INTO ENGLISH :: BY ARTHUR PRICE :: NEW YORK CHARLES SCRIBNER'S SONS 1913 CONTENTS CHAPTER r*u* 1 I. A Visit to Flint Cottage (22nd September, 1908) II. George Meredith's Life . .25 III. George Meredith's Genius . -7° IV. George Meredith's Art . .164 V. George Meredith's Teaching . .199 Conclusion . -249 GEORGE MEREDITH CHAPTER I A VISIT TO FLINT COTTAGE (22ND September, 1908) arriving at George Meredith's home, at Box ONHill, near Dorking, one showery afternoon at the end of September, I found a pretty country house, quite different from the luxurious retreats inhabited by those fashionable French writers who are well assured of their fame. Many wealthy tradesmen possess villas far more pretentious on the outskirts of Paris or of London. But the charm of Flint Cottage lies in its absolute simplicity. The little house, where Meredith had lived for forty years, is situated half-way up a slope which inclines slowly firs little towards a wood of ; a garden, admirably kept, surrounds it. When I entered the garden, the convolvuluses were more than half-closed and the first drops of rain fell noiselessly upon the grassy hill-side. It autumn and the slopes of the was ; day 2 GEORGE MEREDITH was calm and fresh. A light breeze just swayed the leaves of the lime trees and the elms, which had begun to turn colour. The blackberries were already laurel ripe upon the brambles ; and from the hedges exhaled a bitter odour. -
An Unpublished Short Story by George Meredith: "The Friend Ofan Engaged Couple"
SYDNEY STUDIES An Unpublished Short Story by George Meredith: "The Friend ofan Engaged Couple" MARGARET HARRIS Putting into print something long unpublished invites the rebuke that the thing was best left alone. It might be alleged that such a rebuke is warranted in respect ofMeredith's short story, "The Friend of an Engaged Couple,"1 which is undeniably slight. However, it was written at a time of great activity in Meredith's career - the manu script is dated 1862 - and has connections with his other work at the time. Moreover, it appears that Samuel Lucas, editor of Once a Week, saw sufficient merit in the piece to accept it for publication, ifa pencilled "Yes. S.L." on the first page of the manuscript can be assumed to be Lucas' note. 2 But the story did not come out in Once a Week, perhaps because Lucas would not accommodate Meredith's requests for a generous rate of payment.3 Meredith in the early 1860s was more than usually pressed for money. His career as a man ofletters had by no means been securely established by the appearance of Poems (1851), The Shaving of Shagpat (1856), and Farina (1857). Paradoxically, however, the emotional turmoil consequent on his being deserted by his wife Mary Ellen in 1857, and her death in 1861, generated two of his finest works, The Ordeal ofRichard Feverel (1859) and the poem sequence Modern Love (1862). It might even be suggested that the deception about a love affair in "The Friend ofan Engaged Couple" has some relation to Mary Ellen's desertion of Meredith. -
The Distrust of Speech in George Meredith's Modern Love
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-18-2010 “How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love Ellen J. Murray Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Murray, Ellen J., "“How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/english_theses/94 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “HOW SILENCE BEST CAN SPEAK”: THE DISTRUST OF SPEECH IN GEORGE MEREDITH’S MODERN LOVE by ELLEN JUSTINE MURRAY Under the Direction of Paul H. Schmidt ABSTRACT The scarcity of speech in George Meredith’s Modern Love creates a deeply psychological narrative, reflecting a distrust of speech and the effectiveness of language in general. The narrator of the poem exists in a space of ambiguity, both blaming and yearning for speech; in his confusion, he remains largely silent. His silence does not only emphasize the distance between husband and wife but also between language and meaning. Furthermore, the narrator’s distrust of language ultimately exposes -
The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity M. Aloise Jones Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Jones, M. Aloise, "The Moral Problem in the Novels of George Meredith Its Intellectual Basis and Its Aesthetic Validity" (1947). Master's Theses. 632. https://ecommons.luc.edu/luc_theses/632 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 M. Aloise Jones THE 'MORAL PROBLEM IN THE NOVELS OF GEORGE MEREDITH ITS INTELLECTUAL BASIS AND ITS AESTHETIC V1\LIDITY BY SISTER M. ALOISE JONES, O.P. A THESIS SUBMITTED m PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY, 1947 T.ABIE OF CONTENTS CHAPTER PAGE INTRODUCTION • • • • • • • • • • • • • • • • • • • • • l I. EARLY INFLUENCES IN THE FORMATION OF MEREDITH'S CONCEPTIONS OF NATURE, SOCIETY, AND MAN • • • • • 16 Home environment - English influences - His debt to Germany - The influence of France II. PRINCIPLES OF EVOLUTION AS THE BASIS OF MEREDITH'S MORAL AND ETHICAL IDEAS • • • • • • • • • • • • • 21 BY conscious, intellectual striving, each individ- ual must contribute to the progress of the race - Necessity of traditional morality - Solution of the Problem - source of inspiration III. -
Bullough Collection.Doc
Special Collections and Archives: Bullough Collection This collection comprises around 550 nineteenth-century novels, and was assembled specifically for the purpose of studying dialogue. It was donated to the National Centre for English Cultural Tradition at the University of Sheffield in July 1981 by Professor Geoffrey Bullough, Professor of English Literature at the University of Sheffield from 1933 to 1946, and transferred to the University Library’s Special Collections department in 2007. Abbott, Edwin A. (Edwin Abbott), 1838-1926 Silanus the Christian ; by Edwin A. Abbott. - London : Adam and Charles Black, 1906. [x4648933] BULLOUGH COLLECTION 1 200350616 Abbott, Jacob Rollo at work and Rollo at play ; by Jacob Abbott. - London : Dent, [19--?]. - (Everyman's library). [z1799732] BULLOUGH COLLECTION 2 200350617 Alain-Fournier, 1886-1914 The wanderer = (le grand meaulnes) ; (by) Alain-Fournier ; translated from the French by Françoise Delisle. - London : Constable, [19--]. [M0010805SH] BULLOUGH COLLECTION 3 200350618 Alcott, Louisa M. (Louisa May), 1832-1880 Little women, and, Little women wedded = or, Meg, Jo, Beth, and Amy ; by Louisa M. Alcott. - London : Sampson Low, Marston, [19--?]. [M0010807SH] BULLOUGH COLLECTION 4 200350619 Allen, Grant, 1848-1899 The woman who did ; by Grant Allen. - London : John Lane, 1895. [x5565072] BULLOUGH COLLECTION 5 200350620 Ashford, Daisy, 1881-1972 The young visiters or, Mr. Salteenas plan ; by Daisy Ashford. - London : Chatto & Windus, 1919. [x360339x] BULLOUGH COLLECTION 6 200350621 Atherton, Gertrude American wives and English husbands ; (by) Gertrude Atherton. - London : Collins, [190-?]. [x7458073] BULLOUGH COLLECTION 7 200350622 Atherton, Gertrude The Californians ; by Gertrude Atherton. - Leipzig : Bernhard Tauchnitz, 1899. [M0010817SH] BULLOUGH COLLECTION 8 200350623 1 Bullough Collection Austen, Jane, 1775-1817 Emma : a novel ; by Jane Austen. -
Copyright 2014 Renée Chérie Clark
Copyright 2014 Renée Chérie Clark ASPECTS OF NATIONAL IDENTITY IN THE ART SONGS OF RALPH VAUGHAN WILLIAMS BEFORE THE GREAT WAR BY RENÉE CHÉRIE CLARK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Christina Bashford, Chair Associate Professor Gayle Sherwood Magee Professor Emeritus Herbert Kellman Professor Emeritus Chester L. Alwes ABSTRACT This dissertation explores how the art songs of English composer Ralph Vaughan Williams (1872-1958) composed before the Great War expressed the composer’s vision of “Englishness” or “English national identity”. These terms can be defined as the popular national consciousness of the English people. It is something that demands continual reassessment because it is constantly changing. Thus, this study takes into account two key areas of investigation. The first comprises the poets and texts set by the composer during the time in question. The second consists of an exploration of the cultural history of British and specifically English ideas surrounding pastoralism, ruralism, the trope of wandering in the countryside, and the rural landscape as an escape from the city. This dissertation unfolds as follows. The Introduction surveys the literature on Vaughan Williams and his songs in particular on the one hand, and on the other it surveys a necessarily selective portion of the vast literature of English national identity. The introduction also explains the methodology applied in the following chapters in analyzing the music as readings of texts. The remaining chapters progress in the chronological order of Vaughan Williams’s career as a composer. -
Get Lit Classic Poems 2014-2015
GET LIT’S CLASSIC SLAM POEMS & EXCERPTS, 2014-2015 © 2014 Yellow Road Productions, Inc. All rights reserved. 1 Table of Contents All Lovely Things by Conrad Aiken ...................................................................................................................................................... 7 Lot’s Wife by Anna Akhmatova ............................................................................................................................................................ 8 Grief Calls Us to the Things of This World by Sherman Alexie .................................................................................................... 9 The Diameter of the Bomb by Yehuda Amichai ............................................................................................................................. 10 Life Doesn’t Frighten Me by Maya Angelou ..................................................................................................................................... 11 I am a Mute Iraqi with a Voice by Anonymous ................................................................................................................................ 13 Siren Song by Margaret Atwood .......................................................................................................................................................... 14 Green Chile by Jimmy Santiago Baca ................................................................................................................................................