KYLE EASTWOOD Disp Onible Depuis Le 21 Avril 2015

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KYLE EASTWOOD Disp Onible Depuis Le 21 Avril 2015 KYLE EASTWOOD Disp onible depuis le 21 avril 2015 www.jazzvillagemusic.com Contacts Promotion Accent Presse : Simon Veyssière [email protected] 06 70 21 32 83 CITATIONS « Un disque chaleureux » Jazz News « Kyle Eastwood nous livre un disque au groo ve élégant et inspiré. » Nouvelle Vague « Kyle Eastwood présente des com positions manifestant une ri chesse mélodique et une grande maturité musi c ale. » Grande Epoque « C’ est parfois emba llé, parfois pesé, et toujours excellent. » Ici Paris « Sa musi que est un subtil mélange de la com plexité du jazz à laq uelle il aurait été ajoutée une dimension mélodique et presque lyrique qui n’ est pas sans évoquer certains aspects pop ». Nouvelle Vague « On songe pa rfois aux albums de Miles Davis. » Ouest France « Entre jazz pur, électro rythmé, funk entraînant, sa musique n’ ennuie pa s, elle vivifie » Jazzradio.fr PRESSE Jazz News, interview, avril 2015 Jazz News, chronique, avril 2015 Jazz News, annonce concert, mai 2015 Jazz Magazine, portrait 4 pages, novembre 2015 Rolling Stone, chronique, juillet 2015 Bassiste Magazine, interview, septembre 2015 Guitar Bass, interview, juillet 2015 Télérama, annonce concert, 14 octobre 2015 Nouvelle Vague, chronique, mai 2015 Nouvelle Vague, annonce concert, juin 2015 The Good Life, chronique, septembre 2015 Point de Vue, annonce concert, 29 avril 2015 Grande Epoque, portrait et rencontre, 18 mai 2015 Ici Paris, chronique, 29 avril 2015 Le Courrier de l’Ouest, interview, 18 mars 2015 DNA, live report, 8 août 2015 Le Républicain Lorrain, live report, 10 août 2015 Racines, chronique, septembre 2015 RADIO /TV TSF Jazz, annonce concert, 21-27 mai 2015 France Bleu Périgord, « Bientôt en Périgord », 17 juin 2015 France 3 Île de France, annonce concert, 16 juillet 2015 WEB OuestFrance.fr, portrait, 18 mars 2015 Angers Mag, interview, 18 mars 2015 Ca va jazzer, blog Libération, interview, 20 avril 2015 Corse Net Infos, annonce concert, 20 juin 2015 Corse Matin, portrait et interview vidéo, 26 juin 2015 Corse Matin, interview, 27 juin 2015 Corse Matin, live report, 28 juin 2015 Citizen Jazz, live report, 8 juin 2015 Riffx.fr, interview, 8 juin 2015 JazzRadio.fr, chronique, 21 avril 2015 JazzRadio.fr annonce concert, 5 juin 2015 JazzRadio.fr, annonce concert, 19 juin 2015 Jazzophone, live report, 1er juillet 2015 Les Chroniques de Hiko, chronique, 13 février 2015 Jazz à Bâbord, chronique, 21 avril 2015 NouvelleVague.com, chronique, 16 avril 2015 Nouvelle Vague.com, live report, 30 juin 2015 WeLoveMusik.fr, chronique, 5 mai 2015 Discordance, live report, 18 août 2015 Amarok Mag, chronique, 20 mai 2015 La Dépêche.fr, annonce concert, 30 juin 2015 La Dépêche.fr, interview, 20 octobre 2015 Couleurs Jazz, annonce concert, 26 mai 2015 Le Parisien, annonce concert, 13 juillet 2015 24H, annonce concert, 14 juillet 2015 Le Télégramme, annonce concert, 16 juillet 2015 La Muzic de Lady, annonce sortie, 21 avril 2015 Le Monde.fr, Checklist, 19 février 2016 PAYS : France PAGE(S) : 16 SURFACE : 76 % PERIODICITE : Mensuel 1 avril 2015 - N°41 Tous droits de reproduction réservés PAYS : France PAGE(S) : 68 SURFACE : 11 % PERIODICITE : Mensuel 1 avril 2015 - N°41 Tous droits de reproduction réservés Mai 2015 PAYS : France RUBRIQUE : Le live PAGE(S) : 100-103 DIFFUSION : 10567 SURFACE : 365 % PERIODICITE : Mensuel 1 novembre 2015 - N°678 Tous droits de reproduction réservés PAYS : France RUBRIQUE : Le live PAGE(S) : 100-103 DIFFUSION : 10567 SURFACE : 365 % PERIODICITE : Mensuel 1 novembre 2015 - N°678 KYLE EASTWOOD Le jazz cinémascope ' Un peu timide , charmant , attentif et parfaitement à l aise avec son statut de fils de star , aussi légendaire soit-elle - faut-il rappeler le prénom de son père , le fringuant contrebassiste quadragénaire échappe à toute forme de caricature. " Né en 1968 au moment même où son père son amour du jazz (à voir , le dvd Eastwood After Hours Live At Carnegie " Clint obtenait ses premiers grands succès dans Hall ). Loin des projecteurs de cinéma et de la faune hollywoodienne , c' est les films de Sergio Leone et de Don Siegel , dans le petit monde feutré et confidentiel du jazz made USA que le fils Kyle Eastwood aura toujours su éviter avec Eastwood commence alors à se faire un prénom. intelligence une exposition trop frontale à la renommée, en prenant radicalement la tangente Mais c' est en faisant paraître en 1998 son tout premier disque en leader , ' d avec le star system . Initié très tôt à la From There To Here , que Kyle Eastwood va commencer à véritablement musiquepar ses parents , grands amateurs de affirmer sa personnalité et franchir les premières étapes qui le mèneront (de Mlles Davis à Sten Kenton en passant par bientôt à une renommée internationale . Ancrant résolument ses références est ' ' Thelonious Monk) , c' spontanément dans dans l âge d or du jazz orchestral des années 1950 , le jeune musicien , dans ' direction il s' à l adolescence ce cultivé et fait non seulement la démonstration de ses cette qu' engage , disque élégant , ' jouant d abord de la basse électrique dans talents de contrebassiste mais , secondé par le grand Vince Mendoza aux ' des orchestres de jazz-rock et de R&B fondés arrangements , déploie avec générosité toute l étendue et la profondeur essentiellement sur le pur plaisir du groove , pour peu à peu s' essayer à la contrebasse et aventurer s' dans des contextes acoustiques ' plus sophistiqués , relevant d un jazz moderne post-bop de bonne facture . Multipliant les gigs dans des petits clubs de New York et de Los Angeles , Kyle formera son premier quartette Kyle Eastwood fonde une au milieu des années 1990 et connaîtra une par! de discours première consécration publique en 1996 en GRPOIX sur le du et participant au concert organisé au prestigieux plaisir jeu ' SYLVAN Carnegie Hall en l honneur de son père et de de interaction . Tous droits de reproduction réservés PAYS : France RUBRIQUE : Le live PAGE(S) : 100-103 DIFFUSION : 10567 SURFACE : 365 % PERIODICITE : Mensuel 1 novembre 2015 - N°678 Kyle Eastwood revisite de extrêmement cohérente façon' l esprit aventurier des Jazz Messerwers d Art de ses connaissances musicales. C' est fort de ces errances Jonglant avec les styles - cool , expérimentalestrès contrôlées que le hardbop, jazz modal - , invitant même sur contrebassiste, au tournant des années 2010 , saviez une plage la grande Joni Mitchell à semble avoir entrepris de revenir , tant ' reprendre un standard seul de dans la forme que dans l esprit , un vous. MarvinGaye , Kyle Eastwood , dans ce j77 plus direct , lyrique et mélodique , ' disque aux allures de manifeste dans visiblement en quête d une relation à Parallèlement à sa carrière de son éclectisme totalement assumé , la tradition réaffirmée et renouvelée. jazzman , ' Kyle Eastwood , à partir décline plage après plage les Lenregistrement , en 2011 , de l album " des années 2000 , va principauxingrédients qui par la suite ne Songs From The Château" peut collaborer de façon cesseront de constituer la signature légitimement être considéré comme régulière avec Michael ' stylistique de sa musique .. l amorce de cette nouvelle phase Stevens aux BO des grands films de son décisive de sa carrière , en forme de père , à la fois en tant ' du retour au " . ' un Happé par l air temps , mais aussi pays natal A la tête d que compositeur et de façon plus profonde et intime paras tout nouveau quintette composé arrangeur (Mystic soif jamais rassasiée de nouveauté et de jeunes musiciens anglais à peu River , Million Dollar , Letters from sa curiosité artistique sans limite , Kyle près inconnus mais talentueux et en Baby ' Iwo Jima ou encore Eastwood va l avec ses musicaux , pourtant passer phase parti-pris Invictus) . Mais sa essentieldes années 2000 à, sinon prendre le contrebassiste y pose les jalons participation au cinéma ' ' ses distances d avec le monde du jazz d une musique mélodieuse et pleine de Clint Eastwood nase limite à la traditionnel , tout au moins s' appliquer de swing , à la fois simple dans ses pas musique , et Kyle , à à repousser toujours plus loin les formes et extrêmement raffinée dans " plusieurs reprises , frontièresde son univers personnel , en son expression . The View From à l'écran en ' " apparaît s' aventurant avec d Here , en 2013 , confirmera avec tant acteur . ce beaucoup paru qu' Dans ' sa la élégance, d humilité et de savoir faire brio cette nouvelle orientation registre prestation ' date de sur des territoires idiomatiques d une esthétique- le contrebassiste , plus importante ' 1982 dans Honkytonk extraordinaire variété . Au fil d albums accompagnétoujours de la même formation , ' Man , sorte de road aussi éclectiques que raffinés flirtant donnant souvent l impression de movie musical fondé ' ' tour à tour avec l électro-jazz cool et chercherà renouer avec l essence même sur la vie romancée " " du musicien de sophistiqué ( Paris Blues ) , le smooth du en s' appropriant quelques une grand country Hank Williams. jazz aux accents seventies et de ses formes archétypales mais " " Il y joue le neveu du résolumentgroovy ( Now ), voire le surtouten fondant pour une grande part " " personnage principal , manifesteady , chic et urbain , subtilement son discours sur le plaisir du jeu et de interprété Clint " " ' par métissé ( Métropolitain ), il va ainsi l interaction collective. en personne , avec de de à la fois amoureuse beaucoup explorer façon sensibilité. et ' en atteste érudite les multiples tendances Aujourd hui , ainsi qu' de la pop music mondialisée la plus brillammentson dernier album en date , " " contemporaine , enrichissant sa Time Pieces , Kyle Eastwood semble ' pratiqueet son imaginaire d un ancrage être parvenu au terme de ce vaste dans le réel plus intime et complexe. mouvement introspectif à une sorte Tous droits de reproduction réservés PAYS : France RUBRIQUE : Le live PAGE(S) : 100-103 DIFFUSION : 10567 SURFACE : 365 % PERIODICITE : Mensuel 1 novembre 2015 - N°678 ' d aboutissement esthétique . Nourrie par une approche permettant à chacundes musiciens impliqués dans le projet de s' exprimer pleinement ' et d apporter sa propre expérience ' de l histoire du jazz , sa musique n' a jamais donné une telle impression de maturité .
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