DOCSLIB.ORG

The Waldo Moment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Waldo Moment "The Waldo Moment" is the third and final episode of the second series of British science fiction anthology series Black Mirror. It was written by series creator and showrunner Charlie Brooker and directed by Bryn Higgins, and first aired on Channel 4 on 25 February 2013. The episode originated in an idea for Nathan Barley, an earlier TV show by Brooker "The Waldo Moment" and Chris Morris. Black Mirror episode The episode tells the story of Jamie (Daniel Rigby), a failed comedian who is the voice actor and digital puppeteer of a blue cartoon bear named Waldo, who comically interviews politicians and other authority figures in an insulting manner. Jamie's producer (Jason Flemyng) decides to make Waldo enter the ongoing election to become the town's Member of Parliament, as a way to get public attention; however, the joke takes unexpected proportions. Chloe Pirrie and Tobias Menzies co-star as the candidates representing the Labour and Conservative parties, respectively. While the episode received moderate reviews on its first broadcast, journalists saw more relevance in the episode following the events of the 2016 United States presidential election. Jamie (Daniel Rigby) in front of a screen depicting Waldo. Contents Episode no. Series 2 Episode 3 Plot Directed by Bryn Higgins Production Written by Charlie Brooker Reception Featured music Original Score by References Antony Genn External links Martin Slattery Original air date 25 February 2013 Plot Running time 44 minutes Guest appearance(s) Jamie Salter (Daniel Rigby) is a failed comedian who performs the voice and movements (via a remote manipulator called a Waldo) of a vulgar, blue cartoon bear named Waldo, who interviews politicians and other authority figures. The interviewees are fooled into thinking the Waldo interviews are for a children's TV programme, when they're actually for a late- Daniel Rigby as Jamie Salter night, topical comedy show. Waldo the bear is extremely popular with the British public, and a pilot for his own series is commissioned. Despite the character's success, Jamie is Chloe Pirrie as Gwendolyn depressed and unsatisfied with his life. Harris During a brainstorming session for the Waldo pilot, producer Jack Napier (Jason Flemyng), who owns the rights to Waldo, jokingly suggests that Waldo should compete against real Jason Flemyng as Jack Napier politicians in an upcoming by-election in the town of Stentonford, so he can stand against one of his past interviewees, Conservative candidate Liam Monroe (Tobias Menzies). Jamie Tobias Menzies as Liam Monroe reluctantly agrees, worried about entering the world of politics. The production company head off on a campaign trail, projecting Waldo onto a screen on the side of a van and driving to Christina Chong as Tamzin wherever Monroe is campaigning, so Waldo can publicly humiliate him. During the campaign, Jamie meets Gwendolyn Harris (Chloe Pirrie), the by-election's Labour candidate who, James Lance as Connor despite having no chance of winning, is entering the by-election to further her political career. Jamie and Gwendolyn sleep together, but Gwendolyn is warned by her campaign manager to keep away from Jamie during the campaign. Jamie is hurt by her avoidance and develops a disdain for career politicians. Ed Gaughan as Shaun Pip Torrens as Philip Crane Aggravated by Monroe's attempt to mock him on a TV panel, Jamie issues a rant against the artificiality of politicians, exposing Gwendolyn as a career politician in the process. This David Ajala as Jeff Carter rant goes viral on YouTube, and Waldo's following grows while Gwendolyn's campaign quickly falters. Despite Waldo's popularity, Jamie wants to quit, but Napier threatens to take over controlling Waldo if Jamie does not continue. Jamie and Napier meet with Jeff Carter (David Ajala), part of an unidentified American agency who claims that, because Waldo is Michael Shaeffer as Roy not a real person, he has the potential to become a popular face of otherwise unpopular global authority. Jamie resists this idea. He tries to apologise to Gwendolyn, but she angrily turns him away, saying that Waldo has only further secured Monroe's win. On the final day of the campaign trail, Jamie breaks character and begs the public not to vote for Waldo, leaving the van and trying to smash the screen, but Napier takes over Waldo's controls and asks the public to attack Jamie. Jamie watches the by-election's results from a hospital bed; Monroe wins, with Waldo (now voiced by Napier) coming second and Gwendolyn coming third. Waldo prompts the audience to riot. During the end credits, Jamie is homeless in the future. Waldo is plastered on screens, showing that the American agent's vision of a palatable face on authority has come to fruition. He tries to destroy the screen in anger, and is tased by the police. Production The episode originates from an idea by Charlie Brooker and Chris Morris, conceived when the pair were writing Nathan Barley in 2005. They imagined a politician based on Gorillaz. When Brooker came to write the episode, British politician Boris Johnson was "very present in [his] thoughts",[1] and Ali G was also an inspiration.[2] Jón Gnarr, a stand-up comedian who became mayor of Reykjavík, was another reference point, and after the episode idea was conceived, a candidate dressed as a penguin and campaigning under the name "Professor Pongoo" beat the Liberal Democrats in the 2012 Scottish local elections.[3] Reception The episode aired on Channel 4 at 10 p.m. on 25 February 2013, and was watched by 1.28 million viewers, according to 7 day data from BARB.[4] The A.V. Club rated the episode a C+, concluding: "There's just not enough there to suggest that Waldo's moment would last much longer than 15 minutes, and the show doesn't help by having all of its characters agree."[5] Den of Geek concurred, stating: "This was a lesser episode of Black Mirror, then, but that's partly because the quality of other entries has been so high. 'The Waldo Moment' was still full of keenly observed scenes (the toe-curling job interview was one highlight, and the gleeful demolition of a disgraced MP on a topical comedy feels like a pointed jab at the humour in his own current affairs show, 10 O'Clock Live)".[6] The Telegraph gave the episode 3/5 stars, and wrote: "Brooker didn't over egg it, at least not until the end, which descended into a hammy dystopian vision of Waldo becoming a means of universal mind control."[7] Several news reports, including one by Chris Cillizza, political reporter for The Washington Post, compared Donald Trump's 2016 presidential campaign to the episode.[8][9] In September 2016, episode writer Charlie Brooker also compared the Trump campaign to "The Waldo Moment" and predicted Trump would win the 2016 election.[10][11] Brooker said in an October 2016 interview that at the time of its production, he felt "The Waldo Moment" was "one episode that I didn't really nail, didn't get the stakes right. But if you look at that now, it’s really quite terrifying. It’s more prescient than I realized. He’s an anti-politics candidate who’s raucous and defensive, and that’s all he is, and he offers nothing. He insults everyone and they lap it up because they’re so sick of the status quo. And then you look at Trump..."[12] On the night of the election, at the hour when Trump's victory was becoming clear to the nation, Black Mirror sent out a tweet proclaiming: "This isn't an episode. This isn't marketing. This is reality."[13] Commentators also found that "Animoji", emoji-style avatars that were animated based on tracking facial movements of the user, introduced in iOS 11 alongside Apple's iPhone X in September 2017 had been predicted by "The Waldo Moment".[14][15] References 1. Tate, Gabriel (31 January 2013). "Charlie Brooker and Hayley Atwell discuss 'Black Mirror' " (https://www.timeout.com/london/tv-and-radio-guide/charlie-brooker-and-hayley-atwell-discuss-black-mirror). Time Out. Retrieved 16 December 2017. 2. Jones, Emma (21 October 2016). "Black Mirror: Backlash against writer inspired episode" (https://www.bbc.co.uk/news/entertainment-arts-37714850). BBC. Retrieved 16 December 2017. 3. Kelly, Stephen (11 February 2013). "Charlie Brooker Q&A: the drug of tech has us hooked. What's the side-effect?" (https://www.wired.co.uk/article/charlie-brooker). Wired. Retrieved 16 December 2017. 4. "Weekly top 30 programmes" (http://www.barb.co.uk/viewing-data/weekly-top-30). Broadcasters' Audience Research Board. Retrieved 10 December 2017. 5. "Black Mirror: "The Waldo Moment" " (http://www.avclub.com/tvclub/the-waldo-moment-106539). AV Club. Retrieved 10 December 2014. 6. "Black Mirror series 2 episode 3: The Waldo Moment spoiler-filled review" (http://www.denofgeek.com/tv/24606/black-mirror-series-2-episode-3-the-waldo-moment-spoiler-filled-review). Den of Geek. Retrieved 10 December 2014. 7. "Black Mirror: The Waldo Moment, Channel 4, review" (https://www.telegraph.co.uk/culture/tvandradio/9893606/Black-Mirror-The-Waldo-Moment-Channel-4-review.html) . The Telegraph. UK. 25 February 2013. Retrieved 17 October 2014. 8. Cillizza, Chris (8 September 2015). "Donald Trump's troll game of Jeb Bush: A+" (https://www.washingtonpost.com/news/the-fix/wp/2015/09/08/donald-trumps-troll-game-of-jeb-bush-a/). The Washington Post. Retrieved 24 October 2015. 9. O'Keefe, Meghan (7 August 2015). "Why You Must Watch Black Mirror: 'The Waldo Moment' This Weekend" (http://decider.com/2015/08/07/black-mirror-the-waldo-effect-2016-presidential-race/).
Recommended publications
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday

    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
  • Rachel Freck - Casting Director

    Rachel Freck - Casting Director

    RACHEL FRECK - CASTING DIRECTOR The Office, 28 Elmbourne Rd, London SW17 8JR Tel: 020 8673 2455 Mb No: 07980 585 607 Email: [email protected] Winner of: EMMY AWARD 2009 for Outstanding Casting for a mini-series- for ‘LITTLE DORRIT’ Casting Director: ‘THE OFFICE’, Winner of: GOLDEN GLOBES, BAFTAS, RTS, BRITISH COMEDY AWARDS, TRIC, ETC Winner of Best Casting: BRITISH TELEVISION ADVERTISING CRAFT AWARDS 2004 Films NATIVITY 2 – THE SECOND Feature Film Mirrorball/BBC Films COMING! Director Debbie Isitt By Debbie Isitt Producer Nick Jones TOAST Screenplay By Lee Hall based on the Feature Film Ruby Films/BBC Films Nigel Slater Autobiography Director S. J. Clarkson Producer Faye Ward NATIVITY Feature Film Mirrorball/BBC Films By Debbie Isitt Director Debbie Isitt Producer Nick Jones THE MARK OF CAIN Feature Film Red Productions for Channel 4 Films By Tony Marchant Director Marc Munden Producer Lynn Horsford Exec Producer Nicola Shindler Winner of BAFTA best single drama 2008 CONFETTI Feature Film Improvised Comedy Feature Film for BBC Films by Debbie Isitt Director Debbie Isitt Producers David Thompson for BBC Films & Ian Benson for Wasted Talent THE FESTIVAL Feature Film Film Four and Scottish Screen by Annie Griffin Director Annie Griffin Producers Annie Griffin, Chris Young for Young Pirate Productions Winner of Best Comedy Film – British Comedy Awards 2005 2006 BAFTA nominated for: The Carl Foreman Award for Special Achievement by a British Director The Alexander Korda Award for the Outstanding British Film of the Year THE GREAT PRETENDER Feature Film Starring Ewan McGregor (in development) by Peter Capaldi Director Peter Capaldi Producer Elaine Collins Film for Television HOLY FLYING CIRCUS Film for TV Hillbilly TV for BBC-4.
  • Known Nursery Rhymes Residencies Fruit Eaten Remembered World

    Known Nursery Rhymes Residencies Fruit Eaten Remembered World

    13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
  • JAY ARTHUR 1ST AD Varied Route to A.D

    JAY ARTHUR 1ST AD Varied Route to A.D

    JAY ARTHUR 1ST AD Varied route to A.D. includes chronologically: Theatre Lighting, Morris Angels Costumier, Sound Engineer, Stills Photographer , offline/online editor, Music Video Director, P.M. Producer FEATURE FILMS Production Company Director Title BTB productions Vadim John Breaking the Bank Victor films Jake Gavin Hector Huge prods Ben Miller Huge Formosa Films Neil Thompson Clubbed Midas Films Malcolm Needs Charlie T.V.SERIES Production Company Director Title Well Street Productions Rei Green Top Boy Series 3 Black Mirror ?????? Series 5 Black Mirror David Slade “METALHEAD” series 4 In the Long Run Declan Lowney In the Long Run Objective Media Ben Taylor Ye Sweeney Privileged Productions Roy Forberg/James Lafferty The Royals Privileged Productions Menhaj Huda/ Roy Forberg The Royals Me+You Gordon Anderson Hoff the Record King Bert Mat Lipsey Ruby Robinson Heartswood Mat Lipsey Outlaws Avalon Mat Lipsey Wit Tank Nightjack Productions John Baird Babylon BBC/Avalon Ben Taylor Catastrophe - series 1 SKY / Bwark Ben Taylor 30 & Counting BBC Ben Taylor Cuckoo - Series 1 BBC Matt Lipsey Psychoville Tiger Aspect Gordon Anderson Katherine Tate Christmas Greenroom Vadim Jean Fresh! Kudos Gordon Anderson Moving Wallpaper Baby Cow Paul King The Mighty Boosh Warp Chris Waitt Fur T.V. Bwark J. Bobin /Gordon Anderson Inbetweeners – series 1 Baby Cow Prods Ben Miller Saxondale – series 1 Talkback James Bobin Modern MenModern Men Talkback Becky Martin Ladies and Gentlemen Talkback Graeme Linehan IT Crowd Talkback Chris Morris /Charlie Brooker Nathan
  • Intro to Digital Tech & Emerging Media

    Intro to Digital Tech & Emerging Media

    DTEM 1401 Version 1.2 Fall 2019 INTRO TO DIGITAL TECH & EMERGING MEDIA Course Information The course Introduction to Digital Technology and Emerging Media offers a comprehensive overview of the possibilities of Course Schedule: Mon & Thu communication in a digital world. Through a series of readings, 10-11:15 pm lectures and assignments, students study the rhetoric, history, theory, and practice of new media. Location: FMH 301 As the digital media landscape is constantly evolving, this course will Instructor Contact take a specific interest in understanding the evolution of media technologies and investigate the emergence of older forms of “new” E-mail: [email protected] media, from the original internet to big data, from graphical user Twitter: @klangable interfaces to social media platforms. As we do so, we will focus on how we use digital media, and how that use impacts individual Phone: 718-817-4870 identities, connections between people, our knowledge levels, Office: Faculty Memorial Hall, relationships of power, and so on. Room 438 Office Hours: MR 12:30-2pm, Objectives email for appointment. The course will allow students to: How to email your professor • gain an understanding of core concepts of digital content, such as http://klangable.com/blog/? mobility, interactivity, networking, as well its technical components page_id=4746 and how it impacts communication and information. • historicize media technologies we consider(ed) “new” media. • understand and contribute to contemporary debates over changes in identity, sociality, the economy, education, and play associated with the emergence of new media. • recognize how digital media constantly impact and/or structure their everyday social interactions, identities, and seemingly- mundane or rote behaviors.
  • El Imaginario Social De La Democracia En Black Mirror the Social Imaginary of Democracy in Black Mirror

    El Imaginario Social De La Democracia En Black Mirror the Social Imaginary of Democracy in Black Mirror

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio da Universidade da Coruña Cigüela Sola, Javier y Martínez Lucena, Jorge (2014): “El imaginario social de la democracia 90 en Black Mirror” El imaginario social de la democracia en Black Mirror The social imaginary of democracy in Black Mirror Javier Cigüela Sola Universitat Abat Oliba CEU [email protected] Jorge Martínez Lucena Recibido 20-06-2014 Aceptado 23-11-2014 ABSTRACT RESUMEN Our collective imaginary of democracy is Nuestro imaginario colectivo de la eminently positive and usually connected to democracia es eminentemente positivo y other imaginaries such as transparency, suele estar conectado a otros imaginarios technology or entertainment, which we also como el de la transparencia, el de la tend to imagine as positively linked. tecnología y el entretenimiento, que Anyway, facts on democracy are themselves también tendemos a imaginar vinculados paradoxical, and paradoxical is also its positivamente entre sí. Sin embargo, la relation to those other imaginaries. In this realidad de la democracia en sí misma, así article we show how the english TV series como su relación con los imaginarios a los Black Mirror, a product of pop que ésta está conectada, es paradójica. En entertainment, allows a critical reflection on este artículo queremos mostrar cómo la the paradoxes that democracy entails. We teleserie inglesa Black Mirror, un producto will do so by showing how the episodes 1.2 de entretenimiento pop, permite una ("Fifteen Million Merits") and 2.3. ("The reflexión crítica acerca de las paradojas que Waldo Moment") allow to understand, ésta misma entraña.
  • TV Go Home Pdf Free Download

    TV Go Home Pdf Free Download

    TV GO HOME PDF, EPUB, EBOOK Charlie Brooker | 112 pages | 04 Nov 2010 | FABER & FABER | 9780571272198 | English | London, United Kingdom TV Go Home PDF Book January 26, August 6, Explicitly confrontational version of Antiques Roadshow. November Learn how and when to remove this template message. New year! Sign in to check your email and manage your internet features. Help Learn to edit Community portal Recent changes Upload file. External Sites. Savage, satirical, surreal, and frequently incredibly stupid, this book should make you laugh out loud. What should I do? It was written by Brooker, among others, and directed by Tristram Shapeero , who also directed the controversial Brass Eye special on paedophilia. Nevertheless, the overall standard is pretty good, so even though The Best Of TV Go Home is not an unmissable show, you probably won't be disappointed if you end up watching it anyway. TVGoHome's most consistent target, however, was fictional. But, that doesn't stop us enjoying the hilarious archive. However, the highly surreal nature of the humour make this programme a bit hit-and-miss in terms of comedy value, and while some parts are completely inspired The Flailers , others are quite uncomfortable to watch Simon Doyle. I recommend clicking the second-up row and second-up column so, the bottom-left-most cell, but one up and to the right , then searching every three up and right. I forgot my password. Sorry we can't access. Retrieved 14 January Full Cast and Crew. Robin Savage rated it really liked it Mar 31, Explore voice features Voice call settings Voice equipment Voice Mail.
  • Film 1011 Outstanding Debut Nominee Biogs

    Film 1011 Outstanding Debut Nominee Biogs

    OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER NOMINATIONS 2010 (presented in 2011) CLIO BARNARD (DIRECTOR), TRACY O’RIORDAN (PRODUCER), THE ARBOR The Arbor tells the true story of Bradford playwright Andrea Dunbar (The Arbor, Rita, Sue and Bob Too) and her daughter, Lorraine. The film consists of actors lip-synching to genuine interviews with other members of the Dunbar family and their neighbours, intercut with footage of a live outdoor performance of her first play on the estate where she lived. Clio Barnard is an artist filmmaker whose work has been shown in cinemas, film festivals, galleries and on television. Her previous work, including several short films, has been concerned with the relationship between fictional film language and documentary. She grew up near Bradford, in the same area as Andrea Dunbar. Tracy O’Riordan worked as a drama development executive and story editor before moving into physical production. Tracy line-produced Song of Songs and was part of the production team on the BAFTA-winning The Queen. Tracy also oversaw the development and production of three micro-budget feature films for Digital Departures, including Terence Davies’ Of Time and the City. BANKSY (DIRECTOR), JAIMIE D’CRUZ (PRODUCER), EXIT THROUGH THE GIFT SHOP Exit Through the Gift Shop is a documentary about Thierry Guetta, an LA-based French filmmaker who had been assembling a documentary on street art in which he wanted Banksy to feature. When the two met and became friends, Banksy convinced Thierry to put down his camera, hand over his tapes and allow Banksy to finish the film, which charts Thierry’s unlikely transformation into a street artist himself.
  • Lesley Lamont-Fisher Make-Up & Hair Designer

    Lesley Lamont-Fisher Make-Up & Hair Designer

    Lesley Lamont-Fisher Make-Up & Hair Designer Credits include: THE ENGLISH Writer/Director: Hugo Blick Revenge Romantic Western Producer: Colin Wratten Featuring: Emily Blunt, Chaske Spencer, Rafe Spall Production Co: Drama Republic / BBC One / Amazon THAT GOOD NIGHT Director: Eric Styles Drama Producers: Alan Latham, Charles Savage Featuring: John Hurt, Sofia Helin, Charles Dance, Erin Richards Production Co: GSP Studios INDIAN SUMMERS Directors: John Alexander, Anand Tucker, David Moore Period Drama Series Producer: Dan Winch Featuring: Julie Walters, Henry Lloyd-Hughes, Jemima West Production Co: New Productions / Channel 4 LIFE IN SQUARES Director: Simon Kaijser Period Drama Producer: Rhonda Smith Featuring: James Norton, Eve Best, Phoebe Fox, Lydia Leonard Production Co: Ecosse Films / BBC Two BLACK MIRROR: Production Co: Zeppotron / Channel 4 Satirical Sci-Fi Thriller Dramas Producer: Barney Reisz WHITE CHRISTMAS Director: Carl Tibbets Featuring: John Hamm, Rafe Spall, Oona Chaplin BE RIGHT BACK Director: Owen Harris Featuring: Hayley Atwell, Domhnall Gleeson, Claire Keelan BAFTA Nomination for a Single Drama THE WALDO MOMENT Director: Bryn Higgins Featuring: Jason Flemyng, Tobias Menzies WHITE BEAR Director: Carl Tibbetts Featuring: Tuppence Middleton, Michael Smiley THE NATIONAL ANTHEM Director: Otto Bathurst Featuring: Lindsay Duncan, Rory Kinnear, Donald Sumpter Rose d’Or Festival Nomination for Best Comedy Broadcast Award Nomination for Best Single Drama FIFTEEN MILLION MERITS Director: Euros Lyn Featuring: Daniel Kaluuya, Jessica
  • Black Mirrors: Reflecting (On) Hypermimesis

    Black Mirrors: Reflecting (On) Hypermimesis

    Philosophy Today Volume 65, Issue 3 (Summer 2021): 523–547 DOI: 10.5840/philtoday2021517406 Black Mirrors: Reflecting (on) Hypermimesis NIDESH LAWTOO Abstract: Reflections on mimesis have tended to be restricted to aesthetic fictions in the past century; yet the proliferation of new digital technologies in the present century is currently generating virtual simulations that increasingly blur the line between aes- thetic representations and embodied realities. Building on a recent mimetic turn, or re-turn of mimesis in critical theory, this paper focuses on the British science fiction television series, Black Mirror (2011–2018) to reflect critically on the hypermimetic impact of new digital technologies on the formation and transformation of subjectivity. Key words: mimesis, Black Mirror, simulation, science fiction, hypermimesis, AI, posthuman he connection between mirrors and mimesis has been known since the classical age and is thus not original, but new reflections are now appearing on black mirrors characteristic of the digital age. Since PlatoT first introduced the concept ofmimēsis in book 10 of the Republic, mir- rors have been used to highlight the power of art to represent reality, generating false copies or simulacra that a metaphysical tradition has tended to dismiss as illusory shadows, or phantoms, of a true, ideal and transcendental world. This transparent notion of mimesis as a mirror-like representation of the world has been dominant from antiquity to the nineteenth century, informs twentieth- century classics on realism,
  • Channel 4 Review of 2005

    Channel 4 Review of 2005

    Channel 4 Review of 2005 1. Major themes in 2005 Channel 4 has had a remarkable year in 2005. It is the only network channel to have grown its audience. As promised in our 2005 Statement of Programme Policy, we launched a new free to air public service channel, More4. We took E4 free to air, helping make it the strongest digital channel for 16-34 year olds. We increased the range and scope of new media projects, and achieved our highest ever traffic to Channel 4 sites. We fulfilled our ambition to be the most innovative and distinctive broadcaster in the UK, provided effective competition to the BBC, and engaged and challenged our audiences. Channel 4 reinforced its public service commitments and held true to its remit to be innovative, educative and diverse. Programmes such as Jamie’s School Dinners proved that television could still make a difference. Unlike other channels, Channel 4 consistently encouraged new talent, new companies and distinctive voices; this authorship and originality was rewarded with one of its most successful years ever, leading to 10 BAFTA television awards (out of a total of 21). Our continuing commercial success enabled us to increase Channel 4’s 2005 programme budget to £490 million, its highest-ever level and £5 million more than we promised in our Statement of Programme Policy a year ago. We met all our licence commitments, worked with more than three hundred independent producers, and as promised in our Statement maintained our dedication to new talent with an investment of £2.6 million to support new talent and new companies.
  • The Waldo Moment”

    The Waldo Moment”

    CREATED BY Charlie Brooker EPISODE 2.03 “The Waldo Moment” A failed comedian who voices a popular cartoon bear named Waldo finds himself mixing in politics when TV executives want Waldo to run for office. WRITTEN BY: Charlie Brooker | Christopher Morris DIRECTED BY: Bryn Higgins ORIGINAL BROADCAST: February 25, 2013 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Daniel Rigby ... Jamie Salter Chloe Pirrie ... Gwendolyn Harris Jason Flemyng ... Jack Napier Tobias Menzies ... Liam Monroe Christina Chong ... Tamsin James Lance ... Conor Simpson Ed Gaughan ... Shaun Kenneth Collard ... Jim Michael Shaeffer ... Roy Pip Torrens ... Philip Crane David Ajala ... Jeff Carter James Richard Marshall ... Monroe's Campaign Agent Jack Monaghan ... Hustings Host Louis Waymouth ... Simon Finch Daniel Tatarsky ... Returning Officer 1 00:00:03,040 --> 00:00:05,120 ♪ ♪ 2 00:00:33,400 --> 00:00:36,240 (door opens) 3 00:00:36,360 --> 00:00:37,280 (clears throat) 4 00:00:37,400 --> 00:00:39,600 They're ready for you now. 5 00:00:42,360 --> 00:00:44,200 Gwendolyn Harris. We've met. 6 00:00:44,320 --> 00:00:45,240 Bournemouth. 7 00:00:45,360 --> 00:00:46,320 But you don't know the others. 8 00:00:46,440 --> 00:00:48,880 No, but I'm familiar with you.