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DINAH LENNEY 2136 Princeton Avenue Los Angeles, California 90026 (323)664-8186 email: [email protected] www.DinahLenney.com EDUCATION Bennington Writing Seminars, MFA in Creative Nonfiction and Literature Yale University, Bachelor of Arts, American Studies. Neighborhood Playhouse School, Certificate of Acting. PROFESSIONAL ACADEMIC EXPERIENCE WRITING Assistant Professor of Literature and Creative Writing, appointed June, 2012, University of Southern California Visiting Faculty December, 2012, University of California, Palm Desert Fulltime Lecturer, 2009 to 2012, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Guest Artist and Faculty, July, 2012, Centrum Writers’ Conference, Port Townsend, Washington. Instructor, Union Station Homeless Services Centennial Place 2011, Memoir Writing, Poets and Writers Grant. Mentor, 2010, The Loft Literary Center, Minneapolis, Minnesota. Core Faculty, 2008 -2013, Bennington Writing Seminars, Bennington, Vermont. Core Faculty, 2008 -2013, Rainier Writing Workshop, Tacoma, Washington. Part-time Lecturer, 2008-2009, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Visiting Lecturer, October 2008, Scripps College, Memoir Lecture and Reading. Mentor, January, 2008 to August, 2008. PEN USA Emerging Voices Program. Associate Faculty, June 2007, Bennington Writing Seminars, Bennington, Vermont. Visiting Lecturer, 2007, UCLA, Los Angeles, California. Intro to Memoir: Fining Your Own True voice. Instructor, February -
2012 Tour Slides
1 Welcome! LINAC: Linear Accelerator It has driven SLAC science for 50 years 2 Department of Energy Office of Science National Laboratories Idaho National Laboratory Fermi National Accelerator Laboratory Pacific Northwest Laboratory National Energy Technology Laboratory Ames National Brookhaven Laboratory National Lawrence Livermore National Renewable Laboratory Lawrence Berkeley National Laboratory Energy Laboratory National Princeton Plasma Physics Laboratory Laboratory Argonne National Laboratory Thomas Jefferson SLAC National National Accelerator Facility Accelerator Los Alamos Laboratory Oak Ridge National National Laboratory Laboratory Sandia National Laboratories Savannah River National Laboratory National Nuclear Security Administration Lab Office of Fossil Energy Lab Office of Energy Efficiency and Renewable Energy Lab Office of Nuclear Energy, Science and Technology Lab Office of Environmental Management Lab Office of Science Lab 3 Stanford University DOE pays Stanford $1 per year to lease 426 acres of land 240 Universities worldwide use our resources 4 1,663 Employees from 36 Countries -205 Postdocs and Grad Students ; 3,100 Facility Users & Visiting Scientists 142 Buildings 1,000 Scientific Papers published each year in peer-reviewed journals 6 Scientists awarded the Nobel Prize for work done at SLAC 1st North American Website $350,000,000 Budget (10% of this goes for energy consumption) Jan 26, 2012 5 Our Directors through the years: 1961-1984 1984-1999 1999-2007 Wolfgang “Pief” Burton Richter Jonathan Dorfan Panofsky 2007-Present -
Kirkus Reviews
Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXIII, NO. 12 | 15 JUNE 2020 REVIEWS Interview with Enter to Win a set of ADIB PENGUIN’S KHORRAM, PRIDE NOVELS! author of Darius the Great back cover Is Not Okay, p.140 with penguin critically acclaimed lgbtq+ reads! 9780142425763; $10.99 9780142422939; $10.99 9780803741072; $17.99 “An empowering, timely “A narrative H“An empowering, timely story with the power to experience readers won’t story with the power to help readers.” soon forget.” help readers.” —Kirkus Reviews —Kirkus Reviews —Kirkus Reviews, starred review A RAINBOW LIST SELECTION WINNER OF THE STONEWALL A RAINBOW LIST SELECTION BOOK AWARD WINNER OF THE PRINTZ MEDAL WINNER OF THE PRINTZ MEDAL 9780147511478; $9.99 9780425287200; $22.99 9780525517511; $8.99 H“Enlightening, inspiring, “Read to remember, “A realistic tale of coming and moving.” remember to fight, fight to terms and coming- —Kirkus Reviews, starred review together.” of-age… with a touch of —Kirkus Reviews magic and humor” A RAINBOW LIST SELECTION —Kirkus Reviews Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children’s,and YA Books. KIRKUSVOL. LXXXVIII, NO. 12 | 15 JUNE 2020 REVIEWS THE PRIDEISSUE Books that explore the LGBTQ+ experience Interviews with Meryl Wilsner, Meredith Talusan, Lexie Bean, MariNaomi, L.C. Rosen, and more from the editor’s desk: Our Books, Ourselves Chairman HERBERT SIMON BY TOM BEER President & Publisher MARC WINKELMAN John Paraskevas # As a teenager, I stumbled across a paperback copy of A Boy’s Own Story Chief Executive Officer on a bookstore shelf. Edmund White’s 1982 novel, based loosely on his MEG LABORDE KUEHN [email protected] coming-of-age, was already on its way to becoming a gay classic—but I Editor-in-Chief didn’t know it at the time. -
Wallace Stegner Miscellaneous Papers
http://oac.cdlib.org/findaid/ark:/13030/c8zk5jjr No online items Guide to the Wallace Stegner miscellaneous papers Jenny Johnson Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California February 2014 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Guide to the Wallace Stegner SC1188 1 miscellaneous papers Overview Call Number: SC1188 Creator: Stegner, Wallace Earle, 1909-1993 Title: Wallace Stegner miscellaneous papers Dates: circa 1944-1992 Physical Description: 0.5 Linear feet (1 box) Summary: Papers include miscellaneous files about Stanford University, the Wallace Stegner Fellowship in the Stanford University Creative Writing Program, and research and writings about Bernard De Voto. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc This collection was given by Mary Stegner to Stanford University, Special Collections in June, 1999. Information about Access The materials are open for research use. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94305-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. -
Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook Is the Property Of
Alpha Chi Sigma Sourcebook A Repository of Fraternity Knowledge for Reference and Education Academic Year 2013-2014 Edition 1 l Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook is the property of: ___________________________________________________ ___________________________________________________ Full Name Chapter Name ___________________________________________________ Pledge Class ___________________________________________________ ___________________________________________________ Date of Pledge Ceremony Date of Initiation ___________________________________________________ ___________________________________________________ Master Alchemist Vice Master Alchemist ___________________________________________________ ___________________________________________________ Master of Ceremonies Reporter ___________________________________________________ ___________________________________________________ Recorder Treasurer ___________________________________________________ ___________________________________________________ Alumni Secretary Other Officer Members of My Pledge Class ©2013 Alpha Chi Sigma Fraternity 6296 Rucker Road, Suite B | Indianapolis, IN 46220 | (800) ALCHEMY | [email protected] | www.alphachisigma.org Click on the blue underlined terms to link to supplemental content. A printed version of the Sourcebook is available from the National Office. This document may be copied and distributed freely for not-for-profit purposes, in print or electronically, provided it is not edited or altered in any -
Escuela Politécnica Nacional
ESCUELA POLITÉCNICA NACIONAL FACULTAD DE INGENIERÍA DE SISTEMAS Propuesta para la Creación del Centro de Investigación Desarrollo e Innovación I+D+I de Tecnologías de la Información de la Escuela Politécnica Nacional TESIS PREVIA A LA OBTENCIÓN DEL GRADO DE MÁSTER (MSc) EN GESTIÓN DE LAS COMUNICACIONES Y TECNOLOGÍA DE LA INFORMACIÓN ING. MERA GUEVARA OMAR FRANCISCO [email protected] ING. PAREDES LUCERO EDGAR SANTIAGO [email protected] DIRECTOR: ING. MONTENEGRO ARMAS CARLOS ESTALESMIT [email protected] Quito, Diciembre 2014 I DECLARACIÓN Nosotros, Omar Francisco Mera Guevara, Edgar Santiago Paredes Lucero, declaramos bajo juramento que el trabajo aquí descrito es de nuestra autoría; que no ha sido previamente presentada para ningún grado o calificación profesional; y, que hemos consultado las referencias bibliográficas que se incluyen en este documento. A través de la presente declaración cedemos nuestros derechos de propiedad intelectual correspondientes a este trabajo, a la Escuela Politécnica Nacional, según lo establecido por la Ley de Propiedad Intelectual, por su Reglamento y por la normatividad institucional vigente. Omar Francisco Mera Edgar Santiago Paredes Guevara Lucero II CERTIFICACIÓN Certifico que el presente trabajo fue desarrollado por Omar Francisco Mera Guevara y Edgar Santiago Paredes Lucero, bajo mi supervisión. Ing. Carlos Montenegro DIRECTOR DE PROYECTO III AGRADECIMIENTOS Con profunda gratitud a mis padres Pancho y Lidi, a mis hijos Dereck y Nayve, a mi esposa Jenny, a mis hermanos Edison y Elizabeth, a mis incondicionales amigos Edgar, Mr Julio Vera; por el apoyo incondicional, confianza, paciencia y dedicación que supieron brindarme durante todo el tiempo que hemos estado juntos, por toda la impronta humana que han dejado para mi vida. -
Quarterly News·Letter
the Quarterly news·letter volume lxxix · number 2 · spring 2014 A Brief Editorial Manifesto by Peter Rutledge Koch What is Fine Printing Anyway? by Peter Rutledge Koch Forthcoming from the Publications Committee by Jennifer Sime Report from the Toronto Book Fair by Bruce Whiteman Review by Crispin Elsted Like a Moth to a Flame by Bo Wreden Southern California Sightings by Carolee Campbell News from the Library by Henry Snyder News & Notes Letter to the Editor New Members published for its members by the book club of california the book club of california is a non-profit membership corporation founded in 1912. A Brief Editorial Manifesto Based on One It supports the art of fine printing related to the history and literature of California and the Hundred Years of Tradition With a Few Minor western states of America through research, publishing, public programs, and exhibitions. Suggestions To Account for Changes in Our The Club is limited to 1,250 members, and membership in the Club is open to all. Annual renewals are due by January 1 of every year. Memberships are: Regular, $95; Sustaining, $150; Patron, Perception of Fine Printing in the Real West $250; Sponsor, $500; Benefactor, $1,000; Apprentice, $35; and Student, $25. All members by Peter Rutledge Koch receive the Quarterly News-Letter and, except for Apprentice and Student members, the current keepsake. All members have the privilege—but not the obligation—of buying Club publications, which are limited, as a rule, to one copy per member. All members may purchase extra copies of keepsakes or QN-Ls, when available. -
Spring 2020 Magazine
SPRING 2020 INSIDE TEN YEARS OF COLLECTING • MARK DION • NEW CURATOR OF PHOTOGRAPHY & NEW MEDIA “This brightly colored, monumental piece has something to say—and not just because it’s a play on words. One thing we hope it conveys to students and visitors n is a good-natured ‘Come in! You a m r e k c a are welcome here.’ ” D an Sus Susan Dackerman John & Jill Freidenrich Director of the Cantor Arts Center Yo, Cantor! The museum’s newest large-scale sculpture, in Japanese. “The fact that this particular work Deborah Kass’s OY/YO, speaks in multicultural resonates so beautifully in so many languages to tongues: Oy, as in “oy vey,” is a Yiddish term so many communities is why I wanted to make it of fatigue, resignation, or woe. Yo is a greeting monumental,” artist Kass told the New York Times. associated with American teenagers; it also means “I” in Spanish and is used for emphasis Learn more at museum.stanford.edu/oyyo CONTENTS SPRING 2020 QUICK TOUR 4 News, Acquisitions & Museum Highlights FACULTY PERSPECTIVE 6 Sara Houghteling on Literature and Art CURATORIAL PERSPECTIVE 7 Crossing the Caspian with Alexandria Brown-Hejazi FEATURE 8 Paper Chase: Ten Years of Collecting 3 THINGS TO KNOW 13 About Artist and Alumnus Richard Diebenkorn EXHIBITION GRAPHIC 14 A Cabinet of Cantor Curiosities: PAGE 8 Paper Chase: the Cantor’s major spring exhibition Mark Dion Transforms Two Galleries includes prints from Pakistani-born artist Ambreen Butt, whose work contemplates issues of power and autonomy in the lives of young women. -
Something Fishy in Los Trancos Creek? Page 3
Palo Vol. XXIX, Number 51 • Wednesday, April 2, 2008 ■ 50¢ Alto Something fishy in Los Trancos Creek? Page 3 www.PaloAltoOnline.comw w w. P a l o A l t o O n l i n e . c o m Questions arise *over program for lower-income residents Page 17 Photo illustration Photo Talk about the news at Town Square, www.PaloAltoOnline.com ■ Upfront Improvements coming for Oregon Expressway Page 3 ■ Title Pages Tobias Wolff offers realistic, strange new stories Page 15 ■ Sports Stanford women’s basketball advances to Final Four Page 20 apr.com It’s just one click to a complete list of virtually all homes for sale in the Bay Area. PALO ALTO $3,295,000 Best of California living. Four bedrooms, three bath home with formal entry, separate living and dining rooms. Expansive family rooms with access to patio, pool and separate cottage. We bet you’ve never seen this headline in any recent media coverage of the real estate market. Yet it is fact—92.7 percent of all mortgages in the United States are current. What’s more, the “sub-prime mortgage PALO ALTO $1,250,000 crisis” refers to a tiny portion of sub-prime mortgages. Sub-prime mortgages represent only a fraction of all mortgages—and the vast majority of these are current. 6 Percent of U.S. mortgages that are current 92.7% 6 Percent of U.S. mortgages that are sub-prime 13.2% 6 Percent of sub-prime mortgages that are current 76.8% Source: Mortgage Bankers Association, 3Q07 Report Crises may sell newspapers, but at Alain Pinel Realtors, we conduct business based on market realities. -
DOHERTY-DISSERTATION-2015.Pdf (733.0Kb)
State-Funded Fictions: The NEA and the Making of American Literature After 1965 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Doherty, Margaret. 2015. State-Funded Fictions: The NEA and the Making of American Literature After 1965. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467197 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA State-Funded Fictions: The NEA and the Making of American Literature After 1965 A dissertation presented by Margaret O’Connor Doherty to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, MA May 2015 © 2015 Margaret O’Connor Doherty All rights reserved Dissertation Advisor: Professor Louis Menand Margaret O’Connor Doherty State-Funded Fictions: The NEA and the Making of American Literature After 1965 Abstract This dissertation studies the effects of a patronage institution, the National Endowment for the Arts Literature Program, on American literary production in the postwar era. Though American writers had long cultivated informal relationships with government patrons, the National Endowment for the Arts (NEA) reflected a new investment in the aesthetic life of the nation. By awarding grants to citizens without independent resources for work yet to be produced, it changed both the demographics of authorship and the idea of the “professional” writer. -
The University at a Glance About the University Stanford University
About the University Stanford University n October 1, 1891, the 465 new students who were on Ohand for opening day ceremonies at Leland Stanford Junior University greeted Leland and Jane Stanford enthusi- astically, with a chant they had made up and rehearsed only that morning. Wah-hoo! Wah-hoo! L-S-J-U! Stanford! Its wild and spirited tone symbolized the excitement of this bold adventure. As a pioneer faculty member recalled, “Hope was in every heart, and the presiding spirit of freedom prompted us to dare greatly.” For the Stanford’s on that day, the university was the real- ization of a dream and a fitting tribute to the memory of their only son, who had died of typhoid fever weeks before his sixteenth birthday. Far from the nation’s center of culture and unencumbered by tradition or ivy, the new university Millions of volumes are housed in many libraries throughout the campus. drew students from all over the country: many from California; some who followed professors hired from other colleges and universities; and some simply seeking adventure in the West. Though there were many difficulties during the first months – housing was inadequate, microscopes and books were late in arriving from the East – the first year fore- told greatness. As Jane Stanford wrote in the summer of Stanford University 1892, “Even our fondest hopes have been realized.” The University at a Glance About the University Stanford University Ideas of “Practical Education” Stanford People Governor and Mrs. Stanford had come from families of By any measure, Stanford’s faculty – which numbers modest means and had built their way up through a life of approximately 1,700 – is one of the most distinguished in hard work. -
ORANGE LINING Buster Simpson & Peg Butler MAX Orange Line | Portland-Milwaukie Light Rail Transit Project
ORANGE LINING Buster Simpson & Peg Butler MAX Orange Line | Portland-Milwaukie Light Rail Transit Project 1 2 © 2015 Buster Simpson and Peg Butler All rights reserved Orange Lining is a public art project created by Buster Introduction 5 Primary Photographer: Peg Butler Simpson and Peg Butler for the new MAX Orange Line, Art Starts Now 8 Additional Photos: Buster Simpson, Joe Freeman, Michelle Traver, and Tim Jewett Book Design: Buster Simpson and Peg Butler formerly known as the Portland-Milwaukie Light Rail (PMLR) Impressed Concrete 40 Copy Editing: Buster Simpson, Peg Butler, Todd Metten, and Michelle Traver Transit Project. Orange Lining installations span the 7.3 Arrivals & Departures 83 Graphic Design & Digital Layout: Todd Metten mile length of the light rail alignment to create episodic, Acknowledgments 88 Printed and bound by Rhino Digital Printing conceptual and aesthetic continuity. For more information visit www.orangelining.net and www.bustersimpson.net 3 4 Orange Lining & Impressed Concrete | Buster Simpson Introduction Orange Lining consists of two project phases that placed community-generated lines of text along the length of the light rail alignment. In the spring of 2012, drawing upon Portland’s ethic of community engagement and creativity, a public call was sent out for brief written expressions of the times that would reflect upon the egalitarian, utilitarian and civic nature of this new infrastructure project. The call requested short lines of text (fifty characters or less) to be painted onto silt fencing during the temporary Art Starts Now phase and then stamped into sidewalk paving during the permanent Impressed Concrete phase. Eleven hundred submissions were received, and one hundred and two of them were selected as “orange lines” for use in the project through a blind-jury selection process.