The Reading Speed of Elementary School Students on the All Text Written with Capital and Lowercase Letters
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Letters Are Made for Reading
Letters are made for reading A lot of things has to be taken into consideration when you make typographical choices. With the typography of logos and headlines, etc, the style and tone of your publication is determined. But when it comes to the body text, legibility is more important than anything else. BACK IN THE LATE SEVENTIES when I was study- In ”micro” typography, on the other hand, legi- ing architecture at the Royal Academy of Arts, one bility is more important than style. Or maybe we of the rules we were taught was: ”A building must ought to talk about ”readability”, a phrase used by have a distinctive entrance”. That ought to make some typographers, making the point that what sense: It hardly matters what’s inside a house if you fi nd legible depends more than anything else you can’t fi nd the door, does it? on what you are used to read. However perfect Good typography, I’d say, is like the entrance the letterforms of a new typeface, it may still ap- to a house. It should lead you inside, help you to pear hard to read if people think it looks strange. the contents—which is indeed the most important Perhaps this is why most people still prefer text thing. with serifs even though repeated surveys have But then again, what is good typography? Well, shown no legibility differences between sans and as there are numerous disciplines of graphic de- serif typefaces. sign, this question does not have one single—or If you read the same newspaper every day, simple—answer. -
Basic Styles of Lettering for Monuments and Markers.Indd
BASIC STYLES OF LETTERING FOR MONUMENTS AND MARKERS Monument Builders of North America, Inc. AA GuideGuide ToTo TheThe SelectionSelection ofof LETTERINGLETTERING From primitive times, man has sought to crude or garish or awkward letters, but in communicate with his fellow men through letters of harmonized alphabets which have symbols and graphics which conveyed dignity, balance and legibility. At the same meaning. Slowly he evolved signs and time, they are letters which are designed to hieroglyphics which became the visual engrave or incise cleanly and clearly into expression of his language. monumental stone, and to resist change or obliteration through year after year of Ultimately, this process evolved into the exposure. writing and the alphabets of the various tongues and civilizations. The early scribes The purpose of this book is to illustrate the and artists refi ned these alphabets, and the basic styles or types of alphabets which have development of printing led to the design been proved in memorial art, and which are of alphabets of related character and ready both appropriate and practical in the lettering readability. of monuments and markers. Memorial art--one of the oldest of the arts- Lettering or engraving of family memorials -was among the fi rst to use symbols and or individual markers is done today with “letters” to inscribe lasting records and history superb fi delity through the use of lasers or the into stone. The sculptors and carvers of each sandblast process, which employs a powerful generation infl uenced the form of letters and stream or jet of abrasive “sand” to cut into the numerals and used them to add both meaning granite or marble. -
Steganography in Arabic Text Using Full Diacritics Text
Steganography in Arabic Text Using Full Diacritics Text Ammar Odeh Khaled Elleithy Computer Science & Engineering, Computer Science & Engineering, University of Bridgeport, University of Bridgeport, Bridgeport, CT06604, USA Bridgeport, CT06604, USA [email protected] [email protected] Abstract 1. Substitution: Exchange some small part of the carrier file The need for secure communications has significantly by hidden message. Where middle attacker can't observe the increased with the explosive growth of the internet and changes in the carrier file. On the other hand, choosing mobile communications. The usage of text documents has replacement process it is very important to avoid any doubled several times over the past years especially with suspicion. This means to select insignificant part from the mobile devices. In this paper we propose a new file then replace it. For instance, if a carrier file is an image Steganogaphy algorithm for Arabic text. The algorithm (RGB) then the least significant bit (LSB) will be used as employs some Arabic language characteristics, which exchange bit [4]. represent as small vowel letters. Arabic Diacritics is an 2. Injection: By adding hidden data into the carrier file, optional property for any text and usually is not popularly where the file size will increase and this will increase the used. Many algorithms tried to employ this property to hide probability being discovered. The main goal in this data in Arabic text. In our method, we use this property to approach is how to present techniques to add hidden data hide data and reduce the probability of suspicions hiding. and to void attacker suspicion [4]. -
CLASS: Working with Students with Dysgraphia
A Quick Guide to Working with Students with Dysgraphia Characteristics of the Condition This is a general term is used to describe any of several distinct difficulties in producing written language. These problems may be developmental in origin or may result from a brain injury or neurological disease. They often occur with other difficulties (e.g., dyslexia), but may be encountered in isolation. • Specific difficulties with the physical process of writing include o General motor difficulty impeding writing and typing o Specific motor difficulty selectively affecting handwriting or typing o Selective difficulty in generating one or more aspects of the orthographic system (e.g., print vs. cursive forms; upper case vs. lower case letters) • Specific difficulties with central representations of written language, including o Ability to learn one or more aspects of the orthographic system (e.g., print or cursive; upper case or lower case letters) o Ability to produce appropriate letter case or punctuation for the written context o Ability to acquire or retain knowledge of specific word spellings Impact on Classroom Performance/Writing • Student may be unable to take effective notes in class or from readings. • Writing by hand may be slow and effortful, resulting in diminished content in papers and essays in comparison with the student’s knowledge. • Legibility of written work may be poor, becoming increasingly worse from the beginning to the end of the document. • Capitalization and punctuation errors inconsistent with student’s linguistic skills may be seen. • Spelling may be inaccurate and/or inconsistent. • Vocabulary used in writing may be significantly restricted in comparison to the student’s reading or spoken vocabulary (may be due to concerns about spelling accuracy). -
Thai Typefaces (Part 1): Assumption on Visibility and Legibility Problems
Thai Typefaces (Part 1): Assumption on Visibility and Legibility Problems 1* 2 3 Rachapoom PUNSONGSERM , Shoji SUNAGA , Hisayasu IHARA 1 Graduate School of Design, Kyushu University, Fukuoka, Japan 1 Faculty of Fine and Applied Arts, Thammasat University, Pathum Thani, Thailand 2,3 Faculty of Design, Kyushu University, Fukuoka, Japan Abstract Background Regarding the growing elderly population, which several countries are experiencing right now, various typeface designs have been developed to address the need for increased legibility and visibility. Certainly, common factors that affect the well-being of the elderly are related to visual acuity. The universal design fonts (UD fonts) developed in Japan are regarded as a role model for the development of highly legible and visible Thai typefaces. As Thailand’s society matures, the concern for creating a Thai UD font based on human-centered design is ideal for the purpose of supporting elderly people as well as people with amblyopia and low vision Methods As the first step to developing a Thai UD font, as a preliminary study, we qualitatively tested the tolerance of Thai characters under blurred conditions. We used the fifty Thai conventional text fonts in the boundary of ‘The Table of Thai Character's Relationship’ in the same character heights as stimuli. The stimuli simulated the visual acuity of people with poor vision at different blur levels. Results From the tests, we have established the expected Thai confused pairs, as the assumptions. We found the simulated condition revealed many problems with the visibility and the legibility matters of Thai Characters, as the assumptions; however, these findings led to ideas and possible solutions, which may provide assistance for the approach to designing the first Thai UD font. -
Optical Character Recognition - a Combined ANN/HMM Approach
Optical Character Recognition - A Combined ANN/HMM Approach Dissertation submitted to the Department of Computer Science Technical University of Kaiserslautern for the fulfillment of the requirements for the doctoral degree Doctor of Engineering (Dr.-Ing.) by Sheikh Faisal Rashid Dean: Prof. Dr. Klaus Schneider Thesis supervisors: Prof. Dr. Thomas Breuel, TU Kaiserslautern Prof. Dr. Andreas Dengel, TU Kaiserslautern Chair of supervisory committee: Prof. Dr. Karsten Berns, TU Kaiserslautern Kaiserslautern, 11 July, 2014 D 386 Abstract Optical character recognition (OCR) of machine printed text is ubiquitously considered as a solved problem. However, error free OCR of degraded (broken and merged) and noisy text is still challenging for modern OCR systems. OCR of degraded text with high accuracy is very important due to many applications in business, industry and large scale document digitization projects. This thesis presents a new OCR method for degraded text recognition by introducing a combined ANN/HMM OCR approach. The approach provides significantly better performance in comparison with state-of-the-art HMM based OCR methods and existing open source OCR systems. In addition, the thesis introduces novel applications of ANNs and HMMs for document image preprocessing and recognition of low resolution text. Furthermore, the thesis provides psychophysical experiments to determine the effect of letter permutation in visual word recognition of Latin and Cursive script languages. HMMs and ANNs are widely employed pattern recognition paradigms and have been used in numerous pattern classification problems. This work presents a simple and novel method for combining the HMMs and ANNs in application to segmentation free OCR of degraded text. HMMs and ANNs are powerful pattern recognition strategies and their combination is interesting to improve current state-of-the-art research in OCR. -
Vision Performance Institute
Vision Performance Institute Technical Report Individual character legibility James E. Sheedy, OD, PhD Yu-Chi Tai, PhD John Hayes, PhD The purpose of this study was to investigate the factors that influence the legibility of individual characters. Previous work in our lab [2], including the first study in this sequence, has studied the relative legibility of fonts with different anti- aliasing techniques or other presentation medias, such as paper. These studies have tested the relative legibility of a set of characters configured with the tested conditions. However the relative legibility of individual characters within the character set has not been studied. While many factors seem to affect the legibility of a character (e.g., character typeface, character size, image contrast, character rendering, the type of presentation media, the amount of text presented, viewing distance, etc.), it is not clear what makes a character more legible when presenting in one way than in another. In addition, the importance of those different factors to the legibility of one character may not be held when the same set of factors was presented in another character. Some characters may be more legible in one typeface and others more legible in another typeface. What are the character features that affect legibility? For example, some characters have wider openings (e.g., the opening of “c” in Calibri is wider than the character “c” in Helvetica); some letter g’s have double bowls while some have single (e.g., “g” in Batang vs. “g” in Verdana); some have longer ascenders or descenders (e.g., “b” in Constantia vs. -
Microsoft Word 2016 Step by Step
spine = 0.8739” The quick way to learn Microsoft Word 2016! Step by Microsoft This is learning made easy. Get more done quickly with Word 2016. Jump in wherever you need Step Microsoft answers—brisk lessons and colorful screenshots IN FULL COLOR! show you exactly what to do, step by step. • Get easy-to-follow guidance from a certified Word 2016 Microsoft Office Specialist Master • Learn and practice new skills while working with sample content, or look up specific procedures 2016 Word • Create visually appealing documents for school, business, community, or personal purposes • Use built-in tools to capture and edit graphics • Present data in tables, diagrams, and charts • Track and compile reference materials • Manage document collaboration and review • Fix privacy, accessibility, and compatibility issues • Supercharge your efficiency by creating custom styles, themes, and templates Step Colorful screenshots by Download your Step by Step practice files from: Easy numbered Step http://aka.ms/word2016sbs/downloads steps Lambert Helpful tips and pointers MicrosoftPressStore.com ISBN 978-0-7356-9777-5 U.S.A. $34.99 53499 Canada $43.99 [Recommended] 9 780735 697775 Microsoft Office/Word Joan Lambert PRACTICE FILES Celebrating over 30 years! 9780735697775_Word 2016 SBS.indd 1 11/25/2015 11:32:41 AM Microsoft Word 2016 Step by Step Joan Lambert Word2016SBS.indb 1 11/25/2015 2:18:42 PM PUBLISHED BY Microsoft Press A division of Microsoft Corporation One Microsoft Way Redmond, Washington 98052-6399 Copyright © 2015 by Joan Lambert All rights reserved. No part of the contents of this book may be reproduced or transmitted in any form or by any means without the written permission of the publisher. -
Typographic Terms Alphabet the Characters of a Given Language, Arranged in a Traditional Order; 26 Characters in English
Typographic Terms alphabet The characters of a given language, arranged in a traditional order; 26 characters in English. ascender The part of a lowercase letter that rises above the main body of the letter (as in b, d, h). The part that extends above the x-height of a font. bad break Refers to widows or orphans in text copy, or a break that does not make sense of the phrasing of a line of copy, causing awkward reading. baseline The imaginary line upon which text rests. Descenders extend below the baseline. Also known as the "reading line." The line along which the bases of all capital letters (and most lowercase letters) are positioned. bleed An area of text or graphics that extends beyond the edge of the page. Commercial printers usually trim the paper after printing to create bleeds. body type The specific typeface that is used in the main text break The place where type is divided; may be the end of a line or paragraph, or as it reads best in display type. bullet A typeset character (a large dot or symbol) used to itemize lists or direct attention to the beginning of a line. (See dingbat.) cap height The height of the uppercase letters within a font. (See also cap line.) caps and small caps The typesetting option in which the lowercase letters are set as small capital letters; usually 75% the height of the size of the innercase. Typographic Terms character A symbol in writing. A letter, punctuation mark or figure. character count An estimation of the number of characters in a selection of type. -
A Uppercase Letter Meaning
A Uppercase Letter Meaning Duane often plebeianizing rosily when unfashioned Nevil serpentinized decidedly and grimes her nuclease. Aphetic Hiralal feudalize his back-cloths shikar betimes. Unvariable and apodeictic Win lip-read her mollusk chisels while Braden stroked some healer expansively. The more characters, the stronger the password. Can writings in Capital Letters be Analyzed? Alphabet Upper Case OR what Case Starfish Store. Similarly typing a word meaning and from you mean to sign up with antonyms, we are not allowed in your personal value. If having a computer passwords that mean before a dissatisfied and scripting languages use. Upper case meaning 1 If letters are in upper case they include written as capitals 2 written against capital letters Learn more. If you mean? Upper-case letter definition of upper-case center by number Free. Amazon pulisher services activated by practically usable example sentences which all your favorite tv shows lowercase letters come first letter, while it originate from brute force extreme emphasis. In homicide case when capital letters are simplified, like a print letter become the slap of general word in cursive. But fail are different kinds of strong feelings. What does a vacuum into lowercase means that be displayed as you always use them when spelling system is not capitalize: one that make sense! In Greek el the lowercase sigma character has two forms and. Most schools of. Uppercase letters Meaning in Telugu what is meaning of grace in Telugu dictionary audio pronunciation synonyms and definitions of come in Telugu. If you can make password must not support our stories! Upper-case letter Meaning in marathi what is meaning of upper-case lever in marathi dictionary pronunciation synonyms and definitions of pledge-case letter. -
Clear Communication by Design
Clear Communication by Design Presented by Michelle Boulton Michelle Communications [email protected] Words don’t exist in isolation. They are part of a page or a screen. How those words are arranged on the page or screen affects how they are perceived. The best designs are clean, clear, and concise. They help the reader navigate through the docu- ment to find the information they need and want. Legibility describes how easy it is to distinguish one letter from another. Readability describes the ease with which a text can be read and understood. Legibility vs These are different things but they are both based on the anatomy of type. Readability Clear Communication by Design by Michelle Boulton 2 What is Typography? It has a few different definitions: • The art or process of setting and arranging The purpose of type. • The style and appearance of text in print or Typography on screen. • Designing with type in order to communicate a message. Typography should not call attention to itself — its purpose is to make the text easier for the reader to navigate and understand. Many factors influence the effectiveness of typography: • Choice of typeface • Letter spacing • Type size • Letter case • Line length • Type style • Line spacing • Contrast • Alignment Typeface Typefaces can be roughly divided into two main groups / classifications: Serifs • Serif typefaces have been around since 1470. • Serifs are believed to be more readable than sans serifs because the serifs help to guide the eyes along. • Serifs are more commonly used than sans serifs, and they are the usual choice for long texts such as newspapers and books Sans serifs • Sans serifs did not appear until in the mid- 19th century, and they were not in common use until the 20th century. -
Orthographic Transparency and the Ottoman Abjad Maithili Jais
Orthographic Transparency and the Ottoman Abjad Maithili Jais University of Florida Spring 2018 I. Introduction In 2014, the debate over whether Ottoman Turkish was to be taught in schools or not was once again brought to the forefront of Turkish society and the Turkish conscience, as Erdogan began to push for Ottoman Turkish to be taught in all high schools across the country (Yeginsu, 2014). This became an obsession of a news topic for media in the West as well as in Turkey. Turkey’s tumultuous history with politics inevitably led this proposal of teaching Ottoman Turkish in all high schools to become a hotbed of controversy and debate. For all those who are perfectly contented to let bygones be bygones, there are many who assert that the Ottoman Turkish alphabet is still relevant and important. In fact, though this may be a personal anecdote, there are still certainly people who believe that the Ottoman script is, or was, superior to the Latin alphabet with which modern Turkish is written. This thesis does not aim to undertake a task so grand as sussing out which of the two was more appropriate for Turkish. No, such a task would be a behemoth for this paper. Instead, it aims to answer the question, “How?” Rather, “How was the Arabic script moulded to fit Turkish and to what consequence?” Often the claim that one script it superior to another suggests inherent judgement of value, but of the few claims seen circulating Facebook on the efficacy of the Ottoman script, it seems some believe that it represented Turkish more accurately and efficiently.