How Could Popular Culture Help Understand International Relations Issues Through the Content Analysis of Netflix’S Black Mirror?”
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THE LAND BEYOND the MAGIC MIRROR by E
GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent ......................................... -
Written Evidence Submitted by Netflix
Written evidence submitted by Netflix Submission to Digital, Culture, Media and Sport Committee inquiry The future of Public Service Broadcasting June 2020 Netflix in the UK 1. Netflix is a streaming subscription video on demand (SVoD) service that allows customers to watch a wide variety of TV shows, films, documentaries, and more over the internet and ad-free on any one of thousands of internet-connected devices at a time and place of their choice. We are a global service, offered in 190 countries with close to 180 million subscribers, of whom over 12 million are in the UK. 2. The UK is one of Netflix’s top three locations for production globally, along with the U.S. and Canada. In 2019 we invested over £400m1 here in local content, with over 50 different shows in production including co-productions with the public service broadcasters and in total over £500m in UK production - a third of all our production in Europe. We expect our investment here to continue growing; our long-term commitment to the UK creative community and our intention to increase our investment in production is also reflected in our announcement last year that we are creating a dedicated production hub in the UK, based at Shepperton Studios.2 3. Localised content is increasingly a priority for our business, both in the UK and around the world. Since 2019 we have appointed several UK-based commissioners overseeing scripted and unscripted content, including drama, comedy, factual, and kids and family - all of whom built their careers in the UK film and TV industry, including with the PSBs. -
Black Mirror
BLACK MIRROR "SAN JUNIPERO" FINAL SHOOTING SCRIPT Written By Charlie Brooker INCLUDING THE FOLLOWING REVISIONS: ** PINK REVISIONS - DATED 23.11.15 ** ** BLUE REVISIONS - DATED 02.12.15 ** Charlie Brooker C/o House of Tomorrow Shepherds Building Charecroft Way London W14 0EE (c) 2017 Black Mirror Drama Limited. All Rights Reserved This screenplay is the property of Black Mirror Drama Limited (“BMD”). Distribution or disclosure of any information of whatever nature in whatever form relating to the characters, story and screenplay itself obtained from any source including without limitation this screenplay or information received from BMD, to unauthorised persons, or the sale, copying or reproduction of this screenplay in any form is strictly prohibited. This Screenplay is intended to be read solely by BMD employees and individuals under contract to or individuals permitted by BMD. This screenplay contains confidential information and therefore is given for the review on a strictly confidential basis. By reading this screenplay you agree to be bound by a duty of confidence to BMD and its subsidiary companies. BLACK MIRROR "SAN JUNIPERO" 1. 1 EXT. SHORELINE - NIGHT 1 It’s 1987. Coastal California. Silhouetted mountains, moonlit sea. Lights twinkling near the shoreline. We move closer to see the lights of the town of San Junipero. Streetlights. Nightclubs and bars. Cars drifting up and down the main street. The vehicles date from 1987. There's a billboard advertising the movie The Witches of Eastwick. We move closer: 2 EXT. BARKER STREET - CONTINUOUS 2 This is San Junipero's main drag. Along the sidewalk we follow YORKIE, a slightly awkward woman in her early 20s, dressed so as not to stand out. -
How to Cite Complete Issue More Information About This Article
Matrizes ISSN: 1982-2073 ISSN: 1982-8160 [email protected] Universidade de São Paulo Brasil Franco Ferraz, Maria Cristina; Saint Clair, Ericson Towards a genealogy of online hate: contagion, viralization and resentment Matrizes, vol. 13, no. 1, 2019, -, pp. 133-147 Universidade de São Paulo Brasil DOI: https://doi.org/10.11606/issn.1982-8160.v13i1p133-147 Available in: https://www.redalyc.org/articulo.oa?id=143065805008 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative 133 Towards a genealogy of online hate: contagion, viralization and resentment1 Por uma genealogia do ódio online: contágio, viralização e ressentimento MARIA CRISTINA FRANCO FERRAZa Federal University of Rio de Janeiro, Graduation Program in Communication. Rio de Janeiro – RJ, Brazil ERICSON SAINT CLAIRb Fluminense Federal University, Department of Arts and Cultural Studies. Rio de Janeiro – RJ, Brazil ABSTRACT The dissemination of hate in social media is investigated with special emphasis on its 1 A first version of this article functioning mechanisms. The concepts of contagion and resentment are studied through was presented to the Group of Work Communication the works of Gabriel Tarde and Nietzsche. Tarde conceives the suggestibility of beliefs and and Sociability of the XXVII desires (imitation) as the driving force of the socius production. Viralization becomes Compós at PUC (Pontifícia Universidade Católica) of a vector of production of unstable homogeneities, under the mobile background of Minas Gerais, Belo Horizonte - MG, in June 2018. -
Semantic Network Analysis of Tweets About
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hong, Yoorim Conference Paper How the discussion on a contested technology in Twitter changes: Semantic network analysis of tweets about cryptocurrency and blockchain technology 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018 Provided in Cooperation with: International Telecommunications Society (ITS) Suggested Citation: Hong, Yoorim (2018) : How the discussion on a contested technology in Twitter changes: Semantic network analysis of tweets about cryptocurrency and blockchain technology, 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018, International Telecommunications Society (ITS), Calgary This Version is available at: http://hdl.handle.net/10419/190383 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Philosophy of Technology Yale Summer Session B, 2020 Course Syllabus Instructor: Joanna Demaree-Cotton ([email protected])
PHIL S183: Philosophy of Technology Yale Summer Session B, 2020 Course Syllabus Instructor: Joanna Demaree-Cotton ([email protected]) Class times: Mondays and Wednesdays 9am EST – 12:15pm EST Class meeting format: Zoom (link to be distributed). Students will require an adequate internet connection and will need to connect to the online classroom with audio and video. Office Hours: Times and days tbc. These are times I reserve outside of class when I will be available to talk to online. You can pop in unannounced or reserve an appointment via Canvas. We can use this time to answer any questions you have, chat about course material, talk about ideas you’re interested in or feel puzzled about, talk about your progress, discuss feedback on your work, or address concerns you have. Appointments on Canvas must be made at least 12 hours in advance. Course Description: What should a self-driving car do in a crash when every likely outcome leads to the death of some number of innocent people? To what extent is it morally acceptable to pursue the enhancement of humans? Should we use virtual reality or chemicals to make us feel happy? Is it ethical to use social media to call out bad behavior? Who’s responsible when a drone kills a civilian? Does playing violent video games make us bad people? Can an algorithm be racist? The goal of the philosophy of technology is to step back and reflect on the ethical impact of technology. Over the course of the summer session, we will apply classic debates in ethics to case studies in modern developments in technology. -
Wealthy Business Families in Glasgow and Liverpool, 1870-1930 a DISSERTATION SUBMITTED TO
NORTHWESTERN UNIVERSITY In Trade: Wealthy Business Families in Glasgow and Liverpool, 1870-1930 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Emma Goldsmith EVANSTON, ILLINOIS December 2017 2 Abstract This dissertation provides an account of the richest people in Glasgow and Liverpool at the end of the nineteenth and beginning of the twentieth centuries. It focuses on those in shipping, trade, and shipbuilding, who had global interests and amassed large fortunes. It examines the transition away from family business as managers took over, family successions altered, office spaces changed, and new business trips took hold. At the same time, the family itself underwent a shift away from endogamy as young people, particularly women, rebelled against the old way of arranging marriages. This dissertation addresses questions about gentrification, suburbanization, and the decline of civic leadership. It challenges the notion that businessmen aspired to become aristocrats. It follows family businessmen through the First World War, which upset their notions of efficiency, businesslike behaviour, and free trade, to the painful interwar years. This group, once proud leaders of Liverpool and Glasgow, assimilated into the national upper-middle class. This dissertation is rooted in the family papers left behind by these families, and follows their experiences of these turbulent and eventful years. 3 Acknowledgements This work would not have been possible without the advising of Deborah Cohen. Her inexhaustible willingness to comment on my writing and improve my ideas has shaped every part of this dissertation, and I owe her many thanks. -
Income Inequality Is Not Just About Material Deprivation However
Class Wars/Culture Wars 1st March 2012 Who makes chavs? Sue Christoforou www.equalitytrust.org.uk Causes of disadvantage V Professor Sir Michael Marmot, internationally acclaimed epidemiologist Income inequality is not just about material deprivation however. There is evidence that the degree of inequality in society, is having a harmful effect on health, not only of the poor, but of society as a whole. Countries, and areas within countries, marked by greater inequality have not only worse health but a higher rate of crime and other adverse social outcomes. Both poverty and inequality may be important for social cohesion, life opportunities and health. Fair Society, Healthy Lives: The Marmot Review, 2010 Index of: • Life expectancy • Math & Literacy • Infant mortality • Homicides • Imprisonment • Teenage births • Trust • Obesity • Mental illness – incl. drug & alcohol addiction • Social mobility Health and social problems are worse in more unequal countries Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Source: Wilkinson & Pickett (2009) The Spirit Level Systemic cause of poor health and = social outcomes You will feel the full force of the law. And if you are old enough to commit these crimes, you are old enough to face the punishment, says Cameron The Telegraph 9 August 2011 I think we all do stupid things when we’re young, says Cameron BBC Radio 4’s Today Programme 2 September 2011 www.youtube.com/watch?v=9SaZUYa5r28 Bullingdon Club antics were nothing like the riots, says Cameron The Guardian 2 September 2011 Help us stop £1.5bn benefits scroungers ―The Sun is declaring war on feckless benefits claimants to slash the £5BILLION wasted in Britain's shambolic handouts culture. -
JAY ARTHUR 1ST AD Varied Route to A.D
JAY ARTHUR 1ST AD Varied route to A.D. includes chronologically: Theatre Lighting, Morris Angels Costumier, Sound Engineer, Stills Photographer , offline/online editor, Music Video Director, P.M. Producer FEATURE FILMS Production Company Director Title BTB productions Vadim John Breaking the Bank Victor films Jake Gavin Hector Huge prods Ben Miller Huge Formosa Films Neil Thompson Clubbed Midas Films Malcolm Needs Charlie T.V.SERIES Production Company Director Title Well Street Productions Rei Green Top Boy Series 3 Black Mirror ?????? Series 5 Black Mirror David Slade “METALHEAD” series 4 In the Long Run Declan Lowney In the Long Run Objective Media Ben Taylor Ye Sweeney Privileged Productions Roy Forberg/James Lafferty The Royals Privileged Productions Menhaj Huda/ Roy Forberg The Royals Me+You Gordon Anderson Hoff the Record King Bert Mat Lipsey Ruby Robinson Heartswood Mat Lipsey Outlaws Avalon Mat Lipsey Wit Tank Nightjack Productions John Baird Babylon BBC/Avalon Ben Taylor Catastrophe - series 1 SKY / Bwark Ben Taylor 30 & Counting BBC Ben Taylor Cuckoo - Series 1 BBC Matt Lipsey Psychoville Tiger Aspect Gordon Anderson Katherine Tate Christmas Greenroom Vadim Jean Fresh! Kudos Gordon Anderson Moving Wallpaper Baby Cow Paul King The Mighty Boosh Warp Chris Waitt Fur T.V. Bwark J. Bobin /Gordon Anderson Inbetweeners – series 1 Baby Cow Prods Ben Miller Saxondale – series 1 Talkback James Bobin Modern MenModern Men Talkback Becky Martin Ladies and Gentlemen Talkback Graeme Linehan IT Crowd Talkback Chris Morris /Charlie Brooker Nathan -
Internet-Projekte Aspekte
Activities Carnival around the world (A1) Read the text and then answer the questions below. Germany loves to celebrate Carnival. Think of the parades in Cologne and the thousands of visitors who enjoy this festival. People dress up in costumes, they drink a lot and have a good time! But Germany is not alone. Many other countries like to celebrate Carnival as well. The Carnival Capital of the world is Rio de Janeiro in Brazil. The Rio Mardi Gras (Fat Tuesday) Carnival is a wild five-day celebration which begins on Friday and finishes on Tuesday. There are 70,000 participants in over 440 groups who dance and sing and play music in the parade and there is an audience of many millions who watch this gigantic party on television. The first record of Carnival in Rio de Janeiro was in 1723 when the celebration was, of course, much smaller. Panama is a very small country, but it celebrates Mardi Gras in a big way, too. Some people say it is the second biggest Carnival in the world. Like in Brazil, the festival starts on Friday and finishes on Tuesday. Many towns have their own celebrations, but Panama City has an exciting and lively parade along the Via España. There are plenty of water trucks spraying visitors and people throw water ballons – so watch out, you will get wet! Carnival in Venice started nearly one thousand years ago in 1162 and has become very popular today. Masks are very important in this Carnival and people wear masks of different colours and designs – and costumes, too, of course. -
Black Mirror
Quote “The alienation of the spectator to the profit of the contemplated object [...] is expressed in the following way: the more he contemplates the less he lives; the more he accepts recognizing himself in the dominant images of need, the less he understands his own existence and his own desires. [...] This is why the spectator feels at home nowhere, because the spectacle is everywhere.” “L’aliénation du spectateur au profit de l’objet contemplé [...] s’exprime ainsi : plus il contemple, moins il vit ; plus il accepte de se reconnaître dans les images dominantes du besoin, moins il comprend sa propre existence et son propre désir. [...] C’est pourquoi le spectateur ne se sent chez lui nulle part, car le spectacle est partout. “ Guy Debord – The Society of the Spectacle Cultural and literary studies Satire of contemporary technocratic world Black Mirror • Netflix original series since 2014 • 4 seasons • Dystopian satire • Side effects of our addiction to new technologies Objects of study • Nosedive (episode 1 season 3) • USS Callister (episode 1 season 4) • The Waldo Moment (episode 3 season 2) Questions • How does this dystopian satire shed light on the current society of the spectacle? • Is the satirical impact impaired by the use of cinematographic genres with traditional techniques? • Does the genre, as a medium for satire, become itself an object of satire? Nosedive, satire of social hypocrisy • Political correctness • Superficiality and obsession • Dependence and competition • Role of media and politics Nosedive, satire of Hollywood -
Ethics in the Digital Age
Ethics in the Digital Age Professor Daniel Moerner ([email protected]) Last updated 10/1/2020 Course Assistants: Andrew Pitel; Eamon Duede; Sam Segal Meeting Times: The majority of this course will be run asynchronously. We will not meet during the officially scheduled lecture times. Instead, each week I will assign readings and post short lectures onthe reading. Each week you will also be required to complete a short assignment, by Thursday at 9 pm Central Time. Discussion sections will be held synchronously, either offline or online at the discretion of theCA, and as conditions permit. Optional student hours will be held synchronously online. Student Hours: Tuesdays, 9-11 am, Central Time, on Zoom. Summary: Advanced technology is now integrated into every part of our lives. Often without thinking carefully about the consequences, we have built the Internet, shared our lives on Twitter and Facebook, invested in self-driving cars, and pursued research on technological enhancement of the human body. The goal of philosophy of technology is to step back and reflect on these developments, by bringing together the work of philosophers, historians, anthropologists, and sociologists. Part of the goal of this reflection is to think about the norms that we should use to guide continued technological development. The philosophy of technology is an exciting and broad field. This course serves as an in-depth introduction to the fields of applied ethics and technology studies. Over the course of the quarter, we will pairclassic debates in applied ethics with case studies from recent developments in technology. Our goal is to come to a deeper understanding of how we should act in the digital age.